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Cartoon: Democrat's Fault

Published by Anonymous (not verified) on Wed, 20/06/2018 - 7:50am in

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Dimbleby Resigns as BBC Propagandist on Question Time

Yesterday, Mike put up a piece commenting on the resignation of former Bullingdon boy David Dimbleby as the host of Question Time. The man Private Eye dubbed ‘Dimblebore’ has been presenting the show for 25 years, and now considers it the right moment to leave. Dimbleby is another BBC presenter, who is very biased towards the Conservatives. Mike’s photograph of him accompanying his piece shows him raising two fingers, with the comment that it’s probably to a Socialist. Mike also cautions against feeling too good about Dimblebore’s resignation, as we don’t know what monster’s going to replace. He wonders whether the secret of human cloning has been found, and whether the next biased presenter of the programme will be Josef Goebbels.

https://voxpoliticalonline.com/2018/06/17/if-david-dimbleby-is-leaving-the-bbcs-question-time-what-horror-will-replace-him/

Last week Dimblebore was off in Russia, presenting a documentary about the country under Putin ahead of the footie there. He wasn’t the only, or even the first person to go. The comedian Frankie Boyle got there over a week earlier, presenting a two-part show about the country, it’s people and football on Sunday evening. Dimblebore was rather more serious in tone, presenting Russia as a country in the grip of a repressive autocrat, and mired in corruption which was strangling the economy.

Dimbleby first explained that Putin was most popular with young people, the generation that everywhere else is rebelling against autocrats, dictators and tyrants. He puts this down to Russians’ experience of economic collapse under Yeltsin. Yeltsin ended communism and dismembered the economy of the Soviet Union, privatising whatever he could. The result was chaos, and massive employment. At one point it got so bad that some factories were paying their workers in the goods they produced. Putin has restored order and economic stability to the country, and so has the support of the younger generation.

He spoke to a great of young professionals, an advertising branding team who were supporters of Putin, working to promote him through images and slogans. He stated that most of the media was controlled by the Russian president, with a few exceptions. He then went to speak to someone from RT’s Moscow branch. Dimbleby explained that some of the staff were British, and asked one of the Brits there whether he was presenting propaganda. The man denied it, said that there was no one watching over him, telling him what to do, and that his conscience was clear. Dimblebore then gave a knowing smirk into the camera.

He then talked to a female presenter on one of the few dissident broadcasters Putin had allowed to remain open. She said that she had not received any threats, but she knew that she could be killed for what she did. But she was still determined to carry on.

He then talked about how those, who criticised the government were arrested and jailed, interviewing a human rights lawyer, who defended them. When asked what people could be arrested and jailed for, the lawyer explained that it could be criticism of the government, or a non-traditional understanding of the Second World War. The other year Putin passed a law criminalising the view that Stalin was partly responsible for the Nazi invasion of eastern Europe and Russia through the Nazi-Soviet pact. From what I remember, I think you can also be arrested for promoting gay rights.

He then spoke to a woman, who was protesting her treatment by the state. She had already been jailed for criticising Putin, but was determined to do so again. She had not been able to get a permit to organise a protest, and so held her own, one-woman demonstration outside the court. This is permitted under Russian law. If you can’t get a permit for a demonstration, you can still protest, so long as there is only one person involved. As she stood with her placard, she was joined by an increasing number of counter-protesters determined to disrupt her protest, and possibly send her to jail. They moved closer to her, and she moved away, telling them to keep their distance. They kept coming, and their numbers kept increasing. Then the cops turned up, and started filming things as they’d been told foreigners were involved. And someone else from one of the TV companies materialised to film the protest as well. Eventually it all ended, and the police and counter-protesters disappeared.

Dimbleby then did a piece about the police’s brutal suppression of dissent, complete with footage of the cops beating what looked like a feminist protester from Pussy Riot.

He also touched on gender roles. He talked to a hairdresser, while having his haircut, who told him that Russia still had very traditional gender roles, in which women wanted a strong man to provide for them.

Putin has also succeeded in reversing the declining Russian birthrate. Instead of falling, it is now rising, with medals and benefits given to couples who have large families. He showed one woman and her husband, who were being presented a medal by Putin for having ten children.

He also went off to talk to a youth organisation, that was set up to get children, including boys of junior school age, interested in the army. The group’s name translates as ‘Net’, and is run by army officers. The children there wear combat uniforms and learn to shoot using air rifles, which they are also taught how to strip down. They were shown blazing away at targets, and competing with each other over who could reassemble a gun while blindfolded the quickest, with Dimblebore cheering the winner. And it wasn’t all boys. One of the youngster there looked like a girl. Dimblebore asked them if they wanted to join the army, to which they gave a very enthusiastic ‘Yes’.

He then went off to speak to a prelate from the Russian Orthodox Church about its support for Putin, where he described Putin as an autocrat attacking human rights and threatening peace in Europe. The prelate responded by saying that there were those, who did not agree with his view. And that was that.

He then went off to discuss the massive corruption in Russia, and how this was undermining the economy as more and more investors and companies left the country because of it. Russia has 144 million people, but it’s economy is 2/3s that of Britain, or about the size of Italy’s, and is declining.

Now all of this is factually true. John Kampfner, in his book Freedom For Sale discusses Russia as another state, where the population has made a deal with its leader. They have absolute power, in return for which they give their people prosperity. Except that, according to Dimbleby, living standards and wages are declining. Putin has passed laws against the promotion of homosexuality, there are massive human rights violations, including the jailing of the type of people, who would have been called dissidents under Communism. Journalists, who haven’t toed the Archiplut’s line have been beaten and killed.

Other aspects of the Russian state, as revealed by this programme, would have been immediately recognisable to the generation raised by Communism. Like the corruption. It was rife under Communism. The Bulgarian journalist, Arkady Vaksberg, wrote a book about it, The Soviet Mafia. And Gogol took a shot at official corruption under the Tsars back in the 19th century in his play, The Government Inspector. So no change there.

As for the Russian Orthodox Church supporting Putin, it was always the state church under the tsars, to which it gave absolute support. The watchword of the tsarist regime was ‘Autocracy, Orthodoxy and the People’. And its support of autocratic leadership didn’t begin under Putin. After the restrictions on religion were lifted in the 1990s, the BBC journalists interviewed some of its clergy on their shows. And the clergy had the same preference for absolute state power and total obedience from the people. Putin made the relationship between the Church and his government closer by granting them a sizable share of Russia’s oil.

The youth groups designed to get children interested in joining the army are also little different from what already went on under the Soviet system. Secondary schoolchildren did ‘military-patriotic training’ to prepare them for national service as part of the school curriculum. It was led by retired army officers, who were often the butt of schoolboy jokes. They were taught to handle weapons, complete with competitions for throwing grenades the furthest.

And let’s face it, it also isn’t much different from what used to go on over here. I’ve known young people, who were in the army and naval cadets. And the public schools used to have the CCF – the Combined Cadet Force – which the Tories would dearly love to bring back. And boys, and some girls, do like playing at ‘War’, so I’ve no doubt that if something like the Russian group was set up in this country, there would be many lads and girls wanting to join it.

Russia has also too been a very masculine society with very traditional ideas about gender and masculinity, despite the fact that most engineers were women, who also worked as construction workers and many other, traditionally masculine areas. One of the complaints of Russian women was that the men didn’t do their fair share of standing in queues waiting to get whatever groceries were in store.

And the medals and rewards to the women, who gave birth to the largest number of children is just another form of the Heroic Mother Awards under the Soviet Union. Putin’s Russia continues many of the same aspects of the country’s society from the age of the tsars and Communism, although Dimblebore said the country was going backward.

I’ve no doubt it is, but the programme annoyed me.

What irritated me was Dimblebore’s knowing smirk to camera when the guy from RT denied that he broadcast propaganda. Now I’m sure that RT does. There’s videos I’ve seen on YouTube from RTUK, which could fairly be described as pro-Russian propaganda.

But what annoyed me was Dimblebore’s hypocrisy about it.

The Beeb and Dimbleby himself has also broadcast it share of propaganda supporting western foreign policy interests, including imperialism. Newsnight has finally got round, after several years, to covering the Fascists running around the Ukraine under the present government. But the Beeb has emphatically not informed the British public how the pro-western regime which was put in power with the Orange Revolution, was created by the US State Department under Obama, and run by Hillary Clinton and Victoria Nuland. Far from being a grassroots movement, the revolution was orchestrated by the National Endowment for Democracy, which has been handling the US state’s foreign coups since they were taken away from the CIA, and one of George Soros’ pro-democracy outfits.

Putin is also presented as the villainous aggressor in the current war in the Ukraine, and some have compared his annexation of Crimea and invasion of eastern Ukraine to the Nazi annexation of the Sudetenland. But Crimea had been a part of Russia before 1951, when Khrushchev, a Ukrainian, gave it to that state. And Putin is not looking to take over the country either. The population of Russia is 144 million. Ukraine’s is a little over a third of that, at 52 million. If Putin really had wanted to annex it, he would have done so by now. And under international law, as I understand it, nations are allowed to intervene in foreign countries militarily to defend members of their ethnic group that are being persecuted. That was the pretext for the Nazi annexation of the Sudetenland, and it’s also the reason why Putin’s invaded eastern Ukraine. But it’s legal under international law. And I don’t doubt for a single minute that Russians, and Russian-speaking Ukrainians, were being persecuted by the new, pro-Western government.

In his documentary, Dimbleby met a very angry, patriotic Russian, who told him that the British had tried to invade Russia three times in the past three centuries. Once in the 19th century during the Crimean War; then in 1922 during the Russian Civil War. And now we were preparing to do the same. He angrily told us to ‘get out!’. Dimbleby looked shocked, and said to him that he couldn’t really believe we were ready to invade.

This was another continuation of the Soviet paranoia and hostility towards the West dating from the Communist period and before. Russia has always felt itself encircled by its enemies since the tsars. But the man has a point. We did invade Russia in 1922 in an effort to overthrow the Communist regime. Pat Mills has talked about this in his presentation on comics he gave to the SWP a few years ago. He tried to get a story about it in Charlie’s War, the anti-war strip he wrote for Battle. This is another piece of history that we aren’t told about.

And when Gorbachev made the treaty with Clinton pledging the withdrawal of Soviet troops from eastern Europe after the collapse of Communism, Clinton in turn agreed that these state would not become members of NATO. He broke his promise. They now all are, and NATO’s borders now extend to Russia. At the same time, western generals and NATO leaders have been predicting a war between Russia and NATO. One even wrote a book about it, 2017: War with Russia. Thankfully, 2017 has been and gone and there has, so far, been no war. But with this in view, I can’t say I blame any Russian, who is afraid that the West might invade at any moment, because it does look to me like a possibility.

And there are other matters that the Beeb and the rest of the lamestream news aren’t telling us about. They’re still repeating the lie that the invasion of Iraq was done for humanitarian reasons, whereas the reality was that western corporations and the neocons wanted to get their hands on Iraqi state industries and privatise the economy. And the American and Saudi oil industry wanted to get their mitts on the country’s oil reserves.

The civil war in Syria is also presented in simplistic terms: Assad as evil tyrant, who must be overthrown, and Putin as his bloodthirsty foreign ally. Assad is a tyrant, and one of the causes of the civil war was his oppression of the Sunni majority. But we are constantly being told that the rebels are ‘moderates’, while the fact is that they still have links to Islamists like the al-Nusra Front, the former Syrian branch of al-Qaeda, and ISIS. Nor have I seen the Beeb tell anyone how the Syrian rebels have also staged false flag chemical weapons attacks against civilians in order to draw the west into the war.

And objective reporting on Israel is hindered by the pro-Israel lobby. Any news item or documentary, which shows Israel’s horrific crimes against Palestinian civilians is immediately greeted with accusations of anti-Semitism from the Israeli state and the Board of Deputies of British Jews. I’ll be fair to the Beeb. Some of their presenters have tried to give an objective reporting of events, like Jeremy Bowen and Orla Guerin. But they’ve been accused of anti-Semitism, as was Dimblebore himself when he tried to defend them. In this instance, the bias isn’t just the fault of the Beeb. But it is there, and newsroom staff have said that they were under pressure from senior management to present a pro-Israel slant.

Domestically, the Beeb is very biased. I’ve discussed before how Nick Robinson in his report on a speech by Alex Salmond about Scots devolution carefully edited the SNP’s answer, so it falsely appeared that he had been evasive. In fact, Salmond had given a full, straight answer. Salmond’s reply was whittled down further as the day went on, until finally Robinson claimed on the evening news that he hadn’t answered the question.

And numerous left-wing bloggers and commenters, including myself, have complained about the horrendous bias against the Labour Party and Jeremy Corbyn in the Beeb’s reporting. Dimblebore himself has shown he has a very right-wing bias on Question Time, allowing right-wing guests and audience members to speak, while silencing those on the left. Not that he’s alone here. Andrew Marr has done exactly the same on his programme on Sundays.

Dimblebore is, quite simply, another right-wing propagandist, with the Beeb backing current western imperialism. His smirk at the RT journalist’s denials of doing the same is just gross hypocrisy.

Cartoon: Pot Sting

Published by Anonymous (not verified) on Wed, 13/06/2018 - 7:50am in

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Doctor Who The Seventh Doctor: Operation Volcano #1 Review – Classic Doctor Who Fun

Published by Anonymous (not verified) on Wed, 13/06/2018 - 2:30am in

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Comics, BBC, Doctor Who

Doctor Who The Seventh Doctor: Operation Volcano #1

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Writers: Andrew Cartmel and Richard Dinnick,
Artists: Christopher Jones and Jessica Martin,
Color Artists: Marco Lesko and Charlie Kirchoff,
Letters: Richard Starkings and Comicraft's Jimmy Betancourt,
Cover by: Alice X. Zhang,
Variant Covers by: Will Brooks; Christopher Jones; Simon Myers,
The "Counter-Measures" characters appear courtesy of Ben Aaronivitch,
The character of "Mags" appears courtesy of Stephen Wyatt,
Assistant Editor: Jessica Burton,
Editor: John Freeman,
Senior Designer: Andrew Leung,
Publisher: Titan Comics,
Release Date: Out Now,
Price: $5.99

In the year 2029, a routine space debris-clearing mission takes a turn when the crew encounters a massive alien ship in Earth’s orbit. The crew find a man aboard and bring him back to Earth. In 1967, an expedition into the Australian Outback discovers that same alien ship half-buried in the desert. The British overseers of the expedition call upon the aid of the Doctor and his companion, Ace, to discover the nature of this ship.

In a back-up story, the Doctor and Ace aid a small moon colony as their werewolf population comes under threat by the ruling government.

 The Seventh Doctor- Operation Volcano cover by Alex X. ZhangDoctor Who: The Seventh Doctor – Operation Volcano cover by Alex X. Zhang

Doctor Who: The Seventh Doctor – Operation Volcano moves very much like an episode of Doctor Who. People unearth a strange alien machine on Earth that could be relevant to the future, the Doctor is called, and everyone tries to work towards a solution.

Well, that is a type of Doctor Who episode at least.

This issue follows the human characters far more than viewers of the newer show may be accustomed. There are stories about military intrigue, spycraft and espionage, and people struggling against their roles. The Doctor mainly exists in the background of it all, occasionally popping up to help the plot along.

The follow-up story is weaker. It uses Holocaust imagery and references to tell a story about these werewolf people coming under oppression and possible extermination by the ruling government, and it does it all with an unfitting air of whimsy and a fairly unfocused narrative.

 Operation Volcano #1 art by Christopher Jones and Marco LeskoDoctor Who: The Seventh Doctor – Operation Volcano #1 art by Christopher Jones and Marco Lesko

Christopher Jones and Marco Lesko are the respective artist and color artist in the main story, and they bring detail, depth, and visual expression well suited to the challenges of a Doctor Who story. Plus, the color art is well balanced and often quite bright. Jessica Martin and Charlie Kirchoff cover the art and color art of the second installment, and it’s unfortunately less appealing. The characters look off, and it’s hard at times to see what’s going on because the framing is too tight on the scene.

Doctor Who: The Seventh Doctor – Operation Volcano is a fun and generally entertaining read. The science fiction mystery of the first tale is interesting, and Ace brings a lot of enjoyably personality to the book. “Hill of Beans,” the second story, is less enjoyable but doesn’t weigh down the charm of the first story by much. As such, I can recommend this comic. Check it out.

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Gerald Scarfe Caricature of Menachem Begin

Published by Anonymous (not verified) on Tue, 12/06/2018 - 12:55am in

I found this caricature of the former Israeli premier, Menachem Begin, as a desert tank, on page 71 of Scarfe’s book, Scarfeface (London: Sinclair-Stevenson 1993).

I’m posting it as a rebuttal of the latest attempts to silence criticism of Israel, and particularly the censorship of cartoons commenting on Israeli atrocities and human rights abuses. Like the Guardian’s spiking of Steve Bell’s cartoon of Netanyahu and Tweezer having a chin-wag, while the murdered Palestinian medic Razan al-Najjar burns in the fire. Or the German cartoon, which was censored for anti-Semitism, because its depiction of Netanyahu was held by the censor, Klein, to be like the Nazi caricatures of Jews. And then there was the case of Scarfe’s own cartoon of Netanyahu building his wretched wall to keep the Palestinians out a few years ago. Mark Regev, the odious Israeli ambassador, speciously claimed that because it showed Netanyahu building it using the blood and bodies of Palestinians, that it was somehow a reference to the infamous ‘Blood Libel’.

It’s all rubbish. None of these cartoons were anti-Semitic. And as Mike has pointed out, in these cases authorial intention have to be taken into account. Scarfe isn’t an anti-Semite, and neither is Bell, who has vigorously denied that there was any anti-Semitic intention in his cartoon. But the people making these accusations aren’t interested in whether they’re really anti-Semitic. They’re interested solely in using the issue of anti-Semitism as a convenient weapon for shutting down criticism of Israel.

I don’t know when Scarfe’s cartoon of Begin was published, but it was clearly a much freer time journalistically. It’s a comment on his militaristic character and period in office. And I’m very sure that there were no accusations of anti-Semitism, and it was accepted as ‘fair comment’. And looking at it, it is not very different in its intent and comment on Israeli politics as the others that have recently been censored.

How very different to today, where if you draw a cartoon that the Israelis and their supporters don’t like, you will be automatically libelled as an anti-Semites and your cartoon spiked.

It’s time this grotesque infringement of free speech and libelling of perfectly decent people stopped. Journalists should hold everyone to account, including Israel and its leaders, just like every other nation, without fear of defamation and censorship.

It’s

Israel Based Journo Shows How Censorship of Steve Bell Cartoon Plays into Hands of Real Anti-Semites

Last week the editor of the Groaniad, Kath Viner, spiked a cartoon by the paper’s Steve Bell for supposed anti-Semitism. The cartoon commented on the complete indifference to the murder of 21 year old Palestinian medic, Razan al-Najjar by the IDF shown by Netanyahu and Tweezer. Bell depicted the two having a cosy chat by the fire, in which al-Najjar was burning. This was too much for Viner, who immediately did what the Israel lobby always does whenever the country is criticised for its brutal treatment of the Palestinians: she immediately accused the critic of anti-Semitism. The cartoon was anti-Semitic, apparently, because al-Najjar’s place in the fire was supposedly a reference to the Holocaust and the murder of the Jews in the Nazi gas ovens. Despite the fact that Bell denied that there was any such intention in his work, or indeed, any overt references to the Holocaust at all.

Bell was naturally outraged, and issued a strong denial. I’ve blogged about this issue, as has Mike, and Bell’s denial was also covered by that notorious pro-Putin propaganda channel, RT. And an Israel-based journalist, Jonathan Cook, has also come down solidly on Bell’s side and against censorship.

Mike posted a piece reporting and commenting on Mr Cook’s view and analysis of the case on Saturday. Cook is a former Guardian journalist, who now lives in Nazareth, the capital of Israel’s Palestinian minority. Cook praised Bell’s cartoon because of the way it held power to account, and indicted the powerful and their calculations at the expense of the powerless. He stated

In other words, it represents all that is best about political cartoons, or what might be termed graphic journalism. It holds power – and us – to account.

He then went on to describe how, by siding with Israel over the cartoon, the Guardian was siding with the powerful against the powerless; with a nuclear-armed state against its stateless minority. He then goes on to make the point that when criticism of Israel is silenced, the country benefits from a kind of reverse anti-Semitism, or philo-Semitism, which turns Israel into a special case. He writes

When a standard caricature of Netanyahu – far less crude than the caricatures of British and American leaders like Blair and Trump – is denounced as anti-Semitic, we are likely to infer that Israeli leaders expect and receive preferential treatment. When showing Netanyahu steeped in blood – as so many other world leaders have been – is savaged as a blood libel, we are likely to conclude that Israeli war crimes are uniquely sanctioned. When Netanyahu cannot be shown holding a missile, we may assume that Israel has dispensation to bombard Gaza, whatever the toll on civilians.

And when we see the furore created over a cartoon like Bell’s, we can only surmise that other, less established cartoonists will draw the appropriate conclusion: keep away from criticising Israel because it will harm your personal and professional reputation.

He then makes the point that doing so plays into the hands of real anti-Semites, and generates more:

When we fail to hold Israel to account; when we concede to Israel, a nuclear-armed garrison state, the sensitivities of a Holocaust victim; when we so mistake moral priorities that we elevate the rights of a state over the rights of the Palestinians it victimises, we not only fuel the prejudices of the anti-Semite but we make his arguments appealing to others. We do not help to stamp out anti-Semitism, we encourage it to spread. That is why Viner and the Guardian have transgressed not just against Bell, and against the art of political cartoons, and against justice for the Palestinians, but also against Jews and their long-term safety.

Mike goes on to make the point that we need to be more critical about the raving paranoiacs, who see anti-Semitism in Steve Bell’s cartoon, and also in Gerald Scarfe’s depiction of Netanyahu building his anti-Palestinian wall using the blood and bodies of the Palestinians themselves. This was attacked by Mark Regev, the Israeli ambassador, as ‘anti-Semitic’, who claimed that it was a reference to the Blood Libel. It wasn’t, but the I apologised anyway. Mike goes on to say that there is no such thing as an unintentional anti-Semite, but authorial intentions are routinely ignored in these cases.

He then goes to state very clearly that as the authorial intentions of these cartoons weren’t anti-Semitic, Viner was wrong about Bell’s cartoon. Just as the Sunset Times, as Private Eye dubbed the rag, was wrong about Scarfe and Mike himself, as was the Campaign Against Anti-Semitism. And so are the people, who’ve accused Ken Livingstone, Jackie Walker, Tony Greenstein and so many others of anti-Semitism. And in the meantime, Netanyahu gets away with mass murder.

Mike concludes

But Mr Cook is right – these attitudes only fuel real anti-Semitism among those who draw the only logical conclusion about what’s going on in the media, which is that the Establishment is protecting the Israeli government against censure for its crimes.

It suggests to me that all those involved in this charade have been creating problems that will come back to harm all of us in the future.

https://voxpoliticalonline.com/2018/06/09/israel-based-journo-shows-how-guardian-editor-helped-anti-semites-by-censoring-steve-bell/

Now part of the problem here could be certain developments in anti-racism and postmodernist literary theory. For example, some anti-racist activists have argued that there is such a thing as unconscious racism, and have used it to accuse people and material they have seen as spreading or legitimising racism, but without any conscious intent to do so.

In postmodernist literary theory, the author’s intent is irrelevant. In the words of one French postmodernist literary theorist, ‘all that exists is the text’. And one person’s interpretation of the text is as good as another’s.

Hence, those arguing that the above cartoons are anti-Semitic, could do so citing these ideas above.

Now there clearly is something to unconscious racism. If you look back at some of the discussions and depictions of racial issues in 1970s popular culture, they are often horrendously racist by today’s standards. But they weren’t seen as such then, and I dare say many of those responsible for some of them genuinely didn’t believe they were being racist, nor intended to do so. And unconscious racism is irrelevant in this case too. The accusers have not argued that these cartoons are unconsciously racist. They’ve simply declared that they are, without any kind of qualification. Which implies that their authors must be deliberately anti-Semitic, which is a gross slur.

As for postmodernist literary theory, the accusers haven’t cited that either. And if they did, it could also easily be turned against them. If there are no privileged readings of a particular text, then the view of someone, who thought Bell’s cartoon was anti-Semitic, is no more valid than the person, who didn’t. Which cuts the ground out from such accusations. That argument doesn’t stand up either, though here again, the people making the accusations of anti-Semitism haven’t used it.

Nevertheless, their arguments about the anti-Semitic content of these cartoons and the strained parallels they find with the Holocaust, or anti-Semitic conspiracy theories, are very reminiscent of the postmodernist texts the American mathematician Sokal, and the Belgian philosopher Bricmont, used to demolish the intellectual pretensions of postmodernism in their 1990s book, Intellectual Impostures. One of the texts they cited was by a French feminist arguing that women were being prevented from taking up careers in science. It’s a fair point, albeit still controversial amongst some people on the right. However, part of her evidence for this didn’t come from studies showing that girls start off with a strong interest in science like boys, only to have it crushed out of them later in their schooling. No! This strange individual based part of her argument on the medieval coat of arms for Brussels, which shows frogs in a marsh. Which somehow represents the feminine. Or at least, it did to her. For most of us, the depiction of frogs in a marsh in the coat of arms for Brussels is a depiction of precisely that: frogs in a marsh. Because, I have no doubt, the land Brussels was founded on was marshy.

But Cook and Mike are right about these accusations, and the favouritism shown to Israel, playing into the hands of anti-Semites.

The storm troopers of the right are very fond of a quote from Voltaire: ‘If you want to know who rules over you, ask who it is you can’t criticise’. Or words to that effect. Depending on whether the person using the quote is an anti-Semite or an Islamophobe, the answer they’ll give will be ‘the Jews’ or ‘the Muslims’.

Of course, their choice of the French Enlightenment philosopher is more than somewhat hypocritical. Voltaire hated intolerance, and in the early stages before it became aggressively anti-religious, the French Revolution stood for religious toleration. A set of playing cards made to celebrate it showed on one card the Bible with the Talmud, the Jewish holy book containing extra-Biblical lore and guidance, and the Qu’ran.

But by ruling that criticism of Israel is anti-Semitic, the Israel lobby very much appears to show – entirely falsely – that the anti-Semites are right, and that the Jews really are in control of the rest of us. It gives an utterly false, specious confirmation of the very conspiracy theories they claim to have found in the works of the people they denounce. The same conspiracy theories they claim to oppose, and which have been responsible for the horrific suffering of millions of innocent Jews.

It’s high time this was stopped, and accusations of anti-Semitism treated with the same impartial judgement as other claims of bias or racism. And false accusations should be firmly rejected as a slur, and apologies and restitution demanded from the libellers.

RT Report on Steve Bell’s Cartoon Spiked because of ‘Anti-Semitism’

Published by Anonymous (not verified) on Sat, 09/06/2018 - 9:19pm in

This is a very brief report by RT on Steve Bell’s strenuous denial that his cartoon of Netanyahu and Tweezer enjoying a cosy chat by the fire, in which the murdered Palestinian medic Razan al-Najjar is burning, is anti-Semitic. The report states that Netanyahu met Tweezer to discuss ‘Iran and Iran’. It was spiked by the Guardian’s editor, Kath Viner, Bell is quoted as saying

it should have been published as it stands, but if you are still obdurate that it should remain unpublished, then I feel a duty to my subject to try and salvage something from this fiasco.

The cartoon which replaced it shows Brexit secretary David Davis riding around parliament on a unicorn. It’s by Bell, but not signed.

This piece begins with an email from a Jonathan Cook, giving this as an example of the growing ‘mystification’ of anti-Semitism, and warning ‘What cartoonist is not going to reach the conclusion that it’s safer to avoid all cartoons critical of Israel.’

Cook’s right. This has absolutely nothing to do with real anti-Semitism. It’s just another smear to silence criticism of Israel, just like Mark Regev did to Gerald Scarfe in the I, and the German apparatchik Klein did last week to a German cartoonist for his caricature of Netanyahu. And which the CAA and its assorted allies, including the Jewish Labour Movement, have been doing to decent, anti-racist people for daring to criticise Israel and its brutal treatment and ethnic cleansing of the Palestinians.

Steve Bell Cartoon in Guardian Spiked for Supposed ‘Anti-Semitism’

More fake accusations of anti-Semitism by the Israel lobby to censor criticism of their barbarous treatment of the Palestinians. Yesterday Mike put up a piece reporting that Guardian editor Kath Viner had spiked a Cartoon by Steve Bell commenting on the shooting of the Palestinian medic Razan al-Najjar. This showed May and Netanyahu having a cosy chat around the fireplace, in which al-Najjar is burning. The cartoon was intended to show the complete indifference to al-Najjar’s murder by the IDF. But Kath Viner decided it was anti-Semitic, because she thought it compared the actions of modern Jews to those of the Nazis in the Holocaust. Bell himself strongly rejects any such comparison, and wrote to her in an email, saying

“I cannot for the life of me begin to understand criticism of the cartoon that begins by dragging in ‘wood-burning stoves’, ‘ovens’, ‘holocaust’, or any other nazi-related nonsense.

“That was the last thing on my mind when I drew it, I had no intention of conflating the issues of the mass murder of European Jews and Gaza.

“It’s a fireplace, in front of which VIP visitors to Downing Street are always pictured… and the figure of Razan al-Najjar is burning in the grate. It’s a widely known photograph of her, becoming iconic across the Arab world and the burning is of course symbolic. She’s dead, she was shot and killed by the IDF while doing her job as a medic.”

He said he suspected “the reason that you did not get in touch was because you did not really have an argument. The cartoon is sensitive, not tasteless, not disrespectful, and certainly contains no anti-Semitic tropes.”

Mike makes the point here that the people making the accusation of anti-Semitism see what they want to see. They expect to see anti-Semitism, and so they see anti-Semitism. And so they ignore issues of authorial intent, context and commonsense.

Mike makes the point that it is not anti-Semitic to point out that an unarmed medic was murdered by an Israeli soldier, nor anti-Semitic to point out that Britain’s own response to the murder has been lukewarm. He goes on to say it is not anti-Semitic to question whether this lack of an appropriately strong response is due to the immense amount of trade Britain does with Israel, or whether the arms we sold them were used in her killing. He goes on to conclude that if the author’s intent is ignored in the interpretation of the image, then it’s the wrong interpretation.

https://voxpoliticalonline.com/2018/06/07/guardian-cartoonist-steve-bell-accused-of-anti-semitism-over-razan-al-najjar-image/

I’m not surprised that Bell has been censored because of this cartoon. The Israel lobby regularly responds to criticism of the barbarism it metes out the Palestinians with accusations of anti-Semitism, including cartoons. A few years ago, Mark Regev, the noxious, lying Israeli ambassador, sent an angry letter to the I attacking a cartoon by Gerald Scarfe about the construction of the anti-Palestinian wall as ‘anti-Semitic’. Why? The cartoon showed Netanyahu building the wall using the blood of murdered Palestinians as mortar. He decided that this was anti-Semitic because it referred to the ‘Blood Libel’, the vile anti-Semitic myth that Jews murder Christians and use their blood to make the matzo bread eaten at Passover. The cartoon did nothing of the sort, but nevertheless, the I caved and issued an apology.

And last week a German cartoonist was accused of anti-Semitism and sacked for the alleged anti-Semitism of his caricature of Netanyahu. Klein, the minister or civil servant responsible for rooting out anti-Semitism, decided that this was anti-Semitic because it exaggerated Netanyahu’s nose and lips, just like the caricatures of the Jews produced by the Nazis and other anti-Semites. It’s a highly debatable point. caricaturists work by exaggerating features, including, and often particularly, the nose and lips. Germany has been very pro-Israel since the end of the Second World War, partly out of guilt for the Holocaust, and Jews are actually treated very well there. So much so that it’s a favoured destination for young Israelis to go on holiday. a few weeks ago I found an article published in Counterpunch by a radical, anti-racist German journo, which followed the Israeli embassy in Germany in equating anti-Zionism with anti-Semitism. Which is what the real issue is here: suppressing criticism of Israel.

As for Bell’s cartoon, he is certainly not alone in depicting political figures holding their talks around the fireside. in the 1980s, the games comic Diceman ran one game story in which the reader played Ronald Reagan, desperate to save the world from nuclear war. One scene showed him and Gorbachev holding talks around a blazing fire. As Reagan droned on, Gorby dozed, and the artist, Hunt Emerson, had great fun drawing all kinds of figures in the fire. At one point the flames made little KKK figures, who joined hands and danced. I’m afraid I can’t put my hands on the issue at the moment, otherwise I’d put up the image, but it’s around here somewhere. There is nothing as strong as that in Bell’s cartoon.

And the Guardian has always, like other newspapers, been under pressure to spike any reports of Israeli atrocities. Alan Rusbridger, the former editor of the Guardian, described in the Channel 4 Despatches documentary on the power of the Israel lobby, how after accurately reporting them, he would be visited by someone from the Israel lobby or the Board of Deputies of British Jews, complete with their pet lawyer, who would rant and rave about how such reports were anti-Semitic. After his reporting of the Gaza bombardment, the two visitors claimed that the newspaper’s accounts were anti-Semitic, because they would encourage people to attack Jews in the street. Which didn’t happen.

Since then, the newspaper has been the conduit for the Israel lobby’s propaganda. For example, they once ran an article by Steve Pollard of the libel organisation the Campaign Against Anti-Semitism, which claimed that the far-right, anti-immigrant president of Poland couldn’t be anti-Semitic, because ‘he was a good friend of Israel’. Well, the Israelis have all kinds of ‘good friends’ who are Fascists and anti-Semites. They’ve welcomed Alt-Right leader Steve Bannon to one of their military jamborees, and had Richard Spencer, the founder of the Alt-Right, on their television. Why? Spencer describes himself as a ‘White Zionist’, who admires Israel as the kind of racially pure ethnostate he’d like America to become, but for Whites only. Tony Greenstein was so angered by the Groan’s switch from objective reporting to servile pro-Israel commentary, that he wrote Viner or her subordinates a letter of complaint.

This isn’t about real anti-Semitism in the press. This is about censoring criticism of Israel, using the horrific suffering of Jews in the Holocaust as a pretext. It’s a disgusting desecration of their memory as well as a gross libel on the cartoonists. Viner, Klein and Regev should be ashamed.

Cartoon: Trump Head

Published by Anonymous (not verified) on Wed, 06/06/2018 - 7:20am in

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Return of the Seventh Doctor Comic

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This week sees the return of the Seventh Doctor in comic form, for a set of all-new adventures.

Written by Andrew Cartmel and Executive produced by Ben Aaronovitch, the powers behind the Doctor Who episode Remembrance of the Daleks – which celebrates its 30th Anniversary in 2018!

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Writer: Andrew Cartmel
Artist: Christopher Jones
COVER A: Alice X. Zhang COVER B: Photo - Will Brooks COVER C: Christopher Jones COVER D: Simon Myers

From the minds behind the fan favourite episode Remembrance of the Daleks, Andrew Cartmel and Ben Aaronovitch, which celebrates it's 30th anniversary in 2018!

Brand new comic adventure featuring the Seventh Doctor as played by Sylvester McCoy and Ace as played by Sophie Aldred!

Includes short back-up strip, written by Richard Dinnick (Twelfth Doctor) with art by Jessica Martin (Doctor Who Actress)! ! Seventh Doctor #1 - Cover A (Credit: Titan )Seventh Doctor #1 - Cover B (Credit: Titan )Seventh Doctor #1 - Cover C (Credit: Titan )Seventh Doctor #1 - Cover D (Credit: Titan )Seventh Doctor #1 - Page 1 (Credit: Titan )Seventh Doctor #1 - Page 2 (Credit: Titan )Seventh Doctor #1 - Page 3 (Credit: Titan )Seventh Doctor #1 - Page 4 (Credit: Titan )Seventh Doctor #1 - Page 5 (Credit: Titan )Seventh Doctor #1 - Page 6 (Credit: Titan )Seventh Doctor #1 - Page 7 (Credit: Titan )

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