London

South African Politico Andrew Feinstein on the Evils of the Arms Trade

Published by Anonymous (not verified) on Tue, 19/09/2017 - 8:01pm in

Hat tip to Michelle, for sending me this video on the immense harm and global corruption due to the arms trade.

In this video, the South African politician Andrew Feinstein talks in detail about the arms trade. This creates death and chaos, not just through the weapons themselves, but through the web of corruption and kickbacks western governments, and here he talks specifically about the British government, use to sell them to countries that don’t need them and can’t afford them.

Like South Africa. BAe Systems and the British government were involved in a very corrupt deal to sell arms to his country. This diverted money, that should have been spent feeding the starving masses. Instead it went into the pockets of the merchants of death, and tens of thousands of children died of starvation as a result.

Another instance he cites is the Al-Yamamah arms deal, in which Britain sold arms to Saudi Arabia, in return for which one of the Saudi princes, Prince Bandar, received a kickback of a cool $1 billion. The agency that investigates corrupt business dealings were about to bring a prosecution, when Tony Blair’s government stepped in and stopped it. It was only when some of that money ended up in the accounts of two of the 9/11 hijackers that the authorities thought fit to investigate it.

http://realmedia.press/arms-trade-make-killing-andrew-feinstein/

None of this should be surprising to Private Eye readers. The magazine has cover the British arms industry for decades and the way it flouts international law. Under Maggie Thatcher, we were supplying arms to Saddam Hussein despite a ban on weapons sales imposed by the Americans. These were weapons that were turned on our squaddies when we invaded in Gulf War I. The Eye has also documented ad nauseam the countless times Britain has sold its lethal products to extremely repressive governments, like those of Indonesia and the Gulf states.

And BAe systems also manufactures weapons that are illegal under human rights legislation. Way back in the 1990s the Eye reported how the company was making and selling, quite illegally, electric shields and batons.

The massive arms fair held in London last week is now over, but the issues surrounding it haven’t gone away. We are still manufacturing and exporting these weapons to brutal, oppressive regimes with the complete support of the government. Remember how David Cameron went up to a weapons manufacturing plant in the North the other year to enthuse about the ‘wonderful kit’ they were making? Britain’s part in the global arms trade is small – much smaller than the American’s, whose expenditure on weapons vastly outstrips that of the other leading countries combined. But the trade, and the death and chaos it causes, still needs to be stopped. Hopefully this won’t just help to stop some of the supply of lethal weapons to brutal and oppressive regimes, it will also help stop the poverty and corruption this immoral trade generates.

‘Bomber’ Fallon and the Merchants of Death Arms Fair in London

Mike today has put up a piece over at Vox Political commenting on Michael Fallon’s speech yesterday at the DSEI arms fair in London. Fallon, who earned the monicker ‘Bomber’ because of a speech in which he declared that Britain had a moral duty to bomb the peoples of the Middle East, now went on to say that, thanks to Brexit, Britain’s future as the world’s leading arms exporter looked good. And that we should try to sell armaments to anyone in the world, regardless of morality.

Mike makes the point that Fallon’s comments are insensitive, coming as they do when Britain is selling arms to Saudi Arabia, which is using it to kill innocent civilians, including children in schools and madrasas, in Yemen. And Saudi Arabia has no qualms whatsoever against using such armaments against us. 17 of the 19 people involved in the 9/11 hijacking were Saudis, and the trail of responsibility for that atrocity goes right up to the top of the Saudi government itself.

http://voxpoliticalonline.com/2017/09/17/warmonger-fallon-wants-the-uk-to-sell-arms-to-anyone-who-wants-them/

This weekend’s Counterpunch also carries an article by Michael Dickinson, ‘Stop the London Death Fair’, about the DSEI trade fair and its dealings with some of the world’s most evil and repressive governments. It begins

Roll up! Roll up! Ballistic missiles and hand grenades! Drones, helicopters and warships! Rocket launchers, tanks and assault rifles! Welcome to the biennial London Arms Fair! Showing now until 15th September at the Excel Centre in Docklands, the Defence Systems and Equipment International (DSEI) – “a world-leading event that brings together the defence and security sector to innovate and share knowledge” – presents one of the world’s biggest arms bazaars, displaying the latest high-tech arms and surveillance technology, crowd control and weaponry. This year the exhibition is split into five key zones: air, land, security and joint, all showcasing the latest equipment and systems. DSEI is organised by Clarion Events, with extensive cooperation from the British government.

Military personnel, politicians, private defence contractors and consultants mingle as they shop. Countries accused of war crimes and human rights abuses, Algeria, Angola, Colombia, Iraq, Oman, Qatar, Pakistan, Turkey, the UAE, and Ukraine are among the invited. Although not an official guest, the Israeli arms industry has special pavilions at the venue, where over 34,000 visitors are expected to view the latest in killing weaponry for sale, exhibited by more than 1,600 arms companies, including the US and UK giants Lockheed Martin, Boeing, Raytheon and BAE Systems.

With authoritarian regimes such as Saudi Arabia, Egypt, Bahrain and Azerbaijan among the official UK government guests in attendance, this year’s keynote speakers at the opening day conference included British Defence Secretary Sir Michael Fallon, International Trade Secretary Liam Fox and many of the top brass in the UK military establishment. Fox said that overseas governments had an inaliable right to defend themselves and that if they could not buy the equipment they required from developed countries with effective controls, like the UK, they would look elsewhere. Last year Britain’s arms export industry turned over 3 billion pounds.

Andrew Smith, a spokesman from the activist group Campaign Against the Arms Trade (CAAT) said: “DSEI is one of the biggest arms fairs in the world. It exists purely to maximise arms sales. Prime Minister Theresa May and her colleagues may talk about promoting human rights but DSEI could not happen without the full support of government. A lot of the regimes in attendance have been linked to terrible human rights abuses, and events like DSEI only make them more likely in future. It is vitally important to spread as much awareness as possible of this terrible arms fair taking place. ”

https://www.counterpunch.org/2017/09/15/stop-the-london-death-fair/

Conservative governments, including Margaret Thatcher’s, keenly supported the British arms industry, and this policy was taken over, along with just about everything else, by Tony Blair and New Labour. It’s hardly surprising. George Orwell remarked when he finally gave up his anti-War stance in the face of the Nazi threat, and went to work for the BBC writing anti-Nazi and pro-war material, that if you’re a member of the British upper and upper middle classes, you’re bred for war. This has always been true, ever since the modern armed forces emerged from the military aristocracies of the Middle Ages. The officer elite has always been solidly middle class, although there has been some efforts to make it more diverse.

The government has tried to defend its massive support for the arms industry by arguing that arms sales open up foreign markets to British industry generally. After buying some of that ‘wonderful kit’ David Cameron enthused about, foreign nations would go on to buy other British products and services. But they don’t. They buy British weapons, tanks and other pieces of hardware, and nothing else.

And the British ruling class, its politicians and senior civil servants, also stand to benefit personally from the arms trade. Private Eye for decades has exposed the revolving door between the MOD and British defence ministers, and the arms industry, in which British generals and officials find very lucrative places on the boards of defence contractors and arms manufacturers once they retire or leave office.

As for the private military contractors, previously known as mercenaries, that the British government has supported, these have been used by the Tories to give unofficial support to regimes, where it would have been otherwise embarrassing for Britain to send in the regular army. Like Sri Lanka.

It hardly needs stating that the arms industry is a deeply immoral trade, and that by lauding Britain’s role in it Fallon has shown the complete absence of any kind of moral consideration for the victims of these weapons and a complete indifference to the nature of the regimes he intends to sell them to.

As far as he’s concerned, war is a business. And business is good.

Close down the arms fair, and kick out Fallon and the rest of his vile government.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Videos from the Protests Against the DSEI Arms Fair in London

Published by Anonymous (not verified) on Fri, 15/09/2017 - 7:56pm in

Hat tip to Michelle for sending me these.

This week there’s been a massive international arms fair in London, in which the international ‘defence and security’ industry, otherwise known as the merchants of death, have been trying to flog their murderous wares to a range of governments, from the democratic through the autocratic to the just plain despotic. The mayor of London, Sadiq Khan, said he’d like to stop them, but has no powers to. The arms fair is conducted with the full support of Britain’s MOD and the intelligence services, who have and will step in to stop anything that looks like it might prevent Britain’s arms manufactures from selling their products to just about every evil butcher around the world, including the Saudis.

As the local authorities are unable to stop the fair, so ordinary people have stepped in to make their feelings about it known and raise awareness of its horrors. There has been a protest staged against the fair outside it for the past week. And they’ve produced several videos about the protests, and some of the issues surrounding the fair and the general arms industry.

War, the Pentagon and Hollywood Propaganda

The short video below, titled ‘Art and Militarism’ on YouTube, talks about the way the Pentagon has worked with Hollywood on blockbuster movies to promote the American military and the arms industry. These films have included the James Bond epics, Zero Dark 30, and X-Men. As part of this process of collaboration, the Pentagon is able to check and alter the scripts. With many of these movies the military’s aim has been to show off their equipment, and encourage recruitment. Top Gun was made with the collaboration of the American Navy, who saw it very much as a recruiting video. And it worked. There was a massive surge of young men wishing to fly combat aircraft, but they went into the USAF rather than the navy.

Art and Supervillains against the Arms Fair

This is another short video, which shows some of the artists, scholars and ordinary protesters in costume. One of the speakers makes the point that academics don’t usually get out of their classrooms much, but this time they have come down to make their voices heard. He also talks about the way the artists have also supported the protest with some of their works attacking the arms industry.

The video also includes some of the demonstrators marching in costume, including men dressed as Donald Trump and Tony Blair. There is also a young guy in a Dalek, flanked by another bloke dressed as a cyberman. This chap has a sign satirizing the whole fair by pretending to be about the loss of Dalek jobs. The arms industry and its agents and officials are making Daleks unemployed by killing men, women and children themselves. Later on in the video you see the man inside the Dalek costume forced by the rozzers to come out of it. And as this is the 21st century surveillance state, the police are also recording the proceedings.

Credo! Pat Mills on 40 Years of Thrillpower!

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

RT Parliamentary Coverage: Nurse and Labour MP Karen Lee on NHS Crisis

Published by Anonymous (not verified) on Thu, 14/09/2017 - 3:25am in

In this very short clip from RT, Unison nurse and Labour MP for Lincoln, Karen Lee, describes the chronic lack of nursing in the NHS, and the threatened closure of walk-in centres in her constituency.

Hunt stands up, thanks her for her work in the NHS, and then admits that there is a shortage of nurses in the NHS, there was when he began as health secretary, and then declares he will go on to tell her how he means to solve it. This is where the clip ends.

Lee is absolutely right, just as she is right to remind him that the NHS is seriously underfunded while at the same time, the government is cutting corporation tax and has given £1 billion to the DUP. The government cannot rightly talk about austerity when this goes on.

There’s a piece in today’s I by Yasmin Alibhai-Browne, whose headline states that austerity was never about reducing the deficit. It was all about a Tory class war on the poor. Which is what Owen Jones, and very many other bloggers, including Mike over at Vox Political, have been saying for years.

As for Hunt’s plans to get more nurses into the NHS, I am extremely skeptical about this. All the evidence I’ve seen shows doctors and other medical professionals leaving the NHS. As for those nurses that remain in it, they are to be applauded as they’re increasingly treated extremely shabbily. Such as those, who are forced to use food banks, for example.

The threatened closure of the walk-in centre also shows the massive dangers of the Blairite/Tory NHS privatization. The walk-in centres, otherwise known as polyclinics, were part of New Labour’s big idea for NHS restructuring, which including dismantling the NHS and opening it up further to private investment. Again, not a new idea. Like most of Blair’s economic thinking, it was taken over and developed from the Tories, like the Private Finance Initiative generally. These polyclinics were intended to be privately run, hence the interest in them from the usual private healthcare firms, including ‘Beardie’ Branson’s Virgin Health.

Since private companies have taken over hospitals and GPs’ surgeries, we’ve seen one hospital after another go into the red, while Private Eye reported in their ‘In The Back’ column how several surgeries in London were closed down, and their patients thrown out without medical care, by the private firm running them. Private enterprise in the health service doesn’t work, and leads to gross inequalities in healthcare provision and massive profiteering by the companies.

But Hunt, for all his weasel words about getting more nurses into the NHS, doesn’t care about any of that. Indeed, he actually advocates the NHS’ privatization, though he is very loud in denying it in public. As is his mistress, Theresa May. And it’s been the same all the way back to Margaret Thatcher, who really wanted to privatize the NHS under there was a massive cabinet revolt, as well as evidence from her personal private secretary, Patrick Jenkin, who came back from a fact-finding mission to America and informed her how wretched American private healthcare was.

Don’t be taken in by Hunt’s lies. Believe Karen Lee, and kick out the Tories.

Guy Debord’s Cat: Violence to Fascists Is Justified

Following the violent clashes between the White supremacists, neo-Confederates and outright Nazis and the counter-protesters in Charlottesville the week before last, there have been a series of articles and denunciations of the Anti-Fascists for their physical attacks on the marching hordes of the extreme Right. One of those criticizing them is the veteran critic of capitalism, racism and imperialism, Noam Chomsky, who stated that by using violence, Antifa handed them a ‘propaganda coup’. Others have gone further, and complained that Antifa are against free speech, and so are as bad, or worse, as the Nazis they attacked.

The French philosophical feline strongly rejects this attitude, and has written a blog post explaining just why he supports violence against Fascism. This includes two videos, both of which are well worth watching. One is about the 43 Group, a band of Jewish ex-servicemen, who had seen for themselves the horrific results of Nazi anti-Semitism when they were among the troops, who liberated Auschwitz. After the War, they were disgusted to find the kind of people, who had committed such monstrous atrocities were not only at large, but preaching their murderous doctrines and hatred. They resolved to treat them as they deserved, and hit them time and again force them off the streets.

The second video is presented by Mensi Mensforth, a member of the eighties band Angelic Upstarts. He also talks about the long history of anti-Fascists using physical violence, from struggles in the 1930s against Mosley’s BUF, to today’s battles with the NF and related Nazi gangs. Mensforth and the others speaking on the programme make the point that the people the Antifa are fighting are themselves extremely violent. They talk about Asians in the poorer parts of Britain being firebombed out of their homes. Mensforth himself describes how his stance against the NF so infuriated them, that they tried to silence him by attacking him at one of the Upstart’s gigs. He was saved by Antifa, who were there to defend him.

The Cat starts off by making the point that Antifa is a position, not an organization. The word stands for Anti-Fascist Action, and while later in the article he states that Anti-Fascist Action was set up in 1985 by Red Action and other anti-Fascist groups, he makes the point that if you are opposed to Fascism, then you are Antifa. He also makes the point that Nazis and related organisations in the US have been allowed to march by claiming free speech as their defence, and supported by the local law enforcement agencies and Libertarian organisations, some of whom have their own, very dubious agendas.

Buddy Hell is particularly annoyed by the middle class liberals, who are defending the Nazis’ right to say the unspeakable. He makes the point that Fascists are capitalism’s shock troops. Their leaders come from the middle and upper classes, and they and their vile doctrine emerge when capitalism is in crisis. And they don’t march through White, middle class areas. Their purpose is to divide the working class, and they march through working class and immigrant neighbourhoods as a display of triumphalism and a provocation.

He also makes the point that Fascists are also supported by the petite bourgeoisie and sections of the free press. The free world has tolerated the seizure of power by innumerable right-wing dictatorial groups, but the moment a left-wing government appears the supposed free world immediately tries to destabilize it.

And Fascists themselves are extremely violent. He states very graphically that if you turn the other cheek to a Fascist, they’ll slash it with a razor, and says

I support the activities of militant anti-fascists because I think their use of force is a necessary tactic to counter the violence of the far-right on the streets. If you think allowing neo-fascists a platform to say whatever they like is necessary because you believe everyone has a right to free speech, just imagine what would happen if the far-right ever came to power. The free speech, that you cherish so dearly, would be taken away and you’d be carted off to prison or worse. Now you can accuse me of histrionics if you like, but you’ll have to name a country in which the far-right have gained power and have allowed people to criticize them. I can’t think of one.

See: https://buddyhell.wordpress.com/2017/09/05/militant-anti-fascism-why-i-support-it/

Now I don’t support violence against anyone, and don’t wish to encourage any more of it, even against the Far Right. Real violence is anything but fun, and people have been seriously hurt and killed in the battles between Fascists and anti-Fascists.

But the Cat is right on several points. Fascists are and have always been extremely violent. They’ve been so every since George Sorel wrote his ‘Reflexions sur la Violence’ as a militant 19th century anarcho-syndicalist. Sorel later rejected syndicalism in favour of extreme right-wing nationalist and monarchist groups, but his book remained popular and influential amongst right-wing intellectuals like Mussolini. The kernel of Fascism in Italy were the Fasci di Combattimenti, bands of demobilized ex-servicemen, who went around beating up Socialists, Communists and anyone they thought that was insufficiently patriotic, or just didn’t like. One of their symbols, was the fasces – the bundle of rods with an axe sticking out, which symbolized the power of the lictor, the Roman official, who could have citizens beaten and beheaded. The other, rather less official, but very widely used, was the manganello. This was the club with which Fascist gangs used to beat their opponents in street battles, after which the victims were dosed with castor oil to humiliate them by making them soil themselves.

Before the Nazis seized power in Germany, they also used to go round fighting street battles and beating up Jews and leftists. One of their songs in Berlin was all about how they were going to carry on beating people up, ‘until the Jew lies bleeding at our feet’.

And they weren’t any better in Britain. Mosley’s BUF lost its support partly because it was notorious for its violence, particularly after the infamous Olympia rally, where the BUF’s stewards savagely beat a number of left-wing protestors. And after the war, the BNP, NF and related groups deliberately recruited ‘bovver boys’ and football hooligans. Or as one of their leaders themselves said at the time, ‘robust young men to defend Britain against Communism’. And the evidence for their extreme violence is extremely plentiful. If you go on YouTube, there are a number of videos from World In Action and other documentaries showing just how brutally violent they are. And more often than not, their victims are the weak and defenceless. One of the speakers in one of these documentaries is a female teacher, who describes how she and her colleagues were attacked without provocation by a group of NF thugs when they were having a meeting in a pub. Matthew Collins in his book, Hate, describes how he participated in an attack on an anti-Nazi meeting in one of the rooms above the local library. Those they attacked were mostly women, including a pregnant Asian lady, who was so terrified she tried to barricade herself in the toilets. These are not thugs attacking other thugs. They’re bullies. And when they do meet concerted, violent resistance, as one of the speakers in one of the videos says, they run away.

The decision of the ’43 group to give a dam’ good hiding to the Fascists is entirely understandable. One of the speakers in the video describes how he and the other old comrades put their hands together with Rabbi Hardman, the Jewish army chaplain, and swore ‘Never again’ when they saw the sheer carnage and barbarity at Auschwitz. Rabbi Hardman states he saw bodies piled as high as the surrounding buildings. Another squaddies tells how he met one woman, one of the death camp’s inmates, who had been driven mad because the Nazis had snatched her baby away from her, thrown it up into the air, and then shot it. This treatment wasn’t unique to the Jews. The Beeb a little while ago screened a programme about the Nazi occupation of Poland. One of the incidents that occurred there was when Polish mothers were required to take their children to be examined by the reich authorities. One woman’s child was deemed biologically unfit. It was snatched out of its mother’s arms, thrown onto the floor, and shot.

Most normal people would have felt horror and anger if they had witnessed what these servicemen had seen. And when it is done to one’s own ethnic or religious group, when one thinks how it could have been one’s own spouse, parents, children, or other relatives and friends lying down there among the bodies, those feelings are naturally going to turn into an intense rage, or in this case, a steely determination to do everything they could to stop it ever occurring again.

The speakers in the video make the point that they didn’t reject non-violent persuasion. They tried it, and found that it didn’t work. They state that it was a case of ‘both…and…’ rather than ‘either…or…’. But it didn’t work on the convinced Fascists. And so they resolved to disrupt their meetings and force them off the streets.

At the time there were 40 or so Fascist meetings every month in London, and the BUF, or Mosley’s successor organisations, were not opposed, and indeed supported, by the London police. This has been corroborated by other historians. Larry O’Hara wrote an article in Lobster back in the 1990s about how the metropolitan police turned a blind eye to Fascist meetings, even when they openly broke the law. Such as drinking a toast to the destruction of the Jews. Indeed, it was quite often anti-Fascist protesters, who were arrested, rather than the stormtroopers.

Not all police forces were as tolerant as London’s, however. One of the speakers describes how they heard that the Blackshirts were planning to go down and hold a rally in Brighton. So the ’43 Group let the Brighton fuzz know they would also be down there to disrupt the meeting. The rozzers duly replied that the Fascists were quite within their rights, and the police would allow them to go ahead following the principle of free speech. But in practice, they only sent one officer. He was obviously just a token presence, and the former servicemen were able to give their opponents a sound beating.

They describe how, when they attacked a Fascist gathering, their intention was to seize and overturn the podium. Among those, who got what they deserved was Hamm, Mosley’s second in command. They also reveal that they had considerable information given to them about the location of meetings and so on from informers within the Fascists’ own ranks. These were people, who had joined the party, and found out it wasn’t what they thought it was. Ultimately, the ’43 group were successful. They point out that due to their attacks Mosley couldn’t appear in public, and they talk about their pride as Jews and citizens in closing him down.

Mensforth’s video also begins with people from the East End describing the antics of Mosley’s Blackshirts in their day, and their role in the Battle of Cable Street. This was when the BUF tried to march through the East End, but were beaten off by a group of trade unionists, Communists and Jews. The speakers describe how they also fought the police, who were protecting the Fascists.

Describing the activities of contemporary Nazis, they point out that they want to keep the working class divided, and encourage racial hatred to that end. When there are no ethnic minorities available for them to whip up hate against, as in Glasgow, they find another outsider group to serve the same purpose, like Roman Catholics. One of the speakers is a Glaswegian, who was a former member of one of the Fascist groups in Scotland, as well as a Protestant supporter of one of the very Unionist football clubs. One of the songs their supporters sing is ‘Billy’s Boys’. He states most of the supporters think it’s about William of Orange, but in fact it’s about one of Mosley’s lieutenants in that part of Scotland in the 1930s. This particular speaker was drawn into it through the sectarian politics of Scots football clubs. He left when he started getting leaflets from the organization telling him to support their policies against Israel, and supporting South American dictators and death squads.

Watching these videos, it struck me that some, at least, of the violent antifa, aren’t thugs using violence for the sheer pleasure of it. They’re just people, who actually take Fascism seriously. Very seriously. To many people, the Fascist fringe are so grotesque that they’re a joke, and the numbers involved in their marches are so trivial that there’s absolutely no danger of these morons gaining power. They’re figures of fun, like the American National Socialist White People’s Party in the Blues Brothers. And it’s because they aren’t taken as a serious threat, that they and their wretched marches are tolerated. Despite considerable, and very vocal opposition, I hasten to add.

And indeed there is a certain amount of grim humour to be found there. They are so twisted, that they can be unintentionally hilarious, and mocking them does have the right effect. Hope Not Hate a few days ago put up a piece about how one of the squadristi was upset with the organization, because it was taking the mick out of him. And Private Eye also reported how members were leaving the BNP after it had been mocked in the pages of Ian Hislop’s mighty organ. The Third Reich was long ago, and so were the various Fascist dictatorships in Central and South America, as well as all the other brutal right-wing regimes that have seized power around the world.

But if you’ve seen what Fascism has done, and your family and friends have been attacked or worse by its supporters over here, your attitude might be very different. The Klan and the neo-Confederates really aren’t a joke to Blacks, Jews and other minority groups, because of the lynchings and the use of terror and extreme violence. Over in Britain, the British Fascist groups supported not only the Unionist paramilitaries in Northern Ireland, but they also gave sanctuary to a group of Italian Fascists in the 1980s following the Bologna railway bombing, which killed more than a hundred people. And given the horrific atrocities the death squads committed in Latin America – things so revolting that they cannot be decently described in a family blog, it becomes a very good question why the members of various Conservative and Libertarian societies weren’t attacked or beaten when they decided to invite these scum to their annual dinners.

I don’t support violence, let alone vigilanteeism, but the Cat has done a good job in explaining why violent resistance against Fascism may be justified. As he points out, this is violence against those, who are absolutely serious in their intention to imprison, torture and kill millions, if they came to power. Their tolerated at the moment because they aren’t a significant threat. But that can change. Free speech is not an absolute, and there have to be limits to toleration. It’s why we have laws against hate speech, no matter how they right may decry them as ‘political correctness’.

Media Lies Exposed Again: Most Misogynist Abuse Comes from the Tories

Mike today put up a piece blowing away another lie that the Tories and their servants in the media have hawking: that the Left is full of misogynists, who harass and abuse women MPs. In fact Amnesty International have published a report showing that the opposite is true: most abuse comes from the right. And the female politico, who most often suffers it is Diane Abbott.

Who in the Left is honestly surprised by this? There are Conservative varieties of feminism, as you’d expect, but feminism, or women’s lib as it was known in the 1970s, is most often associated with the Left. And as the Austrian democratic socialist Marxist, Karl Kautsky argued, socialism is all about equality. This is why they champion the working class, and why left-wing governments, particularly Communist, have encouraged women to enter politics and the workplace, even if their countries’ traditional culture is very sexist, as it is in Russia and some of the countries of the former eastern bloc.

Conservatives, on the other hand, stress the importance of tradition, and despite having given Britain two female prime ministers, Maggie Thatcher and now Theresa May, this usually also means stressing and promoting traditional gender roles. Thus, while the right-wing broadsheets may earnestly discuss the issue of getting more women into the boardroom, and equal pay, the Daily Heil has been telling its female readers that stable families, and indeed western civilization as a whole, needs women to concentrate on staying at home to raise children, rather than both pursuing independent careers. The image the right projects of feminism is of angry misandrists, which has been a factor in why so many young women a few years ago rejected the term ‘feminism’, even when they had strong feelings about winning equality and rejecting sexism.

There’s also more than a little racism on the Tories’ side as well. The Tory right has always had links to Fascist right, including inviting members of central American death squads over to their annual dinners. A few days ago I put up a piece about Owen Jones’ video on YouTube, in which he commented on an odious conversation by the Tory youth movement, Activate, about gassing chavs and shooting peasants. This wasn’t the first time they had made Nazi comments and bullied the poor and underprivileged by a very long chalk. Jones discussed some prize examples of their foul behavior. This included the members of Oxford University Conservative society goose-stepping around like the real Nazis, singing songs about ‘Dashing through the Reich … killing lots of ****’, the last a very unpleasant terms for Jews. Their comrades north of the border ain’t no better either. This crew thought it would be jolly fun for one of them to dress up as a slave master, while another cringed before him as a slave. It wasn’t that long ago that the Tories in Scotland were known as the Unionist party, and their antics and Thatcher’s complete dismissal of the country was a large factor in the decision of so many Scots to vote for the SNP.

As for the Tory press, they’ve been consistently against coloured immigration since Windrush. And long before then, in the late 19th and early 20th centuries they were busy campaigning against allowing ‘aliens’ – that is, eastern European Jews, to enter this country as asylum seekers fleeing the pogroms in eastern Europe. This anti-immigration stance has frequently been blatantly racist. Private Eye, when covering the prosecution of the Scum yet again for racism by the Press Complaints Commission, as it then was, noted that the wretched paper had had 19 judgements against it previously for its racist content. I can remember how the Torygraph, Mail and Express back in the 1980s railed against ‘unassimilable’ immigrants and the way they were forming little ghettoes.

Racism became a major issue in that decade following the 1981/2 riots, and the publication of government reports that revealed a massive culture of institutional racism and Black deprivation in Britain. To the Tory press, however, the riots were all the fault of racist Blacks. While there have been Black and Asian politicians before, Diane Abbott was one of the group of very visible Black politicians and activists to achieve public office during the decade, along with Paul Boateng and Bernie Grant, the leader of Brent Council. They were all very vocal in their opposition to racism. Grant died the other year, and I think Boateng more or less vanished into the depths of Whitehall. There are a number of other Black politicos, like David Lammy, Chuka Umunna and Oona King, but Abbott is one of the longest-serving and most reviled. The Scum tried running a Communism scare against the Labour party in the 1987 election, by putting up a two-page spread with the photographs of Labour MPs and candidates, below which was a few brief quotes or comments showing how they were a threat to British society. Red Ken is supposed to have said that he wasn’t in favour of the British army, but wanted the workers to be armed so they could guard the factories. Under Abbott’s was a quote, ‘All Whites are racist.’

That was very much the image she had at the time. She’s supposed to be very keen on tackling racism, because she felt that her mother’s career was blocked because of her colour. This is actually quite likely. But it’s highly questionable that she’s anti-White. Many of the stories the press published about the supposed hard-left extremists in the Labour party at the time were either exaggerations or completely made up. Ken Livingstone, whom the Eye has frequently mocked under the nickname, Ken Leninspart, really did believe in worker’s control. But he was never a Marxist, and in fact worker’s control used to form only a small part of the subjects he discussed with the, um, ‘gentlemen’ of the press. Most of the time it was rather more mundane. But they played up the worker’s control, and attacked it, because it frightened their proprietors and editors, quite apart from the rest of the middle class. The veteran gay rights activist, Peter Tatchell, who was also beginning his career as a Labour politico, was another who was made to appear much more extreme than he was. At one point the papers published a story about him going on holiday to one of the great gay centres on the American west coast. Except that he hadn’t, and didn’t even know the place existed. They also did the same thing to Marc Almond. In his case, they didn’t think he looked sufficiently effeminate, and so retouched his photograph.

Given this long record of telling porky pies about radical politicians, you can’t be sure that Abbot made the above comment, or that it represents her views now. But as Sid James remarked to Tony Hancock in ‘The Scandal Magazine’, mud always sticks, boy. They’ve carried on portraying her as a threat to White history and culture. A few years ago, the Daily Mail ran a story about how the London borough she represents in parliament decided to replace the paintings in their civic offices. Down came the traditional portraits of the White guys, who had previously served on the council, and up came paintings of Black children.

The story was part of a larger article about her, and didn’t offer any details about this, nor the reasons for the decision. Without putting it in so many words, it was presented merely as Abbott’s coterie of angry Blacks removing Whites from the history of the borough. How this supposed racist anger compares with her appearing regularly alongside Michael Portillo on Andrew Neil’s The Daily Politics, where she appears perfectly calm and genial with her White presenters, as befits a grande dame of British politics, I really don’t know.

Nevertheless, she remains a Tory bete noir, and given the fact that there have always been members of the party, who can’t understand why a Black person could ever object to golliwogs, the Black and White Minstrels or why you can make derogatory comments about Black people’s supposed character defects as a race, or use the unpleasant terms previous generations used to insult them, and it becomes quite easy to see why she should be the target for so much abuse.

As for the supposed sexism in the Labour ranks, there was never much substance to that anyway. It was never more than an attempt by wealthy, entitled right-wing Labour female politicians to smear their male rivals. These women had nothing to offer ordinary working Brits, including women. While ordinary women are finding it difficult to pay the bills and feed their families, thanks to the ravages of neoliberalism, these female politicians simply offered more of the same. More cuts, more privatization, more precarity. But like Hillary Clinton, from whom they got the tactic, they wanted to present themselves as representing women in general, even if in fact they only represented rich, entitled women like themselves. And so just Clinton was outraged by the popularity of Bernie Sanders, these women were infuriated by Jeremy Corbyn. Clinton claimed that she had been vilified by the ‘Bernie Bros’, who didn’t actually exist. And so her counterparts in the Labour party over here decided to follow her, and lie about how they were the victims of savage misogyny from Corbyn and the Old Left.

The reality is the opposite. I don’t doubt that there is racism and sexism on the Left. But there’s far less of it than on the right. But the press are still liars for claiming otherwise.

Princess Anne Adds New Baby To List Of People She Needs Kill To Gain Throne

Published by Anonymous (not verified) on Wed, 06/09/2017 - 8:17am in

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The news that the Duchess of Cambridge is pregnant with her third child has sent Princess Anne into a fit of rage and forced her to add another name to her list of people she needs to have murdered before she can become Queen.

“I should have smashed Charlie in the scone with one of his polo mallets back when we were teenagers,” said a clearly frustrated Princess Royal upon hearing the news from Kensington Palace. “If Kate keeps churning them out like the production line at Mr Kipling’s pies I’ll never get to position number one at old Bucko palace. Rats bollocks.”

“The rest of the family are in on to Anne’s plans which is why they consistently knock back her requests for them to gather for a group photo on the edge of a crumbly cliff,” said royal watcher Cedric Hackforth-Jones. “They never travel together on the same plane after the time they caught Anne tinkering with the wheel nuts on the royal jet.”

Whilst her brothers rarely drop around to visit their parents these days, Anne is known to spend hours at a time deep in conversation with Prince Phillip, learning the ways of how to terminate pesky relatives at the foot of the wily Duke of Edinburgh.

“Phillip has put Anne in touch with his team of “mechanics” responsible for the Princess Diana job in Paris,” said London gossip columnist Petulia Mitchell-Taverner. “If I was Princess Beatrice I’d soak my birthday present from Anne in the bath before opening it.”

Peter Green
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BBC 2 Programme on ’21st Century Race for Space’ Next Tuesday

Published by Anonymous (not verified) on Wed, 30/08/2017 - 5:20pm in

Here’s news of yet another BBC programme on space exploration and science. Next Tuesday, 5th September 2017, physicist, broadcaster and massive Carl Sagan fan Dr. Brian Cox will present a programme, The 21st Century Race for Space, on BBC 2 at 9.00 in the evening, on the private companies planning to take humanity into the High Frontier. Among the scientists and engineers he interviews in the programme are Richard Branson and the founder of Amazon, Jeff Bezos. The blurb for it in the Radio Times runs

As a new age of interplanetary exploration dawns, it is private companies and their maverick owners who are planning to finance space tourism, asteroid mining and even colonies on Mars. Professor Brian Cox investigates the technical challenges that could stop these billionaires achieving their dreams and also finds out how they hope to overcome the daunting obstacles to human space travel. Sir Richard Branson is among the stargazers explaining how they plan to fly through the heavens. (p. 76).

Another piece about the programme on the previous page, page 75, by David Butcher, also adds the following

When the likes of Richard Branson or Amazon founder Jeff Bezos enthuse about space travel it’s easy to be skeptical. But when Brian Cox meets both billionaires for this engaging look at “the prospect of us becoming a space-faring civilization” he comes away convinced by their vision, their desire to push boundaries and to make sci-fi stuff happen.

And for us, it’s hard to see the various hangars and labs and prototypes and launches and not get the feeling that space tourism, mining on asteroids and trips to Mars really aren’t that far off.

Cox is a good guide, leaning towards the deeper questions implicit in the subject. Ultimate, one designer argues, space travel is about “building life insurance for the species.” Though you hope we won’t need it.

That snippet also has a photo of Cox and with the space scientist, Brian Lillo, in space suits outside a Mars Society Research Station in Utah, ‘exploring the Red Planet’.

I went to a symposium 17 years ago on space tourism at the British Interplanetary Society’s headquarters in London. There are no end of really great ideas, and very motivate, intelligent people out there planning and discussing ways to take people up into the Deep Black for their holidays. One of the scientists, reviewing previous spacecraft designs going back to the early days of spaceflight, showed how sophisticated some of these were. He made the case that we’re actually decades behind schedule in our ability to explore and commercially exploit space and its resources.

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