the press

Republicans Try to Block RT from Being Shown in US

The Republicans are up to their tricks again, trying to stop American audiences from taking their news from alternative sources and so getting a clearer, different picture from that the corporate media wishes to impose. In this report by Samira Khan from RTUK, Republican Senator John McCaine and one of his colleagues are trying to pass a bill, which would allow American network providers to avoid having to carry RT – Russia Today – in the US. The ostensible reason is that Russia is using the broadcaster, which is owned by the Russian state, to influence American politics. There’s a clip in the programme of various Republicans in Congress debating and complaining that too many Americans are getting their views from RT.

The programme notes that there are three other state-owned foreign broadcasters in the US. These are France 24, Al-Jazeera, which is owned by Qatar, and, of course, the Beeb. None of these will be subject to the McCaine’s and Graham’s bill.

I’m very much aware that RT is owned by Russia, which since the Second World War has been America’s ideological and geopolitical opponent. And, despite the Fall of Communism and the introduction of capitalism, Russia still is in geopolitical opposition to America. But the claims that Russia is interfering in US politics is pure rubbish.

This twaddle ultimately comes from Hillary Clinton and her attempts to blame everyone else for her failure and corruption at the elections. She claimed that the leaked emails from the Democratic National Convention, which showed how corrupt she was in her dealings with corporate backers, and how she and Debbie Wasserman Schultz unfairly manipulated the internal electoral process within the party to stop Bernie Sanders coming to power, came from the Russians. They weren’t. They came from disgruntled members of her own party.

As for the accusation that Russia was influencing US politics, there’s no evidence that they were doing so unduly, or at least, no more than they had been. And as William S. Blum has pointed out on his Anti-Empire Report, that’s a lot less than America has interfered in other countries. He has a whole list of the countries, in which America has interfered in their politics and elections, not counting those, which the US has actively invaded or organized or backed coups to overthrow liberal and left-wing, but not necessarily Marxist or even Socialist governments. And there are pages and pages on this in Blum’s book.

This is just another attempt by the political establishment to try and shut down alternative media, and stop the American people from finding out what their country is really doing. Not just around the world, but also to them. Thanks to both the establishment Democrats and the Republicans’ promotion of corporate interests, as Pat Mills observed in one of his talks on politics and comics, there are pockets of America which are like the Third World. And this is White America, never mind Blacks, who still remain much poorer.

The corporate establishment is panicking, both in America and over here in Blighty, because people are no longer buying the right-wing propaganda churned out by Fox News and MSNBC, or by a supine BBC over here, which has turned its news into a kind of British TASS for Conservatives. (TASS was the Soviet state news agency before the collapse of Communism). They’re taking their news from alternative sources, like the Real News Network, RT, Democracy Now!, The Young Turks, Secular Talk, the David Pakman Show, Sam Seder’s Majority Report in the US, RTUK over here, media commentators like Chunky Mark the Artist Taxi Driver, and a whole plethora of bloggers and vloggers. And they’re getting worried.

It’s why establishment journos in the press and on the Beeb are whining about how the decline of their sector of news gathering and publication means that there will no longer be a consensus view that broadly unites people of all shades of political opinion. What this actually translates into is a panic that they won’t be able to shape public opinion like they could. They argue this means that opinions are becoming increasingly polarized and oppositional. It also means that they’re afraid that they can’t shape public opinion for the benefit of their corporate proprietors like they used to, and without influence and declining sales they could see all that lucrative advertising money that keeps so many of them going, drying up.

And the giants of the internet are also panicking. It’s why Google is so keen to demonetize ‘controversial’ material on YouTube. The excuse is that they’re doing so to stop racist, Alt Right, Nazi and Islamist propaganda appearing on the platform. But as so much of what is demonetized extends to left-wing news outlets, like David Pakman, Sam Seder and Democracy Now!, this excuse is very spurious and flimsy indeed. Google has said it wants to prioritise corporate content. It’s therefore just another big corporation trying to silence the critics of the corporate capitalism that’s destroying the planet and impoverishing everyone in the world except the super-rich 1 per cent.

It’s also why Facebook has also changed its policy, so that bloggers like Mike over at Vox Political also find it hard to reach their audience.

People the world over aren’t buying the corporate, establishment propaganda. They are turning to alternative media, which includes Russia Today, to find out about what’s really going on. And the corporate media is terrified. Hence this wretched bill. And I’ve no doubt that if this gets through Congress, the Tories will try something similar over here. After all, RT is also over here, as is the Iranian state broadcaster, PressTV, and they also tell the British public facts and information that they really don’t want people to see. Like George Galloway talking about the oppression of the Palestinians in Israel, and western militarism and imperialism in eastern Europe and the Middle East.

Hope Not Hate Infiltrates the Alt Right

Published by Anonymous (not verified) on Thu, 21/09/2017 - 8:30pm in

The anti-racist/ anti-religious extremism website and magazine, Hope Not Hate, has posted up a piece by their contributor, Patrik Hermansson, describing his year-long mission to infiltrate the Alt Right both in Britain and in America. Mr. Hermansson is a young, gay and very anti-Nazi Swede. During his year amongst the assorted Nazis and Holocaust deniers, he met and became close to the far right London Forum and its leaders, Jez Turner, Stead Steadman and Mick Brooks. He also encountered smaller, associated Nazi groups like the Extremists Club and various Nazi Odinist groups, which worship the Norse gods.

He also met the Traditional Britain Group and its founder, Gregory Lauder-Frost. This has links, as has the London Forum, with the Nazi publisher, Arktos Media, and has hosted meetings, whose speakers have included other members of the international New Right such as Alex Kurtagic and Tomislav Sunic, John Morgan, formerly of Arktos, now working for Greg Johnson’s Countercurrents, Marcus Willinger of Generation Identity, and Richard Spencer and Mark Tait of the Alt Right. The Traditional Britain Group has also had links to Breitbart. The TBG has also hosted events attended by the UKIP MEP Gerard Batten, and Conservative MP Jacob Rees-Mogg, who later apologized for attending.

Johnson has also set up groups like the London Forum in New York and Seattle. Guests and speakers at these events have included the anti-Semitic editor of the Occidental Observer, Kevin MacDonald, and the British Alt Right vlogger Colin Robertson, who vlogs under the monicker ‘Millennial Woes’. In Seattle, he also met the infamous Nazi ceramicist, Charles Krafft. Amongst other things, Krafft makes teapots of Adolf Hitler, one of which is shown. The Seattle Forum is Whites only, and is attempting to purchase land on which to found an all-White colony, Cascadia. He also met Jason Reza Jorjani, the co-founder of Alt Right Corporation and editor of Arktos Media, who later resigned his position at both to concentrate on overthrowing the Islamic Republic of Iran. Jorjani’s middle and surname suggest that he’s of Iranian heritage, so it’s no surprise that he wants to destroy the Islamic Republic and create an Indo-European world order. Many of the Iranian languages, like the majority language, Farsi, are Indo-European, the same as the Indian languages derived from Sanskrit. The father of the former Shah decided on renaming his country Iran, instead of Persia, following a suggestion from the Nazi ambassador in the 1930s. ‘Iran’ is derived from ‘Aryan’.

These groups attempt to offer a complete, parallel society to that of the mainstream, so that the people within it not only attend political events with their fellow Fascists, but also socialize and go to and organize cultural events with them.

They also have links to the White House, and its current denizen, Donald Trump.

The article also includes a diagram of the various groups and organisations making up the Alt Right, and the links between them.

Hermansson also describes how he found the year within the movement emotionally numbing. These are viciously racist groups, with a violent and genocidal hatred of Jews, non-Whites, gays and feminists. They deny the Holocaust and joke about the murder of the Jews by the Nazis. They also cheered at the new of the Orlando shooting, when a sexually repressed and conflicted gay Muslim took out his anger and self-loathing by murdering people at a gay nightclub, many of whom were Latinos/Latinas. Hermansson describes how meeting and immersing himself in this milieu every day has the effect of normalizing their extreme and disgusting views. He states

I learnt a huge amount about how people and groups are connected, how the movement operates and what it was planning. I found out how the movement interacts internationally and how important the social aspect of activism is in radicalising and retaining members. These groups attempt to become all-encompassing organisations that go far beyond politics, into art, religion and social life making them incredibly difficult to leave. Tragically I’ve seen how social pressure inside these groups can make ordinary people support genocide.

The far right is often treated with complacency. Should we let them into the public debate? Their views might be different, but aren’t they just other opinions

What’s obvious after a year inside the alt-right is that we cannot become complacent. These are not just opinions. These are organisations that actively foment hate and promote violence towards large groups of people. They are dangerous and their dangerous ideology must be confronted, wherever it appears.

The article concludes with his description of the events in Charlottesville.

In addition to the diagram, there are also numerous photographs taken by the author.

https://alternativeright.hopenothate.com/my-year-inside-the-international-alt-right

Richard Coughlan Debunks Holocaust Denial

More on the Nazis, I’m afraid, and one of their favourite tactics: trying to get everyone to believe that the Holocaust was faked and didn’t occur.

Richard ‘the Dick’ Coughlin is a professional stand-up comedian, who regularly posts on YouTube attacking the weird and twisted denizens of the far right and men’s rights activists. In this video he takes on the necessary task of refuting Holocaust denial, and does a very good job of it. The video begins with a warning that it contains material some people may find disturbing. These are black and white footage from the concentration and death camps themselves, showing the emaciated inmates, and the heaps of bodies thrown into mass graves. These are shown with appropriate Jewish music and hymns commemorating and lamenting those murdered by the Nazis.

Coughlan explains that modern anti-Semites and Nazis have moved on from denying the Holocaust outright, as there is simply too much proof that it did occur, although there are a few that will still try to do this. Instead, they try to minimize the numbers of people murdered. Instead of millions, they will claim that it was only a few tens of thousands. In some cases, they will try to claim that only 10,000 were murdered, rather than the real figure of 5,700,000+, which is rounded up to six million.

Nazis will then claim that there was no programme to exterminate the Jews, that they were not gassed with Zyklon B in death camps such as Auschwitz, and that the large halls in which the victims were butchered were instead morgues, or chambers where the bodies were deloused before burial. Coughlan cites the textual evidence from the Nazis themselves that the areas claimed to be morgues were where they poor souls were forced to strip before they were gassed, and the contradictions in the neo-Nazis’ attempts to explain away the other chambers. For example, the story that the gas chambers were only used for delousing the bodies is clearly contradicted by the fact that the bodies of the dead were burned. Why would you bother killing parasites on a body that was going to be burned anyway? Surely you’d just burn the body, lice and all.

He also points out that the Nazis deny that the Jews were deliberately exterminated, but merely died from overwork and malnutrition. This is completely false. He makes the point that Holocaust deniers are trying to stop people believing in the Holocaust, not by refuting it completely, but by placing tiny seeds of doubt in people’s minds, which they hope they can develop and encourage further. He also analyses the psychology behind the tactic of minimizing the scale of the Holocaust, comparing it to a naughty child, who has stolen from his parents, who then tries to excuse himself and cast the blame elsewhere by admitting that he stole a lesser amount of money some time ago, but has not stolen the full amount, thus casting doubt on his sibling’s protestations of innocence.

Coughlan also debunks the claim made by Holocaust deniers like David Irving that there is no textual evidence linking Hitler to the Holocaust. There is. There are reports from the Nazi einsatzgruppen tasked with carrying out the murder of the Jews stating that they have informed Hitler of their progress, along with other documents from the Nazi leadership. These can be read in a book of collected reports and documents from these death squads, which Coughlan shows to the camera.

As for the arguments that the infrastructure for the gas chambers don’t exist, Coughlan says that this is based largely on the example of Auschwitz. But Auschwitz is only one of the immense number of these murder factories. He emphasizes their colossal number by stating that most people would probably think there were only about seven or so death camps. Not so. There were 43,000.

He could have added here that the chimneys and other structures used for delivering and venting the Zyklon B at Auschwitz don’t exist, because they were demolished shortly after the war by the Polish government. The bricks were used to build the houses on a nearby estate. Channel 4 made this point a few years ago in a documentary in which they followed an engineer, who designed gas chambers to Auschwitz to examine the remaining structures at the invitation of the American/Canadian Nazi, Ernst Zundel. Unfortunately, he was taken in by the Nazis’ lies and the apparent lack of evidence. The programme also featured a Jewish expert on the Holocaust, who provided the proper evidence that showed where the engineer was severely mistaken in his conclusions. He cited not only the history of the site itself, but also Nazi documents and the deliberately evasive language they used to hide what they were doing. They almost never talked openly about the murder of the Jews. Instead, their mass atrocity was referred to as ‘deportations’ or ‘special operations in the east’.

The video also includes clips from the film dramatization of the court case between Deborah Lipstadt and David Irving. Lipstadt is an American academic who called Irving what he was – a Holocaust denier. Irving sued for libel and lost. There’s also a clip of the real David Irving speaking, stating that he doesn’t believe in the scale of the Holocaust as normally claimed.

As Coughlan is a stand-up comedian, he occasionally uses humour to make his points. He begins the video by joking that it is financed by ‘Jew gold’. This is a dig at the claim by Nazis that anyone arguing against them must be in the pay of the international Jewish conspiracy. The number that then follows is Coughlan’s patreon account, showing that he most certainly isn’t. At one point in the video, he also tries to get his viewers to understand what the Nazis are doing when they minimize the Holocaust by asking them to imagine for a moment that they in the Nazis place. What would they do?

This is clearly a rhetorical technique, and if you watch the video, obviously so. I am mentioning it here because of the danger that someone may try to twist this into an entirely spurious proof that this is article is promoting Holocaust denial. Mike over at Vox Political is a firm anti-racist and certainly not an anti-Semite. Yet because he defended those in the Labour party that were smeared as anti-Semites simply because they criticized the equation between anti-Semitism and anti-Zionism, or even Israel itself for its occupation of Palestinian territory and ethnic cleansing of the indigenous Arab population, he was accused by the Campaign Against Anti-Semitism as an anti-Semite. I am afraid that the loathsome people, who smeared him, may also try to smear me by taking some of the ironic rhetoric in this strongly and most definitely anti-Nazi video out of context in order to smear me.

Lastly, Coughlan is an atheist and was a part of the atheist movement on the Net. Hence his anti-theist farewell against God at the end. I don’t share or approve of his atheism. However, his videos against the assorted Fascists and maniacs on the far right are well informed, and do a very necessary job of debunking them and sending them up. He’s done an excellent job. He states at the end of the video just how many books he’s read about the Holocaust, including one 4,000 pages long, and encourages others to do the same.

This is a great video, and it’s of an appropriate length – 25 or so minutes. That’s long enough to cover the main points without becoming too drawn out. However, it does mean that it obviously can’t cover everything that the Nazis and Holocaust deniers try to do. But it’s an excellent start, entertainingly done.

Of course this video shouldn’t be necessary. In the 1980s an American judge ruled against one of the Californian Nazi magazines that the evidence supporting the Holocaust was so plentiful that it couldn’t be denied. But that hasn’t stopped them trying. The Alt Right is on the rise, and the Holocaust deniers will try to criticize any attempts to present the facts or commemorate this horrific mass murder. The M Shed in Bristol, one of the city’s museums, put on a display about the Holocaust a few years ago. They then had two Holocaust deniers turn up, who tried to argue with the museum staff.

In many European countries Holocaust denial is a crime. There are problems with such legislation, as many people fear it’s an infringement of the right to free speech, however odious that speech is in the case of the Nazis. They also criticize such tactics has being too heavy-handed, and allowing the Nazis to position themselves as the oppressed party suffering official state persecution. They argue instead that a better tactic is to be informed, and refute their specious arguments using confirmed facts and evidence. This video helps to do this job.

Pat Mills Going Underground on Class and Politics on Comics

This is another video to add to the two others I’ve posted in which Pat Mills, one of the great creators of modern British comics, talks about industry and the political dimension to his work. In this video, he talks to Afshin Rattansi of RTUK’s Going Underground.

Mills starts by talking about how, when he first got into comics, he was frustrated and it was only when he started to look back on it and analyze it that he realized he was annoyed by the lack of working class role models in comics. They were all members of the upper middle classes. It’s why in 2000 AD he wanted to include working class characters and heroes, and why he liked Jeeves in the Jeeves and Wooster books, because here was a working class character, who makes a complete mockery of his master. But what brought home to him how the system is so completely opposed to working class heroes was his attempt working on a story for Dr. Who. He wanted to include a working class spaceship captain. The spaceship itself was to be a kind of abattoir in space, and he based the captain’s character on a real person, the captain of dredger. This would have made it realistic, and the captain of such a vessel would not have been like Richard Todd. But he was told by the script editor that this was unacceptable, and he could not have a working class spaceship captain.

When Rattansi asks him whether this censorship is internal or imposed from outside, he remarks that it’s a good question, and he believes it to be a bit of both. In the case of anti-war stories, it’s imposed from outside. That was brought home to him when he was involved in an exhibition on anarchy and comics. He wanted to include Charley’s War, the anti-war strip from Battle, as there was nothing more anarchist than that. But this was refused, just as the centenary of the outbreak of the First World. It was why TV never showed any of the great anti-war programmes and films about it, like Blackadder Goes Forth or the Monocled Mutineer.

He also comments on the massive influence the American military exerts over the film and TV industry. The Pentagon and the armed forces, including the CIA, have acted as advisors on 500 films and 800 TV programmes, from Meet the Parents to the Incredible Hulk and Iron Man. Mills has said that he has always disliked superheroes as he feels that they are corporate characters, standing for the values of the system. They are there to show people that you can’t be heroic unless you’re a tycoon or an arms manufacturer, who goes out at night to beat up members of the working class. He doesn’t think the military were involved in the last Judge Dredd film, as that was made by an independent, which is probably why it was so good. Rattansi replies that Dredd is still upper middle class, as he’s a member of the judiciary. Mills states in turn that he’s a footsoldier, and that part of the attraction of the character is that he’s also partly a villain. Villains are often more interesting to watch than heroes, who can be quite boring.

He also talks about an incident in which the Board of the Deputies of British Jews objected to one of the strips in Crisis. This was based on a real situation, which Mills had heard about from talking to a Palestinian. In the story, the IDF caught and beat up a Palestinian boy in protest, leaving lying on the ground with all his limbs broken. The Board complained because they thought the lad’s body had been deliberately arranged so that it resembled a swastika. Well, replied Mills, it wasn’t, as comics writers and artists aren’t that clever to sneak those kind of subliminal messages in. And what left him dismayed was the Board was not concerned about what was going on Israel, and which is still going on in Gaza. The incident was also somewhat ironic, in that the Board complained to the comic’s publishers, which at that time was Robert Maxwell, the corrupt thief of the Mirror pension fund. The Board’s complaint fell on deaf ears, and Cap’n Bob ‘told them to get knotted’.

Mills also observes in the interview that they were able to get away with much more in 2000AD as it wasn’t real, it was science fiction. Things are all right if they occur In A Galaxy Far, Far Away. But as soon as it’s real people, the censorship is imposed.

It’s always interesting hearing Mills’ views on comics and the subversion he put into his stories. He also told the story about the Beeb’s rejection of a working class spaceship captain for Dr. Who before, at the conference on Marxism organized by the Socialist Workers’ Party. The producers of Going Underground in the clip state that they contacted the Beeb to check the story, but the BBC had not replied by the time the programme was broadcast.

Mills is wrong in claiming at Jeeves is working class. He isn’t. He’s upper middle. Butlers are ‘a gentleman’s gentleman’, and Jeeves himself makes it very clear in one of the episodes of Jeeves and Wooster that he ‘and the working class are barely on speaking terms’. This is when the Fascist leader, Spode, tries to recruit him, saying that his wretched band need working class people like him. Nevertheless, the broad point remains true: Jeeves is an attractive character for the same reason another fictional butler is, Crichton, in the Admirable Crichton. He’s a servant, who is more knowledgible, intelligent and capable than his master.

I’ve commented in previous blog posts that I think the reason that the authorities don’t want to see any anti-War material broadcast during the centenary of the First World War, is because we still have ambitions of being an imperial power, backing the Americans in their wars around the world and particularly in the Middle East. The Beeb would also probably argue that to broadcast such material as Blackadder would be ‘disrespectful’, or some other spurious excuse.

I was aware that the American military was influencing Hollywood as advisors, but I had not idea how extensive it was. Back in the 1990s the American army advised the director Paul Verhoeven on his adaptation of Starship Troopers. This was an adaptation of the book by Robert Heinlein, who really did believe that only those, who had served in the armed forces should have the right to vote. It’s a notoriously militaristic book, and provoked a very anti-military response from a range of other SF writers, including Harry Harrison, who wrote Bill the Galactic Hero to send up Heinlein. Verhoeven wasn’t impressed with Heinlein’s militarism either. He’s Dutch, and grew up during the Nazi occupation. Thus, while the film can be enjoyed as a straightforward adventure, it also contains a very strong element of satire, such as modelling the uniforms on those of the Nazis.

I was disappointed to hear that the army had collaborated with the producers of The Hulk, as this comic was genuinely countercultural. In the comic, Banner becomes the Hulk after being exposed to the nuclear blast of an atomic bomb test saving Rick, a teenager, who has wandered into test zone. Rick is a classic disaffected teenager with more than a little similarity to the alienated kids played by James Dean. In the 1970s the comic was very firmly anti-military. The Hulk fought the army across America. Banner’s personal enemy was the general in charge of the forces sent to tackle the force, who was also the father of his girlfriend. And while the Hulk was a raging behemoth, what he really wanted was to be left alone. Some of the subversive character of the Hulk came across in Ang Lee’s film, which I actually like, even though no-one else does. But it’s still disappointing to read that the American armed forces were involved.

There’s a touch of irony to Mills speaking on the programme, as ‘Going Underground’ was the first of the two ‘Comic Rock’ strips to appear in 2000AD, the other being ‘Killerwatt’, which introduced Nemesis the Warlock and his struggle against Torquemada, the Fascist grand master of Termight, Earth in the far future. The story, set in the underground maze of rapid transit tunnels within Earth’s vast subterranean network of cities, took it’s title from the track by The Jam.

Boris Back to Lying about Giving Money from Brexit to the NHS

Published by Anonymous (not verified) on Tue, 19/09/2017 - 7:26pm in

Late last week, Boris Johnson threw the Tories into further chaos as he published his own, 4,000 word document outlining his vision for Brexit. It’s clearly another bid for power from someone, who desperately wants to be in the driving seat and doesn’t care what he says or who he betrays to get there. May responded by calling him a ‘backseat driver’ and insisted that she is in control. Well, as people have commented, if she has to say it, then she obviously isn’t.

And Mike the other day put up a piece showing that Johnson is back to repeating the old Brexit lies he used last time. Yup, he’s told the British people once again that we pay £350 million a year to the EU, when with rebates and other considerations it’s far less than that, and in fact Britain has a net benefit from remaining within the European Union. And he’s also trotted out the old lie that some of this money will be spent on the NHS when we come out.

In fact, Johnson and his fellow Brexiteers have absolutely no intention of doing this. No surprise there. They didn’t when Britain narrowly voted to Leave the European Union. Instead, Johnson did what Tories always do, and reneged on the promise. He made a lot of huffing and puffing about not actually having promised to give that money to the NHS, and only said that if we left the EU, some of that money, for example, could be spent on the Health Service.

Despite the fact that the buses that went round the country clearly stated that the money would be spent on the NHS.

Johnson lied. And he’s doing it again.

It’s all part of his cynical maneoevrings to get himself into No. 10. He was a Remainer, until he decided to throw in his lot with Michael Gove. Whom he then betrayed. And how far he really believes that leaving the EU will benefit Britain is a very good question. From the ashen expression on his face when the result came in that Britain, well, really only England, had voted to Leave, he doesn’t believe in it at all.

The man has no principles, and is just cynically repeating an old, tired lie to get himself a bit closer to becoming PM. Don’t be taken in.

Fool me once, shame on you.
Fool me twice, shame on me.

As George Dubya nearly said correctly.

http://voxpoliticalonline.com/2017/09/18/boris-johnsons-350-million-eu-claim-is-still-a-lie-no-matter-how-he-dresses-it-up/

Mike’s article is also worth reading for what the folks on Twitter have to say about this latest resurrected falsehood from Johnson. One of the more interesting observations comes from a Beeb journo, who reports that they were under pressure from their bosses to find a positive story about how Brexit would benefit the UK. They couldn’t find any. Eventually, they were going to have to settle for the news that the vaping canisters for e-cigarettes would be bigger. But even that was wrong.

And the piccie Mike uses for that article is also quite fun. It shows one of the buses with Johnson’s infamous lie on its side, stuck halfway up a cliff face.

Which is rather like one of the urban legends that went round in the 1990s, and which got into the pages of Private Eye. According to this tale, American police had found the remains of a chevy out in the Nevada Desert. It seemed the former owner, with a need for speed that went beyond even Jeremy Clarkson’s, had had the bright idea of sticking a JATO engine on his car’s roof. These are small rocket engines that are used to assist air force jets to take off from small runways. This clown forgot just how powerful these engines are, and was completely unprepared for the 8 G acceleration which kicked in when he fired it. According to the story, under its thrust the car left the road and ‘the surly bonds of Earth’, flying five miles before ending its journey by crashing 30 feet up into a cliff face. The impact was so severe that all that was left of the driver was his false teeth.

Fortunately, this story turned out to be untrue. It was a lie, just like Johnson’s porkie about £350 million being paid to the EU, and how that will instead go to the NHS. It never happened, though there isn’t actually anything improbable about the details. Burt Rutan, a former NASA engineer, and the man designing SpaceShip Two for Beardie Branson’s Virgin Galactic, built his own spacecraft, the Volksrocket, for $70,000 using rocket motors that the government had manufactured, then discarded in the local rubbish dump. It shows what private individuals could and are doing in developing space technology, that has the potential to make space vastly more accessible.

As for Johnson, all I can say is that I hope his lies about Brexit, and indeed his entire political ambitions, go the same way as the JATO propelled rocket in the story, and meet a very sudden, and well-deserved end.

Editor of Nazi Site Daily Stormer Appears on Israeli Television, Defends Netanyahu’s Son

This is absolutely unbelievable. And to people, who have suffered genuine anti-Semitism, or who have stood up for those, who have, this must come as a very sick joke. Tony Greenstein, a Socialist, anti-Zionist and anti-racist blogger, who is himself Jewish, has run a series of articles pointing out that the Zionists have very frequently collaborated with Nazis and real anti-Semites. Both have had the same goals. The Nazis wanted to clear the Jews out of their countries, while the Zionists have as one of their core beliefs the conviction that anti-Semitism cannot be fought, and so the Jews must have a country of their own. And so you had the Ha’avara agreement between the Nazis and the Zionists, in which the Nazis smuggled some Jews out to what would become Israel. This was before the Nazis revoked the agreement and decided on their policy of mass extermination. Even after the Nazis were murdering the Jewish people in the death camps, some Zionists still held out the hope that some Nazis could be persuaded to spare some and send them to Israel. It’s why George Soros despises the Zionists. Soros is of Hungarian Jewish heritage, and the leader of the Zionists in Fascist Hungary, Kasztner, collaborated with the Nazi deportations from this disgusting view.

And the hatred is reciprocated. Soros won’t give any of his billions to Israel, and so the Israelis hate him in turn. Last week, Yair Netanyahu, the son of Benjamin Netanyahu, posted a cartoon about George Soros lifted from the Nazi website, the Daily Stormer. This shows Soros alongside one of David Icke’s reptoids and an anti-Semitic caricature of a Jew. Netanyahu junior took the offending cartoon down, but not before it had been praised by David Duke, the former Grand Wizard of the Ku Klux Klan, and one of the most anti-Semitic figures in American politics, as well as the Daily Stormer itself. The Stormer takes its name from the Nazi propaganda rag, Der Sturmer, edited by Julius Streicher, that vilified and smeared the Jews during the Third Reich.

http://azvsas.blogspot.co.uk/search?updated-max=2017-09-13T21:39:00%2B01:00&max-results=7

Now the editor of the website, Andrew Anglin, has appeared on Israeli TV, saying that he defends Yair Netanyahu because he’s against liberal Jews, making a clear distinction between Israelis and diaspora Jews. Greenstein comments that the two presenters, including a woman, Michelle Ghora, who’s supposed to be investigating him, appear sympathetic. Ghora even makes a comment about how you can’t really blame people for resenting their – in other words, Jewish – interference in their politics.

Anglin goes further, and says ‘I’ve just become informed that there is a Jewish-Israel alt-Right. I’m happy about this…. They are using some of our memes, it is based upon our movement, they are bothered, sick of the same people in the same way.’

Greenstein notes that

Anglin is making a clear distinction between Israeli Jews and Zionists, who are racially aware and Diaspora Jews who are up to their old tricks, controlling other nations. In this you see the coming together of Zionist ideology, which was always hostile to the diaspora and neo-Nazi anti-semitism.

Earlier in his piece he also comments on the sheer hypocrisy of the Zionist lobby in this country, like the Jewish Labour Movement, when anti-Zionists call Israel what it is – a racist state.

http://azvsas.blogspot.co.uk/2017/09/andrew-anglin-editor-of-nazi-daily.html

Anglin’s not the only American Fascist to appear on Israel TV arguing that American Fascism and the Israelis have something in common. So did Richard Spencer, the head of the Alt-Right, who told his interviewers that he admired the Israelis for creating their own ethnic state, and he wants to do the same for White America.

Not that Britain’s Zionists are necessarily any better. Tony Greenstein also put up a piece a week or so ago commenting on how Jonathan Hoffman, the leader of the Zionist Federation of England and Wales, organized a protest outside a pro-Palestinian conference. One of those who joined his picket was Paul Besser, who was the intelligence officer of Britain First, the banned Fascist outfit that Thomas McNair, the assassin of Jo Cox, belonged to.

Tony Greenstein’s photo showing Hoffman, left, together with Besser, right.

http://azvsas.blogspot.co.uk/2017/08/paul-besser-jonathan-hoffmans-neo-nazi.html

Way back in the 1990s, the Raelians, a UFO new religious movement run by Claude Vorilhon, now called Rael, wanted to open an embassy in Jerusalem, ready for when the aliens – the Elohim, according to them, return. This got into controversy because of the symbol chosen by the Raelians: a Star of David containing a swastika. Naturally, this wasn’t going to go down very well in the Jewish state, many of whose citizens either were, or were descended from, the victims of the Nazis. But having seen how Yair Netanyahu and his supporters are embracing real Nazis and Fascists, even to the point where one of their leaders claims that there is an Israeli Alt-Right, that symbol seems horribly appropriate.

And it also means that the Zionist lobby in the UK – the misnamed Campaign Against Anti-Semitism and the Jewish Labour Movement – have no business whatsoever smearing genuine anti-racists and opponents of anti-Semitism, like Ken Livingstone, Jackie Walker and Mr. Greenstein himself as anti-Semites.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Counterpunch: Bernie Sanders Outlines His Plans for ‘Medicare for All’

Today’s Counterpunch has a piece by the radical, progressive Democratic politician, Bernie Sanders, reblogged from the New York Times. In it, Sanders discusses the outrageous scandal that 28 million Americans have no medical coverage, despite the fact that their country spends more on healthcare than almost any other nation. He points out that this is because the insurance-based healthcare system is designed not to give Americans access to decent healthcare, but to enrich the companies’ executives and shareholders. He describes how many Americans cannot afford healthcare, and are forced to cut down on the drugs they need, simply because they cannot pay for them. He argues that the experience of Canada, and the Medicare programme brought fifty years ago, both show that single-payer healthcare is cheap, popular and effective.

He states that he intends to introduce a bill for Medicare for All into Congress next Wednesday, and outlines how he envisages an initial four year transition period from the current American system. He also makes it plain that there will be concerted opposition to his proposal.

His piece begins

This is a pivotal moment in American history. Do we, as a nation, join the rest of the industrialized world and guarantee comprehensive health care to every person as a human right? Or do we maintain a system that is enormously expensive, wasteful and bureaucratic, and is designed to maximize profits for big insurance companies, the pharmaceutical industry, Wall Street and medical equipment suppliers?

We remain the only major country on earth that allows chief executives and stockholders in the health care industry to get incredibly rich, while tens of millions of people suffer because they can’t get the health care they need. This is not what the United States should be about.

All over this country, I have heard from Americans who have shared heartbreaking stories about our dysfunctional system. Doctors have told me about patients who died because they put off their medical visits until it was too late. These were people who had no insurance or could not afford out-of-pocket costs imposed by their insurance plans.

I have heard from older people who have been forced to split their pills in half because they couldn’t pay the outrageously high price of prescription drugs. Oncologists have told me about cancer patients who have been unable to acquire lifesaving treatments because they could not afford them. This should not be happening in the world’s wealthiest country.

Americans should not hesitate about going to the doctor because they do not have enough money. They should not worry that a hospital stay will bankrupt them or leave them deeply in debt. They should be able to go to the doctor they want, not just one in a particular network. They should not have to spend huge amounts of time filling out complicated forms and arguing with insurance companies as to whether or not they have the coverage they expected.

Even though 28 million Americans remain uninsured and even more are underinsured, we spend far more per capita on health care than any other industrialized nation. In 2015, the United States spent almost $10,000 per person for health care; the Canadians, Germans, French and British spent less than half of that, while guaranteeing health care to everyone. Further, these countries have higher life expectancy rates and lower infant mortality rates than we do.

Please go to the Counterpunch site and read the whole article. It’s at:
https://www.counterpunch.org/2017/09/14/why-we-need-medicare-for-all/

The state and state-funded healthcare systems of the European countries have contributed immensely to their people’s health and wellbeing, ever since Bismarck introduced it in Germany in 1875 in an attempt to steal working class votes away from the socialist SDP.

And it’s driving the Reaganites and Thatcherites of the corporate sector up the wall, because it denies them so much of the juicy profits that comes from the insurance-driven sector. That’s why the Tories over here have been privatizing the NHS piecemeal by stealth ever since the days of Maggie Thatcher. It’s why the corporate bosses of the big healthcare firms, like the fraudster Unum, came over here at the beginning of New Labour’s tenure in office to lobby Blair to privatize the NHS.

And it’s part of the reason the Blairites, Tories and Lib Dems, and their paymasters in big business and lackeys in the media, including the Beeb, fear and hate Jeremy Corbyn, as the Republicans and the corporatist Democrats around Hillary Clinton despise Bernie Sanders in the US.

Any civilized country has to demand proper medicine for its people, regardless of the demands of the corporatists to keep it the expensive privilege of the affluent. So, go Bernie! And may Corbyn also win in his fight to renationalize the NHS.

Crisis and Closures in the Academy Schools

Published by Anonymous (not verified) on Thu, 14/09/2017 - 4:02am in

One of the major issues is the Tories’ continuing attempts to destroy whatever remains of value in the British education system, all for the profit of big business. Last week, one of the academies closed only a week after it had opened. I did wonder what would happen to its pupils. Would they be thrown out and denied an education, as they had enrolled in the wrong school and there may not be places available in the other local schools.

Fortunately, that’s not going to happen. From what I understand the school will be kept open until someone else is found to take it over.

But it is still absolutely scandalous that British schools are now run by private companies, who can announce at any time that they are no longer interested in running them. Especially as tens of millions of taxpayers’ money is given to individual academies, far beyond the budget for the local LEA. In some cases, the amount spent on an academy can reach £40 million, while the budget for the LEA is under a million.

As for replacing LEA’s, from what I understand from talking to friends about them, the authorities dictate that schools can only join certain academy chains. This makes a mockery of the claim that they are outside LEAs, as these chains in effect act as them. But I suppose as the academy chains are all privately run, the government thinks this is just as well then.

I also understand that one of the academies in Radstock in Somerset doesn’t even belong to a chain based in the UK. The chain’s based in Eire, and all its directors live across the Irish Sea. I can’t say I’m surprised. Eire attempted to encourage investment by massively cutting corporate taxes, in the same way that the Tories are doing for Britain. Thus you find many businesses, that actually do their work in Britain, have their headquarters over there, using the country as a tax haven. And the ordinary people of Ireland have paid for this, just as we Brits are paying for the Tories’ self-same policy over here. One of the books I found rooting through one of the bargain bookshops in Park Street was by an Irish writer describing the way his country’s corporate elite had looted the country and caused its recession. Like the banksters in Britain and America.

The academies are a massive scam. They were launched under Maggie Thatcher, and then quietly wound up as they didn’t work. Blair and New Labour took over the idea, as they did so much else of the Tories’ squalid free market economics, and relaunched them as ‘city academies’. And then, under Dave Cameron, they became just ‘academies’.

They were never about improving education. They were about handing over a lucrative part of the state sector to private industry. They aren’t any better at educating children than state schools. Indeed, many can only maintain in the league tables by excluding poorer students, and those with special needs or learning difficulties. And if state schools had the same amount spent on them as those few, which are more successful than those left in the LEAs, they too would see improved standards.

In fact, academies offer worse teaching, because as private firms in order to make a profit they have to cut wages and conditions for the workforce to a minimum. And with the Tories freezing public sector workers’ wages, it’s no wonder that tens of thousands of teachers are leaving the profession.

And those companies interested in getting a piece of this cool, educational action are hardly those, whose reputation inspires confidence. One of them, apparently, belongs to Rupert Murdoch, at least according to Private Eye again. Yes, the man, who has almost single-handedly aimed at the lowest common denominator in print journalism, lowering the tone and content of whatever newspaper he touches and whose main newspaper, the Sun, is a byword for monosyllabic stupidity and racism, now wants to run schools. Or at least, publish the textbooks for those who do.

Academy schools are a massive failure. They’re another corporate scam in which the public pays well over the odds for a massively inferior service from the private sector, all so that Blair and May’s mates in the private sector could reap the profits.

It’s time they were wound up. Get the Tories out, and private industry out of state education.

RT Parliamentary Coverage: Nurse and Labour MP Karen Lee on NHS Crisis

Published by Anonymous (not verified) on Thu, 14/09/2017 - 3:25am in

In this very short clip from RT, Unison nurse and Labour MP for Lincoln, Karen Lee, describes the chronic lack of nursing in the NHS, and the threatened closure of walk-in centres in her constituency.

Hunt stands up, thanks her for her work in the NHS, and then admits that there is a shortage of nurses in the NHS, there was when he began as health secretary, and then declares he will go on to tell her how he means to solve it. This is where the clip ends.

Lee is absolutely right, just as she is right to remind him that the NHS is seriously underfunded while at the same time, the government is cutting corporation tax and has given £1 billion to the DUP. The government cannot rightly talk about austerity when this goes on.

There’s a piece in today’s I by Yasmin Alibhai-Browne, whose headline states that austerity was never about reducing the deficit. It was all about a Tory class war on the poor. Which is what Owen Jones, and very many other bloggers, including Mike over at Vox Political, have been saying for years.

As for Hunt’s plans to get more nurses into the NHS, I am extremely skeptical about this. All the evidence I’ve seen shows doctors and other medical professionals leaving the NHS. As for those nurses that remain in it, they are to be applauded as they’re increasingly treated extremely shabbily. Such as those, who are forced to use food banks, for example.

The threatened closure of the walk-in centre also shows the massive dangers of the Blairite/Tory NHS privatization. The walk-in centres, otherwise known as polyclinics, were part of New Labour’s big idea for NHS restructuring, which including dismantling the NHS and opening it up further to private investment. Again, not a new idea. Like most of Blair’s economic thinking, it was taken over and developed from the Tories, like the Private Finance Initiative generally. These polyclinics were intended to be privately run, hence the interest in them from the usual private healthcare firms, including ‘Beardie’ Branson’s Virgin Health.

Since private companies have taken over hospitals and GPs’ surgeries, we’ve seen one hospital after another go into the red, while Private Eye reported in their ‘In The Back’ column how several surgeries in London were closed down, and their patients thrown out without medical care, by the private firm running them. Private enterprise in the health service doesn’t work, and leads to gross inequalities in healthcare provision and massive profiteering by the companies.

But Hunt, for all his weasel words about getting more nurses into the NHS, doesn’t care about any of that. Indeed, he actually advocates the NHS’ privatization, though he is very loud in denying it in public. As is his mistress, Theresa May. And it’s been the same all the way back to Margaret Thatcher, who really wanted to privatize the NHS under there was a massive cabinet revolt, as well as evidence from her personal private secretary, Patrick Jenkin, who came back from a fact-finding mission to America and informed her how wretched American private healthcare was.

Don’t be taken in by Hunt’s lies. Believe Karen Lee, and kick out the Tories.

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