Racism

Editor of Nazi Site Daily Stormer Appears on Israeli Television, Defends Netanyahu’s Son

This is absolutely unbelievable. And to people, who have suffered genuine anti-Semitism, or who have stood up for those, who have, this must come as a very sick joke. Tony Greenstein, a Socialist, anti-Zionist and anti-racist blogger, who is himself Jewish, has run a series of articles pointing out that the Zionists have very frequently collaborated with Nazis and real anti-Semites. Both have had the same goals. The Nazis wanted to clear the Jews out of their countries, while the Zionists have as one of their core beliefs the conviction that anti-Semitism cannot be fought, and so the Jews must have a country of their own. And so you had the Ha’avara agreement between the Nazis and the Zionists, in which the Nazis smuggled some Jews out to what would become Israel. This was before the Nazis revoked the agreement and decided on their policy of mass extermination. Even after the Nazis were murdering the Jewish people in the death camps, some Zionists still held out the hope that some Nazis could be persuaded to spare some and send them to Israel. It’s why George Soros despises the Zionists. Soros is of Hungarian Jewish heritage, and the leader of the Zionists in Fascist Hungary, Kasztner, collaborated with the Nazi deportations from this disgusting view.

And the hatred is reciprocated. Soros won’t give any of his billions to Israel, and so the Israelis hate him in turn. Last week, Yair Netanyahu, the son of Benjamin Netanyahu, posted a cartoon about George Soros lifted from the Nazi website, the Daily Stormer. This shows Soros alongside one of David Icke’s reptoids and an anti-Semitic caricature of a Jew. Netanyahu junior took the offending cartoon down, but not before it had been praised by David Duke, the former Grand Wizard of the Ku Klux Klan, and one of the most anti-Semitic figures in American politics, as well as the Daily Stormer itself. The Stormer takes its name from the Nazi propaganda rag, Der Sturmer, edited by Julius Streicher, that vilified and smeared the Jews during the Third Reich.

http://azvsas.blogspot.co.uk/search?updated-max=2017-09-13T21:39:00%2B01:00&max-results=7

Now the editor of the website, Andrew Anglin, has appeared on Israeli TV, saying that he defends Yair Netanyahu because he’s against liberal Jews, making a clear distinction between Israelis and diaspora Jews. Greenstein comments that the two presenters, including a woman, Michelle Ghora, who’s supposed to be investigating him, appear sympathetic. Ghora even makes a comment about how you can’t really blame people for resenting their – in other words, Jewish – interference in their politics.

Anglin goes further, and says ‘I’ve just become informed that there is a Jewish-Israel alt-Right. I’m happy about this…. They are using some of our memes, it is based upon our movement, they are bothered, sick of the same people in the same way.’

Greenstein notes that

Anglin is making a clear distinction between Israeli Jews and Zionists, who are racially aware and Diaspora Jews who are up to their old tricks, controlling other nations. In this you see the coming together of Zionist ideology, which was always hostile to the diaspora and neo-Nazi anti-semitism.

Earlier in his piece he also comments on the sheer hypocrisy of the Zionist lobby in this country, like the Jewish Labour Movement, when anti-Zionists call Israel what it is – a racist state.

http://azvsas.blogspot.co.uk/2017/09/andrew-anglin-editor-of-nazi-daily.html

Anglin’s not the only American Fascist to appear on Israel TV arguing that American Fascism and the Israelis have something in common. So did Richard Spencer, the head of the Alt-Right, who told his interviewers that he admired the Israelis for creating their own ethnic state, and he wants to do the same for White America.

Not that Britain’s Zionists are necessarily any better. Tony Greenstein also put up a piece a week or so ago commenting on how Jonathan Hoffman, the leader of the Zionist Federation of England and Wales, organized a protest outside a pro-Palestinian conference. One of those who joined his picket was Paul Besser, who was the intelligence officer of Britain First, the banned Fascist outfit that Thomas McNair, the assassin of Jo Cox, belonged to.

Tony Greenstein’s photo showing Hoffman, left, together with Besser, right.

http://azvsas.blogspot.co.uk/2017/08/paul-besser-jonathan-hoffmans-neo-nazi.html

Way back in the 1990s, the Raelians, a UFO new religious movement run by Claude Vorilhon, now called Rael, wanted to open an embassy in Jerusalem, ready for when the aliens – the Elohim, according to them, return. This got into controversy because of the symbol chosen by the Raelians: a Star of David containing a swastika. Naturally, this wasn’t going to go down very well in the Jewish state, many of whose citizens either were, or were descended from, the victims of the Nazis. But having seen how Yair Netanyahu and his supporters are embracing real Nazis and Fascists, even to the point where one of their leaders claims that there is an Israeli Alt-Right, that symbol seems horribly appropriate.

And it also means that the Zionist lobby in the UK – the misnamed Campaign Against Anti-Semitism and the Jewish Labour Movement – have no business whatsoever smearing genuine anti-racists and opponents of anti-Semitism, like Ken Livingstone, Jackie Walker and Mr. Greenstein himself as anti-Semites.

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

The Default: Rebuttals Not Retractions

Published by Anonymous (not verified) on Fri, 15/09/2017 - 4:51am in

Tags 

Academia, Racism

Over the past several days academics on social media have been discussing in increasingly agitated language the publication of “The Case for Colonialism,” by Portland State University associate professor of political science Bruce Gilley, in the academic journal, Third World Quarterly.

There is now a petition with over 6,000 supporters (as of the time of writing this post) calling for the editorial team to retract the article, for the editors who approved it to apologize for “further brutalizing those who have suffered under colonialism,” and for the editors to be replaced.

Ignoring McNulty’s wisdom—this particular dispute belongs to political science, not philosophy—I’d like to share some thoughts on this. After all, what is going on now isn’t all that different from a recent episode in our discipline, and it provides an opportunity to put some thoughts out there should we face such a situation again.

Here are the introductory paragraphs of Gilley’s article, which I post to give you a sense of what it’s about (there is an ungated version of the piece here):

For the last 100 years, Western colonialism has had a bad name. Colonialism has virtually disappeared from international affairs, and there is no easier way to discredit a political idea or opponent than to raise the cry of ‘colonialism’. When South African opposition politician Helen Zille tweeted in 2017 that Singapore’s success was in part attributable to its ability to ‘build on valuable aspects of colonial heritage’, she was vilified by the press, disciplined by her party, and put under investigation by the country’s human rights commission.

It is high time to reevaluate this pejorative meaning. The notion that colonialism is always and everywhere a bad thing needs to be rethought in light of the grave human toll of a century of anti-colonial regimes and policies. The case for Western colonialism is about rethinking the past as well as improving the future. It involves reaffirming the primacy of human lives, universal values, and shared responsibilities—the civilising mission without scare quotes—that led to improvements in living conditions for most Third World peoples during most episodes of Western colonialism. It also involves learning how to unlock those benefits again. Western and non-Western countries should reclaim the colonial toolkit and language as part of their commitment to effective governance and international order.

There are three ways to reclaim colonialism. One is for governments and peoples in developing countries to replicate as far as possible the colonial governance of their pasts—as successful countries like Singapore, Belize and Botswana did. The ‘good governance’ agenda, which contains too many assumptions about the self-governing capacity of poor countries, should be replaced with the ‘colonial governance’ agenda. A second way is to recolonise some areas. Western countries should be encouraged to hold power in specific governance areas (public finances, say, or criminal justice) in order to jump-start enduring reforms in weak states. Rather than speak in euphemisms about ‘shared sovereignty’ or ‘neo-trusteeship’, such actions should be called ‘colonialism’ because it would embrace rather than evade the historical record. Thirdly, in some instances it may be possible to build new Western colonies from scratch.

Colonialism can return (either as a governance style or as an extension of Western authority) only with the consent of the colonised. Yet now that the nationalist generation that forced sudden decolonisation on hapless populations has passed away, the time may be ripe. Sèbe has documented how the founding figures of Western colonialism in Africa (such as Livingstone in Zambia, Lugard in Nigeria and de Brazza in Congo) are enjoying a resurgence of official and social respect in those countries now that romanticised pre-colonial and disappointing postcolonial approaches to governance have lost their sheen. As one young man on the streets of Kinshasa asked Van Reybrouck (as described in his seminal 2010 book on the Congo): ‘How long is this independence of ours going to last anyway? When are the Belgians coming back?’

The petition says, among other things:

The article lacks empirical evidence, contains historical inaccuracies, and includes spiteful fallacies. There is also an utter lack of rigor or engaging with existing scholarship on the issue.

Some of my thoughts on this matter (none of which are about, or constitute a defense of, Gilley’s thesis):

  1. Apart from the above-quoted paragraphs, I have not read the article. This, I suspect, puts me in the same company as most of the signatories of the petition calling for its retraction. If you have not read the article, and you are an academic, you probably should not call for its retraction. There’s room for exceptions here, I suppose: if you’ve heard detailed testimony from a trustworthy/fair source who did read the article, then maybe that is good enough. But the petition’s language itself provides no such detail, and the means by which I believe most people are hearing about this article—in Tweets and Facebook updates—are not typically conducive to providing such detail. Calling for an article’s retraction is rather serious, and the decision to do that should be taken seriously, which typically means reading the article.
  2. In deciding whether to call for an academic article’s retraction, it would be useful to know whether the article was accepted for publication following a usually sound peer review process or through some alternative process (one that perhaps is more permissive of work that does not meet disciplinary norms). As far as I know, we do not have an answer to this question. (I recently wrote to the editor and the journal manager asking about this but have not yet heard back.) [Note: see Update 1.] If an article you find highly objectionable did make it through the peer review process, it could be a fluke, it could point to systematic problems at the journal in their choice of reviewers, or it could be evidence that you (and those who are most vocal) are mistaken about the beliefs and norms that are in fact operative in your discipline (we ought not mistake loudness for prevalence).
  3. In deciding whether to call for an academic article’s retraction, it is useful to know whether that is a permissible option, given the reasons for the proposed retraction and the policies of the journal and the publisher, and any applicable norms governing academic publication (such as COPE).
  4. In conducting our academic work we should try as much as possible to rely on the exchange of evidence and arguments, not (directly) on the numbers of people who agree with us, or the strength of their agreement. Let’s suppose the article was peer-reviewed but that the strongest complaints about Gilley’s article are correct: it lacks empirical evidence, its account of the facts is inaccurate or misleadingly incomplete, it contains errors in reasoning that seem motivated by animosity, and it does not engage with the relevant literature. How should those academics in a position to know these things respond? Is it by saying something tweetable that will convince lots of non-experts to help them try to erase the article from history? That seems to be making use of inappropriate means towards an undesirable end. The history of academia is a history of mistakes—and learning from them. If Gilley’s article is full of mistakes, then the job of the experts is to point this out and help us learn from them, so people are less likely to make them again.
  5. Let’s stop overstating the harms (e.g., “brutalizing,” “violence”) that an academic article can cause. Such overstatement increases the likelihood that legitimate complaints about real problems and harms an article might cause will be dismissed as hyperbole. Part of human progress has been an increased awareness of the variety of ways in which people can harm each other. We don’t aid in that progress by taking an unfamiliar and perhaps difficult-to-explain harm and pretending it is just some obvious severe harm people already recognize.
  6. I’m not naive about the nefarious uses to which even a poor quality academic article—and the negative attention it receives—can be used by interest groups to advance their agendas. I know it is harder for reply articles to be noticed and have an impact. And I’m not ignorant of the research on how, in some contexts, pointing out others’ mistakes reinforces them. But these are just going to be problems that we occasionally have to address or endure in order to preserve academia as a domain for the flourishing of expertise, where it is protected from the pernicious pressures of popularity. No arrangement is perfect; it’s a matter of picking which problems we can stand living with. I don’t want a version of academia in which, in the contest of ideas, when expertise bumps up against popularity, the latter is more likely to win. We should be hesitant to take part in activities that push us in that direction.

None of this is to say that calls for retractions are never in order. They certainly are in some cases of academic and editorial misconduct. Whether the publication of Gilley’s article involves such misconduct I do not know: I haven’t read it, I’m not an expert in the field, and I haven’t heard back yet from the editors.

But it is to say that our default reaction to cases like this should not be “retract!” but rather, “rebut!”

UPDATE 1 (9/14/17): Farhana Sultana, associate professor of geography at Syracuse, includes information about the editorial review process the paper underwent in a public Facebook post calling for the paper’s retraction:

I have been recently informed it did actually undergo the standard peer review process common in academic journals and was rejected, but was then published as-is as a Viewpoint by the journal; however, such items are still meant to be read and approved by members of the journal’s Board, which consists of several illustrious scholars in this particular journal; I understand that board members were not aware of the piece until its publication.

UPDATE 2 (9/14/17): This essay, “A Quick Reminder of Why Colonialism Is Bad,” by Nathan J. Robinson (Harvard) at Current Affairs, is worth reading. Robinson lays out some of the problems with Gilley’s article. For example:

In his presentation of colonialism’s record, Gilley has deliberately excluded mention of every single atrocity committed by a colonial power. Instead of evaluating the colonial record empirically, he has distorted that record, concealing evidence of gross crimes against humanity. The result is not only unscholarly, but is morally tantamount to Holocaust denial.

Robinson also suggests that Gilley’s article is a trap:

This article does not read as if it is attempting to be taken seriously. Its tone toward critics of colonialism is polemical and mocking… Gilley must intend to provoke people to rage… I expect Gilley wants the following to happen: people will be outraged. They will call for the article to be retracted. Then, Gilley will complain of censorship, and argue that lefties don’t care about the facts, and that his points has been proved by the fact that they’d rather try to have his article purged than have to refute its claims. This is a dynamic that has occurred many, many times. 

(added 9/15/17): I should have also included this excerpt from Robinson’s article:

I am not signing the petition to have it retracted, because I believe that the journal shouldn’t retract it simply because there was public pressure. I am also very concerned that this could be a PR coup for the right, as so many of these things are. It’s tough, of course, because for the reasons I’ve outlined above, the article shouldn’t have been published. Gilley did not meet the standards that should be expected of an academic. He falsified history. When evaluated by a fair standard, he has not upheld the honesty and rigor that should be expected of someone in his position, and the article is a factual disgrace as well as a moral one. But it would be very easy to fall into a certain predictable trap, where the left calls Bruce Gilley a racist, and Gilley declares that they simply can’t handle the truth. And while I’m sympathetic to the argument that we should avoid that by Not Even Addressing Such Rubbish, bad arguments fester when they go unaddressed.

UPDATE 3 (9/15/17): Liam Kofi Bright (Carnegie Mellon), in a post at The Sooty Empiric, makes several good points, capped by the following:

So we have an appraisal of historical events that gets basic parts of the history wrong, ignores or passes over key events, purports to be a cost-benefit analysis while not actually factoring in costs, is  naively credulous as to tyrant’s self-affirmation, and advocates a mode of counter-facutal reasoning that is both underspecified and from what can be discerned amounts to a non-sequitur. This is not good scholarship. I’ll end here. This is more effort into this than I really intended, but I have now seen so many people saying that the arguments of the piece aren’t being given consideration but people are rushing to condemn that I thought this worth setting out. I take this aspect of philosophy seriously, and think that a significant public role we should play is holding people to argumentative standards. For whatever that is worth, The Case For Colonialism does not meet those standards. 

The post The Default: Rebuttals Not Retractions appeared first on Daily Nous.

Credo! Pat Mills on 40 Years of Thrillpower!

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

Crisis and Closures in the Academy Schools

Published by Anonymous (not verified) on Thu, 14/09/2017 - 4:02am in

One of the major issues is the Tories’ continuing attempts to destroy whatever remains of value in the British education system, all for the profit of big business. Last week, one of the academies closed only a week after it had opened. I did wonder what would happen to its pupils. Would they be thrown out and denied an education, as they had enrolled in the wrong school and there may not be places available in the other local schools.

Fortunately, that’s not going to happen. From what I understand the school will be kept open until someone else is found to take it over.

But it is still absolutely scandalous that British schools are now run by private companies, who can announce at any time that they are no longer interested in running them. Especially as tens of millions of taxpayers’ money is given to individual academies, far beyond the budget for the local LEA. In some cases, the amount spent on an academy can reach £40 million, while the budget for the LEA is under a million.

As for replacing LEA’s, from what I understand from talking to friends about them, the authorities dictate that schools can only join certain academy chains. This makes a mockery of the claim that they are outside LEAs, as these chains in effect act as them. But I suppose as the academy chains are all privately run, the government thinks this is just as well then.

I also understand that one of the academies in Radstock in Somerset doesn’t even belong to a chain based in the UK. The chain’s based in Eire, and all its directors live across the Irish Sea. I can’t say I’m surprised. Eire attempted to encourage investment by massively cutting corporate taxes, in the same way that the Tories are doing for Britain. Thus you find many businesses, that actually do their work in Britain, have their headquarters over there, using the country as a tax haven. And the ordinary people of Ireland have paid for this, just as we Brits are paying for the Tories’ self-same policy over here. One of the books I found rooting through one of the bargain bookshops in Park Street was by an Irish writer describing the way his country’s corporate elite had looted the country and caused its recession. Like the banksters in Britain and America.

The academies are a massive scam. They were launched under Maggie Thatcher, and then quietly wound up as they didn’t work. Blair and New Labour took over the idea, as they did so much else of the Tories’ squalid free market economics, and relaunched them as ‘city academies’. And then, under Dave Cameron, they became just ‘academies’.

They were never about improving education. They were about handing over a lucrative part of the state sector to private industry. They aren’t any better at educating children than state schools. Indeed, many can only maintain in the league tables by excluding poorer students, and those with special needs or learning difficulties. And if state schools had the same amount spent on them as those few, which are more successful than those left in the LEAs, they too would see improved standards.

In fact, academies offer worse teaching, because as private firms in order to make a profit they have to cut wages and conditions for the workforce to a minimum. And with the Tories freezing public sector workers’ wages, it’s no wonder that tens of thousands of teachers are leaving the profession.

And those companies interested in getting a piece of this cool, educational action are hardly those, whose reputation inspires confidence. One of them, apparently, belongs to Rupert Murdoch, at least according to Private Eye again. Yes, the man, who has almost single-handedly aimed at the lowest common denominator in print journalism, lowering the tone and content of whatever newspaper he touches and whose main newspaper, the Sun, is a byword for monosyllabic stupidity and racism, now wants to run schools. Or at least, publish the textbooks for those who do.

Academy schools are a massive failure. They’re another corporate scam in which the public pays well over the odds for a massively inferior service from the private sector, all so that Blair and May’s mates in the private sector could reap the profits.

It’s time they were wound up. Get the Tories out, and private industry out of state education.

Sunday’s Anti-Sharia March in Bristol – A Liberal Façade Hiding Real Fascism

Published by Anonymous (not verified) on Tue, 12/09/2017 - 9:14pm in

Last Sunday afternoon, 10th September 2017, there was a demonstration against sharia law in Bristol by the groups Gays Against Sharia and British and Immigrants Against Terrorism. RT posted up a video about it yesterday, and it was also covered by ITN News, but not the Beeb. They were met by a counterdemonstration, Bristol Against Fascism.

http://www.itv.com/news/westcountry/update/2017-09-10/gays-against-sharia-march-starts-in-bristol/

If you look at some of the videos that have been posted, this could seem to many like a liberal demonstration against radical Islam. There is a section of the Muslim community, which would like sharia law incorporated into British law. And the preachers of hate, who have stood in front of their congregations to whip up hatred against Jews and Christians have also violently denounced gays. One picture of the march shows a White man and Black gent in African dress, supposedly united in the opposition to Islamic law and bigotry.

There’s also a video on YouTube by one of the march’s supporters, Greek Anne UK Lover, who is at pains to argue that these are nice liberal people, and it wasn’t an EDL march.

Well, it may not have been, but many of the same people were involved. At one point she shows a poster of the various people, who were expected to speak. And they include the usual Islamaphobes and Nazis. One of them was Paul Weston, of Liberty GB. Liberty GB is, or was, an anti-Islam political party, and Weston is part of the ‘counterjihad’ movement. I think Liberty GB could be fairly described as the political wing of the EDL. It was certainly allied to it, and Weston is associated with the members and leaders of the far right counterjihad movement, including Pamela Geller of the Atlas Shrugs website, Robert Spencer and so on.

One of the other speakers, or at least among those listed on her wall, was Jack Buckby. Buckby’s the founder of the ‘National Culturalists’, another far right organization, who were thrown off campus by the students’ guild at Liverpool uni as Fascists. He’s also one of the two extreme rightists photographed sitting bang right next to Jacob Rees-Mogg at the annual dinner of the Traditional Britain Group. This is another far right, anti-immigrant group, various of whose members are also fascinated with Nazis and quite like the idea of the return of feudalism. Mogg, of course, tried to distance himself from them as soon as the Independent published the story. He claimed that he didn’t know who they were when he accepted their dinner invitation. Which sounds highly unlikely to me.

As for Buckby himself, there’s absolutely no doubt that he is a Fascist. He used to be a member of the BNP, and Hope Not Hate has piccies of him proudly shaking the hand of Nick Griffin.

The march’s liberalism is therefore something of a façade. Behind it are the usual bigots and Nazis, who are deeply opposed to Islam as a whole, and not simply sharia law and Muslim terrorism.

But this again follows the standard policy of EDL. In many of their demonstrations, they tried to present themselves as multicultural liberals, among whose banners were Jews and Sikhs. But a Channel 4 documentary screened a few years ago also showed that, despite their liberal protestations, their members were by and large the same racists and White supremacists as those in the BNP and NF.

I am also at a loss why they should be marching in Bristol. I’ve no doubt that a few members of the Muslim community down here might be supporters of Islamist terrorism. But I’ve heard of no major scandals. To my knowledge, there haven’t been Muslim hate preachers standing on street corner spouting their bigoted bilge.

But there have been various Islamophobic attacks in the city, including one on a local mosque, and the EDL did hold a demonstration here a year or so ago. One of the other news reports stated that none of the marchers came from Bristol. It doesn’t look like a response to a local issue. Just the usual islamophobes trying to stir up more hatred.

Don’t be deceived by the appearance of liberalism and multiculturalism. Behind it were genuine racists and Nazis. Sharia law and Islamist terrorism should be opposed, but these aren’t the real issues here. This is all about drumming up hatred against Muslims. And once they’ve done that, the Nazis would come out of the woodwork and start preaching hate against the other groups Blacks, Asians, Jews, and the gays they claim to want to protect.

The march’s supporters have made videos denouncing Antifa and the other counterprotesters as intolerant fascists, but actually, Antifa and the other anti-racists were quite right.

Let the Punishment Fit the Crime, Even if the Crime is Imaginary

Published by Anonymous (not verified) on Tue, 12/09/2017 - 12:24pm in

This can’t be healthy: Matthew Halls was removed as artistic director of the Oregon Bach Festival following an incident in which he imitated a southern American accent while talking to his longstanding friend, the African-American classical singer Reginald Mobley. It is understood a white woman who overheard the joke reported it to officials at the […]

R U Sure Tho?

Published by Anonymous (not verified) on Mon, 11/09/2017 - 11:33am in

This seems to violate the Belle Waring unitary theory of American politics. Kevin Drum proposes that “racism is not the explanation for everything Republicans do.” I grant that they want to cut taxes on the super-rich, but this is specifically with reference to Trump’s birtherism as well as Republicans’ refusal to accept Obama as a legitimate president (remember how he only got to serve 3/5 of a term when it came to nominating SC judges?). Ummm. Let’s just say I side with Marcotte in this dispute.

Dr Gerald Horne on Trump as the Product of the Racist History of the US

This is another fascinating video from Telesur English. It’s from an edition of the Empire Files, in which the host, Abby Martin, interviews Dr. Gerald Horne, the chair of History and African American Studies at the University Houston. Dr. Horne is the author of 20 books on slavery and black liberation movements. The blurb for the video on YouTube states that his most recent work is The Counterrevolution of 1776: Slave Resistance and the Origins of the United States.

The video is just over half an hour long, and it completely overturns the entire myth of the founding of the United States, in which the Founding Fathers were noble idealists, intent on bringing about a truly democratic state in which all men would be free. In fact the opposite was true. The Founding Fathers were either slave-owners, or else otherwise deeply connected to slavery and slave trade through their business interests. Instead of noble liberators for everyone, they were deeply opposed to granting Black Americans their freedom.

Dr. Horne argues that they were the products of British imperialism and its slave trade, which was first introduced into the Caribbean and then shifted north to the English colonies in North America. He traces the history of Black enslavement and anti-Black racist movements from the American Revolution to the American Civil War, and thence to the formation of successive waves of the Klan. His intention is to show that Trump is not an historical aberration, a strange historical throwback on America’s long progress to freedom and liberty, but a product of America’s racist history and the mass support anti-Black movements have enjoyed and exploited throughout it.

The programme begins by explaining the background to the Confederate monuments, which the Unite the Right stormtroopers marched to defend in Charlottesville the week before last. These were not simply memorials to great generals or valiant soldiers, as the myth around them says. Most of the Confederate monuments in the US were erected in two periods – the period of Jim Crow in the 1920s and ’30s, when the segregation laws were being introduced, and the 1950s when the Civil Rights movement was beginning. They were set up to convey a very specific message: that while Black Americans were technically free, the ‘Negro’ had better know his place beneath the White man. Or else.

He then goes on to describe the emergence of slavery in the US. He states that Britain at the end of the 16th century was ‘a failed state’. The British Civil War of the 1640s between Charles I and parliament was a quasi-bourgeois revolution, which gave some rights to the British merchant and middle classes. The real bourgeois revolution was the Glorious Revolution of 1688, which allowed the middle classes to exert more political control, and allowed British merchants to wrest control of the slave trade away from the Crown as a royal monopoly.

The most important part of the British empire in the New World at the time was the Caribbean, and particularly Jamaica. These colonies became immensely profitable due to sugar. However, in the 1720s there was an economic crisis in Caribbean slavery, so some of the major Caribbean slaveowners moved north, to Carolina and other parts of the US. It was from these slave-owning families that the Founding Fathers were descended.

Horne also briefly discusses the role north American slavery played in the definition of White identity. Back in Europe, the different European peoples saw themselves as members of separate nations – English, Irish, Scots, French, Germans and so on. it was only when they crossed the Atlantic to America that they created an overarching racial identity to differentiate them from their Black slaves.

Horne then goes on to argue that the major catalyst for the American Revolution was the American colonists’ frustration at the British governments attempts to limit slavery and stop further colonial expansion beyond the Alleghenies. One of the critical moments in this was the Somerset Case, which ruled that slavery was illegal in England. The ruling was expanded to Scotland a year later. The taxes against which the Boston Tea Party was staged included those levied on slaves. They had been imposed by the British government as a deliberate anti-slavery measure. The British government was also tired of expending men and treasure in the various wars against the continent’s indigenous peoples. This angered the colonists, who longed to expand and seize native American land to the west. One of those, who stood to make a profit from this, was George Washington, who was a land speculator. As indeed, in a curious historical parallel, is Donald Trump. The Founding Fathers also feared and hated Black Americans, because the British had given their freedom to all Black Americans, who remained loyal. As a result, the Black Americans were solidly behind the British against the emerging independence movement.

Dr. Horne then goes on to talk about the American Civil War, and Lincoln’s emancipation of the slaves held by the Southern states. Horne points out that it was felt at the time that Lincoln had somehow broken the rules of war, and done the unthinkable by arming the slaves. As for Lincoln himself, he didn’t have much sympathy with them, and was considering deporting them after the end of the war. Horne goes on to discuss how the deportation of Americans of African descent continued to be discussed and planned at various periods in American history afterwards. It was yet again discussed in the 1920s, when there was a movement to deport them back to Africa.

After the ending of slavery in American following the defeat of the South, many of the American slave-owners and traders fled abroad, to continue their business overseas. Several went to South America, including Brazil, while others went to Cuba.

After the Civil War came the period of reconstruction, and the foundation of the Ku Klux Klan in the late 19th century. Horne also talks about the lynching movement during this period of American history, which continued into the early 20th centuries. Not only were these intended to terrorise Black Americans to keep them in their place, but at the time they also were also almost like picnics. Photographs were taken and sold of them, and White spectators and participants would cut the fingers off the body and keep them as souvenirs. Dr. Horne remarks that, sadly, some White homes still have these digits even today.

He also talks about the massive influence D.W. Griffith’s viciously racist Birth of a Nation had on the Klan, boosting its membership. Klan groups began to proliferate. In Michigan, one branch of the Klan concentrated on fighting and breaking trade unions. Later, in the 1950s, the Klan entered another period of resurgence as a backlash against the Civil Rights campaign.

Horne makes the point that in this period, the Klan was by no means a marginal organization. It had a membership in the millions, including highly influential people in several states. And the Klan and similar racist organisations were not just popular in the South. The various pro-slavery and anti-Black movements also had their supporters in the North since the time of the Civil War. He also argues that the campaign against segregation was extremely long, and there was considerable resistance to Black Americans being given equality with Whites.

He also states that one of the influences behind the emergence of the Alt-Right and the revival of these latest Fascist and White supremacist movements was the election of Barak Obama as the first Black president of the US. Obama was subject to rumours that he was really Kenyan, with the whole ‘birther’ conspiracy theories about his passport, because he was Black, and so couldn’t be a proper American. And it is this bitter hostility to Obama, and the perceived threat to White America which he represents, that has produced Trump.

Watching this video, I was reminded of Frederick Douglas’ great speech, What To the Slave is the Fourth of July? Douglas was a former slave and a major voice for abolition in America. His speech noted how hollow the rhetoric about the Founding Fathers protecting Americans from slavery under the British, when they themselves remained slaves in reality.

He’s right about the rule of the sugar economy in saving the British colonies in the Caribbean, though from my own reading about slavery in the British Empire, what saved these colonies first was tobacco. It was the first cash crop, which could easily be grown there.

The role opposition to the British government’s refusal to allow further colonial expansion in provoking the American Revolution has also been discussed by a number of historians. One book I read stated that British colonial governors were encouraged to intermarry with the indigenous peoples. Thus, one of the governors on the British side actually had cousins amongst one of the Amerindian nations. The same book also described how the British granted their freedom to Black loyalists. After their defeat, the British took them to Canada. Unfortunately, racism and the bleak climate led them to being deported yet again to Sierra Leone. There were also Black loyalists settled in the British Caribbean colonies. One report on the state of colony instituted by its new governor in the early 19th century reported that the former Black squaddies were settled in several towns, governed by their own N.C.O.s under military discipline. These Black Americans were orderly and peaceful, according to the report.

As for the former American slave traders, who emigrated to Latin America, this is confirmed by the presence of one of the witnesses, who appeared before the British parliament in the 1840s, Jose Estebano Cliffe, who was indeed one of the émigré merchants.

Cenk Uygur and The Young Turks have also described the horrors of the lynchings in the Deep South, including the picnic, celebratory aspect to these atrocities. They made the point that if news reports today said that similar lynchings had been carried out by Arabs in the Middle East, Americans would vilify them as savages. But that attitude doesn’t extend to those savages in the US, who carried out these atrocities against Blacks.

It’s worth mentioning here that Blacks weren’t the only victims of lynching. Tariq Ali in an interview in the book Confronting the New Conservatism about the Neocons states that in Louisiana in the 1920, more Italians were lynched than Blacks.

The video’s also worth watching for some of the images illustrating Dr. Horne’s narrative. These include not only paintings, but also contemporary photograph. Several of these are of the slaves themselves, and there is a fascinating picture of a group of Black squaddies in uniform from the Civil War. I found this particularly interesting, as the photographer had captured the character of the soldiers, who had different expressions on their faces. Some appear cheerful, others more suspicious and pessimistic.

There’s also a very chilling photograph of people at a lynching, and it’s exactly as Dr. Horne says. The picture shows people sat on the grass, having a picnic, while a body hangs from a tree in the background. This is so monstrous, it’s almost incredible – that people should calmly use the murder of another human being as the occasion of a nice day out.

This is the history the Republican Party and the Libertarians very definitely do not want people to read about. Indeed, I put up a piece a little while ago at a report on one of the progressive left-wing news programmes on YouTube that Arizona was deliberately suppressing materials about racism, slavery and segregation in its schools, and making students read the speeches of Ronald Reagan instead. As for the removal of Confederate monuments, right-wing blowhard and sexual harasser Bill O’Reilly, formerly of Fox News, has already started making jokes about how ‘they’ want to take down statues of George Washington. Nobody does, and the joke shows how little O’Reilly really understands, let alone cares about the proper historical background behind them. I’ve no doubt that Dr. Horne’s interpretation of history would be considered by some an extreme view, but it is grounded in very accurate historical scholarship. Which makes it an important counterbalance to the lies that the Republicans and Libertarians want people to believe about the country and its history.

Cartoon of the day

Published by Anonymous (not verified) on Sun, 10/09/2017 - 11:00pm in

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