Stage

Mike Launches Crowdfunding Appeal to Help Fight Libel Battle

On Wednesday, 13th June 2018, Mike annnounced that he had set up a crowdfunding page to raise money for him to take to court the organisations and publications that have libelled him as an anti-Semite. He has had to do this, because he simply doesn’t make enough from the Vox Political page to pay the legal fees himself, and so he has turned to the generosity of his readers.

He posted up the description of his case, and why he needs the money, which he has put on his JustGiving page. This runs

“My name is Mike Sivier. You may know me as the writer of the Vox Political website.

I am probably best-known as the man who forced the Conservative government to reveal the number of sick and disabled benefit claimants who had lost their lives after being denied benefit, after a two-year campaign.

In 2017, immediately before local government elections in which I was standing as a Labour candidate, an organisation calling itself the Campaign Against Antisemitism published an article falsely alleging anti-Semitism by me. I believe the intention was to corruptly spoil my chance of being elected.

The piece ‘quotemined’ investigative articles I had written about claims of anti-Semitism against Labour Party politicians, using only those words that could present the most prejudicial impression about me, in order to falsely suggest hatred of the Jewish people. A weblink to the article was then sent to the Labour Party, in an attempt to have my membership suspended. This led to newspaper articles including one in which my local Conservative MP libelled me.

Labour obligingly suspended my membership, and subsequently launched a one-sided investigation in which I was found guilty despite being absent from the proceedings, at which none of the evidence I had presented to the party was mentioned by the investigator.

A copy of the report to the Labour Party committee that heard my case was then handed to a member of the national press. This led to further newspaper articles claiming I was not only an anti-Semite but also a Holocaust denier (an innovation by the Labour Party investigator).

I have been trying to persuade all those involved to retract their unfounded claims and apologise. These lies have harmed my main business – the Vox Political website – by encouraging readers to believe I should be avoided because of the unacceptable views they have attributed to me.

My attempts seem unlikely to produce positive results so it seems I must resort to court action.

I need your support to fund the court campaign to clear my name.

Please support this case and share. As a Labour Party member, I believe in equal opportunities for all people, no matter the colour of their skin, their religion or ethnic background, or any other accident of birth. My campaign to force the Tory government to release its sickness and disability death figures was an example of my commitment to end discrimination, prejudice and hate based on such characteristics.”

He ends his article with an appeal to readers to support him, either by donating or sharing the link, or both, which is

https://www.justgiving.com/crowdfunding/mike-sivier

The article is at: https://voxpoliticalonline.com/2018/06/13/help-vox-political-writer-fight-anti-semitism-libels-in-court/

All this is absolutely true. And I’ve written time and again that Mike is no racist, Anti-Semite or any kind of Nazi. He and I had an uncle, who was of Jewish descent, with whom our family used to go on holidays when we were children. Our father had done his national service in Germany, not far from Belsen concentration camp, and showed us the photos he’d taken of the remains of that terrible place, and the memorial the British army put up to the Jews murdered there.

He has always enjoyed the friendship of people of different cultures, religions and nationalities. One of his mates at college was a Muslim Nigerian. And while he was there, he was one of the speakers reading out the names of some of the victims of the Holocaust in a performance commemorating them and the others butchered in the Shoah. He had done this at the invitation of a female Jewish friend, who was deeply moved by his performance.

One of the books I’ve got on my shelf on the Third Reich was given to me by Mike after he went on a College trip to Berlin. It’s on the Nazi Sicherheitsdienst – the infamous ‘Security Service’, which formed a part of the apparatus of state terror in the Third Reich. It was published by the-then West German government to acccompany an exhibition on the SD and the horrors they perpetrated following the redevelopment and archaeological investigation of the organisation’s headquarters in what was then West Berlin. As well as information on the SD and the other parts of the Nazi secret police, like the Gestapo and the Krimipolizei, the ordinary criminal police, who were also responsible for persecuting political and ethnic enemies of the Nazi order, the book also gave due coverage of the Nazis’ victims. It described the network of camps, and gave the figures for the number of Jews and other victims murdered in the occupied countries. It also had a photographs and potted biographies of some of the most notable victims. It is most definitely not the kind of book Nazis, ant-Semites and Holocaust deniers want people reading, let alone give to their relatives.

Mike and I grew up in the ’80s, when the NF and BNP were very much in the news and trying to make their presence felt through terrorising and attacking people of colour and lefties. It was also the decade when Blacks and Asians also fought back against racism with the support of White sympathisers. There was a real fear at the time that the BNP or something like them could gain power, especially under Thatcher’s noxious government, with its links to South American Fasciss like Pinochet and the horrific Rios Montt. This fear was expressed in some of the comic literature that both he and I read, which dealt with issues like racism and persecution.

It shows the absolute contempt for truth or any kind of journalistic integrity that he, and so many others like him, have been smeared and libelled by the Campaign Against Anti-Semitism and the scumbags of the right-wing press. I full support Mike in his court battle, and hope others will too.

Mail Spikes Story about German Anti-Nazi Tennis Champ to Save Embarrassing Its Chiefs’ Grandfathers

This is another piece from Private Eye, which shows you once again how grotty the Daily Mail and its sister paper, the Mail on Sunday are, and their historic links with Fascism and anti-Semitism.

Paul Dacre, the editor of the Daily Mail, resigned last week to start a new job elsewhere in the company. He was succeeded by Geordie Grieg, who was previously the editor of the Mail on Sunday. This fortnight’s Private Eye for 15th-28th June 2018 therefore carried a special, two-page article paying suitable tribute to him and his editorship of the rag, on pages 8 and 9. On page 9, in the section ‘Good Sports Finally Agree’, the Eye describes how both Dacre and Grieg spiked a story about a 1930s German tennis player, Baron Gottfried von Cramm. Von Cramm was an opponent of the Nazis, and was imprisoned by them for having a gay affair. The Mail was considering running a story about this courageous and principled man, up to the point when one of its staff noticed a few lines in the article describing how he had been banned from participating in the 1939 Wimbledon tournament by the All England Club. One of those pushing for the ban was Harold, the first Viscount Rothermere. And so to avoid embarrassing the current Viscount Rothermre, the piece was spiked.

The story was then picked up the Mail on Sunday, which was also considering publishing it, until a hack dug up another connection between events then and the MoS’ editor. It turns out that the president of the All-England Club at the time von Cramm was banned was one Louis Grieg, Geordie Grieg’s grandfather. Who was also a member of Oswald Mosley’s January Club. And so the story was spiked again. This sorry tale was revealed, according to the Eye, in the ‘Mandrake’ column of the New European.

The Mail is infamous for the backing it gave Oswald Mosley’s legions with the headline ‘Hurrah for the Blackshirts’. One of the great left-wing bloggers, I think it was Tom Pride at Pride’s Purge, a few years ago posted up the various headlines and articles the paper had run in the 1930s raving about Adolf Hitler, the Nazis, Mosley and fulminating against Jewish immigration. This was after the Mail did a hatchet piece on Ed Miliband, the then head of the Labour party, which attacked him through his father. The article was headlined ‘The Man Who Hated Britain’, and sought to portray Ralph Miliband, a Jewish Belgian immigrant and an important Marxist thinker, as someone who despised his adopted country. Well, he certainly despised its class institutions, like the public schools and monarchy, but as Tom Pride’s piece revealed, Miliband senior did his patriotic duty like millions of other people, and served in the army fighting the Nazis.

This was in sharp contrast to Dacre’s father or grandfather, I can’t remember which, who spent the war as a showbiz or society correspondent. So, more hypocrisy from the Mail. This won’t surprise anyone, as the Mail’s always been hypocritical in its nasty attitudes.

With all these murky little family secrets about their predecessors’ extreme right-wing views, the editors of the Mail and Mail on Sunday have got no business libelling anyone on the Left as anti-Semites or Holocaust Deniers.

The Pascon Agan Arluth and Other Classic Works of Cornish Literature

Published by Anonymous (not verified) on Fri, 30/03/2018 - 8:03pm in

As this is Good Friday, I thought I write about one of treatments of Christ’s trial and crucifixion in one of the other languages of Britain, the Celtic language of Cornwall. The Pascon Agan Arluth translates as ‘The Passion of Our Lord’ I think it was originally written in 1637 in Middle Cornish. There is a bilingual edition of the text in both Cornish and English published in the 1980s by the Cornish language publishers Dyllansow Truran. Unfortunately, I can’t say much more about it nor show a picture, because I’m afraid I’ve mislaid my copy. Dam’. But like the English mystery plays in England, its a classic of literature for Cornish, regardless of whether you’re a Christian or not.

Dyllansow Truran have also published a number of other classic works of Cornish literature, which also date from the 17th century, and which are also on religious themes. These include

Gwryans an Bys: A Medieval Cornish Drama, William Jordan 1611, translated and amended by R. Morton Nance (Mordon) and A.S.D. Smith (Caradar), ed. by E.G. Retallack Hooper (Talek) (Redruth, Cornwall: Dyllansow Truran 1986).

It was written by William Jordan of Helston, and then translated into English by John Keigwin eight decades later in 1691, at the request of the Bishop of Exeter, Sir Jonathan Trelawney. This edition follows the translation and unified spelling of the two revivalists of the Cornish language, Nance and Smith. It’s a rough retelling of the story of Genesis from God’s creation of the world, the fall of Lucifer and the rebel angels, the temptation of Adam and Eve, Cain’s murder of Abel and his subsequent life, Enoch and his translation alive into heaven, and ends with Noah and God’s revelation to him of the Enochian laws. These are four simply laws that guarantee salvation to everyone, provided that they believe in one God. This is obviously one of them. I can’t remember the other two, but another is that people are not to eat meat cut from a living animal.

It begins with the lines from God the Father

Ego sum Alpha et Omega:
hep dalleth na dewethva
pur wyr my yu:
omma a-jy dhe’n clowdys
war fas an dowr, yn-certan,
Try Person yn un Deways,
ow kesregnya bya vyken
yn mur honor ha vertu.
My ha’w Map na’n Spyrys Sans
Try yth on yn un Substans,
comprehendys yn un Dew.
I am Alpha and Omega:
without beginning ore end
right truly am I:
here within the clouds
upon the face of the water, verily,
The Persons in one Godhead,
reigning together for ever
in great honour and power.
I and my son and the Holy Spirit
Three are we in one Substance,
Comprised in one God.

And ends with the epilogue

an keth jorna-ma y de –
deh’n Tas Dew re bo grassys:
why a welas, pup degree,
lyes mater gwaryes,
ha Creasyon oll a’n bys.
Ynweth oll why a welas
an keth bys-ma Consumyes
der lyvyow a dhowr pur vras.
Ny ve un mabden sparyas
ma’s Noy, y wrek, ha’y
fleghes.
Deugh avorow a dermyn:
why a wel maters pur vras
ha redempsyon grontys.

dre vercy a dhew on Tas
dhe sawya neb us Kellys.

Mynstrels, gwreugh heny pbyba
may hyllyn warbarth donsya,
del yu an vaner ha’n gys.

This same day is ended –
to the Father God be thanks:-
you have seen, every degree,
many matters acted,
and the creation of all the world.
Also you have seen, all of you,
this same world destroyed
by very great floods of water.
No one human being was spared
except Noah, his wife, and his children.
Come in time tomorrow:

you shall see very great matters,
and redemption granted
by the mercy of God the Father,
to save whoever is lost.

Minstrels, do you pipe for us
what we may dance together,
as is the manner and the fashion.

The play continued on a second day, but William Jordan didn’t write it down, and so it’s been lost.

The Camborne Play: A Verse Translation of the Beunans Meriasek by Myrna Combellach (Redruth: Dyllansow Truran 1988)

The play’s manuscript was written in 1504, though this is just the date the play was finally written down, and it may have been composed much earlier. The manuscript itself comprises there separate plays bound together in a logical sequence, with a cast of 120, and intended to be performed in the round, probably in a natural amphitheatre. Myrna Combellach’s version of the play was produced for a performance directed by Jerry Finch of for the Cornwall Drama Association at the Cornish Eisteddfod, 1986. It was rehearsed and performed at St. Paul’s Church, Truro, in February 1986, and the performers were a mixture of amateur, student and professional actors. The play is a treatment of the life of Camborne’s patron saint, Meriasek. Hence the title in Cornish Beunans Meriasek.

The blurb on the back cover reads

Vitality and joy of life are the keynotes of this new translation of the sixteenth century Cornish language play, Beunans Meriasek. In it, Camborne’s noble patron saint, Meriasek, is sent to school, refuses marriage and all world considerations, embarking instead on a priestly career of such piety that it ends in a bishopric of immense wealth and grandeur of the kind that he had studious worked to avoid all his life. Meanwhile, in Rome eight centuries earlier, the pagan emperor Constantine is stricken with leprosy, only to be cured by the outlawed Christian pope, Silvester, resulting in the Christian conversion of an empire. A black mass takes place, an evil worm of a dragon is slain, a forest is set on fire in Brittany, the Duke of Cornwall goes to war against paganism, and a third play on a completely different theme is added for good measure.

Mike Libelled as Holocaust-Denier by Sunset Times

Yesterday, the newspaper dubbed by Private Eye the Sunset Times went ahead and smeared Mike as an anti-Semite and Holocaust-denier. Mike was mentioned in yet another scaremongering article about how Labour under Corbyn was welcoming back the hard left and anti-Semites. There was a photograph at the top of the article of a few of those so accused, including Mike, along with Jeremy Corbyn. The others were professional politicians, such as the Black activist Lee Jaspers.

Mike was aware that the article was coming, and had more than an inkling that it wasn’t going to be sympathetic. He had been contacted on Saturday by Gabriel Pogrund, one of the Sunset Times’ hacks, who told him they were writing a story about the suspensions from the Labour Party for anti-Semitism, and wanted Mike’s view. So Mike told him, making it clear that he was very definitely not anti-Semitic and that the false allegations against him were made by the Campaign Against Anti-Semitism, and politically motivated. So Mike recorded the interview, and has put up his version of it on his blog.

https://voxpoliticalonline.com/2018/02/03/the-sunday-times-wanted-me-to-talk-about-labours-antisemitism-investigation-so-i-did/

As far as the Times article went, they needn’t have bothered to call Mike at all. None of that appeared in the final article. What did appear were a few, very selective quotes, ripped out their context, which suggested that Mike believed that Blair was surrounded by a clique of Jewish advisers, and doubted whether millions of Jews were killed during the Holocaust, or only thousands. It was material straight from the gutter pens or keyboards of the Campaign Against Anti-Semitism or the Jewish Labour Movement, formerly Paole Zion.

As Mike, myself and very many others have pointed out, ad nauseam, Mike is very definitely not an anti-Semite nor does he deny or minimise the Holocaust. I’ve mentioned on this blog many times before that he and I had an uncle of Jewish heritage, with whom we used to go on holiday with our family when we were children. Mike when he was at College was asked by a Jewish friend of his to read out some of the names of the people butchered by the Nazis during the Shoah as part of her commemoration of the atrocity. I’ve a German book on my shelf on the Nazi terror apparatus, including the Holocaust, which Mike bought for me on a trip to Berlin. This is a piece of thoroughly respectable scholarship, which discusses the Holocaust and the numbers of people murdered in the various areas of the Reich during the Nazi occupation. The book was published to accompany an exhibition on the Nazis’ apparatus of state terror following excavation and building work on the SS’ headquarters in Berlin. It was published by the German government, and so is a work of serious, and often moving scholarship, as it contains photos and some potted biographies of the Nazis’ victims. It is very definitely not something that would delight or give comfort to real anti-Semites and Holocaust-deniers like those in the Alternative fuer Deutschland, the National Democrats or the banned British Nazi youth group, National Action.

Mike points out that the comment about not knowing whether thousands or millions died in the Holocaust actually came from a reply he gave to a question about the SWP. Someone in the Socialist Workers’ Party had said a few years ago that thousands died in the Holocaust, and Mike was asked why they said that. Mike didn’t know, as he’s not and never has been a member of the SWP. Mike made that clear in his answer. But the Campaign Against Anti-Semitism, being the lying frauds they are, took that one sentence out of context to make it appear that Mike denied that six million Jews were murdered by the Nazis.

Mike, understandably, was upset by this gross libel, and has written a letter of complaint to the Sunset Times.

https://voxpoliticalonline.com/2018/02/04/my-complaint-to-the-sunday-times-about-its-libellous-article/

Mike has also written to ITV to complain about Robert Peston, after Peston described him as ‘vile’ on his programme, Peston on Sunday. This shows the amount of research Peston and his crew did. They didn’t contact Mike, or check the facts. They simply took what was said in the Times as completely true, and just repeated the libel with a bit of abuse thrown in.

I am not surprised that the Times decided to smear Mike in the article, though I am very, very disappointed. Throughout the past week it seems that it, the Torygraph and the other right-wing rags have been running scare stories pushing the idea that the Labour party is seething with anti-Semitism. On Saturday, for example, the ‘Opinion Matrix’ column of the I newspaper, which republishes extracts from the rest of the press, contained a snippet from the Times about the subject. This not only promoted the idea that Labour under Corbyn was full of anti-Semitic hate, but went on to say that if nothing was done about it, Jews would increasingly be put off the party.

In fact, if you look at what’s actually going on, the reverse is true. An increasing number of Jewish people are becoming alienated, not from the Labour party, but from the state of Israel and the Conservative Jewish establishment that supports it. An increasing number of Jewish American young people are now bitterly critical of Israel, including those who have suffered real anti-Semitic abuse themselves. And although over 70 per cent of British Jews say that the state of Israel is important to their sense of identity, critics of Israel like Tony Greenstein have also argued that this may well decline. Zionism was always a marginal movement within Judaism, and the vast majority of diaspora Jews wanted to live in the homelands of their birth as free, equal citizens with their gentile fellow countrymen and women. Support of Israel became a major plank of right-wing ideology in America as psychological compensation for that nation’s loss of the Vietnam War. Since then the country has benefited massively from considerable American and Western aid and a very largely uncritical stance by the mainstream media to the atrocities Israeli security forces have committed against the indigenous Palestinians, and the institutional racism of the Israeli state itself.

That situation is now changing, and the Israeli right is starting to panic. The Campaign Against Anti-Semitism was founded in 2014 by people, who were aghast to discover that Israel’s bombardment of Gaza had disgusted ordinary Brits. As I’ve said here, over and over again, the organisation is a pro-Israel pressure group. It has precious little interest in real anti-Semitism. It’s patrons are nearly all Tories, and there is little condemnation of anti-Semitism in that party, or indeed, of the real, vicious anti-Semites of the Far Right. It appears to exist solely to attack left-wing critics of Israel. Which it does through the well-worn Zionist tactic of smearing them as anti-Semites.

Corbyn isn’t anti-Israel. One of the commenters to this blog pointed out that he does support Israel. But he also supports the Palestinians, and that terrifies the Campaign Against Anti-Semitism, the Jewish Labour Movement and their friends in the Israeli Right, who wish to continue the Palestinians’ oppression and ethnic cleansing. They are very strongly allied to the Blairites, and so both groups are determined to silence Israel’s critics on the left, including and especially Jews, by smearing them as anti-Semites.

Mike is clearly one of those targeted. He’s been asked by journos about his document, the Livingstone Presumption, which he sent to the Labour party to defend Ken Livingstone against the smear against him. This shows just how much the liars and frauds of the Campaign Against Anti-Semitism and the Jewish Labour Movement fear him as a blogger, as well as the Tories and their lapdogs in the lamestream media.

Don’t believe the mainstream media about anti-Semitism in the Labour Party. They are lying, and they have lied and smeared Mike. Go and read what he has to say instead.

Tharg’s Tribute to Kevin O’Neill: When the Comics Code Banned His Art

Published by Anonymous (not verified) on Sat, 30/12/2017 - 10:03pm in

Yesterday in one of the posts I mentioned the dictatorial grip the Comics Code Authority had over American comics from the 1950s to the mid-1980s. The Code was sent up to reassure and protect the American public after the moral panic over Horror comics in the 1950s. This spread to comics as a whole, which were seen as subversive, morally corrupting and un-American. This included bizarre accusations of Fascism and deviant sexuality aimed at those stalwarts of popular American culture, Superman, Batman and Wonder Woman. The scare decimated the American comics industry, and nearly caused its total collapse.

The Code was set up to ensure that all comics were suitable for a child of seven to read. Its officials were unelected, and in many cases had right-wing views that showed absolutely no understanding of popular politics or culture. It was supposed to be a voluntary organisation, and there were comics creators who worked outside and often against the code. Like Robert Crumb and the underground scene, or the independents Like Dave Sim and Cerebus the Aardvark. In practice, however, those comics were well outside the mainstream, and were only available in head shops and specialist comics stores like Forbidden Planet and the late, lamented Forever People in Bristol.

I discussed how the Code rejected one issue of the Green Lantern Corps, written by Alan Moore and drawn by Kevin O’Neill, on the grounds that O’Neill’s artwork was too grotesque and disturbing for children. This was ironic, as he had been delighting children and adults with his monstrous aliens, mutants, robots and equally grotesque humans for years in the pages of 2000 AD. He was and remains one of comicdom’s favourite artists, and while the other artists who worked on the Nemesis the Warlock strip added the considerable talents to the tale of the Warlock and his foe, the human ‘Ultimate Fascist’ Grand Master Torquemada, I think much of the strip’s initial popularity came from his superb, bizarre artwork.

2000 AD duly paid tribute to him and his censorship by the Comics Code in their anniversary issue, Prog 500, published on 14 December 1986. In it, Tharg took a walk through the contents of his mind, reviewing the comic’s history and revisiting some of the characters that didn’t work. At the end he comes to Kevin O’Neill, who appears as a stunted, crazed sadist. O’Neill admonishes him for censoring the most extreme piece of violence in the strip. Tharg tries to reassure him by reminding him that he won the ‘ultimate accolade’ for which other comics creators all envy him: the day the Comics Code banned his art as totally unsuitable for children. To which O’Neill replies ‘Hmmph. You won’t get around me by flattery’. Unsatisfied, O’Neill then calls down Torquemade, who promptly beats Tharg up.

The different sections of that strip were written and drawn by the different artists and writers, who worked on the comic, so there were different credit cards for them for each section. That section ends with the credits reading ‘Script Therapy: Pat Mills. Art Therapy: Kev O’Neill. Letters: Steve Potter’. Which suggests that the letterer was the only sane one there.

Here’s a few panels.

The real O’Neill is, however, quite different from his portrayal in the strip. It’s been pointed out several times that the fans, who’ve met him, are often surprised that he doesn’t dress in black and silver like the Terminators. And the other rumours about him are also totally untrue. Like he only works at night using a quill pen in the light of candles, and has an occult temple in his basement. I met him at UKCAC 90 in Reading, where I queued with Mike to have him draw a character on the blank badges we’d been given for our fave artists to draw on. O’Neill at the time was a wearing a ‘Solidarity for Nicaragua’ T-shirt, which a left-wing friend of mine at college also wore. He also was wearing a brown leather jacket, and his facial features at the time reminded me a bit of John Hurt. He was affable, enthusiastic, full of nervous energy and completely unthreatening. If you seem him now at comic conventions or footage of them on YouTube, or the occasional interview for television, he’s obviously older and balder, as effects so many of us eventually. He comes across as genial and entertaining British gent, completely unlike the berserk monstrosities that rampage across his strips down the years. Even when he’s telling the stories about how he and Pat Mills went as far as they could in savaging American superhero comics and right-wing, superpatriotic American politics in the violent and nihilistic Marshal Law. Actors, writers and artists aren’t their creations. Fortunately.

Brian Blessed Talks about his Role as Boss Nass in Star Wars Prequels

Published by Anonymous (not verified) on Sun, 24/12/2017 - 8:42pm in

In this clip I found on YouTube, the mighty Brian Blessed is interviewed by host Jaime Stangroom about his role as the amphibian alien king, Boss Nass of the Naboo, in Star Wars: The Phantom Menace. Stangroom opens the interview by declaring that Blessed is a British institution. Or belongs in one, referring to the great man’s over the top personality. He notes that among his other achievement, he’s the oldest man to go to the South Pole and has climbed Mt. Everest.

It seems George Lucas was quite a fan of his. Before they started filming, Lucas asked to be alone with Brian for about half an hour. He said he wanted to cast him as Jedi, but that he would be too powerful for such a role. What other role could he cast which would be more suitable for his energies? Quick as a flash, Blessed’s agent, who surely deserves their fee, suggested Boss Nass.

The scene where Nass finally offers peace between the Naboo and humans was unscripted. The crowd surrounding Nass were to kneel or stand respectfully towards him, waiting for him to make a pronouncement. But Nass’ lines hadn’t been written and it was left to the Dynamite Kid to make them up. Which he did. He made the characteristic noises, before making his pronouncement of peace between human and amphibian. Lucas was delighted, and said that was exactly what was in his mind.

Stangroom asked the inevitable question about what he thought of Jar Jar Binks. Blessed, like the professional actor he really is, is very careful in his reply. He states that it’s always dangerous to criticise another actor’s interpretation. He just says that you have to make sure that the noises the Naboo characters make do not overshadow the spoken lines, as you can lose a lot of plot that way. He then gives a demonstration from his own performance as Boss Nass to show how he avoided that problem.

Rather more entertaining is his tale of talking to the actor, who was unveiled as the true face of Darth Vader/Anakin Skywalker in last of the original trilogy, The Return of the Jedi. The actor, who played him had been a big star in the 1940s, but was now quite elderly, or at least when Blessed talked to him. He remembered that he’d been in a film, where they took a mask off him. He had a bit of a struggle remembering who he’d played, until it came to him: Darth Vader. Blessed was astonished. ‘You played Darth Vader! You don’t know how big that character is!’ before going on to explain how massively popular Vader was and how everyone wanted to play him. The actor replied by saying, ‘Well, they only gave me a little wage.’

Blessed’s got a reputation as something of a bit of a ham, thanks to his powerful personality. Well, as Fritz Leiber, who was the son of Shakespearian actors wrote in A Spectre is Haunting Texas, ‘All actors are hams and secretly love it’. But the interview reveals that behind the shouting there’s a very thoughtful mind that carefully considers what to say and what to put into the performance.

He’s also very left-wing. Blessed himself is working class, the son of a northern miner. When he did a one-man show back in the 1990s, He described going to the peace conferences in the 1950s. At one of these he found himself sitting next to a foreign gentleman. He asked who he was. ‘Picasso’, the stranger replied. ‘Oh yes, what do you do?’ ‘I’m an artist’. So Blessed asked him if he could draw something for him. So Picasso drew a picture of a dove on a bit of paper hankie Blessed had at the time. Of course, Picasso drew it in his extremely simplified, modernist style. When Blessed got home and looked at it, he declared it was ‘rubbish’, and that Picasso wasn’t an artist at all, and threw it in the bin. Thus throwing away potentially thousands of pounds.

Blessed for a long time said that he wanted to play Dr. Who. I think that time is long past, as he’s rather too old now. And the job of the new Doctor is already taken, and he’s the wrong gender. But he has appeared in the show. He was in the Colin Baker ‘Trial of a Timelord’ serial ‘Mindwarp’, in which he played an alien samurai warrior battling the evil Mentors, and the alien supercapitalist Sil.

Oh yes, and while Han was killed in the last Star Wars sequel, we can always take comfort in that Gordon’s Alive !