YouTube

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Credo! Pat Mills on 40 Years of Thrillpower!

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

Dr Gerald Horne on Trump as the Product of the Racist History of the US

This is another fascinating video from Telesur English. It’s from an edition of the Empire Files, in which the host, Abby Martin, interviews Dr. Gerald Horne, the chair of History and African American Studies at the University Houston. Dr. Horne is the author of 20 books on slavery and black liberation movements. The blurb for the video on YouTube states that his most recent work is The Counterrevolution of 1776: Slave Resistance and the Origins of the United States.

The video is just over half an hour long, and it completely overturns the entire myth of the founding of the United States, in which the Founding Fathers were noble idealists, intent on bringing about a truly democratic state in which all men would be free. In fact the opposite was true. The Founding Fathers were either slave-owners, or else otherwise deeply connected to slavery and slave trade through their business interests. Instead of noble liberators for everyone, they were deeply opposed to granting Black Americans their freedom.

Dr. Horne argues that they were the products of British imperialism and its slave trade, which was first introduced into the Caribbean and then shifted north to the English colonies in North America. He traces the history of Black enslavement and anti-Black racist movements from the American Revolution to the American Civil War, and thence to the formation of successive waves of the Klan. His intention is to show that Trump is not an historical aberration, a strange historical throwback on America’s long progress to freedom and liberty, but a product of America’s racist history and the mass support anti-Black movements have enjoyed and exploited throughout it.

The programme begins by explaining the background to the Confederate monuments, which the Unite the Right stormtroopers marched to defend in Charlottesville the week before last. These were not simply memorials to great generals or valiant soldiers, as the myth around them says. Most of the Confederate monuments in the US were erected in two periods – the period of Jim Crow in the 1920s and ’30s, when the segregation laws were being introduced, and the 1950s when the Civil Rights movement was beginning. They were set up to convey a very specific message: that while Black Americans were technically free, the ‘Negro’ had better know his place beneath the White man. Or else.

He then goes on to describe the emergence of slavery in the US. He states that Britain at the end of the 16th century was ‘a failed state’. The British Civil War of the 1640s between Charles I and parliament was a quasi-bourgeois revolution, which gave some rights to the British merchant and middle classes. The real bourgeois revolution was the Glorious Revolution of 1688, which allowed the middle classes to exert more political control, and allowed British merchants to wrest control of the slave trade away from the Crown as a royal monopoly.

The most important part of the British empire in the New World at the time was the Caribbean, and particularly Jamaica. These colonies became immensely profitable due to sugar. However, in the 1720s there was an economic crisis in Caribbean slavery, so some of the major Caribbean slaveowners moved north, to Carolina and other parts of the US. It was from these slave-owning families that the Founding Fathers were descended.

Horne also briefly discusses the role north American slavery played in the definition of White identity. Back in Europe, the different European peoples saw themselves as members of separate nations – English, Irish, Scots, French, Germans and so on. it was only when they crossed the Atlantic to America that they created an overarching racial identity to differentiate them from their Black slaves.

Horne then goes on to argue that the major catalyst for the American Revolution was the American colonists’ frustration at the British governments attempts to limit slavery and stop further colonial expansion beyond the Alleghenies. One of the critical moments in this was the Somerset Case, which ruled that slavery was illegal in England. The ruling was expanded to Scotland a year later. The taxes against which the Boston Tea Party was staged included those levied on slaves. They had been imposed by the British government as a deliberate anti-slavery measure. The British government was also tired of expending men and treasure in the various wars against the continent’s indigenous peoples. This angered the colonists, who longed to expand and seize native American land to the west. One of those, who stood to make a profit from this, was George Washington, who was a land speculator. As indeed, in a curious historical parallel, is Donald Trump. The Founding Fathers also feared and hated Black Americans, because the British had given their freedom to all Black Americans, who remained loyal. As a result, the Black Americans were solidly behind the British against the emerging independence movement.

Dr. Horne then goes on to talk about the American Civil War, and Lincoln’s emancipation of the slaves held by the Southern states. Horne points out that it was felt at the time that Lincoln had somehow broken the rules of war, and done the unthinkable by arming the slaves. As for Lincoln himself, he didn’t have much sympathy with them, and was considering deporting them after the end of the war. Horne goes on to discuss how the deportation of Americans of African descent continued to be discussed and planned at various periods in American history afterwards. It was yet again discussed in the 1920s, when there was a movement to deport them back to Africa.

After the ending of slavery in American following the defeat of the South, many of the American slave-owners and traders fled abroad, to continue their business overseas. Several went to South America, including Brazil, while others went to Cuba.

After the Civil War came the period of reconstruction, and the foundation of the Ku Klux Klan in the late 19th century. Horne also talks about the lynching movement during this period of American history, which continued into the early 20th centuries. Not only were these intended to terrorise Black Americans to keep them in their place, but at the time they also were also almost like picnics. Photographs were taken and sold of them, and White spectators and participants would cut the fingers off the body and keep them as souvenirs. Dr. Horne remarks that, sadly, some White homes still have these digits even today.

He also talks about the massive influence D.W. Griffith’s viciously racist Birth of a Nation had on the Klan, boosting its membership. Klan groups began to proliferate. In Michigan, one branch of the Klan concentrated on fighting and breaking trade unions. Later, in the 1950s, the Klan entered another period of resurgence as a backlash against the Civil Rights campaign.

Horne makes the point that in this period, the Klan was by no means a marginal organization. It had a membership in the millions, including highly influential people in several states. And the Klan and similar racist organisations were not just popular in the South. The various pro-slavery and anti-Black movements also had their supporters in the North since the time of the Civil War. He also argues that the campaign against segregation was extremely long, and there was considerable resistance to Black Americans being given equality with Whites.

He also states that one of the influences behind the emergence of the Alt-Right and the revival of these latest Fascist and White supremacist movements was the election of Barak Obama as the first Black president of the US. Obama was subject to rumours that he was really Kenyan, with the whole ‘birther’ conspiracy theories about his passport, because he was Black, and so couldn’t be a proper American. And it is this bitter hostility to Obama, and the perceived threat to White America which he represents, that has produced Trump.

Watching this video, I was reminded of Frederick Douglas’ great speech, What To the Slave is the Fourth of July? Douglas was a former slave and a major voice for abolition in America. His speech noted how hollow the rhetoric about the Founding Fathers protecting Americans from slavery under the British, when they themselves remained slaves in reality.

He’s right about the rule of the sugar economy in saving the British colonies in the Caribbean, though from my own reading about slavery in the British Empire, what saved these colonies first was tobacco. It was the first cash crop, which could easily be grown there.

The role opposition to the British government’s refusal to allow further colonial expansion in provoking the American Revolution has also been discussed by a number of historians. One book I read stated that British colonial governors were encouraged to intermarry with the indigenous peoples. Thus, one of the governors on the British side actually had cousins amongst one of the Amerindian nations. The same book also described how the British granted their freedom to Black loyalists. After their defeat, the British took them to Canada. Unfortunately, racism and the bleak climate led them to being deported yet again to Sierra Leone. There were also Black loyalists settled in the British Caribbean colonies. One report on the state of colony instituted by its new governor in the early 19th century reported that the former Black squaddies were settled in several towns, governed by their own N.C.O.s under military discipline. These Black Americans were orderly and peaceful, according to the report.

As for the former American slave traders, who emigrated to Latin America, this is confirmed by the presence of one of the witnesses, who appeared before the British parliament in the 1840s, Jose Estebano Cliffe, who was indeed one of the émigré merchants.

Cenk Uygur and The Young Turks have also described the horrors of the lynchings in the Deep South, including the picnic, celebratory aspect to these atrocities. They made the point that if news reports today said that similar lynchings had been carried out by Arabs in the Middle East, Americans would vilify them as savages. But that attitude doesn’t extend to those savages in the US, who carried out these atrocities against Blacks.

It’s worth mentioning here that Blacks weren’t the only victims of lynching. Tariq Ali in an interview in the book Confronting the New Conservatism about the Neocons states that in Louisiana in the 1920, more Italians were lynched than Blacks.

The video’s also worth watching for some of the images illustrating Dr. Horne’s narrative. These include not only paintings, but also contemporary photograph. Several of these are of the slaves themselves, and there is a fascinating picture of a group of Black squaddies in uniform from the Civil War. I found this particularly interesting, as the photographer had captured the character of the soldiers, who had different expressions on their faces. Some appear cheerful, others more suspicious and pessimistic.

There’s also a very chilling photograph of people at a lynching, and it’s exactly as Dr. Horne says. The picture shows people sat on the grass, having a picnic, while a body hangs from a tree in the background. This is so monstrous, it’s almost incredible – that people should calmly use the murder of another human being as the occasion of a nice day out.

This is the history the Republican Party and the Libertarians very definitely do not want people to read about. Indeed, I put up a piece a little while ago at a report on one of the progressive left-wing news programmes on YouTube that Arizona was deliberately suppressing materials about racism, slavery and segregation in its schools, and making students read the speeches of Ronald Reagan instead. As for the removal of Confederate monuments, right-wing blowhard and sexual harasser Bill O’Reilly, formerly of Fox News, has already started making jokes about how ‘they’ want to take down statues of George Washington. Nobody does, and the joke shows how little O’Reilly really understands, let alone cares about the proper historical background behind them. I’ve no doubt that Dr. Horne’s interpretation of history would be considered by some an extreme view, but it is grounded in very accurate historical scholarship. Which makes it an important counterbalance to the lies that the Republicans and Libertarians want people to believe about the country and its history.

Guy Debord’s Cat: Violence to Fascists Is Justified

Following the violent clashes between the White supremacists, neo-Confederates and outright Nazis and the counter-protesters in Charlottesville the week before last, there have been a series of articles and denunciations of the Anti-Fascists for their physical attacks on the marching hordes of the extreme Right. One of those criticizing them is the veteran critic of capitalism, racism and imperialism, Noam Chomsky, who stated that by using violence, Antifa handed them a ‘propaganda coup’. Others have gone further, and complained that Antifa are against free speech, and so are as bad, or worse, as the Nazis they attacked.

The French philosophical feline strongly rejects this attitude, and has written a blog post explaining just why he supports violence against Fascism. This includes two videos, both of which are well worth watching. One is about the 43 Group, a band of Jewish ex-servicemen, who had seen for themselves the horrific results of Nazi anti-Semitism when they were among the troops, who liberated Auschwitz. After the War, they were disgusted to find the kind of people, who had committed such monstrous atrocities were not only at large, but preaching their murderous doctrines and hatred. They resolved to treat them as they deserved, and hit them time and again force them off the streets.

The second video is presented by Mensi Mensforth, a member of the eighties band Angelic Upstarts. He also talks about the long history of anti-Fascists using physical violence, from struggles in the 1930s against Mosley’s BUF, to today’s battles with the NF and related Nazi gangs. Mensforth and the others speaking on the programme make the point that the people the Antifa are fighting are themselves extremely violent. They talk about Asians in the poorer parts of Britain being firebombed out of their homes. Mensforth himself describes how his stance against the NF so infuriated them, that they tried to silence him by attacking him at one of the Upstart’s gigs. He was saved by Antifa, who were there to defend him.

The Cat starts off by making the point that Antifa is a position, not an organization. The word stands for Anti-Fascist Action, and while later in the article he states that Anti-Fascist Action was set up in 1985 by Red Action and other anti-Fascist groups, he makes the point that if you are opposed to Fascism, then you are Antifa. He also makes the point that Nazis and related organisations in the US have been allowed to march by claiming free speech as their defence, and supported by the local law enforcement agencies and Libertarian organisations, some of whom have their own, very dubious agendas.

Buddy Hell is particularly annoyed by the middle class liberals, who are defending the Nazis’ right to say the unspeakable. He makes the point that Fascists are capitalism’s shock troops. Their leaders come from the middle and upper classes, and they and their vile doctrine emerge when capitalism is in crisis. And they don’t march through White, middle class areas. Their purpose is to divide the working class, and they march through working class and immigrant neighbourhoods as a display of triumphalism and a provocation.

He also makes the point that Fascists are also supported by the petite bourgeoisie and sections of the free press. The free world has tolerated the seizure of power by innumerable right-wing dictatorial groups, but the moment a left-wing government appears the supposed free world immediately tries to destabilize it.

And Fascists themselves are extremely violent. He states very graphically that if you turn the other cheek to a Fascist, they’ll slash it with a razor, and says

I support the activities of militant anti-fascists because I think their use of force is a necessary tactic to counter the violence of the far-right on the streets. If you think allowing neo-fascists a platform to say whatever they like is necessary because you believe everyone has a right to free speech, just imagine what would happen if the far-right ever came to power. The free speech, that you cherish so dearly, would be taken away and you’d be carted off to prison or worse. Now you can accuse me of histrionics if you like, but you’ll have to name a country in which the far-right have gained power and have allowed people to criticize them. I can’t think of one.

See: https://buddyhell.wordpress.com/2017/09/05/militant-anti-fascism-why-i-support-it/

Now I don’t support violence against anyone, and don’t wish to encourage any more of it, even against the Far Right. Real violence is anything but fun, and people have been seriously hurt and killed in the battles between Fascists and anti-Fascists.

But the Cat is right on several points. Fascists are and have always been extremely violent. They’ve been so every since George Sorel wrote his ‘Reflexions sur la Violence’ as a militant 19th century anarcho-syndicalist. Sorel later rejected syndicalism in favour of extreme right-wing nationalist and monarchist groups, but his book remained popular and influential amongst right-wing intellectuals like Mussolini. The kernel of Fascism in Italy were the Fasci di Combattimenti, bands of demobilized ex-servicemen, who went around beating up Socialists, Communists and anyone they thought that was insufficiently patriotic, or just didn’t like. One of their symbols, was the fasces – the bundle of rods with an axe sticking out, which symbolized the power of the lictor, the Roman official, who could have citizens beaten and beheaded. The other, rather less official, but very widely used, was the manganello. This was the club with which Fascist gangs used to beat their opponents in street battles, after which the victims were dosed with castor oil to humiliate them by making them soil themselves.

Before the Nazis seized power in Germany, they also used to go round fighting street battles and beating up Jews and leftists. One of their songs in Berlin was all about how they were going to carry on beating people up, ‘until the Jew lies bleeding at our feet’.

And they weren’t any better in Britain. Mosley’s BUF lost its support partly because it was notorious for its violence, particularly after the infamous Olympia rally, where the BUF’s stewards savagely beat a number of left-wing protestors. And after the war, the BNP, NF and related groups deliberately recruited ‘bovver boys’ and football hooligans. Or as one of their leaders themselves said at the time, ‘robust young men to defend Britain against Communism’. And the evidence for their extreme violence is extremely plentiful. If you go on YouTube, there are a number of videos from World In Action and other documentaries showing just how brutally violent they are. And more often than not, their victims are the weak and defenceless. One of the speakers in one of these documentaries is a female teacher, who describes how she and her colleagues were attacked without provocation by a group of NF thugs when they were having a meeting in a pub. Matthew Collins in his book, Hate, describes how he participated in an attack on an anti-Nazi meeting in one of the rooms above the local library. Those they attacked were mostly women, including a pregnant Asian lady, who was so terrified she tried to barricade herself in the toilets. These are not thugs attacking other thugs. They’re bullies. And when they do meet concerted, violent resistance, as one of the speakers in one of the videos says, they run away.

The decision of the ’43 group to give a dam’ good hiding to the Fascists is entirely understandable. One of the speakers in the video describes how he and the other old comrades put their hands together with Rabbi Hardman, the Jewish army chaplain, and swore ‘Never again’ when they saw the sheer carnage and barbarity at Auschwitz. Rabbi Hardman states he saw bodies piled as high as the surrounding buildings. Another squaddies tells how he met one woman, one of the death camp’s inmates, who had been driven mad because the Nazis had snatched her baby away from her, thrown it up into the air, and then shot it. This treatment wasn’t unique to the Jews. The Beeb a little while ago screened a programme about the Nazi occupation of Poland. One of the incidents that occurred there was when Polish mothers were required to take their children to be examined by the reich authorities. One woman’s child was deemed biologically unfit. It was snatched out of its mother’s arms, thrown onto the floor, and shot.

Most normal people would have felt horror and anger if they had witnessed what these servicemen had seen. And when it is done to one’s own ethnic or religious group, when one thinks how it could have been one’s own spouse, parents, children, or other relatives and friends lying down there among the bodies, those feelings are naturally going to turn into an intense rage, or in this case, a steely determination to do everything they could to stop it ever occurring again.

The speakers in the video make the point that they didn’t reject non-violent persuasion. They tried it, and found that it didn’t work. They state that it was a case of ‘both…and…’ rather than ‘either…or…’. But it didn’t work on the convinced Fascists. And so they resolved to disrupt their meetings and force them off the streets.

At the time there were 40 or so Fascist meetings every month in London, and the BUF, or Mosley’s successor organisations, were not opposed, and indeed supported, by the London police. This has been corroborated by other historians. Larry O’Hara wrote an article in Lobster back in the 1990s about how the metropolitan police turned a blind eye to Fascist meetings, even when they openly broke the law. Such as drinking a toast to the destruction of the Jews. Indeed, it was quite often anti-Fascist protesters, who were arrested, rather than the stormtroopers.

Not all police forces were as tolerant as London’s, however. One of the speakers describes how they heard that the Blackshirts were planning to go down and hold a rally in Brighton. So the ’43 Group let the Brighton fuzz know they would also be down there to disrupt the meeting. The rozzers duly replied that the Fascists were quite within their rights, and the police would allow them to go ahead following the principle of free speech. But in practice, they only sent one officer. He was obviously just a token presence, and the former servicemen were able to give their opponents a sound beating.

They describe how, when they attacked a Fascist gathering, their intention was to seize and overturn the podium. Among those, who got what they deserved was Hamm, Mosley’s second in command. They also reveal that they had considerable information given to them about the location of meetings and so on from informers within the Fascists’ own ranks. These were people, who had joined the party, and found out it wasn’t what they thought it was. Ultimately, the ’43 group were successful. They point out that due to their attacks Mosley couldn’t appear in public, and they talk about their pride as Jews and citizens in closing him down.

Mensforth’s video also begins with people from the East End describing the antics of Mosley’s Blackshirts in their day, and their role in the Battle of Cable Street. This was when the BUF tried to march through the East End, but were beaten off by a group of trade unionists, Communists and Jews. The speakers describe how they also fought the police, who were protecting the Fascists.

Describing the activities of contemporary Nazis, they point out that they want to keep the working class divided, and encourage racial hatred to that end. When there are no ethnic minorities available for them to whip up hate against, as in Glasgow, they find another outsider group to serve the same purpose, like Roman Catholics. One of the speakers is a Glaswegian, who was a former member of one of the Fascist groups in Scotland, as well as a Protestant supporter of one of the very Unionist football clubs. One of the songs their supporters sing is ‘Billy’s Boys’. He states most of the supporters think it’s about William of Orange, but in fact it’s about one of Mosley’s lieutenants in that part of Scotland in the 1930s. This particular speaker was drawn into it through the sectarian politics of Scots football clubs. He left when he started getting leaflets from the organization telling him to support their policies against Israel, and supporting South American dictators and death squads.

Watching these videos, it struck me that some, at least, of the violent antifa, aren’t thugs using violence for the sheer pleasure of it. They’re just people, who actually take Fascism seriously. Very seriously. To many people, the Fascist fringe are so grotesque that they’re a joke, and the numbers involved in their marches are so trivial that there’s absolutely no danger of these morons gaining power. They’re figures of fun, like the American National Socialist White People’s Party in the Blues Brothers. And it’s because they aren’t taken as a serious threat, that they and their wretched marches are tolerated. Despite considerable, and very vocal opposition, I hasten to add.

And indeed there is a certain amount of grim humour to be found there. They are so twisted, that they can be unintentionally hilarious, and mocking them does have the right effect. Hope Not Hate a few days ago put up a piece about how one of the squadristi was upset with the organization, because it was taking the mick out of him. And Private Eye also reported how members were leaving the BNP after it had been mocked in the pages of Ian Hislop’s mighty organ. The Third Reich was long ago, and so were the various Fascist dictatorships in Central and South America, as well as all the other brutal right-wing regimes that have seized power around the world.

But if you’ve seen what Fascism has done, and your family and friends have been attacked or worse by its supporters over here, your attitude might be very different. The Klan and the neo-Confederates really aren’t a joke to Blacks, Jews and other minority groups, because of the lynchings and the use of terror and extreme violence. Over in Britain, the British Fascist groups supported not only the Unionist paramilitaries in Northern Ireland, but they also gave sanctuary to a group of Italian Fascists in the 1980s following the Bologna railway bombing, which killed more than a hundred people. And given the horrific atrocities the death squads committed in Latin America – things so revolting that they cannot be decently described in a family blog, it becomes a very good question why the members of various Conservative and Libertarian societies weren’t attacked or beaten when they decided to invite these scum to their annual dinners.

I don’t support violence, let alone vigilanteeism, but the Cat has done a good job in explaining why violent resistance against Fascism may be justified. As he points out, this is violence against those, who are absolutely serious in their intention to imprison, torture and kill millions, if they came to power. Their tolerated at the moment because they aren’t a significant threat. But that can change. Free speech is not an absolute, and there have to be limits to toleration. It’s why we have laws against hate speech, no matter how they right may decry them as ‘political correctness’.

Guy Debord’s Cat on the Deceptive Charm of Jacob Rees-Mogg, and Fascist Entryism in the Tory Party

The current popularity amongst the Tories and their lackeys for Jacob Rees-Mogg is a particular concern of mine. Mogg is the highly privileged son of William Rees-Mogg, a titled member of the aristocracy, who wrote at various times for the Times and Independent. Rees-Mogg senior lived in one of the villages around Bath, if I recall correctly. His son is the Tory MP for north Somerset, just south of where I live in Bristol.

Jacob Rees-Mogg has somehow endeared himself to the Tories and part of the British public through his polite, aristocratic and anachronistic demeanour. He’s been called ‘the minister for the 18th century’. He now has a fan club, Moggmentum, in imitation of Corbyn’s support group of Momentum. He also has 25,000 followers on Twitter. One fan of his in Somerset is such a mad fan of his, that he had Mogg’s face tattooed on him, which became one of the evening’s news stories for the local news programme, Points West here in Bristol a few weeks ago. He’s so popular indeed, that he’s being touted as a possible successor to Theresa May.

This should terrify anyone, with any real idea of politics and the true state of this country. For his smooth, cultured and quiet-spoken politesse, Mogg’s own views are highly reactionary, and frankly horrific. He began his career as a politician campaign in Fife, where the major platform of his campaign was trying to convince impoverished fisherfolk that retaining an hereditary House of Lords was supremely important and beneficial. And as a blue-blooded aristo, he is convinced that the poor should be kept firmly in their place, serving and transferring whatever wealth they have to the rich and powerful. A little while ago Mike did a feature on him on his blog. He discussed the numerous instances in which Mogg had consistently voted down bills, which would improve conditions for the poor and disabled, and voted instead for cutting benefits and privatizing what’s left of the welfare state.

It probably isn’t too much to say that many of those, who vote for him either believe themselves to be of the same class as him, and so will also benefit by his efforts to restore aristocratic privilege. Or else they’re members of the lower classes, who have been convinced through repetition of the same claims down the generations that the aristocracy are the country’s natural rulers, and working people should know their place. Like the various servants Mum met while working in that part of Somerset, who voted Tory because that’s the way Master voted.

Guy Debord’s Cat has written a very good piece over on his site, describing just how vile Mogg and what he represents actually are. He writes

It’s a sure sign of the Conservative Party’s dearth of talent that Jacob Rees Mogg should be talked up as a possible successor to the hapless and utterly useless Theresa May. Many people find Moggy endearing. They love his plummy RP accent. They love his double-breasted suit jackets. They love his fustiness. They love his toffee-nosed demeanour and they love his apparently Waugh-esque wit. At Nowhere Towers we take a different view: we find him tiresome and representative of an ages old problem with Britain. Namely, he reeks of privilege and his accent and ‘eccentric’ charm masks a ruthlessness and cruelty that is common to many members of his class.

When it comes to loving one’s oppressor, the Brits have both rationalized and elevated their oppression a fine art. We love our posh bastards. Don’t we? Remember how people fawned over Bozza? I haven’t forgotten. Both of them went to Eton and Oxford. Both of them are seen as rather buffoonish, though for very different reasons. And both are seen as thoroughly British eccentrics. But that’s the problem: many people refuse to see through their media-constructed façades and choose to see oh-so-disarming posh twits instead. Please, wake up!

That Moggy should be touted by some Tories as a counterweight to Jeremy Corbyn’s soaring popularity speaks volumes about the parlous condition of his party and the dire health of our media.

He goes on to mention three articles taking apart Mogg, his highly deceptive appeal, exposing what he really represents, from Skwawkbox, the New Statesman and Victor Lewis-Smith. But he goes on to discuss an event the other articles don’t. This is the time in 2013 when Mogg went off to a formal, black tie dinner with the Traditional Britain Group. His article includes a photo from the evening, showing Mogg seated next to two truly horrific fixtures of the British Far Right, Jack Buckby of the Cultural Nationalists and the BNP, and Gregory Lauder-Frost.

The Traditional Britain Group itself, from what I’ve seen of it, is another xenophobic, anti-immigrant, racist group, which particularly despises Islam. They also want to restore the old class system and privatize the NHS. Gerry Gable of the anti-Nazi organization, Searchlight, warned Mogg not to attend. But he did. When he was exposed by the press, he made a gushing Mea Culpa condemning racism, distancing himself from them, and claimed he had been misinformed and acted in ignorance.

To me, this is less than convincing. As the French philosophical feline points out, most people if invited to attend a function by a group they know nothing about would try to know what it stood for first.

The article then goes on to discuss just how unpleasant Buckby and Lauder-Frost are. As well as founding the National Culturalists, which was banned on campus as a racist, Fascist organization by the Students’ Guild at Liverpool University, Buckby was also a member of the BNP. He was their candidate for the Batley and Spen bye-election, caused by the assassination of Jo Cox. Which shows this character’s complete lack of class. He was also press officer for Liberty GB. The Cat’s article states that it is anti-immigration. That’s true, but it’s also specifically against one ethnic group of immigrants: Muslims. It was founded as part of the Islamophobic ‘counter-jihad’ movement by many of the same people involved in the EDL.

Demonstrating Buckby’s personal nastiness, the Cat’s article has a clip of him being interviewed by Krishnan Guru-Murthy on Channel 4 News, along with an Irish expert on White supremacist and Fascist movements and a young Black woman from Black students’ group. Guru-Murthy makes it very clearly that he despises Buckby’s views, but has to interview him as part of the programme’s mission to investigate minority opinions. Buckby spends much of the interview vehemently denying that he is at all racist, while loudly declaring that we shouldn’t allow more Muslim immigrants into the country because of their inherently violent, criminal nature. When one of the two women argues against him, he replies by saying ‘I hope you don’t get raped.’ Because all Muslims are rapists, right?

Lauder-Frost, it seems, is a former member of the Monday Club, who used to chair their Foreign Affairs Committee, and is the Traditional Britain Group’s vice-president and treasurer. Before joining them, he was one of the steering committee of the Conservative Democratic Alliance, formed by disaffected members of the Monday Club. There’s also a clip of him being interviewed on Vanessa Feltz’s radio show. Lauder-Frost spends much of the interview sneering at Doreen Lawrence, whom he feels should not have been elevated to the House of Lords. Because she’s ‘a nothing’, who he claims hasn’t done anything for this country and despises it. It’s not hard to see behind his attitude a mixture of racism and sheer class snobbery. Doreen Lawrence is a Black woman, and not a member of the British aristocracy. Hence Lauder-Frost is utterly horrified at her taking a seat in the upper house.

Now it’s true that Doreen Lawrence has made statements where she has said she doesn’t have any love for this country. Or that’s how it’s been reported. It grates, but she has every right. Her son, Stephen, was murdered by a gang of racist thugs, who got off scot-free. The Met investigating his murder was corrupt and riddled with racism, and the thugs were the sons of notorious gang bosses. See the press coverage at the time, and also Private Eye passim ad nauseam. She then dedicated her life to trying to obtain justice for her murdered child. This is a far better reasons for being given an honour than simply being Dave Cameron’s hairdresser.

Lauder-Frost also waffles on about how immigrant groups don’t support this country at sports matches, which recalls Norman Tebbitt’s infamous comment about coloured immigrants not supporting Britain at cricket. He also recommends that we should go back to the Tory party’s 1970s promise for ‘assisted repatriation’ for coloured immigrants to go back to their countries of origin. Feltz is definitely not impressed, and pointedly asks him where she should go, as she’s Jewish, and one set of her grandparents came from Poland, while another of her antecedents was also not British. Lauder-Frost simply says that if he was a Zionist, he would say she should go to Israel. To cap it all, Lauder-Frost is also a massive fan of the Nazis. No wonder Feltz was unimpressed. As were no doubt every other decent person listening to the programme, regardless of ethnicity or religious beliefs.

The TBG was also invited to a dinner by the Bow Group, another outfit like the Monday Club on the extreme right of the Tories. The Cat cites Louise Haigh, the Labour politico, who managed to get the Nazi youth group, Britain First, banned, who states very clearly that Lauder-Frost’s comments about Doreen Laurence and assisted repatriation are racist, and that the Bow Group should not invited them to their functions.

The TBG’s other vice-president is Professor John Kersey, a traditionalist Roman Catholic clergyman, a professor at a right-wing university with branches in the Caribbean and West Africa, who is nostalgic for the old days of feudalism. If you follow the link on the Cat’s blog, you come to a site for the British followers of the Austrian Libertarian, Von Mises. Kersey is also the Director of Cultural Affairs of the Libertarian Alliance.

Other members of the Traditional Britain Group are Stuart Millson and Jonathan Bowden. Together these two charmers founded the Revolutionary Conservative Caucus. Millson was also a former member of the BNP and an officer in Western Goals, which the Cat describes as ‘semi-Fascist’. He’s not alone in this assessment. Western Goals also got into the pages of Lobster as a Far Right organization. Also in the Revolutionary Conservative Caucus was Mark Cotterill a former member of the NF. The Cat then describes how Millson joined the Tories despite being a member of the BNP and having had dinner with Jean-Marie Le Pen. The Tories refused to throw him out, and Millson only resigned after this was exposed by the Mirror.

The Cat’s article concludes

The Tories may deny it, but many of their members are sympathetic to groups like the TBG. Indeed, in the 1970s NF members joined local Conservative Clubs and were members of the Monday Club. Others are members of The Freedom Association, the faux libertarian pressure group that talks warmly about their idea of ‘freedom’, while working hard to deny it to others. Tories may complain about ‘entryism’ in the Labour Party, but for decades extreme-right entryists joined the party and they’re still joining.

Moggy’s antiquated views are only matched by his sartorial style. If you find him amusing or endearing, you might want to ask yourself this: what kind of friends are the TBG? Rees Mogg only apologised when he got caught by Liberal Conspiracy. If that had never happened, Moggy would have got away with it. Makes you wonder…

The Cat’s article also has a link to the original piece by the Liberal Conspiracy website.

For more information, see: https://buddyhell.wordpress.com/2017/08/01/friends-like-these/

The Cat certainly ain’t wrong about Fascist infiltration of the Tory party. Lobster a few decades ago devoted several pieces to exposing this. And it’s something else you won’t see being reported by the Beeb. Way back in the 1980s the BBC was due to screen a Panorama expose, ‘Maggie’s Militant Tendency’, on the Far Right’s infiltration of the Tory. Maggie and the Tories, however, threw a strop and the BBC was forced to spike the programme.

As for the Libertarians, their definition of liberty is definitely reserved only for the upper classes. They hate socialism, trade unions and organized labour. I can’t remember which one of the libertarian organisations actually did it, but one of them invited the head of a central American death squad to their annual dinner. As for Kersey being a fan of feudalism, this adds a new dimension to Von Hayek’s book, The Road to Serfdom. Von Hayek thought it was socialism, but as subsequent events show, it’s really the far right-wing economics he advocated.

Libertarians have always denied being Fascists, but it’s becoming increasingly clear that’s exactly what they are. I’ve put up several pieces from the American YouTuber, Reichwing Watch, on how Libertarian not only shares many of the same tenets and attitudes of Fascism and Nazism, but that its adherents are beginning to admit this quite openly. One Black YouTuber, ‘That Guy T’, discusses and advocates ‘anarcho-Fascism’ on his vlog.

As for Mogg, while he denies sharing the Traditional Britain Group’s racism, he certainly shares their attitude towards aristocratic privilege, and keeping the poor and marginalized so. It shows how corrupt and class-ridden this country is that this man is at all popular, let alone an MP and possible successor to May.

Presenters of Sam Seder’s Majority Report Defend Themselves against Accusations of Anti-Semitism

Readers of this blog will know very well that the Zionist lobby in Britain and America has repeatedly smeared decent, anti-racist people with the accusation that they are anti-Semites, when their only offence is that they have dared to hold Israel to the same moral standards as the rest of the world.

Israel is a racist state, which occupies the Palestinian territories on the West Bank, and which has engaged in a decades long campaign of brutalization and ethnic cleansing towards the indigenous Arabs population.

Those, who oppose this policy of massacre, persecution and expulsion include Torah-observant, and secular Jews as well as decent, anti-racist gentiles. Despite the fact that very many anti-Zionists and supporters of Palestinian rights are self-respecting Jews, who may be active members of their community, they are vilified as anti-Semitic, or self-hating, every bit as much as the non-Jewish opponents of the Israeli state. Indeed, some are subject to worse abuse.

Sam Seder’s Majority Report is a left-wing internet news programme. Mr. Seder and at least one other of his fellow presenters and staffers on the show is Jewish. In 2014 they made a series of videos reporting the carnage in Gaza, and fiercely criticized the Israeli state’s oppression of the Palestinian people. They also attacked and mocked a Republican mouthpiece, Ben Shapiro, for his stupid accusations about Obama’s administration similarly being anti-Semitic.

So, inevitably, the show received a message from a viewer accusing them of anti-Semitism. In this clip below, the presenters Michael Brooks and Matt Binder, defend themselves and the show from these accusations and make the point that criticizing Israel is not anti-Semitism. The presenter begins by stating that he reported the numbers of Palestinian and Israeli casualties, 500 Palestinians to 15 or 16 Israelis, not because he believed that they should be higher or more equal, but because he felt that there should be none at all. No-one should have died, regardless of whether they were Israeli or Palestinian. He also makes the point that his Jewish identity, which is specifically a German Jewish identity, is very important to him.

He states that the use of the accusation of anti-Semitism to close down a conversation about the systemic abuse of human rights by Israel, a sovereign state, is cynical and cheapens anti-Semitism. He states that he doesn’t often read the comments on YouTube. Sometimes the comments are anti-Semitic. Sometimes, after condemning actions by Hamas, and then offering an objective assessment condemning occupation, bombardment and civilians (by Israel), they have been called anti-Semitic. He states that he cannot understand the mindset, but believes some of those, who make the accusation are too caught up emotionally to make a rational judgement.

But with others, it is just a cynical ploy to stop criticism. And one which he states insults the long history of genocide, exodus, expulsion, torture and persecution that the Jewish people have suffered down the centuries. It cheapens also the Jews, who have been tortured and killed simply because of their Jewish identity by terrorists and suicide bombers. It’s a cheap, disgusting parlour trick. He states very clearly that Israel needs to be held to the same moral standards as a normal nation state, not criticized because it is Jewish, nor excused for its wrongful actions for the same reasons either.

The Israeli government and those before it have a policy of expanding Israeli settlement and limiting those of Palestinians. This is a vital issue, and using the accusation of anti-Semitism to stop it is disgusting and disingenuous.

Sam Seder is attacked because he mocked Ben Shapiro, who called Obama’s government one of the most anti-Semitic administrations. The presenter states that this is stupid, and calling Seder himself anti-Semitic is moronic. Seder, he states, is one of the most Jewish people around, outside the Ultra-Orthodox Jews, who live in Crown Heights. Many of whom, he says, are lovely people, as he used to live around there. If you’re going to describe him as ‘anti-Semitic’, at least say he’s self-hating instead.

As for Ben Shapiro, the presenter describes him as ‘a prepubescent little schmuck’ whose statement was too much even for Trump’s spokeswoman, Megyn Kelly. To call them, the producers of the show, anti-Semitic because they spent three minutes mocking him, shows how stupid the caller is, and they have to have compassion on that. But he also makes the point that it’s clearly wrong to call this mockery anti-Semitic, and claim it comes from the same motives as the Holocaust and the murder and torture of Jewish people, such as those, who were killed by the terrorists in Mumbai.

He and the producer then make a few sarcastic, but very accurate points about being called ‘anti-Semitic’ and accused of denying the Holocaust in their turn, simply because they have told their accusers that they’re morons and made even more comments mocking Shapiro.

I’ve put this up as this response to the accusations of anti-Semitism by Sam Seder’s fellow broadcasters – Seder himself goes on to rebut it himself in a later video – because it’s also an excellent response to the smears made by the Zionist lobby over here against Ken Livingstone, Jackie Walker and the many other decent people, who were targeted simply because they supported Jeremy Corbyn, as well as people like Mike, who was smeared simply because he dared to defend Livingstone, Walker and several of the others on grounds of historical accuracy.

Many of those smeared and suspended from the party were Jews, or of Jewish heritage, and had suffered genuine anti-Semitic abuse. One person had had her son attacked by a British Nazi. As for the non-Jews smeared as anti-Semites, like Mike, these were anti-racists, and many of whom similarly had a proud personal history of attacking anti-Semitism. Like Red Ken, who attacks it, along with anti-Black racism, and the British state’s recruitment of real Nazis in their battle with Communism during the Cold War, in his 1987 book, Livingstone’s Labour. These were real Nazis, who had committed horrific crimes against Jews during the Holocaust.

For the non-Jewish people smeared as anti-Semites, the other point the presenter raised remains valid: the accusation of anti-Semitism is a cheap, disgusting rhetorical smear to try to shut down their pertinent criticism of the state of Israel for its crimes. And by using anti-Semitism in this way to deflect criticism of a sovereign nation – Israel- for its disgusting human rights abuses on the same grounds as other nations are attacked and criticized, grotesquely cheapens and insults the real history of Jewish persecution and the memory of those, who suffered.

Critics of Israel, who have suffered these smears, like Norman Finkelstein, have made the same point again and again. But the Zionist lobby carries on with the same vile libels. And the point needs to be made: as well as being a cheap response in itself, it’s also a case of crying wolf. As we’ve seen from the events in Charlottesville several days ago, there are now real Nazis on the march, killing people. These are the real anti-Semites, and if that accusation has to retain its power to shock and reveal just how vile the real Nazis are, then it should not be squandered on vilifying decent people, just for the benefits of the supporters of a vile, racist state, who can only defend their country by smearing decent people as the type of goose-stepping, chanting thugs, who killed an innocent woman and injured 19 others in Charlottesville.

Jimmy Dore Show: Bernie Sanders Supporters Chant ‘The Media Is Corrupt’ at Rally

Published by Anonymous (not verified) on Tue, 15/08/2017 - 5:39am in

This is why Google, Facebook and the mainstream media hate left-wing, progressive and Socialist bloggers and vloggers. People are sick of their lies, and know that they’re corrupt. And they say it.

In this clip from The Jimmy Dore Show from July 2016, the American comedian and his guests comment on a clip from a Bernie Sanders rally in Philadelphia. The crowd spontaneously turned towards the section of the stadium where the media were positioned, and chanted ‘the media is corrupt’, while pointing fairly and squarely at them.

Dore makes the point that not only are people fed up with establishment politics and its corruption, they’re also sick of establishment media. ‘How’, he asks rhetorically, ‘can it not be corrupt, when just five guys own it? Five guys!’ As for how the media felt having the crowd turn on them, he speculates that they’re already so soulless they didn’t feel anything. It’s all about money and simply getting on TV, whatever happens. It has nothing to do with presenting the news. It is, in his words, ‘all about selling soap to people’.

And their ears are so stuffed with money that they don’t hear it when the ghosts of Christmas past, present and future come calling. Scrooge should have been like them, and stuffed money in his ears when they turned up in Dicken’s story, A Christmas Carol.

Well, now we’ve seen how the corporate media is reacting to this, both in the US and this side of the Pond. They’re corrupt, they know they’re corrupt, but rather than doing anything about it, like raising standards and actually reflecting what’s important to severely normal citizens, they’re just taking the corporate money and representing the corrupt politicos and their corporate paymasters. It’s just business as usual.

And they way they’re responding to criticism is by trying to drive out and slander the independent media outlets, and the myriad bloggers and vloggers, who are telling it like it is. It’s why YouTube is demonetizing videos by left-wing broadcasters like The Young Turks, Secular Talk, David Pakman and Sam Seder. It’s why Facebook is prioritizing corporate content, to deprive independent bloggers like Mike over at Vox Political of an audience.

It’s why one of the soulless corporate shills from the Groaniad penned a piece last week loftily claiming that corporate media hacks like his paper were the acme of journalistic standards, while all you’d get from the independent media and bloggers like Mike are lies, sloppy reporting and fake news.

Despite the fact that a lot of lies and fake news has always come from the mainstream press.

As for Mike, he’s a qualified journalist, who worked on a series of local papers. He even edited one for a time. Mike cares deeply about what he writes, about professionalism and proper journalistic standards, and checks the accuracy of his stories.

And so do very, very many other bloggers. For example, Another Angry Voice. I don’t know the Angry Yorkshireman’s background, but his pieces are carefully and thoughtfully argued and meticulously footnoted.

And they’re not the only bloggers doing quality journalism on the Net. The disability websites, like DPAC and others are goldmines for information about the government’s attacks on disabled people, and the pseudoscientific nonsense on which the Work Capability Tests are based on. There are thousands, perhaps millions of others, all saying what the corporate, mainstream media, including the Beeb, do not want you to hear.

Support them. Read them, and reblog them if you like what they say. Don’t let them be silenced.

RT’s Lee Camp on Facebook Prioritization of Corporate Media

Published by Anonymous (not verified) on Tue, 15/08/2017 - 3:17am in

Mike’s already blogged about this issue on his website, including posting this snippet from RT America’s Lee Camp, one of the satirical hosts of Redacted Tonight.

Facebook have decided that they are going to prioritize material from corporate media. Mike’s been hit by this policy, along with numerous other left-wing bloggers trying to bring you the truth that the Beeb and the mainstream media don’t want you to hear.

Camp calls this what it is: censorship. 44 per cent of Americans get their news from Facebook. And Zuckerberg, Facebook’s head, for his protests to the contrary, does look he’s thinking of running for president. He’s hired a former Clinton aide, and went the other week to a small town in Iowa, where he talked about politics. As Camp says, if he isn’t planning on running for president, then he really needs to get some friends.

This policy is also running with a campaign to cut out ‘fake news’. Camp admits that there is fake news out there, but when the corporate media talk about fake news, they mean the small, independent network of bloggers, activists and small broadcasters, like The David Pakman Show, The Young Turks, Sam Seder’s Minority Report and Secular Talk, who stand outside the corporate big boys like TimeWarner, Comcast, Fox, MSNBC and so on. The algorithm designed to recognize fake news is being created with the assistance of the New York Times. The Times has published some excellent pieces, but it’s also just signed a $600 million contract with the CIA.

He then reads out Facebook’s guidelines for contributors, where they state they do not want clickbait. He also points out that they’re also not interested in showing how America’s bombing Yemen into the ground, and causing a massive famine in one of the Middle East’s poorest nations. Because that doesn’t fit corporate America’s agenda.

He also reads out a few Tweets from ordinary Americans, who are massively unimpressed with this censorship. And he also advises his audience that if they want to continue to hear genuinely independent voices, they need to support those bloggers and vloggers, use independent platforms, and occasionally throw the creators the odd dollar or five.

Absolutely. And this has come as part of a general corporate attack on independent news creators. Google are demonetizing various videos over on YouTube. These seem to be mostly those created by the independent, left-wing news programmes and shows that I mentioned above. It’s affecting David Pakman, and The Young Turks, as well as Sam Seder, amongst others.

Mike’s pointed out that Facebook stands to lose money by this policy. Well, they do, but they’re monopoly capitalists, so they’re confident about retaining overall control of the medium, or at least their massive share of it. What they don’t want is a load of progressives and Socialists coming through, telling people that another world is possible: that the poor aren’t all idle scroungers, that tax cuts for the rich aren’t going to make those at the bottom of the pile richer, that racism is a tool to exploit the White man as well as marginalize and persecute Blacks, Mexicans and Asians, and that single-payer actually makes far more sense than insurance-based health care.

As for the New York Times, Counterpunch have had the Grey Lady in their sights for a very long time for the way it acted as a media cheerleader for the Iraq War, censoring and sanitizing the horrors that American and western forces were committing in the name of ‘spreading democracy’.

These corporate policies, however, show that the mainstream media are on the back foot on this. Their monopoly is being challenged, and despite the bullsh*t and spin they’ve put out about representing quality journalism against independent ‘fake news’, their hold on the media is being challenged and weakening. Last week Mike wrote a piece tearing an article in the Groaniad to pieces when they tried this line.

And their even more terrified now that very many people have liked and republished Ismahil Blagrove’s diatribe about the way corporate television don’t understand and have no interest in representing the views and hopes of ordinary people.

So, instead of supporting corporate media, go and check out independent blogs and vlogs like Vox Political, Johnny Void, Another Angry Voice, Kitty S. Jones, Guy Debord’s Cat, RT, the Canary, Chunky Mark, Aye Up, Let’s Talk, Tony Greenstein, Stilloaks, and many, many others. These are the people worth listening to, the people, who really talk about the harsh realities of Conservative Britain beyond the confines of corporate news.

Dr. Who Meets Pink Floyd

Published by Anonymous (not verified) on Sat, 12/08/2017 - 3:14am in

This is another fascinating and weird arrangement of the Dr. Who theme in the style of other pop/rock musicians. It’s from Taniloo’s YouTube channel, and it’s would a version by the veteran Prog Rockers Pink Floyd would have sounded like.

Well, it could have happened! Douglas Adams, who wrote the Hitchhiker’s Guide to the Galaxy, was a big fan of Floyd. I’ve heard that they were the model for the band Disaster Area in ‘Hitchhiker’, whose songs are all about boy being meeting girl being under a silvery moon, which suddenly explodes for no very good reason. And Disaster Area’s stage act, which involves a spaceship diving into the heart of their audience’s home star, seems to me to be very much inspired by Floyd’s song ‘Set the Controls for the Heart of the Sun’. Adams was also, as Hitchhiker fans and Whovians well know, also a script editor on Dr. Who.

There’s a nod to Floyd on the double album of The Hitchhiker’s Guide to the Galaxy which came out in 1981 or thereabouts. When Arthur, Ford, Trillian, Zaphod and Marvin land on the abandoned planet of Magrathea, the background music by Paddy Kingsland and the Radiophonics Workshop goes off into echoing Pink Floyd-esque bluesy melismas, while Arthur says, ‘Ford, do you realise this robot can sing like Pink Floyd?’

What If Kraftwerk Made a Doctor Who Cover?

Published by Anonymous (not verified) on Sat, 12/08/2017 - 2:56am in

This comes from the Georgecmusic channel on YouTube. Georgecmusic makes various arrangements of the Doctor Who theme in the style of other rock/pop musicians, including Tangerine Dream and Jean-Michel Jarre.

In the piece below, he imagines what it would be like if the great German ‘engineers of sound’, Kraftwerk did one.

Well, it’d fit. They were one of the very first pioneers of synthpop, and their stage performances were also quite minimalist and mechanical. To the point where in one performance they were replaced by robot replicas themselves. One of the band – I’ve forgotten whom – has written his autobiography. Its title, at least in English, is ‘I Was a Cyborg’. It’s very fitting, therefore, that the title for this piece has the robots from the Tom Baker serial, ‘The Robots of Death’, instead of the band’s faces in imitation of one of their album covers.

The title’s also in German. Instead of ‘Doctor Who’, it’s ‘Doctor Wer’, which is a straight translation.

Delia Derbyshire, who arranged Grainer’s theme into its electronic form, was also a pioneer of electronic music. Alas, she died a few years ago, so we can only wonder what it would have sounded like if she and they had met in a lonely radiophonics workshop in a Galaxy far, far away…

Pages