Jon Fosse doesn’t use sentences, or prefers not to end them. When you open Septology, with its smallish print and narrow margins, it can feel like a death sentence – all the more so since the book, much possessed with death, runs to more than eight hundred pages. There are no paragraphs or full stops here. Fosse has called the writing ‘slow prose’ and it lingers on moments – hours even – when nothing much happens.