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Book on Fascism in Black American Literature Between the Two World Wars

Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).

This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.

Following the introduction, it has the following chapters:

  1. Black Literary Fascism
  2. The Myth of Marcus Garvey: Black Fascism and Nationalism
  3. George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
  4. “In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
  5. His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
  6. Richard Wright’s Jealous Rebels: Black Fascism and Philosophy

Conclusion: Historical Black Fascism, Black Arts, and Beyond

For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.

Defining Features of Black Fascism

Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.

Marcus Garvey and the Invasion of Ethiopia

Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.

Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.

Schuyler’s Pulp Fiction Supervillain Black Liberator

George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.

McKay, Sufi Abdul Hamid and Black Labour

Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.

Hurston, Moses and Haiti

Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.

Cross Damon, Fascist Murderer or Existentialist Anti-Hero

Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.

The Black Arts Movement and Neo-Fascism

The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.

Belsidus’ Statue and Fascist Homosexuality

Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man

The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).

Black Fascism and other Forms of Dictatorship

The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.

Conclusion

I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.

Images of the North African Slave Trade in White Europeans and a Quote from Hitler

Published by Anonymous (not verified) on Tue, 22/09/2020 - 10:07pm in

I’ve put up several posts already critising Sasha Johnson for her quote stating that Blacks will enslave Whites, for which she was thrown off Twitter. Johnson seems to see herself as a British Black Panther, and so has demanded a Black militia to defend Blacks from the police, and an all-Black party. Which roughly follows the Panthers’ programme and activism.But she’s pushed this even further, following the pattern of the activist style of politics that Conservative historian Noel Sullivan views as the real origin of Fascism into overt racism with that Tweet.

But from the middle ages to the 19th century Arabs from north Africa captured and enslaved White Europeans. This only ended in the 19th century with the French invasion of Algiers. The slave raiding increased with the rise of the Barbary pirates in the 16th century. Mediterranean Europe was particularly affected. Whole communities were attacked and carried off in France and Italy, but it also extended to Britain and Ireland and even as far afield as Iceland. I found this contemporary drawing of White European slaves being landed by the captors at Algiers c. 1700 in The History of the World, Vol 2: The Last Five Hundred Years, Esmond Wright, general editor, (W.H. Smith 1984), page 265.

The same page also carried this picture of Mulay Ismail, who ruled Morocco from 1672-1727. Morocco was another north African state which relied for its economy on slave raiding.

It’ll surprise no-one that Adolf Hitler also celebrated the conquest and enslavement of those he considered inferior races in Mein Kampf. He wrote

For the development of the higher culture it was necessary that men of lower civilisation should have existed, for none but they could be a substitute for the technical instrument without which higher development was inconceivable. In its beginnings human culture depended less on the tamed beast and more on employment of inferior human material.

it was not until the conquered races had been enslaved that a like fate fell on the animal world; the contrary was not the case, as many would like to believe. For it was the slave which first drew the plough, and after him the horse. None but pacifist fools can look on this as yet another token of human depravity; other must see clearly that this development was bound to happen in order to arrive at a state of things in which those apostles are able to loose their foolish talk on the world.

Human progress is like ascending an endless ladder; a man cannot climb higher unless he has first mounted the lowest rung. Thus the Aryan had to follow the road leading him to realization, and not the one which exists n the dreams of modern pacifists.

Adolf Hitler, My Struggle (London: The Paternoster Library 1933), page 122.

These show that not only is Sasha Johnson ignorant of the White slave trade, or just doesn’t care, she also shows the same attitude towards those she considers racially inferior and an enemy as Hitler. Only the colours have been swapped. It is, in my view, fair to call her a Nazi. And her supporters, including the members of her Black militia and prospective members of her proposed Blacks only party are also Nazis.

Now I think that she’s probably just young, stupid and got carried away. But she still deserves to be treated like any other Nazi until she grows up and sees sense. After all, to many people before the Nazi seizure of power, Hitler was a joke. There’s a line in the Bernardo Bertolucci film The Conformist, about a young man who joins the Italian Fascist party after he shoots the paedophile, who tried to attack him, that’s very pertinent. ‘When I was in Munish, there was a man ranting in the beerhalls. We all used to laugh at him. That man was Adolf Hitler’.

Sasha Johnson Thrown off Twitter for Calling for Enslavement of Whites

For some reason, all the posts I found about this came from either right-wing or apolitical journalists and bloggers. In my admittedly cursory search for information on it, I didn’t find any criticism from the left. But the left has to criticise this and call it out. It’s pure, genocidal race hatred, and if it doesn’t, it hypocrisy and double standards. It sends a message that you can be bitterly racist, so long as you’re black and anti-White.

It seems at the end of last month, Sasha Johnson, who claims to be one of the leaders of Black Lives Matter Oxford, got banned by Twitter after posting this disgusting Tweet:

It’s a bit blurry, and if you can’t read it, Johnson says

The white man will not be our equal but our slave.

History is changing

No justice no peace

#BLM #Brixton #BLMUK

If you don’t know who Sasha Johnson is, she got quite a lot of attention from Conservative and far right White bloggers and Youtubers a few months ago for a video of her making a speech at a rally in Brixton. She declared that the police were like the Klu Klux Klan, which is obviously and astonishingly wrong. There is problems with racism in the cops, though all the police I know have been very good, conscientious officers who very definitely weren’t. If our cops were like the Klan, then she wouldn’t be around to say that. She’d be hanging from a tree somewhere or otherwise murdered. She’s also videoed calling for the foundation of a ‘Black militia’, surrounded by her own private Black army, who were shown all wearing stab vests and some kind of paramilitary uniform. This is to protect Blacks, probably from the police she hates and reviles. She also dismissed Black and Asian politicos like David Lammy, Sadiq Khan and Priti Patel as ‘tokenistic’, who would do nothing for Britain’s non-White minorities. On the Million Person march, whose name is clearly intended to hark back to Louis Farrakhan’s Million Man march on Washington in the 1990s, she declared that she was founding a Black political party. Whites would be denied positions of leadership. This would have the monicker The Taking The Initiative Party. She declared  “We are tired of being let down by Labour, Conservatives, and Lib-Dem and all of them. We want our own political party, one that reflects the multicultural nation that we have become.”

Guy Birchall on Johnson’s Anti-White Racism

Then she got thrown off Twitter for adding to her profile the noxious Tweet about enslaving Whites. Guy Birchall, a journo for the Scum and Spiked Online, wrote a piece for RT. Black Lives Matter have not condemned her, and he contrasts this apparent acceptance of her vicious racism with the universal condemnation shown to White supremacists and racists, like the EDL, BNP and assorted Nazis, Islamophobes and Fascists. He writes

There is little doubt that had the roles been reversed, and a prominent member of the EDL or Britain First had tweeted that black people would be “slaves,” the Old Bill would have been knocking on their door the second they hit send. Johnson is a black supremacist and is apparently finding it increasingly hard to disguise her disgust for white people and “race traitors” from the black community. The fact that Black Lives Matter UK has not denounced her blatant racism and inflammatory language does the movement no favours. 

He concludes:

The left can try and argue that racism is about systems and power structures all they like, but the rest of us know it is hatred of another race. Johnson plainly hates white people and the mere fact that she is black should not give her a free pass. She can dress up as Che Guevara all she likes, but in reality, she’s nowhere near as glamorous as the Argentine revolutionary; she’s a black, female Nick Griffin with even less charisma.

See: https://www.rt.com/op-ed/499628-sasha-johnson-blm-oxford/

Black Anti-White Racism

Now Johnson’s undoubtedly reflecting the anti-White racism that exists in parts of the Black community. The Nation of Islam is a separatist organisation that wants an independent Black state carved out of five of the southern states of the US. In the 1960s they used to hold joint rallies with the American Nazi party. The deal was that the Blacks could have the Atlantic seaboard, and the Whites the rest of the US. It’s present leader, Louis Farrakhan, believes Whites are albinistic mutants created by an evil Meccan superscientist, Shabazz, to bring down the advanced Black civilisation that existed tens of thousands of years ago. There’s an even more extreme Black Muslim group, Ansaru Allah, who also believe that Whites are literally demonic. They consider White skin colour and features similarly abhorrent, and their leader thinks Whites are Amalekites, the ancient enemies of the Hebrews, who tried to wipe them out when they passed through their territory on the way to the Promised Land. And before all this the Rastafarians also declared that White people were literally devils.

White Enslavement from the Middle Ages to 19th Century

Johnson probably thinks she doing something daringly novel by demand the enslavement of Whites. She isn’t. Starting long before the Atlantic slave trade, Whites were also enslaved by Muslims. In the Middle Ages, Arab merchants bought White Frankish slaves from what is now France and other parts of Europe. They also raided France and Italy as part of their jihad against Christendom. This was followed by the Barbary pirates of the 16th onwards from North Africa. These also raided Britain and as far afield as Iceland for White European slaves. The Turkish Empire also enslaved Whites. Following the Ottoman conquest of the Balkans by the Sultan Bayezit, ‘the Lightning’ in the 15th century, the White Christian population was reduced to peasant serfs bound to the estates of their new Turkish masters. This continued well into the 19th century. Around 1820 or so the Greeks on Chios rebelled. This was put down with great ferocity by the Ottomans. Many were massacred. I’ve read that 23,000 Greeks were also enslaved by the Turks. These atrocities inspired the French artist, Delacroix, to paint his Massacre at Chios.

Delacroix’s Massacre at Chios. Does Johnson approve of its subject, the massacre and enslavement of Whites?

19th century Egypt had two slave markets and two separate guilds for the slavers, one for the dealers in Black slaves and another for those in Whites. British and American ships were also raided for slaves, and the south-west of England was particularly vulnerable. The executioner in one of the north African states was a former butcher from Exeter, and ships from Bristol were also taken. The parish records from the 18th century for the Gloucestershire village of St Briavels show donations given to a man collecting for money to ransom enslaved Christians. Algiers was a notorious centre for this Islamic piracy. There was a very short war in the 1820s when a British gunboat shelled the palace of the Dey of Algiers, liberating many of the White Christians forced into servitude aboard the pirates galleys. The slave raiding finally stopped with the French invasion and conquest, which led to the creation of Algeria.

Dictators also Murder their own People

At the moment Sasha Johnson is a joke, like some of the murderous fantasists of the White far right. Her Black militia was compared to Live Action Role-Players, and reminds me of nothing more than the mighty armies of storm troopers imagined by the leaders of White Nazi groups while they hold their rallies above a pub or in their front rooms. Mighty dictators in their own imaginations. But if she had power, she’d be a menace. It’s clear that she wants to persecute Whites, but like every would-be dictator she’d also kill and murder her own people and supporters. It’s been said that ‘Revolutions, like Saturn, eat their children’. The French revolutionaries murdered other French Revolutionaries in factional disputes. Hitler launched the Night of the Long Knives against the SA. Stalin killed 30 millions Soviet citizens in the purges, the artificial famine in the Ukraine and the collectivisation of agriculture, and the deportations of whole nations to Siberia. In Africa, Idi Amin, the butcher of Uganda, styled himself the conqueror of the British Empire, particularly in Africa, and claimed to be the king of Scotland. He was carried around in a litter by White businessmen. But the people he tortured and massacred most were other Black Ugandans. Robert Mugabe in the 1990s and early part of this century beat, massacred and evicted his country’s White farmers. But he started his infamous career as dictator and mass-murderer by massacring the Ndebele and other tribes, who were the traditional enemies of his Shona people.

The Black Militia – Another Mandela United Terror Organisation?

Sasha Johnson has shown an extremely aggressive, violent side in her relations with Black critics. There’s another video clip of her racially abusing a Black man and challenging him to a fight simply because he disagrees with her. She shows precisely how low she is when she calls him a ‘coon’. I think if she had any real power, she’d start trying to persecute Whites, but she’d also attack her rivals in the Black community. I can imagine her sending round her Black Militia to sort out her Black critics. Just like Winnie Mandela terrorised South African Blacks with her Mandela United football team. This was a disguised private army, responsible for numerous beatings and murder, including that of the much-admired teenage activist, Stompie Mkhetzie. And that army is certainly breaking laws passed against Fascist organisations. In the 1930s the wearing of paramilitary uniforms for political purposes was banned, a piece of legislation targeting Oswald Mosley’s British Union Fascists and other Nazi and Fascist organisations. People didn’t accept the BNP/NF when they openly strutted around in Nazi uniforms, and Johnson’s Black Militia, which she has clearly modelled on the Black Panthers without any understanding of the difference between the UK and US, shouldn’t be acceptable either.

David Olasuga on White Support for BLM

Of course, many Black members and supporters of Black Lives Matter don’t share her anti-White hatred. The Black historian and TV presenter, David Olasuga, wrote a piece in this week’s Radio Times in which he declared how heartened he was by so much White support for the movement, and the interest in Black affairs and Africa by young Whites. He noted particularly how four books on Africa had reached the top of the bestseller lists, partly due to White interest.

Black Critics of BLM and Black Anti-White Racism

And Black Lives Matter has some of its fiercest critics among Black Americans. I found a video by a right-wing Youtuber showing a number of Black Americans making it very clear why they despised it. These were men and women who had White friends and mixed-race relatives. The violence and threats they had personally experienced had come, not from Whites, but other Blacks. One of the voices was the American Conservative vlogger, YoungRippa. He warned his White viewers and listeners that Black Lives Matter wanted Blacks to hate them. I don’t share his Conservatism nor hatred of the welfare state, but unfortunately there are Black radicals who do have a bitter hatred of Whites that have emerged in the wake of the BLM movement. One of these was a hack styling herself ‘FeministaJones’, and who claims to have written for a number of respectable, mainstream magazines including Time. She put up a piece on her blog arguing that Blacks shouldn’t accept White support, because Whites would never endanger their children with the violent revolution America needs.

What! This is arrant, dangerous nonsense! No-one should be talking about putting their children in danger and demanding violent revolution. Not Blacks, not Whites, not anybody. I’ve friends and relatives, who’ve seen their businesses trashed and have fled their homes during riots here in Bristol. For all its faults, America is a democratic country. it has elected Black leaders and legislators, passed affirmative action laws, that have undoubtedly improved conditions for Blacks. Even if Blacks are still faced with poverty and institutional racism, democratic America has shown itself a world leader in this, and is admired and copied here in Britain.

Will the University and Students Treat Johnson like White Nazi Students?

It will be interesting to see how Oxford University and whatever student union, guild or association handles Johnson. I say ‘Oxford University’, but I’ve heard it suggested that she really belongs to Oxford Brookes, the former polytechnic. Either way, it remains to be seen how her uni and student body reacts to this. I remember the controversy back in the 1980s when students at his university or college turned their backs on Patrick Harrington, one of the fixtures of the BNP/NF. They made it clear that they didn’t want him in their university. The NUS passed rules making it a ‘no platform’ for ‘racists and Fascists’. And rather more recently, Hope Not Hate reported that one of the odious members of one of the Nazi organisations was expelled from his university after complaints from students about his racist views.

The same should happen to Johnson. I recognise that the long history of persecution of Blacks in the West has led to some Blacks hating Whites with some justification. But this is unacceptable. It’s racial supremacy with a Black face. And such genocidal racism is always and everywhere an affront to humanity, no matter what complexion it has.

Sasha Johnson is a Nazi. Remember the old slogan against the NF: ‘Black and White, Unite and Fight!’ That needs to apply to her. And if Black Lives Matter and the student organisations stay silent about her, they are hypocrites and tacit racists too.

History Debunked on Anglo-Saxon Slavery in Bristol

Published by Anonymous (not verified) on Mon, 07/09/2020 - 6:48pm in

Yesterday there was another Black Lives Matter protest in Bristol. The demonstrators walked through Cabot Circus, and there was a speech by one of the Green party councillors for the city calling for Bristol to apologise for its part in the slave trade. She told the news teams that it was about reparations and would send an inspiring message to the community in Britain and around the world.

In fact, as this video from History Debunked shows, the slave trade in Bristol dates from long before the transatlantic slave trade which began in Britain from the 16th century onwards. Bristol was a major centre of the slave trade in the 11th century, exporting White English slaves to Dublin, from which they were exported further abroad. He states that about 10 per cent of the population of Bristol during this period were slaves. He also goes on to say that Dublin, Waterford and other Irish towns were founded by the Vikings as slaving centres and tells the old story of how Pope Gregory came to send missionaries to evangelise the English. The Venerable Bede recounts in his History of the English Church and People how the pope was passing through the slave market in Rome. He saw two beautiful, blond children for sale. When he asked the slave dealer who they were, he was told, ‘Angles’. The Angles, along with the Saxons and Jutes, were one of the Germanic tribes that came to form Anglo-Saxon England. It’s from the Anglo-Saxon form of their name that the world ‘English’ is derived. Gregory then replied with a pun in Latin: ‘Non Angli, sed angeli’ – ‘Not Angles, but angels’. He also makes the point that St. Patrick was also a slave. He was English, and was captured and taken to Ireland as a slave by pirates. This is also correct, though I don’t think Patrick was English. He would have been British, coming from part of the British Isles that hadn’t yet been conquered by the advancing Anglo-Saxons, and may well have spoken a form of early Welsh. Certainly one of the places which claims him is in Wales.

This is all fact. Bristol was a centre of the slave trade in Anglo-Saxon England. In the 11th century the Anglo-Saxon bishop Wulfstan visited the city to preach against it. He was so successful that the citizens turned on the slavers, beat them and threw them out. However a hundred years later it was still dangerous to visit the Irish ships in the harbour alone at night. In the 12th century a team of French clergy went on a tour of England to raise funds for rebuilding one of their cathedrals after it fell down in a disaster. One of the places they visited was Bristol, where one of them had dinner one evening with an Irish ship’s captain aboard his vessel. When the visiting clergyman told his host, he was warned that it was very dangerous. The ship’s captains would invited the unwary aboard to have dinner, but then kidnap them, slip anchor and sail off. The cleric wisely didn’t go back for a second visit the next night.

History Debunked seems to be a man of the right, and many of his videos are arguments against some of the fake history that is being told as part of the anti-racist campaign. In one video, for example, he refutes the claim that the Black inventor Benjamin Banneker built the first clock in America. He didn’t. Banneker did make a wooden clock, but these were also being made in the US long before him. While this is obviously going to be controversial, as far as I can make out the history is absolutely sound.

I’m putting the video up here because I really honestly don’t believe that Black Lives Matter in Bristol and its marchers are aware that slavery and the slave trade in Bristol predated that of Black Africans. I think they want a simplistic narrative in which slavery is just something that racist Whites did to Blacks. But slavery existed all over the world, and while Black African slavery is a crime and holocaust, White slavery existed in Europe, and White Europeans were enslaved by north Africans from the Middle Ages right up to the French conquest of Algeria in the early 19th century. This is also part of the history of slavery, and needs to be included and remembered in any discussion.

A History of Algeria

Published by Anonymous (not verified) on Fri, 26/01/2018 - 2:11am in

Tags 

Algeria, Africa

James McDougall presents an expansive new account of the modern history of Africa's largest country Covering a period of five hundred years, from the arrival of the Ottomans to the aftermath of the Arab uprisings, James McDougall presents an expansive new account of the modern history of Africa's largest country. Drawing on substantial new scholarship and over a decade of research, McDougall places Algerian society at the centre of the story, tracing the continuities and the resilience of Algeria's people and their cultures through the dramatic changes and crises that have marked the country. Whether examining the emergence of the Ottoman viceroyalty in the early modern Mediterranean, the 130 years of French colonial rule and the revolutionary war of independence, the Third World nation-building of the 1960s and 1970s, or the terrible violence of the 1990s, this book will appeal to a wide variety of readers in African and Middle Eastern history and politics, as well as those concerned with the wider affairs of the Mediterranean.