Ethiopia

Error message

Deprecated function: The each() function is deprecated. This message will be suppressed on further calls in _menu_load_objects() (line 579 of /var/www/drupal-7.x/includes/menu.inc).

Book on Fascism in Black American Literature Between the Two World Wars

Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).

This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.

Following the introduction, it has the following chapters:

  1. Black Literary Fascism
  2. The Myth of Marcus Garvey: Black Fascism and Nationalism
  3. George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
  4. “In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
  5. His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
  6. Richard Wright’s Jealous Rebels: Black Fascism and Philosophy

Conclusion: Historical Black Fascism, Black Arts, and Beyond

For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.

Defining Features of Black Fascism

Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.

Marcus Garvey and the Invasion of Ethiopia

Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.

Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.

Schuyler’s Pulp Fiction Supervillain Black Liberator

George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.

McKay, Sufi Abdul Hamid and Black Labour

Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.

Hurston, Moses and Haiti

Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.

Cross Damon, Fascist Murderer or Existentialist Anti-Hero

Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.

The Black Arts Movement and Neo-Fascism

The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.

Belsidus’ Statue and Fascist Homosexuality

Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man

The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).

Black Fascism and other Forms of Dictatorship

The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.

Conclusion

I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.

Talk Radio’s Kevin O’Sullivan and Rod Liddle Get Upset about British Universities’ Dictionary of British Slave Traders

And now for a much more serious subject. The day before yesterday, 30th December 2020, Talk Radio posted this video on YouTube of one of their presenters, Kevin O’Sullivan, talking about the compilation of a Dictionary of British Slave Traders by a group of British universities with that fixture of the right-wing press, Rod Liddle. The project is led by a professor Pettigree, and involves the universities of Lancaster, Manchester and University College London. O’Sullivan quotes Prof. William Pettigree, who said that after Black Lives Matter it was important that there should be further, accurate information on the breadth of Britain’s involvement in the slave trade. As you can imagine, neither O’Sullivan nor Liddle are fans of the project. Some of their arguments are good, but others are just them using the issue to ride the usual Conservative hobby horses of attacking state education.

Non-White Slave Trade Ignored

The Dictionary will have 6,500 entries, including small investors, women, and people, whose involvement in the Abominable Trade has not been mentioned before. O’Sullivan claims that this is a device for finding out whether a perfectly respectable living person had an ancestor 350 years ago, who invested £5 in a plantation, and then make their blameless descendant into a pariah and get them sacked. He states that we need the Dictionary ‘like a hole in the head’, denounces the obsession with the slave trade as a ‘national sickness’. Liddle, who is introduced as writing for the Sun, the Spectator and the Sun on Sunday, agrees, calling it ‘self-flagellating imbecilic obsessiveness’. He states that the Dictionary isn’t about anyone, but specifically the White English. It doesn’t mention the Ottoman Empire, the people, who profited from the slave trade in the West African countries, specifically Ghana. He states that he was in a cab a couple of months ago, whose driver was Ethiopian. The driver told him how much he hated Britain. When Liddle asked why, he was told that it was because Britain was the country that invented slavery and enslaved whole nations. He’d never heard of the Roman Empire, the Ottoman Empire or the slavery that continued in his own country for hundreds of years after Britain had stopped it. He’d never heard of the fact that Britain was the first country to abolish it. Liddle also makes the point that Ethiopia, where it continued, had never been colonised. Liddle goes on to claim that universities are implanting in people’s minds the notion that it was only the British, who were slavers and had this wickedness. This is, he said, reflected in ‘that very stupid woman, who is head of the British Library’, Liz Joly, who said that ‘White people invented racism’. Liddle goes on about how we also invented television, the printing press, democracy, but we invented slavery, sin and mosquitoes. It’s utter rubbish and time we got over it.

The Coronavirus Lockdown Prevented Criticism of BLM at Football Matches

O’Sullivan dismisses Pettigree’s comments about the need for the Dictionary as nonsense, and describes the obsession with the slave trade as a kind of ‘national insanity’. He asks why the country is obsessing about the actions of slave traders who lived three centuries ago. Liddle says we’re not obsessing. It’s a tiny, tiny minority, who are obsessing. And they’ve been partly able to get away with it because of the Coronavirus. This has allowed footballers to take the knee in support of an organisation that wishes to abolish the family and capitalism. This wouldn’t have happened if there had been fans in the ground, because as soon as fans were allowed, they booed. This occurred not just at Liddle’s club, Millwall, but also at Colchester and Dallas in the US. They’ve got away with this because this year has meant the lone voice of the common sense public has not been heard. O’Sullivan agrees with him, stating that the people have been eclipsed by the lockdown and the authorities in politics and football have been allowed to proceed without comment from the public and fans. Liddle states that it’s a salutary lesson that when these restriction are placed on our lives, there is nothing they won’t try to get away with. He then goes to tilt at the Beeb, stating that they used the Coronavirus as an excuse to ban the words to ‘Land of Hope and Glory’ and ‘Rule, Britannia’.

Liddle Attacks his Daughter’s State School for views on British Empire

O’Sullivan agrees with him that the obsession with slavery and the ‘Woke’ thing is that of a tiny, tiny minority, who are vocal and noisy. He hopes that in this coming year, 2021, the Dictionary never gets published, and that the people’s voice gets heard and we are able to push back against these noisy people. Liddle then describes how, when his daughter went to state school last year, she was taught in her history lessons, which went uncontested, that the reason Africa was in poverty was because of colonialism. He states that this is easy to disprove, as Ethiopia, which was never colonised, is exactly the same as Eritrea. Both countries are equally impoverished and despotic. Liberia, which was never colonised, is as badly off as Sierra Leone next door. Singapore, on the other hand, was colonised for 200 years, and is the most affluent country in the world. There is, Liddle claims, a reluctance to face the truth because of this liberal mindset. This is based on a fallacy, which falls apart if you pick at it.

O’Sullivan then asks Liddle if they teach Critical Race Theory at his daughter’s school. This ‘controversial and very dubious philosophy’ is being taught in schools all over the country, which states that if you’re White, you’re racist, even if you don’t think you are. He states that it’s fine if adults want to learn this nonsense, but really dangerous to teach it to children in schools. Liddle again agrees with him, says he’s sure his daughter was, and that they got her out of it not just because they were teaching ‘that rubbish’, but because most of the time they weren’t teaching at all. There were no lesson during the Covid outbreak, not even online, O’Sullivan jokes that it was probably better that she was getting no lessons at all then. Liddle replies that she got lessons from him on how the British Empire brought decency and democracy to the world as a corrective for five minutes.

Rod Liddle criticises ‘self-flagellating’ Dictionary of British Slave Traders – YouTube

There are several issues to unpack here. Firstly, if the Dictionary was only an academic exercise in researching the depth of British public involvement in the slave trade, then I don’t think there should be any objection to its compilation and publication. There’s already been considerable research on the subject. A little while ago one historian of the subject said that they were actually astonished by how widespread participation in the slave trade and slavery was, with ordinary members of the public investing their money in it. In fact you could easily produce a list of British slaveowners simply by going through the government’s Blue Book published c. 1840 for the compensation given to the slaveowners after abolition. From the 1820s onwards the British government passed legislation designed to halt the illegal importation of slaves in their colonies by passing legislation demanding that all slaves be registered. This could also be used. The compensation returns and slave registries might have some surprises for those, who believe that only White people owned slaves. Several of the slaveowners in the Caribbean included the Maroons, the free Black communities outside British law. I also believe, though I’m not sure, that the free people of colour, the free Black population, may also have owned slaves.

Real Danger of Innocent People Demonised for Ancestors’ Involvement

O’Sullivan’s claim that the book would be used to denounce and pillory perfectly decent people for what their ancestors did hundreds of years ago is hysterical, but unfortunately also a real possibility. I had to make a similar decision myself when I was working in the Empire and Commonwealth Museum. It seemed that there was a strong possibility that some of the people described as slavers may have been the remote ancestors of people I knew personally. I had to think very carefully about telling them, and was eventually advised against it by one of their close friends. They told me that I shouldn’t tell this person about their possible connection to the slave trade, because they were very anti-racist themselves and the information would only upset them. I’ve no doubt that this is true of very many people. I also think that behind some of outrage from O’Sullivan and Liddle, but which goes unspoken, is the fear that it will be used by activists to demand reparations for slavery. I’m not sure how much this will affect ordinary people, though. In the 18th and 19th centuries most people in this country were the ‘labouring poor’, who comprised 90 per cent of the population. These had problems enough paying for food, clothing and accommodation. They wouldn’t have had the disposable income to invest in anything, never mind slaves or plantations, even if they were so inclined. Really we’re only talking about the middle classes and aristocracy as investors and slaveowners. Reparations for slavery are a different issue, but this has its dangers too. Over time, many of the wealthy or comfortably off people, who owned slaves, will have lost their money. All it would take to cause real controversy and angry backlash is if poorly paid people struggling to make ends meet get a demand for reparations from richer Black people. If that happens, you can expect the story to be all over the Heil, Depress and the rest of the press like a rash.

Need to Teach Extra-European, Islamic and Asian Slavery and Slave Trade

I also agree with O’Sullivan and Liddle that more should be taught about extra-European slavery. This includes that of the Arabs and Muslims in north Africa, the Ottoman Empire and the Islamic slave trade from east Africa across the Indian Ocean. Liddle is also quite right about the Ethiopians practising the slave trade. Way back in the 19th century we sent a punitive expedition into Abyssinia to stop them raiding British territory for slaves. One of the books we had in the library at the Empire and Commonwealth Museum was Major Darnley’s Slaves and Ivory. This was published in the early part of the 20th century and described Darnley’s own personal undercover investigation of slavery within the Abyssinian empire. Darnley published the book to make the public aware that the Abyssinians were still raiding British Uganda for slaves, and that the Ethiopian princes were destroying whole regions of their own empire through such raids. He wished to generate sufficient outrage that public opinion would swing behind a British invasion of the country. Dame Kathleen Simon, a determined foe of slavery, actually praised Mussolini and the Italian Fascists in her book on it for their invasion of Abyssinia, which she felt would at least extinguish slavery there. I do think there is a real need to teach this aspect of the slave trade to counter the notion that it was only Britain that was only, or primarily responsible for it. Britain wasn’t the first country to outlaw it – that was Denmark – but we were the leading country to do so and insist that other nations follow.

The East African Slave Trade in the 19th Century, from James Walvin, Atlas of Slavery (Harlow: Pearson Education 2006) 129.

Concentration on Western Slave Trade Product of Black Rights’ Movement

Research into the historic slave trade has been linked with the campaign for Black liberation since the time of W.E.B. Dubois. Hence the fixation on it by contemporary anti-racist activists. Driving this is the continued impoverishment and disadvantaged condition of the Black community as a whole. But real, Black chattel slavery has re-emerged in Libya and in sub-Saharan African countries like Uganda. There is little interest in combating slavery there. When right-wing critics urged western anti-racist activists to do so, the response has been that it should be ignored as a distraction from continued demands for racial equality here in the West. Kate Maltby, a White contributor to the I, made that argument in its pages a few months ago. She has a point, but it’s still no reason to ignore real slavery as it exists now in order to concentrate on angry denunciations for past crimes. There are books published on non-European slavery. Jeremy Black includes it alongside western slavery in one of his books. James Walvin includes maps of the African and Indian slave trade and routes alongside transatlantic slavery in his Atlas of Slavery. There are books on African slavery, and there is a particular study of the Islamic slave trade, Islam’s Black Slaves: A History of the Other Black Diaspora, by Ronald Segal. I think, however, that there may be some objection to teaching about these slave trades from some anti-racist activists, who may feel that it would somehow be racist or even islamophobic to do so.

Liddle Promoting Privatisation of State Education with Comments

But as you can hear from the video, O’Sullivan and Liddle were also determined to use the issue of slavery to attack other right-wing bugbears. Like the Coronavirus lockdown. This is there to save lives, but it’s too much for the right, who favour the economy at the expense of people’s lives. Hence the rant about footballers taking the knee for Black Lives Matter. Liddle also uses it, surprise, surprise! – to attack state education. We’ve been this way before. I remember the rants of the right-wing press under Thatcher, when the Scum, Heil, Depress and the rest ran stories about children in state schools being indoctrinated with left-wing propaganda, like Peace Studies, while anti-racist fanatics in Brent forced them to sing suitably altered nursery rhymes like ‘Ba Ba Green Sheep’. That was a lie put out by the Scum, supposedly, but I’ve met people, who swore they sang it at school. Thatcher used those fears to push through her creation of academy schools, telling the British public that it would put them in control of their children’s education. And this would be taken out of the hands of evil, left-wing Local Education Authorities. In fact, Thatcher’s academy school programme was a complete flop. It was being wound up by Norman Fowler before Blair took the idea out of the Tory dustbin, dusted it off and then made it official Labour policy. And unfortunately the wretched schemes been going ever since. In fact academy schools are not better than state schools and are far more expensive. They should be wound up and education renationalised. But this would upset the parasites running the academies. I don’t think it’s an accident that Liddle came out to rant against state education when he writes for the Scum, as Dirty Rupe would like to move into education as well.

Neo-Colonialism and African Poverty

As for the terrible condition of modern Africa and the legacy of British colonialism, it’s quite true that much of the continent’s problems don’t come from it, but from the rapacious venality and ruthless tyranny of their post-independence rulers. But we took over these countries partly to exploit their resources, and their poverty is partly caused by the Neo-colonial economic system that prevents them from industrialising and confines them to exporting raw materials to the Developed World. I can remember being taught all this in ‘A’ Level Geography nearly forty years ago from teachers, who were definitely not Marxists trying to indoctrinate us. As for the success of Singapore, this can be used to support the socialism Liddle and O’Sullivan fear and despise. Singapore’s leaders were influenced by the Fabians and their belief that the state should take a leading role in the economy. Singapore ain’t a socialist country, but its success does refute Thatcherite free market economics.

While O’Sullivan and Liddle thus are quite reasonable in their criticisms of the proposed Dictionary, they are using it as a tool to promote a wider, right-wing agenda. One that will cause further poverty and endanger lives, but will benefit their paymasters in the press barons and big business.

History Debunked Refutes the Myth that James I was Black

More from the whackier end of racial politics. History Debunked has put up a number of videos refuting various assertions and myths promoted as Black history. One of his videos attacked the claim, seen in the Netflix interracial historical romance, Bridgerton, that Queen Caroline was Black. This has arisen from the fact that one of her ancestors was a 13th Spanish Moorish prince. But that was five hundred years before her birth, and so any biological trace of her non-White ancestry would have disappeared way back in her lineage. Apart from which, the Spanish Moors were Berbers and Arabs from North Africa. They were darker than Europeans – the term ‘blue-blooded’ for the aristocracy comes from the Christian Spanish nobility. Under their idea of limpieza de sangre, ‘blood purity’, the racial ideology that distinguished them from the Moors, their skin was supposed to be so pale that you could see the veins in the wrist. But the Moors were nevertheless lighter-skinned than the darker peoples south of the Sahara, in what the Arabs called Bilad as-Sudan and the Berbers Akal Nguiwen, ‘The Land of the Blacks’. Which I think shows that the Arabs and Berbers, dark as they were compared to Europeans, very clearly didn’t think of themselves as Black.

In this video Simon Webb debunks a similar myth, that James I of England/ VI of Scotland, was Black. This ahistorical idea apparently began with the Black Hebrew Israelites, a Black Jewish sect who believe that one of the lost tribes of Israel went to sub-Saharan Africa. Webb mentions that a group of them settled in Israel in the Negev. He uses this to try to refute the demand that Israel should open its borders by stating that Israel had taken in people of a number of different racial groups. They are now, for example, taking in people from India. It’s true that Israel has taken in refugees from Africa, but many of the groups they’ve accepted were Jews. In the 1970s they mounted a rescue operation to transport the Falashas, the Black Jews of Ethiopia, away from their oppression in that country to safety in Israel. My guess is that the Indians they’re accepting are also Jewish. There’s an indigenous Jewish community in India, the Bene Israel, and it sounds like some of them may be migrating. There is, however, considerable racism amongst White Israelis. Abby Martin covered this in some of her reports for The Empire Files on TeleSur, in which she interviewed Black Israelis about the abuse, including physical assault, they’d experience. Gentile African refugees, although present, are resented by many Israelis as ‘infiltrators’, the term they also use for Palestinians trying to return to the ancestral lands from which they were evicted during the Nakba, the term they use for foundation of Israel and their massacre and ethnic cleansing in 1947.

But back to the Black Hebrew Israelites and James I. The Black Hebrew Israelites believe that the Spanish Moors were Black, and that they went from Spain to colonise Ireland and Scotland. Which must be news to most Scots and Irish. Mary, Queen of Scots was mixed race, but Lord Darnley, James’ father, was fully Black and so was James. The English, however, were determined to erase any trace of this Black ancestry, and so embarked on a deliberately policy of intermarrying with the Black Scots and Irish in order to make them White, at the same time destroying all the contrary evidence that they were Black. Although this myth began with the Black Hebrew Israelites it has spread out from them into the wider Black community. To support his description of this bizarre myth, Webb on the YouTube page for the video has link to an article in the Zimbabwean newspaper, The Patriot, which proudly promotes this claim.

Was King James I of England black? – YouTube

The belief that the Spanish Moors were Black has formed the basis for an anti-White racist view of history. A few years ago the American left-wing magazine, Counterpunch, carried on its online edition a piece by a Black historian, Garikai Chengu. This claimed that the Moors were ‘obviously Black’, and their colonisation of Spain brought science and reason to a Europe then gripped by ignorance and superstition. There’s some basis for this in that the revival of science in the West began when Christian scholars acquired Arab and Islamic scientific texts from places such as Islamic Spain and Sicily after that was conquered by the Normans. However, it’s grotesquely exaggerated and is really just a piece of racial supremacist propaganda, albeit one by Blacks rather than Whites. I think it’s fair to see such Afrocentric views of history as a form of Fascism, including this myth that the Irish and Scots were also really Black. Some historians have no trouble describing certain Black political movements as forms of Fascism. One recent book by an academic historian not only includes the classic Fascist movements of German Nazism, Italian Fascism and various other White, European far right movements, but also Marcus Garvey’s Negro Improvement Association and the Nation of Islam, as well as Narendra Modi’s BJP in India. The inclusion of Marcus Garvey and his organisation may well offend many Black activists. Garvey is one of the pioneers of Black liberation. A month or so ago there was a Black celebrity writing in the pages of the Radio Times recommending that children should be taught about him in school. I really know very little about Garvey, but the claim that he was Fascistic rings true. When I was working as a volunteer in the Empire and Commonwealth Museum in Bristol one of the jobs I was given was unpacking some of boxes of material given to the Museum by private individuals and institutions. One of these included a document by Garvey’s organisation. I didn’t do more than glance at it, but it appeared to be describing some kind of military parade or armed wing. This included women’s units and mechanised and mounted forces of various kinds. I don’t know if Garvey and his followers were ever able to set up such a paramilitary force or whether it was all a fantasy. But one of the features of Fascism is its militarism. The Nazis and Italian Fascists, not to mention the various other Fascist movements, all started out as paramilitary organisations complete with uniforms and arms.

Alongside the entirely reasonable demands for social and economic improvement and renewed action to combat White racism, the Black Lives Matter movement has also brought out and articulated strains of overt anti-White racism. One example of this was the attempt by Sasha Johnson, of the Oxford branch of the organisation, to set up her own paramilitary Black army in Brixton to protect Blacks from the cops, and her tweet that the White man wouldn’t be Blacks’ equal, but their slave. Which got her banned from the social media platform. I think there is a real need to start studying and publishing material specifically on Black racism and Fascism. At the moment, there appears to be very little, if any, books specifically published on it. If you search for ‘Black racism’ on Google, what comes up is articles and books on the attacks on affirmative action programmes by right-wing Whites. Way back in the ’90s and early parts of this century there was a book published on Black anti-White violence in America. This might be White Girl Bleed A Lot, which is a similar book. However, I’m not sure how academically respectable the latter is, as I think its author may have joined the extreme right. I can see many people on the left resisting any attempt to categorise and study various Black Fascist movements from the belief that, as Blacks have been oppressed in the West, and are still disadvantaged, it is unfair to characterise such movement as they arose in response to White racism and persecution.

But this does not change the nature of these movements and the racism and racist history they promote. Whatever their connections to the broader Black liberation movement, they’re still racist and Fascist themselves, and should be viewed as such. Fascism everywhere needs to be fought, regarded of race.

A Trlingual Dictionary of an Ancient Arabic Language

Published by Anonymous (not verified) on Fri, 11/12/2020 - 11:35pm in

A.F.L. Beeston, M.A. Ghul, W.W. Muller, J. Ryckmans, Sabaic Dictionary (English-French-Arabic)/ Dictionnaire Sabeen (anglais-francaise-arabe) (Beyrouth: Lbrairie du Liban; Louvain-la-Neuve: Editions Peeters; University of Sanaa, Yemen, 1982).

Sabaic is the ancient Arabic language of Sheba, whose present, Arabic name is, I believe, Marib. It’s located in what is now Yemen, and its Queen famously visited King Solomon. Fabulously wealthy, it flourished in the 10th century BC on the profits of the spice and perfume trades, and conquered Abyssinia, now Ethiopia. The Ethiopian languages Amharic, Tigray and Tigrina are Semitic languages descended from the South Arabic language spoken by these ancient settlers.

The book’s the product of a Colloquium on Yemeni Civilisation, which requested the four authors to compile this dictionary. It appears to be of the terms found on inscriptions in the Yemen, and possibly one or two other places. It is just a dictionary, and doesn’t include any texts or inscriptions although it does give the alphabet in which they were written. I picked it up really as a curiosity in one of the secondhand bookstalls in Bristol through my interest in archaeology and the Ancient Near East. The book’s really of use only to archaeologists, linguists and historians working in Yemen, and it’s another language that I haven’t learned. Nevertheless it’s a reminder of just how ancient and advanced civilisation has been in the Middle East. I don’t know if there are any books specifically on the archaeology of Yemen, but I found a book a few years ago on the archaeology of Arabia, which I think contained a chapter or two on Yemen.

And these nations’ antiquities are seriously threatened by the region’s wars. When I was doing the doctorate at Bristol Uni, one of the speakers at an archaeological seminar said that much of the archaeological heritage of Syria had been trashed by the fighting. We’ve seen ISIS destroy precious mosques, churches and other shrines, as well as an ancient sculptures from the ancient Mesopotamian civilisations like Babylon and Akkad. It therefore wouldn’t surprise me one bit if Yemen’s archaeological heritage, including that of an Sheba, isn’t also seriously endangered and damaged by the current war between the Houthis and Saudi Arabia. And I am afraid that Iran’s similarly ancient and precious archaeological heritage won’t also suffer catastrophic losses if Trump and the Neocons have their way and launch an invasion of that country.

We need to stop these wars, because the cost in human lives and to the nations’ cultural heritage has been immense. Hundreds of thousands have been killed, millions forced to flee and priceless objects and monuments destroyed. And so our knowledge of the past is diminished.

But books like this help preserve and stimulate an interest in the preservation and exploration of these ancient treasures, if only among those few scholars able to read the ancient languages.

Exemplary governance: Which countries should high-COVID nations follow?

Published by Anonymous (not verified) on Tue, 01/12/2020 - 3:04am in

Connecting illness, death and governance in a COVID world


Image by Frauke Riether from Pixabay

By Ian Inkster

As much of America, Europe and many anglophone nations face the welter of possible choices of action available to them as they enter what is understood to be a “second wave” of COVID-19, their media repeatedly mention a small group of nations that might best be copied—examples of good COVID governance.

Two points at the outset. For some time now it has been unclear whether this new wave was a direct function of mutation among the many DNA of the virus itself, or mainly a man-made cycle following the ups and downs of civil societies’ adherence to the regulations. Are the spikes resulting from civil laxity? The second point follows from this civil laxity argument—it may well be claimed that a nation’s ability to dampen COVID incidence and mortality is a sign of its existing power of governance. Good COVID management then becomes a measure of strength and scope of policies, of a government’s firmness in convincing its citizens to adhere to regulations, and of its own power to adapt to externally induced changing circumstances. From this, it may be argued that good COVID results act as an indicator of how well a government will lead its nation into post-COVID economic recovery. So, there can be quite a lot at stake here.

Thus, choosing the best example may well reflect an underlying belief among large numbers of people that a particular country has high status among the comity of nations. That is, successful COVID results may be seen by many people throughout the globe as exemplifying both successful governance and a firm moral economy. Contrariwise, failure over COVID in the “second wave” may now be considered a sign of a failing state. We have witnessed the ousting of Donald Trump.

Clearly enough, notable exemplars cannot be so small as to be clearly outliers, else such varied places as the Falklands or Greenland would take the lead. This puts to the side nations that have, indeed, been applauded, such as Hong Kong and Singapore. This applies also to isolated islands and vast territories with very low population densities such as Iceland, Madagascar, Finland, or even Norway. On more direct reasoning, those seeking exemplars should surely omit nations that do not report tests per million, such as Burkina Faso with a population of over 24 million and impressive Cm (cases per million) of 122 and exceptionally low Dm (deaths per million) of only 3, but which does not report test numbers. Of course, there will be nations that have actually had so few hospitalised cases or deaths that they have not instituted tests at all, but they are difficult to clearly separate from ones where cases would be high if thorough testing had been instituted.

Measuring COVID experience and selecting models

Table 1 below lists details for 10 nations, 5 of which are quite commonly exemplified across the world, and 5 others that are not, but whose records are worth serious consideration. World data is included in the last row. Coronavirus Worldometer

Table 1 offers a great many cautionary tales. Cm measures total COVID cases per million, Dm total deaths per million, D/C is deaths as a proportion of total registered cases, which we take as a good indicator of the effective mortality rate; Tests/m is the number of tests for COVID per million of the population. Figures are derived from totals for the period from January 13, 2020, the day of the first confirmed case in Japan, to November 11, 2020.

The five common exemplars are in bold, and they in fact offer very varying COVID experiences according to their own official registered data across the whole period. It seems clear that Germany and Sweden are exemplars, especially in Western nations because they have good records in fighting COVID-19 in comparison to other major European nations (e.g., the UK or Belgium with Dm figures of 719 and 1,112, respectively) and the USA (a Dm of 734). They also have highish results for tests per million, especially Sweden. But the latter’s principal drawback as an exemplar is its much smaller size of population, and the unusual characteristics for Europe of its relative spatial isolation when compared to high-COVID nations such as Italy. In addition, Sweden’s D/C or mortality rate at 3.6 per cent is actually the highest of the 10 nations in this table, despite a high testing rate. This could suggest either a fault in the procedures for effective hospitalisation after tests prove positive, resulting in greater mortality, or it could be a result of its relatively high proportion of older citizens—at 20.3 per cent of its population over 65, compared to say around 16 per cent for Australia and the USA. However, this case is severely weakened when we note that Germany has a ratio of 22.2 per cent of its population in this older grouping, and Japan an even greater proportion of 28.2 per cent. Both have D/Cs of 1.7 per cent. Given the small population of Sweden, this would throw some doubt on it as an obvious exemplar in terms of actual COVID results to date.

Within Europe, this leaves Germany as probably the better case, especially as, unlike Sweden, it is bordered by high-COVID nations such as Belgium, France, and the Netherlands (Dm measures of 1,185,  651, and 484, respectively).

Outside of Europe—problems

But at first glance, neither of the European contenders can match the non-European Australia, Japan and Taiwan, each with exceptionally low Dms (Taiwan with its unmatched 0.3 per cent) and much lower Cms. The seeming weakness of the Japanese and Taiwanese cases is their low levels of tests per million. Other things being equal, this means that lower numbers tested leads to lower “cases registered” if a nation is relying on test results as its principal COVID source, rather than official collections of data from hospitals and general practitioners of patients diagnosed as having the virus. This is not a resounding rejection by any means. It is very possible, certainly understandable, that a nation with actual low covidity would not feel the same need for mass testing as nations with obviously severe problems. It is notable that both the USA and the UK have the highest proportional testing ratios of any large nations—at around 50 per cent of their respective populations tested. Given that numbers of tests say little of the quality of the testing procedures there seems some good reason for holding Taiwan and Japan in high regard as exemplars.

Australia has no such problem, its rates of testing being amongst the highest in the world and notably above those of Germany. Its Dm is exceptionally low. The only problem area here is the unusual character of its demography (a huge proportion of the population live on the massive coastlines), its absence of land borders, its overall relative isolation from all high-COVID hot-spots, and its ability to close itself off despite high numbers of tourists and business connections. These features cannot simply be emulated, yet they may be more determinate of its success as a dampener of the virus than any single element of policy or of any special sequence of official interventions.

There is more to be said about why some nations appear as exemplary and others not, despite their directly COVID-related data. This is broached in three rows of Table 1. Pol-FrR provides an indicator of political freedom within nations, as measured over the years since 1973 by Freedom House, Washington, DC. The figures are an Index with 100 (Sweden) at the top among all major nations. Our Table 1 also indicates—with an * by the names of the 10 nations—all those that are labelled by Freedom House as “electoral democracies,” and it can be seen that all 5 of the major exemplary nations are in this category, and each is highly ranked on the Pol-FrR index, ranging between 93 and 100.The exemplary 5 are a free democratic group, sharing a series of status markers, attributes of a political culture, with many of the nations that regard them as exemplary.

Even though Taiwan with its amazing COVID history is not officially recognised as an independent nation by the other 4 within this select group, its characteristics fit perfectly with those of that group, as a whole. The PPP column shows that these nations are among the richest, most established industrial nations in the world, and estimates of their exemplary character by the major media outlets of the world must surely reflect something of a cultural club. The PPP column is a World Bank measure of purchasing power parity per capita, which adjust simple per capita income comparisons to account for cost-of-living differences by replacing normal exchange rates with those designed to equalise the prices of a standard “basket of goods” and services.

The index is based on the USA as 100. It seems clear enough that the chosen exemplars are seen as ones appropriate to emulate—democratic and free—and this is what is fastened on by the media that create the mantras of “lessons to be learnt,” or “following the science,” and so on. This is confirmed in column Econ-Fr, which provides an index of political freedom for 2020 calculated by the Heritage Foundation, Washington, DC,  in its huge and freely available 2020 Index of Economic Freedom, where Singapore tops the world at 89.4, Australia appearing 4th with 82.6, Sweden appearing at rank 22 with 74.9, and so on. That is, this group is considered exemplary, despite the great differences in COVID performance within it, on grounds of a global culture in which, through an international media, market-based liberalism at high incomes is awarded the highest status among the nations of our world. With status comes notions of veracity, probity and high trust, the secondary rewards of high income.

It may thus be argued that the notion of what might be an exemplary nation in a COVID world, is not principally founded on the COVID record but on some evidence of COVID achievement plus much evidence of high national status among the other nations of our world. So, despite all the caveats and drawbacks noted in this paper, it would appear that the seemingly very different nations of the group will persist as exemplary.

Beyond the pale: Another perspective on best COVID performances

Our other 5 nations are a different cup of tea altogether. Although Poland and India are both parliamentary democracies, they share with this second group much lower income per capita, with Ethiopia being one of the most impoverished nations on earth. They all have lesser degrees of economic and political freedom, but they all also have very good COVID performances as measured in columns Dm and D/C, and generally reasonable numbers for tests per million (the worst being Angola which actually exceeds the figure for Taiwan!). These are not small countries demographically, and to that extent deserve some attention as possible exemplary cases.

With its large Cm measure, Poland looks at first an unlikely candidate, but note that its figure is equal to that of Sweden, and much lower than those of Spain (29,692), or France (26,769), or the huge Belgian figure of 42,547. Its tests per million exceed those of Japan. Its D/C ratio is very low, much below those for the UK, Italy, France, and even Germany. It borders 7 nations of high or uncertain covidity, such as the Czech Republic. And, of course, it is European. We might suggest that it has never been seen as exemplary in the West because of its cultural distinction of having low per capita income, equal to that of Malaysia, and its lower degrees of economic and political freedom than those found among the accepted exemplary group. And, of course, the same must be said of Ethiopia and Angola. The most likely causes of their low COVID measures is a lack of the infrastructure for effective testing and the low number of the elderly in their populations, primarily a result of low incomes. As noted already, this alone would tend to bring down the mortality rates. India and Malaysia are by far the more likely examples for others to follow. India’s massive population and extreme poverty, both noted in Table 1, has not inhibited low Cm and especially low mortality measures. As a well-established parliamentary democracy, India has a relatively high level of political freedom, although its determination to continue to plan high economic growth (an annual growth rate of GDP of over 7 per cent from 2012) means that government does not let market forces rule the production and distribution of goods and services. Aided by its age distribution but remembering the enormity of its population, India might well be seen as among an exemplary group of low-COVID nations.

Malaysia as best practice?

As an exemplary case in many senses, Malaysia has been the most neglected by international mass media commentators. Yet with highish levels of economic freedom, it has achieved remarkable COVID statistics based on a reasonable level of testing. In this, it has been aided by being bordered by nations of low covidity, such as Indonesia (Dm of 55) or Thailand (Dm of 0.9 and total cases of only 3,861!). Its Dm and D/C levels are remarkable. Moreover, its history of COVID defence shows a great deal more alacrity and intelligence than most nations in the West. Screening was adopted at all airports after the first case in Thailand was made public on January 13, and Malaysia only reported its own first case on January 25–well after Japan, South Korea, the USA and Taiwan. Thermal scanners were adopted early. Under the Movement Control Order of March 18, the government, with good cooperation from the media, actively spread the “#stayhome” instructions, NGOs and prison inmates fabricated PPE for those on the frontline, and initial financial stimulus to prevent full economic downturn had been initiated in February. Very early on, Malaysia accepted that China had proved that by isolating the infected group of individuals and practising social distancing, the pandemic could be contained. In order to fund new hospitals and create stocks of medicines, the Ministry of Health and Tenaga Nasional Berhad (TNB) established an “action coalition” to obtain financial aid from corporate companies, government-linked companies (GLCs), and other organizations in Malaysia, a form of private-public sector funding that the West has yet to truly exploit. Government dampened any division between private and public sectors, enlisting help directly from the social media, and NGOs (not private companies) were used early on to provide protective masks, disinfection chambers, and to educate citizens on COVID-19. By April 11, Malaysia had reported a total of 4,346 cases and a total of 1,830 recovered, a proportion of 42 per cent. Today the numbers are 32,969 and 45,095, a proportion of 73 per cent.

Far quicker than countries such as the UK, the Malaysian authorities recognised the key problem of the elderly in care homes. As early as March 27, the Malaysian government introduced the Prihatin Rakyat Economic Stimulus Package (PRIHATIN) with RM 25 million allocated to provide assistance for aged care homes, including cash disbursement, food supply and healthcare items, as well as an RM 250 one-off payment for government pensioners. Malaysia was directing a much higher proportion of its very limited resources to helping the elderly than did most of the Western nations and at a much earlier date, and this was evidently rewarded through its very low Dm and D/C statistics.

Beyond casual statements—selecting with mindfulness

The Malaysian example details the variety of positive responses that have been made in nations not hitherto considered exemplary yet showing very superior COVID results over far more wealthy nations. In itself, this sort of evidence cannot pick an exemplar for all. Picking an exemplar by looking at single cases is unlikely to help very much. But what seems clear is that global exemplars do not have to look the same in terms of political structures, incomes, or economic ideology. Better that any nation looks at its own circumstances and selects elements considered appropriate. The best option might be to consider the more global picture but allow especially for differences in income and age distributions, the character of borders, densities and levels of urbanism, and degrees of air pollution. Such elements may guide selection towards countries or a country of similar circumstance, and the best COVID performer amongst them may well be your best exemplar. But just do not jump too soon!

Elements such as age structure or borders may be reasonably recognisable and objective measures. Political systems and policies are quite the opposite, these alter with regimes (we can look forward to developments in the US). The only way out of the seeming conundrum is to first admit that COVID incidence and mortality is only very partially related to any one nation’s official management policies. In fact, to date, only the dimmest light has been shed on what is the relationship between illness, death and governance in a COVID world. For this reason alone, a great COVID exemplar may not be a great example of political and civil life, especially as defined by decision-makers in parliamentary democracies. Perhaps choosing between Australia and Japan, between India or Malaysia, ought not be so normative. Perhaps it should carefully weigh up seeming COVID performance in the context of all the elements, admitting that the policies of governance may not be foremost amongst them.

Professor Ian Inkster is a global historian and political economist at SOAS University of London, who has taught and researched at universities in Britain, Australia, Taiwan and Japan. He is the author of 13 books on Asian and global dynamics with a particular focus on industrial and technological development, and the editor of History of Technology since 2000. Forthcoming books are Distraction Capitalism: The World Since 1971, and Invasive Technology and Indigenous Frontiers. Case Studies of Accelerated Change in History, with David Pretel. Follow him on Twitter at @inksterian

Book for Learning Arabic in Three Months

Published by Anonymous (not verified) on Sat, 28/11/2020 - 3:09am in

Mohammad Asfour, Arabic in Three Months: Simplified Language Course (Woodbridge: hugo 1990).

I bought this nearly thirty years ago when I was briefly trying to do a postgraduate degree on Islam in Britain. Hugo are a publisher specialising in languages. According to the blurb and the introduction, this book is written for people, who want to speak the language but don’t want to be able to read or write it. There are a number of different dialects spoken in different countries, but the book states that the standard, written language isn’t used in ordinary verbal communication and it’s very unusual for foreigners to use it. The author is a professor at the University of Jordan, and so the form used is the Jordanian dialect, which will allow the student to converse in ‘almost any Arabic speaking country’.

Along with the chapters taking the reader through the language, there’s also sample conversations and an Arabic-English mini-dictionary in the back. Like many other language books, this also includes written exercises, whose answers are also in the back of the book.

I bought it because I wanted to get an idea of what the language was like before learning the script. That’s almost certainly a mistake, if the spoken and written forms of the language are so different. You almost certainly need to learn the standard language if you also wish to be able read and write it. No language is easy, but some are definitely more difficult than others. Arabic is a Semitic language like Hebrew, Syriac and some of the languages spoken in Ethiopia. They’re very different from the Indo-European languages, like French, German, Welsh, Polish and so on spoken in Europe, and so Arabic is particularly difficult. So much so that I eventually gave up.

I think the book was partly written for tourists to the Middle East, as well as possibly people from the English-speaking world working out there, but not in jobs which require the literary language. I remember one of the words in the vocabulary is ‘funduq’, which I think means ‘hotel’. It’s also a sad reflection of the politics of the region that another word that crops up is ‘inqilab’, which means ‘coup’ or ‘uprising’.

Unfortunately since the attacks of 9/11 and the ensuing chaos of the War on Terror, the invasion of Iraq, the Syrian and Libyan uprisings and the rise of Islamic State, much of the region is in turmoil and far too dangerous for western tourists, quite apart from the international lockdown everywhere due to the Coronavirus. Still, hopefully peace will return to this fascinating, ancient and historic part of the world, and Europeans will once again to be able to visit it and meet its peoples in peace and friendship.

Live Event: In Conversation with Maaza Mengiste

Published by Anonymous (not verified) on Wed, 07/10/2020 - 12:32am in

TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.

In conversation with Maaza Mengiste, author of The Shadow King.
This event is also part of the North-east Africa Forum at the African Studies Centre at the University of Oxford.

Hosted by Elleke Boehmer, Professor of World Literature in English (English Faculty, University of Oxford). Professor Boehmer is currently the Director for the Oxford Centre for Life Writing (OCLW) based at Wolfson College, and former Director of TORCH (2015-17), and also leads on the 'Writers Make Worlds' project - https://writersmakeworlds.com/

Biographies:

Maaza Mengiste is the author of the novels, Beneath the Lion's Gaze, selected by the Guardian as one of the 10 best contemporary African books; and The Shadow King, a finalist for the LA Times Books Prize, a New York Times' Notable Book of 2019 and one of TIME's Must-Read Books of 2019. She is the recipient of an American Academy of Arts and Letters award, the Premio il ponte, and fellowships from the Fulbright Scholar Program, the National Endowment for the Arts, Creative Capital, and LiteraturHaus Zurich. Her work can be found in The New Yorker, New York Review of Books, Granta, the Guardian, the New York Times, Rolling Stone, and BBC, amongst other publications.

In conversation with:

Birhanu T. Gessese
Birhanu was born and raised in Addis Ababa, Ethiopia, and is now studying Humanities at Kenyon College, USA. He is currently on a year abroad studying English Literature at Exeter University, UK. He likes to compose stories, work with the camera, and illustrate in ink pen. Along with Korranda Harris, he recently interviewed Maaza Mengiste for Africa in Words.

Professor Richard Reid (History Faculty, University of Oxford) is a historian of modern Africa, focusing on the nineteenth and twentieth centuries. With a particular interest in the culture and practice of warfare in the modern period, part of Professor Reid's research interests includes the more recent armed insurgences, especially those between 1950s and the 1980s.
https://www.history.ox.ac.uk/people/professor-richard-reid

Professor Tsehai Berhane-Selassie
Tsehai Berhane-Selassie taught social-anthropology, gender, and development studies in Universities in Ethiopia, the USA, the UK, and Ireland. She has published on Ethiopian Warriorhood, and gender issues in Ethiopia.

'The Shadow King' Synopsis:

Published by Canon Gate.

'DEVASTATING' Marlon James, 'A MODERN CLASSIC' Andrew Sean Greer, 'INCREDIBLE' Lemn Sissay, 'BRILLIANT' Salman Rushdie, 'MAGNIFICIENT' Aminatta Forna, 'EPIC' Mary Morris, 'WONDERFUL' Laila Lalami, 'UNFORGETTABLE' The Times, 'REMARKABLE' New York Times

ETHIOPIA. 1935.

With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade.

Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers?

The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

Was Mussolini’s 1931 Policy on the Banking Crash Better than Britain’s 2008 Bail-Out?

Here’s another interesting question posed by the changing policies of the Italian Fascist state towards industry and the financial sector. Fascism celebrated and defended private industry as the essential basis of the Italian economy and society. When Mussolini first took power in the early 1920s, he declared that Fascism stood for ‘Manchester School’ capitalism – privatisation, cuts to public services and expenditure and the lowering of wages and welfare benefits. But this changed with the development of the Fascist state through the establishment of the corporations – industrial organisations combining the employers’ organisations and the trade unions, which were supposed to take over the management of industry – autarky, which aimed to make Italy self-sufficient and the movement to a centrally planned economy.

This was partly achieved in the early 1930s when Mussolini set up two state institutions to buy out the Italian banks following the Wall Street crash of 1929 and the ensuing depression. These not only bought out the banks, but also the industries these banks owned and controlled, so that the Italian state ended up owning just under a fifth of the Italian economy.

This is described in a passage in the article ‘Industry’ in Philip V. Cannistraro’s Historical Dictionary of Fascist Italy (Westport, Connecticut: Greenwood Press 1982). This runs

Two public agencies were created to save banks and crucially affected industries: the Istituto Mobiliare Italiano (IMI) on November 13, 1931, which was to control credit; and the Istituto per la Ricostruzione Industriale (IRI) on January 23, 1933. IRI was by far the more radical solution, for it purchased all the shares of stock in industrial, agricultural, and real estate companies previously held by banks. (The banking law of 1936 prohibited banks from extending long-term credit to industrial concerns). Although the industrialists fully expected a return to “normalcy” and to private enterprise after the crisis had passed, Mussolini had successfully created an instrument for the permanent intervention of government in the economy. By 1939 IRI controlled a series of firms representing 44.15 percent of the capital of Italian stock values and 17.80 percent of the total capital of the country – hence, the Fascist government controlled a proportionately larger section of national industry than any other government in Europe except the Soviet Union. (p. 278).

This allowed the government to interfere and restructure the Italian economy leading to the expansion of the manufacturing economy and a reduction in imports. On the other hand, poor government planning and an inefficient bureaucracy meant that Italian domestic manufactures were frequently inferior and the country had a lower growth rate than many other western European countries.

But this contrasts very strongly with policy of Britain and America to the financial sector after the 2008. The banks were bailed out with public money, but were not nationalised and the government has continued with its ‘light touch’ approach to regulation. Meaning that the banks have been free to carry on pretty much as before. Public spending, especially on welfare, has been drastically cut. Despite the Tories claiming that this would boost the economy and they’d pay of the debt within a couple of years or so, this has very definitely not happened. In fact, the debt has massively increased.

This has added to the long term problems of Britain’s manufacturing industry. Left-wing economists have pointed out that Britain’s domestic industries suffer from a lack of capital because the financial sector is geared towards overseas investment. A situation that has no doubt got worse due to globalisation and the personal investment of many Tory and New Labour MPs in foreign industry and their savings in offshore tax havens. British industry has also suffered from the ignorance and neglect of successive prime ministers from Maggie Thatcher onwards. Thatcher couldn’t understand that her policy of keeping the Pound strong would damage British exports, and in any case did not want to rescue failing British industries. They were either to be allowed to go under, or else sold to foreign companies and governments. Tony Blair went further, and believed that manufacturing industry’s place in the British economy could be successfully taken over by the financial sector and the service industries.

But this has also been a failure. Ha-Joon Chang in his 23 Things They Don’t Tell You About Capitalism has pointed out that manufacturing industry is still very much of vital importance. It’s just that it has grown at a slower rate than the other sectors.

Fascist Italy was a totalitarian dictatorship where Mussolini ruled by fear and violence. There was no freedom of speech or conscience in a system that aimed at the total subordination of the individual, economy and society. Mussolini collaborated with Hitler in the persecution of the Jews, although mercifully this wasn’t quite so extreme so that 80 per cent of Italian Jews survived. The regime was aggressively militaristic aiming at the restoration of a new, Roman-style empire in the Mediterranean. Albania, Greece and Ethiopia were invaded along with Tripoli in Libya and Fascist forces were responsible for horrific atrocities as well as the passage of race laws forbidding racial intermixture with Black Africans.

It was a grotesque, murderous regime which was properly brought to an end by the Allied victory of the Second World War. It must never be revived and Fascism must be fought every where. But it does appear that Mussolini’s policy towards the banks and industry was better than that pursued by our supposedly liberal democracies. But the governments of our own time are also becoming increasingly intolerant and authoritarian. The danger of our country becoming similar repressive dictatorship under Boris and the Tories is very real.

We desperately need the return to power of a genuinely socialist Labour government, committed to investment in the welfare state and public services with a nationalised NHS, a mixed economy and positive commitment to democracy and freedom of speech rather than the illusion maintained by the mainstream media and Tory press.

And that will mean overturning over three decades of Thatcherite orthodoxy on the banks and financial sector, just as Mussolini changed his policies towards them with the aim of restoring and expanding Italian industry.

Adele’s Adoption of Black Style Is In a Long Tradition of White Anti-Racism and ‘Allyship’

One of the controversies that has now broken out in the wake of Black Lives Matter has been over the dress and hairstyle Adele adopted yesterday. She was hoping, like many folks, to attend the Notting Hill carnival. But it was cancelled due to the restrictions on large gatherings imposed by the Coronavirus. I’ve heard that they held a Virtual one online instead. Adele decided to signal her support for the carnival by posting a picture of herself in a bikini showing the Jamaican flag and with her done in a Black hairstyle. So the league of those wanting to find any excuse to be offended have accused her of ‘cultural appropriation’.

I really don’t accept this. I believe that she wore the bikini and the hairstyle as a genuine gesture of support to the Carnival and the Black culture that created it. And moreover, without people like Adele adopting Black fashions and Black music, Black culture would not have the acceptance it does among Whites and the racism Black people experience would be much, much worse.

Real Appropriation of Black Music and Culture

I am very much aware that cultural appropriation has occurred. Black people have complained for a long time that ‘the White man stole the Blues’. One of the great stars of the Big Band era, Benny Goodman, is a case in point. Goodman was a White man, but all his hits were written by Black Jazzers. One of the most notorious cases is that of ‘Tar-ra-ra Boom-de-ay’ in the 19th century. It’s credited to a White musician, but he heard it from a Black lad singing it on the streets. And cultural appropriation also doesn’t just apply to Blacks. Native Americans are also uncomfortable when Whites adopt their traditional culture, like some of the New Agers and pagans, who have adopted aspects of their religion. And I can’t say I blame them. But what Adele has done is the opposite, and goes right back to the 1920s and before when White youths began adopting Black fashion and music.

The ‘White Negroes’ of Jazz and Rock-n’Roll and Anti-Racism

One of the first in the 1920s was ‘Mezz’ Mezzrow. He was a White kid, who first immersed himself in the emerging Jazz scene. He adopted Black culture to such an extent that he has been called ‘the first White Negro’. Later on, one the ‘White Negroes’ – I’ve forgotten which one, painted himself with melanin in order to see what being Black in America was really like. I think he got an unpleasant surprise. But this didn’t stop him writing a book pleading for reconciliation between Whites and Blacks. And after Jazz faded with changes in youth culture, it’s place was taken by rock’n’roll. The books on music I’ve read state clearly that it’s a hybrid musical genre – a mixture of White Country music and Black barrel house Jazz. I’ve got a feeling that the primacy given to the guitar in rock and pop, rather than the piano or keyboard, comes from the old Blues master Howlin’ Wolf when he was performing in Chicago. Little Richard, who passed away recently, once claimed in an interview that it was thanks to him Blacks and Whites started dancing together. Before he started performing, he noticed that White the dance floors were full of Blacks tripping the light fantastic, the Whites just stood around the edges watching. ‘White spectators, we used to call ’em’, he reminisced. Then he started playing and they suddenly joined the Blacks on the floor. ‘So a decade before Dr. Luther King, we had integration’.

Nazi Hatred of the  White Adoption of Black Culture

And those Whites that did adopt Black music got real hate for it from the real racists. It comes from the old biological determinism that sees culture as the product of biology. By this standard, Whites are somehow betraying their race and degrading themselves by adopting Black music and fashion. Back in the 1980s there was a book, The Best of Signal, which published articles from the big popular Nazi mag of the Third Reich. It was published by a mainstream publisher as I think one of the very many titles on the Nazis, the Third Reich and World War II that appear every year. I found a copy in a secondhand bookshop. One of the articles in it was an explicit attack on the contemporary Jazz scene in America. It showed a groups of American youths – I can’t remember whether they were White or Black – wearing the characteristic ‘Zoot suits’ and made it very plain what the writer and the vile regime he served thought of them. When White kids in the 1950s started listening and dancing to rock’n’roll, Conservative voices accused them of taking over ‘Negro sensuality’.

And the same criticisms was still being voiced in the 1990s. That was the decade that saw the emergence of the Militia movement in the US and the gathering of various neo-Nazi outfits in the Hayden Lakes area, where they started building communes and compounds. These are real Nazis, not the casual racists who are often simply called it for their vile opinions. I think Louis Theroux went to one of them in his Weird Weekends. It was built like an armed fort or concentration camp, complete with watchtowers and barbed wire fencing. The obergruppenfuhrer Theroux interviewed proudly showed him the stack of greeting cards he’d had printed for his storm troopers to send. For most people, it would have been blasphemy, as it showed Adolf Hitler as Santa coming down a chimney bringing presents. In the interview I read, the writer tried to tackle one of these Nazis on the subject of Whites. The reply they got was that contemporary White culture had been corrupted by Black. They listened to Black music, wore Black fashions and danced like Blacks. Except he didn’t say Blacks. He said ‘N***ers’. It’s the same sentiments David Starkey got rightly panned for in 2012 or so when he was asked what was responsible for the riots. He blamed Black music. When it was pointed out to him that a fair proportion, at least, of the rioters were White, he stated that ‘they have become Black’. I don’t doubt that same White racists would condemn Adele for her choice of dress and hairstyle yesterday.

Blacks and Musical Apartheid

And these sentiments are contributing to apartheid in music. One of the complaints that has been voiced in the wake of the Black Lives Matter has been by Black musicians about the racism in their industry. I remember reading newspaper interviews 25-30 years ago by Black British musicians complaining about the musical apartheid they found when they toured America and parts of the continent, like Austria. They found there that music was strictly compartmentalised between ‘White’ and ‘Black’. One section dealt with Black performers another with Whites. I can’t remember who the Brit muso was, but she was really shocked because back here in Blighty she performed for people of all colours. But when she went to America, there was an expectation in the record company that she’d only perform for Blacks. At the same time, she and other Black musos, when they toured Austria, found their CDs and records put in the section of the music stores devoted to Black music.

I’ve also heard since then about the racism and abuse Black artists have had to face when they’ve tried performing in ‘White’ genres. A friend of mine told me a little while ago about the amount of hate the founder of the Heavy Metal band, Living Colour, got. Living Colour was an all-Black band, who wanted to produce awesome Rock. And apparently they got a lot of hate from both sides, Blacks as well as Whites, for daring to play a ‘White’ style of music. A month or so ago Radio 4 one started broadcast a piece about a Black American Country and Western performer. I can’t remember who he is, but I think he’s pretty old and has been playing it for a long, long time. And he’s suffered the same kind of abuse from the same type of people. It’s hard for me not to think that by accusing Adele of cultural appropriation, her critics are supporting the same kind of racist attitudes that would keep Whites and Blacks from appreciating and performing music outside very strict racialised boundaries.

Whites and Black Fashions and Hairstyles

As for Whites adopting Black hairstyles, I’m old enough to remember the ’70s and the big Afros that were in style then. From what I understand, they did so as part of the ‘Black is beautiful’ movement. Instead of adopting White hairstyles, Blacks in America and Britain wanted to wear their hair more naturally. And because of the influence of Black musical culture, so did many Whites. Leo Sayer had one, and when I was child I honestly thought he was Black. I don’t know if anyone from the Black community complained, but as this was also when the NF were back on the rise over here, along with organisations like the ‘Anti-Paki League’ – that’s what they called themselves – I think people had colour had worse to worry about.

I only came across the accusations of cultural appropriation for Whites adopting Black culture in the 1990s, and that was only in the American satirical comedy, Spin City. This starred Michael J. Fox in one of his last roles, as the head of the communications team for a fictional New York senator. In one episode, his Black co-workers are upset because one of the Whites has moved into a Black neighbourhood. And to fit in, he’s started wearing stereotypically Black clothes. Like turning up in an African robe. Fox’s character tries to explain that the man isn’t trying to be racist. He’s just trying to identify with the people of his new community. He also tries to explain to the man that he is, inadvertently, causing offence. The next day the guy comes in very obviously wearing a hat. Fox whips it off to reveal that the guy’s had his hair dressed in dreadlocks.

At roughly the same time that was on, I knew White people with dreads. As there still are. And the Black people I’ve known and worked with had absolutely no problem with it. They told me they had White friends, who looked good with it. Victor Lewis Smith, the satirist, TV critic and practical joke responsible for such shows as TV Bile and Inside Victor Lewis Smith, used to wear dreadlocks. Now I’ve got very mixed views about Smith. Some of his material I found funny, but in other ways he could be anything but. And he was an ex-public schoolboy, and so could be accused of cultural appropriation. But I don’t think anyone did.

Western Black Traditional Culture, Hip Hop Fashion and Ethiopian Dreadlocks

It seems to have begun with some Black Americans claiming Whites were stealing Black culture when they took over Hip Hop fashion in the 1990s. But I also remember one Black celeb scornfully pointing out that expensive trainers and the designer accessories also aren’t a traditional part of Black culture. And then a few years ago there was a video clip going round on YouTube of any angry Black female student haranging a young White lad in an American university because he had his hair in dreads. It was clipped and repeated in posts by Conservative Whites attacking the aggressively intolerant anti-racist culture in parts of American academia. And now that same attitude appears to have crossed the Atlantic.

But what was said about Hip Hop style not being part of traditional Black culture, could also be said about dreadlocks. Don’t mistake me – they are an authentic part of African Black culture. They were taken over by the Rastafarians from the hairstyle worn by Ethiopian warriors. They did so because at the time – I don’t know if they still do – they revered the Ethiopian emperor, Haile Selassie Makonnen as the Black messiah they believed was foretold in the Bible, who would liberate western Blacks from their bondage. But it’s a hairstyle that was introduced from Africa, not one that was preserved in the traditional culture of Black slaves and their descendants. And many of the Blacks who wear it just do it because they like the style, but aren’t Rastafarians. Which, if we’re strict about the issue of cultural appropriation, raises all kinds of awkward questions. If it’s wrong for Whites to adopt Black styles, it could be argued that it’s also wrong for western Blacks, as the same dress and hairstyle properly belongs to its original African people.

Black Performers in White Makeup

And then there’s the question of how you judge Black performers, who have adopted White hairstyles and makeup. There are a number of videos, for example, where Beyonce actually looks White. She has straight hair, which appears blond rather than brown or black, and her skin has been made up to appear very pale. Certainly much paler than she appears in other videos, where she appears much darker. I am not accusing her of racism. But if people start flinging accusations of cultural appropriation around, then it could be applied to Black musos like Beyonce.

Skin Whiteners and the Damage to Black Skin

And incidentally, I am also very much aware of the harm being done to Black people by the feeling that somehow they should try to make themselves appear more ‘White’. Akala apparently discusses his book on race and racism the use of skin lighteners by many Blacks in a desperate attempt to appear Whiter. It’s nasty stuff. These chemicals work by taking off the top layers of skin. Other Black and ethnic minority writers have attacked their use. And there was a nasty incident that got into the pages of Private Eye’s ‘Funny Old World’ column. It was during a boxing match in Ghana. One of the boxers had been using these wretched potions, and as a result he lost the skin on part of his face after a particularly vicious blow from his opponent. Which provides an extreme, and very graphic argument why people shouldn’t use them. Skin has its own natural beauty, whatever shade it is.

I realise this is a long article and that some of the outrage is understandable coming after the condemnation of certain comedians for appearing in makeup as Black characters, like Bo Selecta and Lucas and Walliams in Little Britain. But Adele was not in Blackface, and she is nowhere near the Black and White Minstrels, who were subject of massive controversy in the ’70s before being axed in ’80s because they did perform the old Black minstrel songs in Blackface.

But Adele seems to be coming from a completely different direction. She’s following a century-old tradition in which the White aficionados of Black culture have shown their appreciation by adopting it. People like Mezzrow, who would now be viewed, using the jargon of intersectional feminism, as ‘allies’.

White Youth, Black Music and the anti-Racism Campaigns of the 1980s

It was people like Adele, who helped push back against the NF and BNP in the 1980s. Rock Against Racism before it collapsed thanks to a takeover attempt by the Socialist Workers Party brought Black and White youth together through a series of concerts by some of the great bands of the day. But I’ve friends, who are worried we’re losing that musical culture. I was watching the old episodes of Top of the Pops one of the cable/ satellite channels has been repeating. Yeah, I know it was cheesy and some of the bands that appeared were jokes even in their time. But some of the bands were awesome. The first pop video I ever bought was UB40. In case you’re too young, they were a reggae band with Black and White performers. I bought the video of their tour in Russia. They were one of the first western groups that were able to play when Gorby gave the country glasnost. And they rocked! The video shows the crowd dancing after their translator tells them that they can. This was the country that banned Boney M’s ‘Ra-Ra Rasputin’ as evil and subversive. There were other bands, too, who mixed White and Black performers. Quite apart from White groups like Madness, who played Ska- more Black music – and wore the characteristic suits. Yes, they took over Black music and culture, but it came from a place of affection and solidarity. The kids of my generation saw them bands like them on TV, in concert, heard them on the radio and absorbed the general anti-racist message as it was coming out.

A New Apartheid in Music?

But my friend was afraid that this is being lost because of hardened attitudes that Black and White performers should stay to certain genres within very racially defined boundaries. So racially mixed bands can’t come forward and perform. Because it’s cultural appropriation, or somehow betraying Black culture or some nonsense. Whatever it is, it’s still segregation.

Conclusion

I think before accusations of cultural appropriation are directed at people like Adele, there are some, who should do a bit of reading first. About Mezrow and the adoption of Black culture and music by alienated Whites. There are some classic studies of it. I think one of them has the title ‘White Youth and Black Culture’. They should understand why the Punks took over the Pogo – it came from the jumping style of dancing of the Masai. And at the same time they did so, they were mixing it on the streets giving the real Fascists – the NF, BNP and the rest of the scumbags the hiding they deserved.

Adele’s trying to show anti-racist solidarity. And it’s the people denouncing her for cultural appropriation who are strengthening real racism.

Because the opposite side of that coin is that the Whites, who do adopt Black culture are somehow betraying their Whiteness. And that’s always been an argument for real racism and apartheid.