Film

Cartoon: Iain Duncan Smith as ‘Nosferatory’

Published by Anonymous (not verified) on Tue, 21/01/2020 - 5:53am in

Here’s another cartoon satirising the Tories. As I’ve said in my previous pieces, I’ve taken my inspiration from Horror films and ‘B’ movies. In this case, it’s based on Hans Murnau’s 1920’s German silent version of Dracula, Nosferatu. And who better to be portrayed as the vampire than Iain Duncan Smith, a man who responsible for so many of the 130,000 deaths the Tories have killed through austerity.

 

Mock Spaghetti Western Trailer for ‘The Mandalorian’

Published by Anonymous (not verified) on Thu, 16/01/2020 - 4:17am in

The Mandalorian is an American SF series. It’s a spin-off from Star Wars about a bounty hunter from Boba Fett’s people, who roams the Galaxy rounding up fugitives from justice. As far as I can make out, his companions include a war droid and an infant clone of Yoda.

I found this highly entertaining video on Kingkida’s channel on YouTube. This is mock cinema trailer for the show in the style of those for Sergio Leone’s spaghetti westerns starring Clint Eastwood, For a Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. It’s a really well put together spoof. It has the grainy quality of the film used in them days for low budget movies, the text is in Italian with English subtitles, as in the spaghetti westerns, and it uses the iconic music. Oh yes, and it also nods to the third film in Leone’s trilogy with the captions ‘The Good’, ‘the Bad’, and ‘the Ughnaut’ – one of the aliens from the Star Wars universe.

Cartoon: Tory Flesheaters from Eton

Published by Anonymous (not verified) on Wed, 15/01/2020 - 8:52am in

Here’s another one of my cartoons satirising the Tories using the tropes of old horror films and ‘B’ movies. In this instance, it’s zombie films. The two figures in the centre and on the right are supposed to be Boris Johnson and Jacob Rees-Mogg. I don’t know if Mogg went to Eton, but he’s still a public school educated toff, whose policies are still murdering the poor and so fair game. Hope you enjoy it!

 

 

The Work of Fate

Published by Anonymous (not verified) on Wed, 15/01/2020 - 3:19am in

Tags 

Film


Orpheus, Jean Cocteau’s 1950 film, “an immortal thriller” as it was described in the movie’s advertising when it was released, is a film about death and artistic creation, perhaps the best film ever made on those twin subjects. So I’d like to dedicate today’s screening to two great artists of the cinema who died this […]

Cartoon: They Saved Thatcher’s Brain

Published by Anonymous (not verified) on Tue, 14/01/2020 - 6:21am in

I want to do a series of drawings sending up the Tory party and its leaders based on horror films. I thought I’d start with one about Margaret Thatcher, based on the classic ‘B’ movie, They Saved Hitler’s Brain. So please see the drawing below, ‘They Saved Maggie’s Brain’. This shows the Leaderene’s brain in a jar, with a shadow of her head beyond. The red blotches are supposed to be her blazing red eyes. I hope you like it.

Failure of Hague’s and Jolie’s Scheme to Combat Use of Rape in War

Published by Anonymous (not verified) on Tue, 14/01/2020 - 2:43am in

It’s not just the people of Britain that the Tories are failing. Last Friday’s I carried a piece by Hugo Gye, ‘Hague and Jolie’s sexual violence scheme ‘let down survivors’, about the failure of an international initiative by Willliam Hague and Angelina Jolie to raise awareness of and fight the use of rape as a weapon of war. This was well-funded right up to the moment Hague stopped being responsible for it. As soon as that happened, its budget was drastically cut, and the scheme may have ended up doing more harm than good. The article ran

A UK Government effort to curb the use of rape as a weapon of war did not succeed and may even have harmed victims, a report suggests.

The Preventing Sexual Violence in Conflict Initiative (PSVI) was launched in 2012 by the then foreign secretary, William Hague, and the actress Angelina Jolie in her role as a United Nations special envoy.

Its aim was to “raise awareness of the extent of sexual violence against women, men, girls and boys in situations of armed conflict and rally global actions to end it”. But as soon as the Conservative politician left office a few months later, work on the scheme was drastically scaled back.

A report by the Independent Commission for Aid Impact says that withdrawing support for victims of violence may have left them worse off than if it had never been offered. The PSVI’s budget fell from £15m to just £2m with only four full-time civil servants working on it.

The aid watchdog concluded that the project had helped to make Britain a “leading voice in the international effort to address conflict-related sexual violence” but fell short of the ambitions originally set for it.

It said: “The initiative lacks a clear strategy and overall vision to guide its activities, and the lack of a shared understanding of the problem has inhibited cross-departmental collaboration on addressing conflict-related sexual violence.

“There is little monitoring and reporting on how outputs translate into lasting outcomes, making it difficult to access [its] effectiveness.”

Last night, the Foreign Office said that the report failed to “fully recognise the impact of the UK’s leadership on PSVI, which has mobilised the international community and brought real change for survivors.”

I’d like to believe that Hague was sincere about this scheme when he set it up, but it does look very much like a typical Tory plan: inaugurated with great hoo-hah and fanfare, but lacking substance and immediately cut the moment it loses the public’s attention. Like Boris Johnson’s plan to build forty more hospitals, most of whom have no more than seed funding to sort out legal problems.

And I’m not sure how successful a scheme to suppress sexual violence in war is going to be when some of the worst offenders are the Tories’ Fascist friends. Rape was used by Thatcher’s friend, General Pinochet to torture his regime’s political prisoners. The building used for it within the concentration camp in which they were interned was nicknamed ‘the discotheque’ because of the thugs’ use of disco music when they raped their victims.

No matter how well Hague or Jolie meant, that policy was definitely going to be scrapped if it got in the way of good relations with their real Fascist mates.

Right, Guido Fawkes?

Private Eye on Anti-Semitism Smear Merchants Suing their Accusers

Published by Anonymous (not verified) on Fri, 10/01/2020 - 3:01am in

Although the Eye has published a number of letters defending the Labour Party and Jeremy Corbyn in this fortnight’s issue, it’s still pushing the anti-Semitism smears. And the magazine’s journo who’s done most of this, ‘Ratbiter’ in reality Absurder hack Nick Cohen – has published another piece doing just this. Titled ‘Tribal-Libel News’, it runs

Leftists surveying five more years of Tory rule and a Labour party reduced to an embittered rump can console themselves with the thought that Jeremy Corbyn may not have been good for much, but at least he enriched lawyers.

Labour’s favourite solicitors, Howe & Co, and barrister, Anthony Hudson QC, have already made an estimated £500,000 from Unite’s disastrous decision to waste members’ money fighting a libel action from former Labour MP Anna Turley. There’s plenty more where that came from, as the viciousness of Labour politics sends writs flying.

John Ware, who presented a Panorama investigation into Labour’s cover-up of anti-Semitism, is suing after a Labour spokesman alleged in July that he was “engaged in deliberate and malicious representations designed to mislead the public”. Howe & Co is mounting Labour’s defence.

Panorama featured Sam Matthews, Labour’s former head of disputes, who said he had been pushed close to suicide by the tactics of Corbyn’s supporters, and Louise Withers Green, a disputes officer, who described how party officials minimised anti-Jewish racism. Labour accused them of having “personal and political axes to grind”. They are suing, and once again Labour has hired Howe & Co.

Meanwhile, in 2018, a video emerged of Corbyn sneering at “Zionists” who have “lived in this country for a very long time, probably all their … [but] don’t understand English irony.” Corbyn wasn’t talking of Zionists or Jews in general, he told the BBC’s Andrew Marr, just two “incredibly disruptive” Jewish activists.

Richard Millett, one of them, is suing. His claim to the court says Corbyn accused him of so disrupting meetings that Police wanted to arrest him, and of abusing the Palestinian ambassador. Howe & Co are Corbyn’s solicitors. Anthony Hudson is his QC.

To add to the fee fest, Countdown host and campaigner against Anti-Semitism Rachel Riley is suing Corbynista official Laura Murray after Murray accused her in March 2019 that Corbyn deserved “to be violently attacked” and adding that Riley was “as dangerous as she is stupid”. Howe & Co are representing Murray too.

Murray is from the Eye’s favourite dynasty of Marxist-Leninist aristos. Related to the earls of Perth, dukes of Norfolk and the royal house of Navarre, the family is so grand it could hire every libel lawyer in London. But others aren’t as loaded. Last month, when Turley successfully sued Unite and the “independent” left-wing news site Skwawkbox for claiming she had made a “false declaration” to join the union “on the cheap”, Skwawkbox’s editor admitted that Len McCluskey’s put-upon members were funding his defence. If an appeal next month fails, they must pay £75,000 in damages to Turley and mind-boggling costs of up to £2m.

A Unite spokesman told the Eye it wasn’t backing Corbyn or the Labour party in court, so it looks as if Labour members will take the hit if they lose. They should note that the judge in the Turley case, Mr Justice Nicklin, deplored the aggressive tactics of Labour lawyers. Their attack on Turley culminated in Hudson declaring she “was not fit to be an MP”. Nicklin upped the damages he awarded her, saying that “the defendants’ conduct during the trial has seriously aggravated the harm to [Turley’s] reputation and her distress.

Now that Hudson and Howe & Co. are taking on more of the left’s battles, socialists can be sure that, whatever happens, wealth will be redistributed in their direction.

A casual glance shows Ratbiter’s overt bias. Corbyn’s supporters are the villains here, smearing virtuous, anti-racists and Jews. And they are rich, as shown by Laura Murray’s aristocratic family. The reality is rather different.

The article does not, of course, mention the ordinary people in the Labour, including and especially Jews, who were smeared as anti-Semites for criticising Israel and supporting Corbyn. They were hauled up before kangaroo courts, denied proper representation and natural justice, and expelled. They have found it impossible to sue the party for a variety of reasons. But this is ignored by the mass media, including the Eye and Cohen.

Ware, Matthews and Green’s cases against the Labour party is probably not unconnected to the complaint against the Panorama programme for its massive bias and the film that has just been made about this. But there is no mention of that in the Eye’s article either. Mike and other left-wing bloggers and activists have published pieces detailing the inaccuracies, and it’s a list as long as your arm. It looks like those two are going on the offensive as a way of defending themselves against some very credible allegations.

This also seems to be the case with Millett. I can’t comment in his particular case, but Corbyn’s description of his demeanour is very credible. It’s clear from reading accounts of the behaviour of Zionist activists at pro-Palestinian meetings from bloggers like Martin Odoni and Tony Greenstein, that the Zionists are extremely disruptive. They do march around, scream and hurl abuse. One group had to be turfed out of a meeting by the police. One of the chief Zionist activists, Jonathan Hoffman, a former head of the Zionist Federation, was even given a court sentence for his weird behaviour. It might be that Millett is innocent, but there is certainly reason to doubt this.

As for Rachel Riley, she’s been so often mentioned for her litigiousness that her decision to sue Murray will come as no surprise. She’s a very rich media celeb, who comes across very much as a bully, using the threat of legal action to shut down any criticism of her beloved Israel.

In short, these cases seem to be just the Israel lobby and its supporters using lawfare to try and consolidate their hold on their Labour party and victory over the departing Corbyn. They are the real libellers and smear merchants, whatever the Eye claims.

But the Eye’s sympathy is definitely with them, not their victims.

‘I’ Review of Art Exhibition on Ecological Crisis and Some Solutions

Also of interest in yesterday’s I was a review by Sarah Kent of the exhibition, Eco-Visionaries, at the Royal Society in London. This was about the current ecological crisis, and showcased some possible solutions to the problem, some of them developed by architects. This included a moving desert city, the Green Machine, which also planted a watered crops as it moved. The article ran

Melancholy humming welcomes you to the exhibition, with a globe suspended in the cloudy waters of a polluted fish tank. This simple installation by the artist duo HeHe neatly pinpoints our predicament: our planet is suffocating.

“The absence of a future has already begun,” declare Ana Vaz and Tristan Bera in a film, Reclaimed (2015). We know this already – according to the UN, we need to cut carbon emissions to zero by 2050 if we are to prevent the collapse of the Earth’s ecosystem. So what are we waiting for?

Vaz and Bera highlight the problem. The situation requires a wholesale change in attitude: minor tinkering can’t solve it. We need “reciprocity with nature rather than domination… We are nature.” We are mesmerised by events such as the Arctic on fire, Greenland’s ice-cap melting and Venice drowning. But the scale of the problem is so enormous that we can only watch, “fascinated by the acceleration” of the crisis.

The collective Rimini Protokoli encourages us to confront our imminent extinction. On film we see a tank full of languidly floating jellyfish. They flourish in the warming seas and, with diminishing fish stocks, there’s less competition for the plankton they feed on, so their numbers are increasing dramatically. Humans are similarly multiplying – by 2050, according to the UN, there will be 9.7 billion of us – but unlike jellyfish, we require too much energy to adapt to climate change so, like the dinosaurs, our days are numbered. At the end of the presentation they invite us to go with the words: “Your time is up; you will have to leave.”

The Royal Academy is to be congratulated for hosting an exhibition that tackles this urgent issue, but the show exemplifies the problem. The warnings are persuasive, but the solutions envisaged are pitifully inadequate, mainly by architects who don’t address the catastrophe but instead offer us post-apocalyptic follies. The Green Machine (2014) is Studio Malka’s answer to desertification. Resembling a giant oil rig, this monstrosity trundles across the Sahara on caterpillar treads that plough the ground then sow and water the seeds to produce 20 million tons of food per year. Solar towers, wind turbines and water-capturing balloons create a “self-sufficient urban oasis” for those inside. What percentage of the 9.7 billion will they accommodate, I wonder?

Studio Malka’s Green Machine mobile desert city.

It’s a grim subject, and clearly the ecological crisis requires drastic action across the entire globe and very soon. But I am fascinated by the Green Machine. It reminds me of the giant moving cities that cross the devastated future Earth in the SF film Mortal  Engines. As for how many people such a machine could house, the answer is: very few. Douglas Murray’s book Last Futures: Nature, Technology and the End of Architecture predicts that if we carry on as we are, we will end up with a future in which the rich will inhabit closed, protected environments like the various biodomes that were created in the 1990s, while the rest of humanity will be left to fend for itself in the decaying world outside.

It’s a bleak, dystopian prediction, but one I fear will come true if we carry on electing leaders like Trump and Johnson.

Chinese Companies Creating Robot Cats

Published by Anonymous (not verified) on Thu, 09/01/2020 - 12:27am in

Yesterday’s I for 7th January 2020 carried this article, ‘Chinese companies unveil robotic cats’ by Rhiannon Williams, which ran

Dogs may be man’s best friends but cats are stealing a march on them at the world’s largest technology fair, the Consumer Electronics Show in Las Vegas.

Elephant Robotics, a Chinese firm, is showcasing MarsCat, a robot feline with artificial intelligence that recognises objects and responds to being stroked. It has created six different characters for the robot: enthusiastic, aloof, energetic, lazy, social and shy. Its personality develops according to how it is treated: ignoring MarsCat will make it ignore you, while paying it attention makes it more likely to respond to humans. Elephant Robotics is crowdfunding to develop the project, with the aim of selling MarsCat as both a toy-like robot and programmable device for education institutions.

Another Chinese firm, PuduTech, has created a robotic cat designed to deliver plates of food in a restaurant to diners.

Okay, humans have had automatons replicating animals since one of the Greek philosophers or engineers designed a singing bird operated by steam. The pressure of the steam caused its wings to stretch and operated a whistle in its throat. The Chinese had a mechanical waitress in the 9th Century, which trundled along bringing the assembled aristos their tea at banquets. During the Middle Ages, some nobles decorated their estates with a whole menagerie of mechanical animals, often clad in real fur or feathers to make them even closer in appearance to the real animals. These machines have become increasingly sophisticated with the march of computer technology. There was the Tamagotchi and Furbies robotic pets in the 1990s. But this comes close to the world of Philip K. Dick’s Blade Runner, in which real animals are so rare and endangered after World War Terminus that humans own robotic simulations instead. Which leads us to the question posed by the title of the book on which the film was based. As AI advances and people dream of creating humanoid robots, ‘Do Androids Dream of Electric Sheep?’

Fan of Rachel Riley Starts Troll Campaign against Owen Jones

More trolling from the darker parts of the internet. Mike reported on Saturday that a hashtag campaign had been started against left-wing journalist and author Owen Jones. The hashtag declared in crude language that Jones practiced the kind of solitary behaviour that tradition has it makes you grow hair on the palms of your hands and ruins your eyesight. It started after a group of Alt Right thugs shouted ‘Oi, you w*nker’ at him live on British TV. Jones himself said of the incident that if he could survive fascists chasing him on the street, then he could survive a hashtag campaign set up by people who need their hard drives checking.

Laura Murray told him that the person – and I use that term loosely – responsible for the troll campaign against him is the same individual, who posts pictures of her in a bikini in various positions in order to degrade and humiliate her. This person is one ‘Basil Brush/Bruscetta’, who is a massive fan of Rachel Riley. He endorsed a thread from Riley in which she attacked a certain 16 year old girl as an anti-Semite. Bruscetta’s website didn’t last, and was taken down. So his supporters linked it to one attacking their idol. Which apparently was done by members of the GnasherJew troll farm, David Collier and another odious jerk, Jack Silver. Collier was moaning that Twitter’s removal of the hashtag against Jones showed it to be a fake news site, as Jones is an anti-Semite and therefore akin to a Nazi!

Saaaaaay whaaaaat!

In what parallel world are this idiots living? Jones is no kind of Nazi. Indeed, he’s been criticised by Tony Greenstein – also definitely not a Nazi – for being too accommodating to the anti-Semitism smear campaign of which Riley, Collier and co. are a part against critics of Israel and supporters of Jeremy Corbyn in the Labour party.

As Mike explains, the clip used to troll Jones was of the abuse screamed at him from right-wing pro-Brexit campaigners when he was being interviewed outside parliament in January. Riley also tried to attack Jones with smears and shockingly inaccurate comments about his coverage of Holocaust Memorial Day.

Mike concludes his article about this

She protested at the time that she is not a supporter of the far right. Maybe that’s true; I don’t propose to comment on it, one way or the other.

But questions need to be asked about why supporters of the far right seem so keen to link themselves with her.

See: https://voxpoliticalonline.com/2019/12/21/was-twitter-campaign-against-owen-jones-organised-by-supporters-of-rachel-riley-or-of-something-more-sinister/

There’s more that could be said about this. Much more. Alongside the comments about Jones’ supposed solitary practices was another line calling him a ‘Stalinist’. This obviously comes from the far right. In some ways it’s ironic. Stalin was a brutal dictator with a venomous hatred of the Jews. After the Nazis broke the pact they’d made for the occupation of eastern Europe with the former Soviet Union, Stalin lamented what the Soviet and Nazis could have achieved together. And one of the major figures in post-War American Nazism, Francis Parker Yockey – a bizarre figure who was very much like the Nazi playwright in Mel Brookes’ The Producers – was a supporter of the Soviet Union because he saw it as a bulwark of civilisation against the decadence caused by democracy. The real Alt Right have more in common with Stalin than they’d like to admit.

The hashtag campaign against Jones was also supported by Carl ‘Sargon of Akkad’ Benjamin, the man who broke UKIP. I think Sargon’s Jewish, and he has argued online with the Alt Right. But despite describing himself as a ‘classical Liberal’ – for which read ‘Libertarian’ – Sargon’s own politics are so close to that of the Alt Right that some have commented that he is a gateway to them. A soft introduction leading to the harder, more racist stuff further away from the mainstream.

Despite Collier and co.’s claim that they’re fighting anti-Semitism, they’re doing no such thing. Like the Campaign Against Anti-Semitism, they’re almost completely uninterested in real, right-wing anti-Semitism. They’re against anti-Zionism or simply criticism of Israel, which they deliberately conflate with anti-Semitism. And they attack it on the left for two reasons.

At the most superficial level, they do it because they’re bullies.

The people they attack, people like Mike, Tony Greenstein, Jackie Walker, Ken Livingstone, Chris Williamson, Sally Eason and so on are decent people. They aren’t trolls, and so don’t response with the high level of abuse the real anti-Semites would. GnasherJew and Riley’s fan are not going to attack the trolls that post real anti-Semitic material, like those who consider the Holocaust a great joke, because their campaign of hate wouldn’t touch them. The trolls would just start making coarse comments on their sexuality, which would probably be homophobic and accuse them of being paedophiles. Further attacks on them by Riley’s fans and Collier and his fellow scumbags would just be treated with amusement, and provide them with further ammunition for trolling them. But the people on the Labour left GnasherJew and Riley attack instead aren’t like that. They can be bullied and cowed. And so they do.

And there’s no great mystery why racists like the Alt Right support Riley.

Tony Greenstein has observed that historically, Zionism’s allies have always been the Far Right. The Islamophobic right in Britain – Britain First and the English Defence League strongly support Israel because they hate Muslims. Tommy Robinson even boasted that if there was a war with the Palestinians, he’d fight for Israel. They also admire Israel because it’s the kind of ‘ethnostate’ they’d like to create in the West. Richard Spencer, the founder of the Alt Right, appeared on Israeli TV, where he declared himself to be a White Zionist. Just as Israel is a racial state in which the only true citizens are Jews, so Spencer and co. wish to create a White ethnostate in America, where only Whites will enjoy full civil rights and Blacks, Asians and Hispanics will have been ‘peacefully’ cleansed.

And the Alt Right also have an enemy in common with Israel’s supporters, at least on the Right.

They hate and fear genuine left-wingers. Which is why they were both determined to bring down Jeremy Corbyn. He was both a critic of Israel and determined to bring back the welfare state, strong trade unions and a mixed economy. All of which are abhorrent to those on the Far Right, like Spencer and Sargon, and the Blairites in the Labour party. Which is why you had the Blairites in the Labour party, like Joan Ryan of Labour Friends of Israel, sneering at Corbyn’s supporters in Labour as ‘Stalinists’, ‘Trotskyites’ and Communists.

I am not accusing Riley of being a Fascist or a member of the Alt Right. But she needs to think very clearly about the way she is supported by them, and do what she can to discourage it.

Otherwise some would be justified in calling her a hypocrite. If not worse.

Pages