Andrew Neil Goes Gammon As Owen Jones Brings Up Spectator’s Support for Greek Fascists

Oh ho! This is hilarious, so kudos and respect to Owen Jones for reminding everyone just what disgusting opinions some of the Spectator’s contributors have. As well as seriously embarrassing the man Private Eye jocularly refers to as ‘Brillo Pad’. I found this video, posted on YouTube by Evolve Politics, of Jones’ appearance on one of Neil’s politics shows accusing him and his magazine, the Spectator, of supporting the Greek neo-Nazis Golden Dawn.

Jones was a guest on Neil’s show This Week, opposite Michael Portillo and a woman I’m afraid I don’t recognize. They had been discussing the recent chanting and insults hurled at Anna Soubry and Jones himself by James Goddard and his stormtroopers. Jones said that he and Soubry were both called ‘traitors’ by Goddard, just as the man, who murdered Jo Cox had called her. He also mentioned the way the press had also accused other individuals and public figures of being traitors and enemies of the people as well, insults and accusations which are then regurgitated by Far Right fanatics. At this point Neil starts getting uncomfortable and tries changing the subject, but Jones keeps talking, telling him that they’re nearly out of time, so he wants to ask another question. Neil states ‘I am many things, but I’m not naive’. To which Jones simply replies, ‘You are.’ Neil obvious knew what was going to come next, but that still didn’t stop it happening. Jones then continues ‘The Spectator is a classic example.’ At which point Neil replies that he knew this was coming and wasn’t going to let Jones hijack his programme. He said that Jones’ lies and smears about him were not going to be dealt with that evening, and told him to move off it.

But Jones continued, despite Brill Pad changing the subject. Why was it, mused the former editor of the Sunday Times and the Economist, that when the Far Right behaves appallingly, it’s thuggery, but when the Left does it, it’s activism? Undeterred, Jones carries on stating that he would continue with what he was saying, and talked about how the Spectator had defended Greek neo-Nazis. Neil, having tried to talk over him and get him to shut up, then automatically denied that the Speccie had done any such thing. He then starts saying that the editor was responsible, before Jones asked him if he was the chairman of the Spectator. ‘I’m not responsible for content’, said Brillo. Jones then remarked that there was enough islamophobia in the Tory party, just as there was in the Spectator and other newspapers. At which point Brillo cries ‘Enough!’ Jones then begins to answer the question on left-wing activism, saying that he will answer it. ‘No, you won’t!’ declares Neil, ‘You’ve run out of time.’ If this is intended to stop Jones, it fails miserably, as he prompts goes back to talking about the Spectator and its support for the Greek neo-Nazis. The Spectator has incited support for neo-Nazis, and racism against Muslims and immigrants. Brillo tries to regain control of the situation by declaring that it’s an subject for another time, but another forum. ‘Tonight is not the night’, Brillo stated, ‘for your lies and smears against me’. He then ends by thanking Jones for appearing on his show. The clip ends with Brillo staring into the camera with the haunted look of the man staring at the train coming down the tracks at him.

It’s clear from this that there is some kind personal feud between Jones and Brillo. Not that this should be any surprise. Brillo seems to have offended many people wish his various utterances on Twitter. But Neil was himself wrong when he said that the Spectator did not support neo-Nazis. It may not now, but five years ago in 2013 it caused massive outrage when it published a piece by Greek playboy and convicted coke fiend, Taki, defending the Golden Dawn. The Golden Dawn are genuine neo-Nazi thugs, responsible for attacks on immigrants, particularly Muslims, and left-wingers. Their flag is one of the angular ancient Greek geometrical designs, which isn’t too far from the swastika. Their ideal of ancient Greek civilization isn’t the sublime culture of Athens, but Sparta, the militarized Greek society in which the soldier citizens ruled over the Helots, the conquered slaves, and where deformed and sickly babies were examined and murdered in a chilling system that prefigured the Nazis and their eugenic murder of the disabled.

Taki had written in his article that the Golden Dawn were not Nazis, but were simply ‘rough boys’ who were good, patriotic Greeks. They were saving their people from the political correctness which had left many Greeks living on less than what was given to illegal African immigrants, and were similarly protecting ordinary Greeks from Albanian criminals, and supporting poorer Greeks who had suffered from disastrous bank withdrawals.

Taki’s comments caused massive outrage. The Huffington Post ran a piece about his article, pointing out that the group uses racist and anti-Semitic language, and that their leader had admitted that they’d adopted the Nazi salute, as well as the fact that one of them had slapped a female Greek politico live on TV. The magazine carried photographs of the squadristi in their black shirts holding a torchlight procession and waving Greek flags.


The Liberal Conspiracy site in their piece went further, and quoted the convicted felon, who compared the Golden Dawn to other left-wing activists, claiming that their behaviour would have been completely acceptable if it came from the left.

But if they were lefties and railed against capitalism they would be treated like heroes, the way Bono, Bianca Jagger and other such untalented rappers and phonies are. Golden Dawn members might need some lessons in social etiquette, but what the bien pensant need much more is to get off the pot and their double standards. Golden Dawn members are mostly labourers, martial artists, cops, security personnel and good old-fashioned patriotic Greeks.

Which is what Neil was trying to say in his last question to Jones.

What astonished the Liberal Conspiracy author was the fact that the Speccie’s editor, Fraser Nelson, appeared to believe that the piece was absolutely acceptable, saying that it did not have a party line and published well-written pieces that their members enjoyed while disagreeing with.


Hardly. The Spectator is a high Tory magazine, and so very definitely has a party line. And Taki has plenty of previous when it comes to anti-Semitism, as reported and commented on many times by Private Eye.

I dare say Neil wasn’t responsible for Taki’s vile piece being published by the magazine. But it is true that he did support the Golden Dawn, and that this has rightly tarnished the magazine’s reputation. And the media must share some responsibility for the rise of Fascism by promoting the fears that Fascists exploit – about immigration, Islam, ethnic minorities and violent crime. And they have vilified perfectly decent people as traitors. When a group judge ruled in favour of moving the Brexit issue to parliament, the Mail put them on the front page and hysterically denounced them as ‘enemies of the people’. Just like the Nazis attacked the opponents of their regime.

The Conservative media have therefore aided the rise of the Far Right, and the Spectator did publish an article supporting Greek Nazis. And despite Neil’s protests, Jones was right to tackle him on it.

Dismal Folk Songs

Published by Anonymous (not verified) on Thu, 10/01/2019 - 1:45am in




Well, against all likelihood, it looks as though this post is starting to make the rounds on Facebook, and folk songists have started folk songing these titles.

For easy reference, here are other albums and song books we have posted.

Songs of the North American Oak Tree
Songs of the Great Maritime Disasters
Sister Mary Croftwassen - Bastard Pie.
Easy Funeral Hits

The mindless and myopic nature of neoliberalism

Published by Anonymous (not verified) on Wed, 09/01/2019 - 4:57pm in


Economics, Music

A short blog post as per my usual Wednesday behaviour these days. Fiscal austerity manifests in many ways, all of them unpleasant, destructive and unnecessary. Here is one of the more insidious ways that mindless cuts in government programs have long-term damaging impacts. In 2013, the Queensland State Government was taken over by a conservative extremist as Premier who thought it was a good idea to hack into sexual health programs targetted at indigenous communities. Over a few short years, this was just one of a huge number of social and health cuts that were made by that particular state government. More than 14,000 public service jobs were cut (a huge relative number). The State government fiscal deficit fell from a predicted $A6 billion in 2013-14 to $A2.58 billion. But like all these austerity cuts which deliver short-run reductions in public spending, the longer-term effects of the cuts lead to much higher amounts of public spending. Neoliberalism is not only mindless but myopic. I have made this point often in regard to infrastructure cuts. In the end, the government has to spend much more fixing the crisis the initial cuts create. Not a sensible strategy at all. The ‘chickens’ (manifestation) of those cuts in Queensland a few years ago are now coming home to roost. As predicted at the time, there is now a health crisis in the form of a STD epidemic moving across the north of Australia from east to west, purely because this idiot wanted to ‘save’ a few pennies. Now serious public cash is being required to put a brake on the health crisis he created. There are countless examples across the world over this neoliberal era of this same phenomena. Myopic and mindless.

Campbell Newman served as Premier of Queensland from March 2012 to January 2015, a short period but with devastating consequences.

Check out this page – How evil is Campbell Newman – which documents his policy legacy. It is not pretty.

On July 12, 2013, the Brisbane Times carried this story – STI rates will soar when health service goes: doctors – which reported that:

Rates of sexually transmitted infection will soar in Queensland following the slashing of services at Brisbane’s only free sexual health clinic …

A doctor predicted that STI such as chlamydia, gonorrhea and syphilis would all rise as a consequence.

The government lackeys all “rejected claims” that this would happen.

Sort of like European Commission employees in senior, well-paid positions tweeting about how wonderful the European Union is (eh Thomas!).

The government was effectively cutting “an essential service to decrease sexual health diseases”.

The Federal government at the time (Labor) noted that the “Queensland government’s decision to scale back sexual health clinics in north Queensland opens the door to a potential epidemic of sexually transmitted disease migrating across from Papua New Guinea” (Source).

The following graph shows the incidence of various STD from 2004 to 2017 (data from the Australian Institute of Health and Welfare).

After bringing Chlamydia under some sort of control before this madman took office, its incidence has now accelerated. While the scale does not show the extent of the Syphilis epidemic that is now raging, the data is that in 2010 there were 11.2 cases reported per 100,000 persons.

By 2017, the incidence had risen to 25.7.

A similar story can be told for Gonorrhoea where the incidence has risen from 35.6 in 2004 to 118 in 2017.

The recent ABC news report (January 8, 2019) – Syphilis outbreak control attempts a ‘total failure’ says Australian Medical Association – relates that the current attempts to halt the syphilis epidemic has been a “total failure”.

But the interesting aspect of the research into the epidemic is that:

… it spread from north Queensland in 2013, now reaching three states and the Northern Territory …

The president of the local Northern Territory Australian Medical Association is in no doubt that:

The problem is a lot of the sexual health programs have actually been defunded, so all the people you need on the ground are not there any more to educate people on safe-sex practices.

Result: the spread of the disease to epidemic proportions.

The indigenous Australians are most affected and this just reinforces their disadvantage.

The Federal government is now committing funds to help curb the epidemic but their austerity-biased brains can only come up with pennies when many millions are needed.

And all those who preach austerity including the majority of the economics profession, who continually are claiming that these sort of fiscal cutbacks are necessary to reduce the ‘burden’ on the future generations, are silent when these sorts of events occur.

Syphilis not only damages the current generation but also “can be fatal for newborns” and can leave children born to parents stricken with the disease with long-term problems.

And, a related theme is when hard-line conservatives often claim that there should be no support from the State for those in poverty who keep having children.

Remember the call from the British Tory MP Nadhim Zahawi in 2013, who was claiming public funds to “heat his mansion and stables”, for “child benefits to be cut for poor families” (Source).

In Australia, there are ongoing claims that single mothers keep having sex and babies to get more from the public pension.

All smokescreens to allow the top-end-of-town to take more for themselves.

Brexit …

I get quite a bit of ‘hate’ E-mail about this topic.

The latest intensification has been lecturing me along the lines that as an Australian who didn’t live through the Brexit referendum process or who will have to live with the consequences of the outcome I should not comment.

This is the classic – unless one is directly and materially impacted by something one should not have an opinion.

It is a corollary or complement to the unless one has experienced something you cannot know what it is like and so you cannot talk about it.

As a public intellectual I have a responsibility to bring my skills to provide different perspectives to a debate. I never speak on matters publicly where I am not qualified in terms of my professional background (for example, PhD in economics).

But being Australian is irrelevant.

I would guess that I know more about the data, legal frameworks, history and all the rest of the relevant matters pertaining to the EU etc than the average British citizen.

Further, I find it rather odd when those on the Europhile Left who continuously preach about international solidarity and building global Leftist movements start telling me to butt out of the Brexit debate or the Eurozone debate because I don’t live there.

I would have thought they would have welcomed the interest of an Australian from the Left as a global partner in the struggle to re-establish the ‘Internationale’.

But then that would be as if I was trying to find some consistency in the stance taken by these characters. I may as well keep an eye out for those pigs that might fly by.

An a great oldie here …

I was listening this morning to this album – Halfbreed – which I purchased in 1970 just days after it arrived via import in Australia (it was released in the UK in 1969).

The song is Born to Die.

The band is the Keef Hartley Band (named after its drummer and leader).

They were one of the few British bands to appear at the first Woodstock festival.

Keef Hartley was also the only other musician on John Mayall’s first released the Blues Alone (the first album I ever purchased as a teenager).

This was their first album and was probably their best.

They had lots of changes in line-up which Keef Hartley justified as being like a ‘jazz outfit’, where musicians can freewheel in and out and improvise.

I liked that about them and formed a penchant in the early 1970s in bands I played in for free form.

The lead guitar player on this song and album was Ian Cruickshank, one of the more competent British guitar players who few have ever heard about. He died in 2017.

After starting out in this sort of blues outfit he became a Django Reinhardt devotee and played in his band – Ian Cruickshank’s Gypsy Jazz. He also wrote several books about Django.

This song features beautifully phrased guitar (Gibson SG) and a perfect blend of Hammond B-3 through some sweet Leslie Cabinets.

What a combination!

And much better than thinking about filthy politicians who cause venereal diseases to spread through communities all for the sake of ‘saving’ a few bucks.

The idiocy of that type of fiscal behaviour is now obvious.

That is enough for today!

(c) Copyright 2019 William Mitchell. All Rights Reserved.

Jon Downes and the Amphibians from Outer Space: Land of Dopes and Tories

Jon Downes and the Amphibians from Outer Space were a local band in Devon. Downes was into cryptozoology, the study of unknown animals, and, with others, ran the Centre for Fortean Zoology. Back in the 1990s they published a small magazine, Animals and Men, which covered developments in zoology ranging from recent discoveries in paleontology and dinosaurs, the new species then being discovered in South East Asia, and creatures like the Yeti and other ape creatures and the Loch Ness monster, whose existence is very definitely not accepted by mainstream scientists. His band was also unsurprisingly steeped in Fortean high weirdness, hence its bizarre name. One of the songs on their album was about the Mad Gasser of Mattoon, a mysterious figure who stalked American suburbia around the 1940s. The Mad Gasser got his name because he was believed to be responsible for knocking people unconscious with some kind of anaesthetic gas. Despite the panic he caused and an intense police search, no-one was ever caught and the Mad Gasser is thus one of those mysterious figures of urban folklore like Spring-Heeled Jack in Britain.

Downes’ lyrics often included explicit social and political comments. ‘God Bless Amerikkka/Petsurfing’ contained references to the Beach Boys as well as bitter comments on Reagan’s America and the Vietnam War. It’s lyrics ran

The Beach boys in the Whitehouse took the president out dancing
took in a drive-in movie threw a frisbee with Charles Manson.
The American dream was sweet sixteen and no-one gave a damn
and thousands of asshole students were praying for their very own Vietnam.

“Give me Liberty or Give me Death” give me concepts I can see
“Give me Librium or Give me Meths” it’s all the same to me,
God Bless America!
(I don’t mean to annoy ya as you drown in Paranoia got no reason to destroy ya in the land of the brave).
God Bless America!
(You’ve got to catch that one last wave!)

The western world just genuflects and licks its paltry leavings
so three stupid generations have got something to believe in
now style over content is the way they measure worth,
and a grinning fool has just become the most powerful man on earth.

The cretin culture faced the wall and found it couldn’t win against it
the peasants in the jungle or the troops of Ho Chi Minh,
the profit motive is a joke when there isn’t any money,
there’s no point to a joke like that, it really isn’t funny.

It also struck me that his track ‘The Stranger (L’Etranger)’ is also partly a comment on Thatcher and the British secret state, while the title is a reference to Camus’ existentialist classic.

She’s got half a mind to kill you if you don’t agree with her programme
she’s got half a mind to stop you in your tracks.
She’s got a 10% dead army, she’s got heroes ten a penny,
she’s got men she’d pay to stab you in the back.

There’s a new ideal on the night-time breeze,
(won’t you wait a while till midnight?)
There’s a new man coming through the trees,
(won’t you watch him dance by lamplight?)

In the darkness at the edge of town there’s a stranger with a knife,
and he swears he’s going to stop her with his life.
She knows he won’t forgive her, (and that he never wanted to live there),
but she still thinks he loves her like his wife.

In her mind she’s built a castle and peopled it with fear,
if you look too hard you know that it will all disappear,
she’s so lonely in her madness, it’s so lonely at the top,
If you got that far it’s really hard to stop.

The most explicitly anti-Tory lyrics in the album are in Part Two of his song, ‘English Heritage’. The song was about the government’s privatization of Stonehenge to English Heritage, who then surrounded it with a wire fence, put up a souvenir shop and charged an entry fee. The second part of the song was an explicit attack on Tory patriotism, ‘Land of Dopes and Tories’, and was an obviously parody of Elgar’s ‘Land of Hope and Glory’. It ran

Land of Dopes and Tories, gameshows and TV,
the land our fathers fought for don’t seem the same to me.
Something’s subtly different, something must have changed,
‘cos England’s now just a refuge for the terminally deranged.
Land of Dopes and Tories, land of the living dead,
land where the hope and glory only lives on in my head,
land of idiot violence where innocent blood is shed,
land where only the assholes heard what Mosley said.
Land of Dopes and Tories I don’t see the point,
Anarchy and Freedom is everything I want.
Anarchy and Freedom is everything I want.

The sleeve notes explain that the line about Mosley refers to his comment that whoever won the Second World War, Britain would be ruined as a world power.

Time and the world have moved on since the album came out, and the ’90s ended nearly two decades ago. Reagan is gone, and we had another grinning fool enter the White House in the shape of George ‘Dubya’ Bush. He’s now been succeeded in his turn by another maniac, Trump, who doesn’t grin but glowers and struts like Mussolini. Over here, Maggie also passed from power to be succeeded by John Major, the grey man who handed Stonehenge and other ancient sites to English Heritage, and who was succeeded in his turn by Blair and his sickly grin. Blair has also left government, and instead we’re run by Tweezer. Who would like us all to believe that she’s Maggie Mark 2. And she does have men ready to kill people. Not just the staff at the DWP, who are determined to throw people off benefits to starve and die at the slightest excuse – she’s also put legislation in place to put 3,500 troopers on the streets in case of a ‘No Deal’ Brexit. And British television and popular culture in the shape of the right-wing press is doing its best to distract people from how dire and desperate the situation is for very many people, not least by smearing and misrepresenting Jeremy Corbyn and the Labour party. And like Maggie Thatcher, Tweezer’s also using the secret state to smear and lie on her behalf.

Maggie, Reagan and their era are gone, but Tory and Republican tactics and policies are carrying on. It’s time they were utterly discarded, and genuinely left-wing, progressive governments voted in under Jeremy Corbyn here in Britain and Bernie Sanders in the US.

On holidays again …

Published by Anonymous (not verified) on Tue, 01/01/2019 - 6:32am in



I am travelling for most of today across land and water and so have no time to write anything coherent. So it is just a music day to welcome in 2019. Happy New Year to all and lets hope a few banksters go to prison, that a few politicians join them on corruption charges, that Italy tells the European Commission to jump and leaves the Eurozone, that the Gilets in France spread throughout Europe and bring down the whole disastrous monetary union, that Britain goes out without an agreement and that the British Labour Party gets some spine, sacks its New Keynesian advisors, and demonstrates how to actually run fiscal policy, and that … you get the drift.

Music to listen to and welcome the New Year amid all the chaos in the world

Jimi Hendrix played at the Monterey Pop Festival on Sunday, June 18, 1967 in the evening session. He followed the Grateful Dead.

He was introduced by Rolling Stone Brian Jones.

In their song about the festival – Monterey – released in December 1067, the Animals referred to Jones’ presence in this way:

His Majesty, Prince Jones,
smiled as he moved among the crowd
Ten thousand electric guitars
were groovin’ real loud, yeah

That was one of the coolest things I ever read when I was just a teenager trying to absorb all this music.

“Ten thousand electric guitars were groovin’ real loud, yeah” – sounded like nirvana to me (the utopia not the band)!

Jimi Hendrix played 9 songs at Monterey and some of the footage never made it to the public for various reasons.

I saw D.A. Pennebaker’s movie release of the festival – Monterey Pop – at the Palais Theatre in Melbourne sometime in 1969.

Leo de Castro did a song before the movie started – Lucille – and I loved the riff. This was a great era of music and guitars.

It was a magic era really and Jimi Hendrix was at the apex.

The movie only included some of the performances. However, you can now get a much more expanded version on DVD, which gives a much wider appreciation of how great this festival was.

Anyway, song 3 for Jimi Hendrix was the Bob Dylan number Like A Rolling Stone, first released by Dylan as a single on July 20, 1965.

Here is the audio of that performance.

Who wouldn’t want to become a guitar player after that.

Happy New Year!

That is enough for today!

(c) Copyright 2018 William Mitchell. All Rights Reserved.

Rom-Comm Mixtape

Published by Anonymous (not verified) on Fri, 28/12/2018 - 7:45am in



cover imageAvailable on: Spotify | Apple Music | Amazon | Google Play | Bandcamp & YouTube | Get the CD on Amazon You Can Also Enter Your Email And Download The Mixtape (320 mp3)
Rom-Comm Mixtape is a new experimental artistic venture. A collection of songs and sounds that in the past year have been a personal expression of life and tribulation.

The project was created using nothing but open source software and tools, right down to the operating system on my laptop, Ubuntu Studio. It's also released under a creative commons license, which means it is free to use for your own projects.

It's a feeling that takes me back to the origins of creating music I remember. When you come up with an idea and build on it to capture a feeling as you go.


A Seasonal Musical Attack on the Tories: the Universal Credit Songbook

Yesterday, Christmas Day, Mike also put up another piece of musical satire and anti-Tory criticism. This was the Universal Credit Songbook, where some clever clogs has taken the tunes of traditional Christmas carols, and given them fresh words attacking the Tories’ murderous policies, and particularly Universal Credit.

Mike posted an example, tweeted by Imajsaclaimant, which runs

Away in a bedsit,
No crib for a bed
My mother is silent,
When will we be fed?

My mother is crying,
But I’m wide awake
No money for presents,
Five more weeks to wait

This seems to have inspired Michael Fulcher, who posted another piece to the same tune commemorating the death of Gyula Remes, the Hungarian man, who died outside parliament.

See Mike’s article

Socialism and working class protest, has a rich musical heritage, and this, and other recent anti-Tory songs are part of this. Songs like Cabinet of Millionaires’ ‘Theresa May’, as well as past favourites like ‘Liar, Liar’, also about May and her inability to tell the truth, and ‘Nicky Morgan’s Eyes’, about her former education secretary and her attack on state schooling.

The Wobblies’ Songbook

The Chartists in the 19th century also composed songs expressing their demand for the vote for all adult men. There are also many folk songs from the 19th century celebrating strikes and attacking poverty and exploitation.
The Labour party, at least in Bristol, had a choir back in the middle of the last century or so.

The radical American syndicalist trade union, the International Workers of the World, or the ‘Wobblies’ of the early twentieth century, were particularly known for their songs. Their songbook can also be found on the web at

Many of the songs celebrate and promote the union, the power of working people and specific, heroic individuals, while others bitterly attack the owners and managers. One such is ‘The Parasites’ by John E. Nordquist. This runs

Parasites in this fair country,
Lice from honest labor’s sweat;
There are some who never labor,
Yet labor’s product get;
They never starve or freeze,
Nor face the wintry breeze;
They are well fed, clothed and sheltered,
And they do whate’er they please.

2. These parasites are living,
In luxury and state;
While millions starve and shiver,
And moan their wretched fate;
They know not why they die,
Nor do they ever try
Their lot in life to better;
They only mourn and sigh.

3. These parasites would vanish
And leave this grand old world,
If the workers fought together,
And the scarlet flag unfurled;
When in One Union grand,
The working class shall stand,
The parasites will vanish.
And the workers rule the land.


Clearly, you don’t have to be a radical syndicalist wanting to see the working class utterly replace capitalism and its owners and managers to see that the poverty it describes is coming back, and that workers do need to stand together to demand real change under some form of socialism, like the reformism of the Labour party under Jeremy Corbyn here, and the radical left of the Democrats with Bernie Sanders in the US.

Mike hopes that Cabinet of Millionaires’ ‘Theresa May’ will be the new No.1 this Christmas. It won’t be, but it should, if only to see the BBC go spare and try to avoid having to play such an explicitly left-wing song. I hope it, the UC Songbook and the other ditties attacking May and the rest of the Tories and their corrupt backers also get very many views and downloads, and inspired more people to sing, strum and drum against them.

They must never silence us!

Pop Against the Tories: Cabinet of Millionaires’ ‘Theresa May’

Published by Anonymous (not verified) on Wed, 26/12/2018 - 10:31pm in

Thanks to everyone, who liked my post wishing them a happy Christmas, and for all the messages of peace and goodwill. Greatly appreciated! I hope you all had a great Christmas Day, and are enjoying the season’s festivities. And now I’m going to ruin it by talking about politics!

On Monday Mike put up a piece reporting a pop song he believes should be the real Christmas number one, rather than Ladbaby’s ‘piece of tat’ ‘We Built this City on Sausage Roll’. This was ‘Theresa May’ by Cabinet of Millionaires. While Ladbaby’s song is just a piece of jolly holiday froth, ‘Theresa May’ is a bitter attack on the current Prime Minister for the massive poverty she had caused, her warmongering and the privatization of the NHS. And the band’s name is obviously making a point about the extremely rich background of the members of her cabinet.

Mike’s put their video up on his channel. This shows a homeless man trudging from place to place with a puppet of the Prime Minister. He puts up a card saying simply ‘Theresa May – Private Dancer – Will Dance for Money’, and then jiggles the marionette around. The sign’s clearly a reference to Tina Turner’s classic ‘Private Dancer’, but also to her amoral, mercenary politics. She’s only interested in enriching herself and her followers. The lyrics are simple but angry, attacking her for ‘selling arms for illegal wars’ and ‘selling the NHS’. Both of which are absolutely true.

The video also shows some, but obviously not all, of the hardship faced by the homeless. The character sits against the wall, huddling in his padded coat and blanket with another homeless man, as they’re ignored by the people around them walking pass. Or worse. Another man walks up to a piece of wall next to him and urinates against it, to his obvious discomfort and disgust. The film ends with the character finally giving up trying to get money with the puppet. He throws it in the bin and moves on.

As we should with the real May. Homelessness has increased massively under Tweezer by something like 127% and 459 rough sleepers have died on the streets. One of those was Hungarian fellow, whose patch was just outside parliament. The man had a job, but couldn’t afford accommodation. Which is the reality all too many face, thanks to the Tories refusal to build more homes and their attack on council housing. Building firms have been caught building less than the number of affordable homes that need to be built, and the term ‘affordable’ itself can be misleading. It’s defined as something like 80 per cent of the normal price of houses in an area. This means that the affordable homes in an area of expensive housing may be anything but.

And the Tories really don’t want to build more housing, because house prices have been tied into general economic performance. More homes means that the market forces Maggie worshiped will make house prices fall, and so the economy will take another hit. Quite apart from the fact that it will leave many people in negative equity – in other words, their houses will be worth less than they paid for it – and it could undercut the buy to let industry which the Tories and right-wing rags like the Heil did so much to encourage.

The result of this is that there are 300,000 people, who are technically homeless, living in bed and breakfasts, hostels or on friends’ sofas, as well as whole generation of young students, who will never be able to afford their own home.

This is the way the Thatcherite dream of a home-owning democracy has died.

And then there’s May’s privatization of the health service, which is destroying it for the corporate profit of the private health firms and insurance companies, Which is also killing people.

May’s not quite responsible for illegal wars – Blair and Cameron started that, but she’s continuing them, so that brave men and women are being killed, not for any reasons of national safety, but purely so that multinational corporations can once again loot their countries and particularly their oil.

Cabinet of Millionaires’ song musically is good, tuneful pop. It follows a series of musical attacks on the Tories, such as ‘Liar, Liar’, which was about May’s persistent lying, and ‘Nicky Morgan’s Eyes’. This last was by a group of teachers sending up the former education secretary and her wretched policies towards schools.

Thatcherism died long ago. It is now zombie economics, pushed and supported by an exploitative, profiteering industrial elite and lying media establishment. It’s time it was ended.

Get Tweezer and the Tories out, and Corbyn in!

Still on holidays

Published by Anonymous (not verified) on Wed, 26/12/2018 - 8:54am in



The blog is on holiday until Thursday, December 27, 2018. All the best from my local beach (Bar Beach today). Music hints if you click on …

Apparently, Santa missed Australia – so who delivered the gifts?

I was all expectant to see Santa’s journey across Australia yesterday and consulted the – Norad Santa Tracker – which is compiled by the US North American Aerospace Defence Command.

They have a map which you can consult to see where he is and has been.

Here is a screen shot as at 18:37 December 25, 2018 which documents his progress throughout the day – so it was taken yesterday evening. I skewed it to highlight Australia.

Conclusion: Santa missed Australia.

Children of 7 years of age or higher, you know this is marginal.

And for all you Modern Monetary Theory (MMT) kids in Australia below 7, I apologise for blowing the cover of the scam.

Music lineage

Yesterday, we heard from Delroy Wilson singing the great Temptations song – Get Ready.

Today, another Delroy Wilson cover – this time the Bob Marley song – I’m Still Waiting – which was one of the first released by the Wailers under its Studio One recordings and produced by Clement Coxsone Dodd.

It was originally on the 1965 release – The Wailing Wailers – accompanied by The Soul Brothers. It was marketed as “Jamaica’s Top-rated Singing Sensations”.

The Wailers were of course Bunny Livingston, Bob Marley and Peter “Tosh” McIntosh.

The Soul Brothers who were the Studio One house band and featured on many of the 1960s rock steady/ska/reggae recordings were mainly jazz players trying to earn extra cash.

Delroy Wilson released the song on the 1976 album – Sarge – which was produced by Lloyd Charmers.

This song was the “biggest selling reggae single of 1976”.

I prefer the original from the Wailers but this version is excellent.

My blog will resume tomorrow (December 27, 2018).

That is enough for today!

(c) Copyright 2018 William Mitchell. All Rights Reserved.

On holiday

Published by Anonymous (not verified) on Tue, 25/12/2018 - 8:32am in



The blog is on holiday until Thursday, December 27, 2018. All the best from my local beach (Nobbys). Today is an economics free zone. Music discussion if you click on …

Music to listen to …

Jamaican singer – Delroy Wilson – was very popular during the 1960s and 1970s. He started out as a 13 year-old child star.

He worked with Studio One in Kingston to pump out many hit songs, often covers of American hits, which is one way the ska then rocksteady era evolved.

He died young (46) from liver failure.

He is one of my favourite singers.

Here is his version of the Temptations classic from 1966- Get Ready, which was written by Smokey Robinson (from the Miracles) who produced the song for the Temptations.

I have the original 1967 release on 7 inch vinyl which you can hear – HERE.

The backing musicians were the Soul Brothers who were the Studio One house band and featured on many of the 1960s rock steady/ska/reggae recordings were mainly jazz players trying to earn extra cash.

They were originally the Skatalites (Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, Lester Sterling, and Lloyd Brevett) but became the Sound Dimension in 1965 when trombonist Don Drummond went to prison for murdering his wife. Other musicians also joined the ‘group’.

The following version was recorded in 1975 and was recorded by Delroy Wilson and produced by Bunny ‘Striker’ Lee, who was able to break “the dominance of Coxsone Dodd and Duke Reid” (Studio One).

His main engineer was – King Tubby – and together they pioneered a lot of the sounds and techniques that evolved into modern dub and reggae.

The backing session band at his studio were – The Aggrovators – which was a moving feast of the greatest Jamaican players around.

I think the backing band on this version was – The Revolutionairies – which consisted of bass player Robbie Shakespeare, drummer Sly Dunbar, Ossie Hibbert, Ansel Collins, Errol Nelson (all on keyboards), Radcliffe Bryan on guitar, Uziah Thompson on percussion, Tommy McCook (tenor sax), Herman Marquis (alto sax) and Vin Gordon (trombone) – many of who were from the 1960s band The Skatalites.

There were other players who variously filled the positions in the house band.

You can see the evolution in the sophistication of the production and playing over the decade (1967 to 1975) by comparing Delroy Wilson’s rather relaxed Studio One version of Get Ready with the later version.

Fabulous (both).

Perfect way to start the 2-day holiday.

That is enough for today!

(c) Copyright 2018 William Mitchell. All Rights Reserved.