Psychology

A Rarely Realized Classroom Ideal

Published by Anonymous (not verified) on Sat, 23/02/2019 - 8:25am in

Last night, in my graduate seminar–which carries the snappy title ‘From Schopenhauer to Freud (Via Nietzsche): Depth Psychology and Philosophy‘–my students and I spent the entire two hours of our class meeting time reading and discussing Section 354 of Nietzsche‘s The Gay Science. We each had a copy of the section in front of us; I read its text out aloud in class, pausing to offer commentary and elucidation and inviting similar interjections from my students. In the closing half-hour or so of class time, we discussed a pair of written responses to the section 354. (My students write responses to the assigned reading every week; this week while the primary readings were all secondary sources on Nietzsche, I had asked my students to base their responses on the primary Nietzsche texts invoked in these sources.)

It is no secret. to me at least, that the class meeting I described above comes close to an imagined ideal for a philosophy class meeting: I assign a text to be read; my students do the reading and have intelligent responses to it; in class we ‘work through the text’ diligently and patiently, reading every single word carefully, bringing out the texts many meanings and allusions and implications. Rarely is such an ideal realized; that is precisely what makes its rare occurrences even more pleasurable. Once, over the course of a semester in an undergraduate Social Philosophy class, my students and I achieved this ideal repeatedly; the secrets of that ‘success,’ were that my reading assignments were short and my class included a few ‘bright lights’ who came to class prepared and ready to dig into the material with me.

The reasons why such a class meeting represents an ideal for this teacher of philosophy should be evident from my descriptions above. My students and I ‘encounter’ the text in the way its writer intended it to be: sympathetically. This does not mean eschewing criticism of the text, but rather, “by looking at reality in the light of what it is saying.” From a personal perspective, as I’ve noted here previously, my understanding of a philosophical text is considerably enriched by these discussions with my students. A good  discussion with my students always lets me know there is more going on in the text than I might have imagined.

Our task was made easier, of course, by the text and its writer. Nietzsche always repays close attention and his language is extraordinarily rich (and to think that we were reading him in translation!) As he almost always does, Nietzsche sends out a message to all future writers and philosophers: if you want to read be with such attention and care, you would do well to follow him–in your own way!–on his chosen path. Write clearly and joyfully, letting your readers know that your writing represents a genuine attempt on your part to work through the problem at hand–which should always, always be a problem for you too, and not an idle academic pursuit.

 

 

Is Margaret Hodge an Hysterical, Paranoid Lunatic?

I wonder about the sanity of some of the witch-hunters accusing people of anti-Semitism in the Labour party. Or at least their sense of proportion. Margaret Hodge, who claimed that Ruth George’s perfectly reasonable inquiry into whether the Labour Splitters were funded by Israel, is a case in point. She caused outrage and disgust a few months ago when she screamed at Corbyn in the House of Commons, and reviled him as ‘a f***ing anti-Semite’. For which she was duly suspended under Labour party rules that apply to everyone.

This was too much for her sensitive soul, and she compared the stress this had caused her with the fear Jews in the Third Reich felt, waiting for the knock on the door from the Gestapo ready to send them to the death camps. People, who really had had family imprisoned in the concentration camps were rightly outraged. Hodge was attacked for her grossly insensitive comments by Jews, whose family had been sent to these murder factories, and also by non-Jews, who had also had family members incarcerated for their opposition to Hitler’s Reich. Like a young man, whose Sudeten German grandfather was sent there because he was a Communist.

The witch-hunters were also outraged a week or so ago when Jenny Formby dared to reveal the truth about anti-Semitism in the Labour party: there actually wasn’t a lot of it, and only a very few people had actually been expelled. This was too much for them, who can’t stand the thought that anyone they’ve denounced could possibly be innocent. Hodge herself whined that this couldn’t possibly be true, as she’d denounced 200 people.

200? What party did she think she was in? The BNP, the Klan or something? The Labour party is now, thanks to Corbyn, the largest Socialist party in Europe, and as a mass party it obviously is going to include some anti-Semites. But real research shows that anti-Semitism in the Labour party has actually fallen under Corbyn, and is lower than in wider British society. Also, other Jews and Jewish groups have come forward, like Jewish Voice for Labour, and a group of Orthodox rabbis. The good rabbis said that they had absolute confidence in Corbyn, while the peeps at Jewish Voice for Labour said that although there was anti-Semitism in the party, they had never personally, or only very rarely, ever personally experienced it. These were Labour members of long standing, who had been active in their local constituency parties.

But the accusations of anti-Semitism aren’t really about anti-Semitism. Not as it is defined by Wilhelm Marr, the founder of the German Bund Anti-Semiten, who coined the term. He said that it was hatred of Jews, simply as Jews. This is the standard dictionary definition. What Hodge and co see as anti-Semitism is actually criticism of Israel. And long term Jewish critics of the Israeli state and its brutal maltreatment of the Palestinians, like Norman Finkelstein, have made the point Israel defends itself by accusing its critics of being anti-Semites. And this is what has been going on here.

And what the witch-hunters decide is a basis for an accusation of anti-Semitism is very, very wide. One young man was accused of anti-Semitism and expelled, or suspended, because he posted a picture of a Jobcentre sign carrying the slogan ‘Arbeit Macht Frei’, the infamous inscription above the gates of Auschwitz. His accusers maintained that he was somehow denigrating Jewish suffering in the Holocaust. But he wasn’t. He was denigrating the suffering of the jobless inflicted by the DWP under Ian Duncan Smith. Who had begun an article actually quoting this infamous slogan, and saying that it should be rehabilitated because of its usefulness in getting people back into work. It was, he wrote, part of his ethos. Not surprisingly, his editors weren’t impressed, and this part of his article was removed a few hours later. But the Gentleman Ranker had said, nonetheless. And Tony Greenstein and others also pointed out that the inscription was on all the concentration camps, whose members also included the long-term unemployed, people declared arbeitscheu, or ‘workshy’, by the Nazis.

In fact Hodge’s denunciation of 200 hundred people doesn’t remind me of serious accusations, so much as the hysterical persecutions that have occurred in very repressive societies in the past. Like the witch craze in 16th and 17th century Europe, in which people could be accused of witchcraft for the flimsiest of reasons. Or the horrific purges of Stalin’s Russia, where voicing even the slightest comment, which could be considered disrespectful of the tyrant could see you arrested by the NKVD and sent to the gulags. One man was arrested simply for remarked that Stalin didn’t seem quite well when the dictator coughed or something similar during a speech. It also reminded me of all the nutters that wrote into the FBI denouncing anyone and everyone as a Communist agent during the Red scare of the Cold War. Or indeed of the quarter of the East German population that were spying on their friends and neighbours to the Stasi.

It also reminds me of a very dark joke I heard once by an American comedian years ago on one of Bob Monkhouse’s shows on the Beeb in the 1980s. This was a series in which Monkhouse interviewed other comedians, including Pamela Stephenson before she returned to psychiatry. One of his guests was an American comedian, whose act included a parody of the stereotypical, racist southern sheriff. Putting on the accent and persona, the comedian told the following joke.

‘You know, I can tell if someone’s a murderer simply by the look in their eye. And if they got that look in their eye, I hang them. Well, one day I saw this black man, and he had that look in his eye. So I hung him.’

If you know the history of lynching in the Deep South, then it’s probably not a joke. Blacks – and other minorities – were lynched for almost no reason at all, simply for being ‘disrespectful’ to Whites. And the local community would celebrate their deaths, holding a mass party and even breaking pieces off the victims bodies to take home as souvenirs. Cenk Uygur of The Young Turks has described this in one of their videos. British anti-racist YouTuber Kevin Logan has also mentioned it in one of his, complete with a photograph taken as one such lynching, showing the crowds gathering and rejoicing around two lynched Blacks. Some idea of the pressure and fear of that environment came across very clearly in the Dr. Who story at the beginning of the season about Rosa Parks.

I’m not accusing Hodge of being racist. But I am accusing her of having the same paranoia that has motivated witch-hunters and persecutors, like those in Stalin’s Russia and the anti-Communist fanatics of the ’50s.

So what did those 200 people do, that made her accuse them of anti-Semitism. Does she think she has the ability to see if someone’s an anti-Semite, just by looking in their eye? And did she accuse those 200 simply because they looked at her funny? It might not have been quite because of that, but I very much doubt that the reason she gave was much stronger.

T. S. Eliot’s ‘Is That All There Is?’

Published by Anonymous (not verified) on Sat, 09/02/2019 - 9:20am in

In The Idea Of A Christian Society, T. S. Eliot wrote:

Was our society, which had always been assured of its superiority and rectitude, so confident of its unexamined premises, assembled round anything more permanent than a congeries of banks, insurance companies and industries, and had it any beliefs more essential than a belief in compound interest and the maintenance of dividends?

Eliot wrote these lines shortly after the 1938 Munich Agreement, as Britain and France bowed and scraped before Hitler’s demands for more territorial gains in Europe.¹ The idea expressed at their heart has not lost any of its pungency. Eliot sought to contrast the faith of the Christian, a belief in something more permanent, lasting, morally-inflected, with the commodified, fashionable foundations of the commercial society. But even if you, perhaps of secular persuasion, do not want to fall back on religious faith as an alternative to the call of commerce, there is an acute question that remains raised: what is the great prize of our civilization, the one we offer and hold forth and aloft in front of the gaze of those eager applicants, ‘our youth,’ ‘our best and brightest’?

Something like the following: Go to school, go to college, get good grades, study business, or accounting, or finance, get to work, make ‘good money’–or rather, as much as money as you can, your money-making endeavors unrestricted by any kind of moral impulse. Disdain art and the humanities and all else as not being the real world, as useless and impractical, unsuited to the needs of our times. Regard the history of the world as a mistake, one to rectified by throwing money or weapons at all of its recalcitrant problems. Regard the weekends as a bonus allotment of time to ‘catch up on some work in the office that needs to get done by Monday.’ Birth, (business) school, work, death? The physical details of this are as equally grim: rise and shine, dress up, put on a tie, get in a car and get into traffic, or get into crowded public transportation, and then spend roughly ten hours–if you’re lucky–indoors in climate controlled environments. Rinse and repeat. The utter vacuity at the heart of these pursuits is almost frightening in its blandness, its lack of emotional and spiritual sustenance; the commodification of life and love it promises is genuinely terrifying.

Small wonder so many who live this dream ‘stumble’ from boardroom to bar to coke spoon to therapy couch to the grave. And small wonder that when the allure of something more substantive, more emotional, is held out as bait, so many snap and bite. Perhaps religion, perhaps a ‘new-age cure,’ perhaps, in the most extreme circumstances, an abandonment of family and an older life altogether. We will join these travelers, like all others, in their final destinations, the grave, but we can exercise some measure of control over the paths we take there.

Note: As quoted by Edward Mendelson while reviewing Robert Crawford’s biography of Eliot and a collected edition of Eliot’s poems.

Philosophy As ‘Ways Of Seeing Things’

Published by Anonymous (not verified) on Mon, 04/02/2019 - 3:12pm in

In Confessions of a Philosopher (Random House, 1997, pp. 399-400) Bryan Magee writes:

[T]he most important things great philosophers have to give us are to be got at not by analysing the logic of their arguments or their use of concepts but by looking at reality in the light of what it is saying….”Is reality illuminated for me if I look at it in the light of X’s explanation of it?”….For the most part philosophy is about different ways of looking at things: its purpose is not so much of knowledge as of understanding. An original philosopher is saying to us in effect: “You will find you will understand things better if you look at them this way.”….in this respect philosophy can be like art….the result is an enhanced perception and understanding of my own world, my own experience, an enrichment of my vision….What one gets from a philosophy consists largely not of true propositions but, more important than that, ways of looking at things, ways of seeing things.

I’ve made note here and elsewhere–in an interview with 3AM Magazine–of my original motivations for studying philosophy. The latter spoke to philosophy’s therapeutic function. The former, more explicitly in line with Magee’s claim above, spoke to the ‘special elevated vision’ the philosophical attitude seemed to promise: I would see the world in a whole new light once I had become a philosopher. But of course, that is what philosophy’s therapeutic function amounted to as well–at least as I understood it. For what I hoped for and desired more than anything else via the study of philosophy was that it would convince me that the world I lived in, a world then tainted by my grief and anxiety and sorrowful remembrance, could be viewed anew, and thus transformed, made into one that I could go on living in with purpose and desire and striving. My state of mind then did not permit such a perspective: all was shadow and murk. For philosophy did not just promise to elevate me above the fray, to look down from an Olympian height (in the way that the two paragraphs I quoted from John David Mabbott in the post linked above had seemed to.) That promise still contained within it a hint of remoteness: perhaps I would have to separate myself from the mundane world to enjoy such a ‘superior’ perspective. But the promise to see things anew, to see ‘reality in the light of what it is saying’ was a trifle more ambitious and humble and human all at once: I would walk these same streets, among the same people, see the same sun rise every day on this world with all its ugliness and beauty, and yet, none of it would be the ‘same,’ because I would be a philosopher.

These original conceptions of philosophy carried a hint of the poetic, the artistic, the religious, and the scientific to me; and despite my immersion in technical analytic philosophy in graduate school, they never quite left me. Every attempt to straitjacket it into only one of those categories was, at some important level in my  mind, a failure to understand philosophy’s promise, a betrayal I could never sign up for.

Rohin Kushwaha On The Writer’s Craft

Published by Anonymous (not verified) on Wed, 30/01/2019 - 10:26am in

A few days ago, I made note of the passing of my young nephew, Rohin Kushwaha, at the age of nineteen, mourning the tragic loss of a brilliant, young, and talented man to the ravages of a relentless disease. In that remembrance, I made note of Rohin’s writing talents:

His intellectual ambition was vast, speaking of a vision and a scale not normally associated with one so young: he studied computer science and dreamed about writing a different kind of video game, complex, based on rich narratives with complicated characters; he would bring his own novels and stories to life with the games he wrote. He had completed work on one novel and had begun work on another; he was talented and prolific and organized and hard-working, the perfect artist.

Today, I can say something more substantive about Rohin’s writerly talent and ambition by sharing a powerful piece of writing he wrote in response to a fellowship application prompt. I include it here on this blog, in this public space, because it contains lessons that all creators of any stripe, writers, and artists alike, would do well to learn, a wisdom it took me over three decades to realize (albeit only partially). What is striking about the writing below is not just that it is written by a 18-year old, or that it is describing the writing of a novel at that age, but that the articulation of the necessary labors of the writer that it contains–write regularly; do not wait for inspiration to strike; the muse only visits while you work; revise, revise, revise, for a work of writing is never complete, never ‘done’–are among the deepest of the writer’s craft. It is succinct; it is to the point. Some of Rohin’s friends referred to him as an ‘old soul,’ wise beyond his years. This piece of writing shows why. Every writer, creator, or artist could take this little piece of writing, print it out, stick it on their desk, and get to work. I know I will.

Thanks for writing this Rohin. I hope others read this and are inspired to write, and create, to bring their works to completion. You’ve passed on, but your words will live on and inspire others. With all my love, Samir Chacha.

Here is the prompt:

Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Here is Rohin’s response:

Ever since I was 10 years old I told myself I could do it. But there was a part of me that also knew I couldn’t. Or wouldn’t rather. As far back as I could remember I always wanted to tell stories. Stories like the ones I saw in movies and read in books. Stories that made people feel something as they experienced it. I wasn’t sure if this passion of mine would fade with time. I wasn’t sure if it was a passion at all. But when your mind is so packed with character arcs, plot twists, and dramatic moments that it’s about to burst, you have to let it out somehow. So I did. The summer I turned 16 I decided to sit down and write a book. And I told myself it was going to be good.

Before I even typed the first word I thought I had the whole thing figured out. I thought I knew every detail of my story, chapter to chapter. But as I wrote I began to realize I only knew three things about my story: the beginning, the middle, and the end. The question I kept having to ask myself is “what happens next?”. This is the question that made me stop writing immediately after the first chapter, a mere 577 words.

The next day I sat at my computer and stared at the next blank page, hopeless. I didn’t write a single word that day because I was afraid that what I decided to happen next would be the wrong thing to happen next. I was afraid of telling a bad story. I shrugged it off each day, telling myself I wasn’t “inspired” or “in the mood”.

It must have been a week until I realized the “trick” to completing my story, the “trick” to writing. Even if you’re not inspired or not in the mood. Write anyway. Even if you don’t know what’s going to happen next. Write anyway. Even if the sentences you make are bad sentences. Write anyway. So I did. 1,000 words a day. That’s what I told myself. Some days that would take an hour, others it would take 3. But I never went to bed until those 1,000 words a day were complete.

And just like that my story began to be told. I found my characters writing themselves, speaking and acting as they would if they were real people. I found motivations and plot points aligning, finally making sense in the bigger picture. And I found myself enjoying every moment, every struggle and every little victory of writing my story. There were even some days I found myself writing over 1,000 words without even realizing it.

In two months time I was done. I was actually, finally done. 65,000 words, 65,000 of my own words. So I decided to put the story down for a month. Come back with a pair of fresh eyes and impress myself all over again with what I had done.

But what I had found when I came back was that my novel had changed from science fiction to horror. I read each sentence, each chapter in dread. I was amazed at how little so much of it made sense. After finally coming to terms with it, I realized that I was far from done. I had barely even started.

So I tore each chapter to pieces. I rewrote, rewrote, and then rewrote some more. And here I am a year later. Is my story perfect? Not even close. It is ten times better than it was last year? Improvement is relative, so I’ll at least give myself that one. But this story will forever be the thing I am most proud of. Because when I sat down every day, even when I knew it wasn’t perfect, I wrote 1,000 more words.

“Even if you’re not inspired or not in the mood. Write anyway. Even if you don’t know what’s going to happen next. Write anyway. Even if the sentences you make are bad sentences. Write anyway.”

Commodified Relationships And Friendship

Published by Anonymous (not verified) on Mon, 28/01/2019 - 1:40am in

When relationships are commodified, can friendship survive? This old, plaintive question has not lost any of its urgency. Once we meet and greet our fellow humans our interactions are quickly  transformed into the transactional because that is the context within which they function. To be with our friends, to spend time with them, to engage in all manner of social interactions often requires money. We spend money on our friends, they spend money on us; perhaps we consume each others’ purchased goods; together, we consume this society’s various offerings–art, culture, sports, entertainment–all needing to be purchased for. Every ‘hang-out session’ needs to be paid for–because, let’s face it, we don’t just go on aimless walks with friends. (The walk in the park with a friend is, I think, a rare indulgence these days.) We cannot afford to be friends with some people; their tastes are too expensive. Some people cannot afford to be friends with us; our tastes are too expensive. (In  my graduate school years, there were friends whose dinner invitations I always turned down; they would pick restaurants which I could not afford. And indeed, their failure to recognize my financial situation, by way of their oblivious invitations, never failed to anger me for their insensitivity.)

So accusations of failures of generosity are, in a society like ours, underwritten by a particular urgency; the pinch of the tightening belt all too often animates the anger with which we lash out at those who would abuse our beneficence. A friend who lightens your wallet excessively or who does not lighten his in turn for you is no friend. For we are keenly aware that this relationship seems to have impoverished us in this society’s most crucial reckoning of our worth: our bank balance. We struggle to find the right balance between being a miser and a spendthrift in our relationships with our friends; they struggle accordingly. Indeed, those supposed purveyors of unconditional love, parents, often find themselves hurling accusations of ingratitude at their children: “Do you have any fucking idea how much money I spent on your goddamned college education?” (One friend confided to me that he couldn’t wait for his kids to move out of his house so that he could start spending his money on himself. He groaned as he said this, because he knew, like I did, that matters were not so simple, that his children could, and would, continue to make both emotional and financial demands on him.)

The need to balance the budget makes accountants out of all of us, even when interacting with loved ones. It casts a very particular interpretive lens over actions and words, causing us to evaluate and judge accordingly. That forgetful friend of yours, the one who forgets to reciprocate the coffee you bought for him, the one who forgot to offer to pay for the gas when you gave him a ride? He doesn’t appear innocently absent-minded anymore. All too easily, he’s easily transformed into a malevolent destroyer of your financial future. (I exaggerate but you catch my drift.)

The converse aspect of the situation described above is that relationships that start off as transactional have little chance of blossoming into friendships. On that more, anon.

 

 

Haircuts And Mindfulness In The Barbershop

Published by Anonymous (not verified) on Wed, 23/01/2019 - 11:42pm in

My patient wait over, I rise to take my turn, ready to exchange a few pleasantries and then sink into silence. It is time for my haircut. Very soon, I will close my eyes and let myself be taken over: by the sounds of battery-powered clippers that cut my hair down to the scalp, of scissors that click away next to my ears, trimming and shaping, of the pop music emanating from the ‘light FM station’ that is always playing in my barber shop, of the Italian and Spanish and Russian spoken in my neighborhood; by the touch and feel of hairs being tugged, falling around my shoulders, ears, and on my shirt front, of hands gently moving my head one way or the other, of razors scraping my skin. I am not disturbed or distracted, no one calls for my attention or help. My phone occasionally quivers with messages being delivered, but it is far away, in my backpack, and I cannot reach it–deliberately. Occasionally, the barber will check in to see if I want some amendment to my cut, to check to see if things look ‘OK’; I reassure him quickly so that he can get back to work–and I can get back to being silent, with my eyes closed. This is a genuinely self-indulgent state of being, a retreat from ‘the madding crowd,’ one to be savored. (A few days ago, I heard a friend say that he actively discourages his barber from speaking to him during his haircut just so he can enjoy this rare moment of solitude. I do not have to issue any such warnings; my barber is a taciturn Ukrainian gentleman who is only curious about when my semester begins and ends. And my satisfaction with the haircut and/or beard trim he has just given me.)

The haircut in the barber shop is, truth be told, a genuinely meditative moment. It offers opportunities  to be genuinely mindful; sit straight, close your eyes, and yield. Curious trances, sometimes accompanied by time dilation, result. So do naps, obviously. (The haircut is worth its price in gold just for that deliverance–as indeed, is the afternoon meditation sit that turns into an extended head-nodding session.) We have taken time out for ourselves, an act of self-directed kindness, to attend to our ‘needs’ in the midst of a busy daily schedule; and we know it. We have stepped out into a diversion; here, at the ‘tender mercies’ of our tonsurers, we sit, losing hair, but gaining considerable peace of mind. The shedding of hair is a crucial part of the experience; our hair, a symbol of indolence and disorganization, represents a burden we are here to rid ourselves of, and here we are, setting things right, casting off its baggage, ready to move on. Skinheads took this sensation to the extreme; the shaved head represented a cutting loose, a ‘getting closer to the bone,’ to the unmediated reality that lurks beneath all the cover-ups. Sitting quietly with eyes closed in a barber’s chair is the right way to think about what that entails.

Essay: Religion is Like a Fungus

Published by Anonymous (not verified) on Mon, 21/01/2019 - 3:36am in

Some of the most maladaptive social behaviors I see seem to indicate deep human longings for religion and/or magic. Here’s something I wrote about religion in December. It’s weird. You don’t have to agree.

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Religion is like a fungus: seemingly toxic, but an essential part of an ecosystem we don’t understand.

Culture is alive. Just as physical living organisms are interconnected in complex ways, so are cultural organisms.

Our usual approach to Life is to think of organisms as discrete individuals. The plant is one thing, the soil is another, the insects another, and the fungus is some pathogen or pest. The animal is an individual, whose life processes are carried out by its individual organs. A human is one thing, culture is another; an intestine is one thing, gut flora are another.

Only recently have we acknowledged that animal digestion relies on bacteria. Without internal bacteria, animals cannot live. That bacteria is communicated through a complex living environment we remain mostly stupid about.

Religion is like a fungus. Consider Penicillium: a mold that spoils bread. No one wants moldy bread. If our bread is moldy, we curse the mold, and perhaps dream of a world in which mold is eliminated.

Suppose we succeed in wiping out the nasty bread mold. Do we end up with clean, pure bread? No, we open the door to far more toxic organisms.

I am highly critical of established religions. Terrible things are done in their names. They do seem toxic.

But a human mind without religion does not become some pure, rational ideal. The human mind never was and never will be pure or discrete. The human mind exists in a cultural ecosystem we do not fully (or even begin to) understand.

Because cultural ecosystems are barely acknowledged, let alone studied, there aren’t well-developed ways to talk about them. I use the metaphor of soil: human minds are the soil in which culture lives. Culture itself may be “airborne,” like spores. A human mind with permeable ears and eyes will be colonized by music, images, language, gestures, sounds, patterns, and much more we can’t even name. Trying to stop culture from entering a mind by enclosing it just makes the system unhealthy – like wrapping food in plastic. It works for a short time, but eventually traps colonies of microbes, and not the ones you want.

Better to keep the mind nicely aired out, with an open flow of culture around it, so it can stay healthy.

Established religions may protect minds against even more toxic cultural organisms, just as Penicillium makes bread inhospitable for pathological bacteria. For all its faults, Abrahamism may protect minds from even worse ideologies.

Atheism has become very popular in the West over the last few decades. I’m all for it. Except…it has coincided with the rise of some pretty toxic new religions. Foremost is genderism, the belief in an unprovable, indefinable gendered essence (soul) that can be born in the wrong body. Genderism is remarkably popular among professed atheists.  Danielle Muscato is a prime example.

This is anecdotal, and I am only one data point, BUT: I’ve noticed that the most toxic, extreme genderists tend to identify as atheists, while many of the most benign and rational genderists I’ve encountered practice a traditional religion (Christianity). They may not even be genderists per se, but they are transsexuals. I speculate their established religion protects them from the worst cultural toxins – misogny, dishonesty, entitlement, violence – attendant to gender extremism.

For all my criticism of religion, I conclude that humans may need it. Killing off religion may be like killing off “pests”: seemingly beneficial in the short term, but having complex effects on the larger ecosystem that can be catastrophic. Healthy soil needs – largely is – fungi and bacteria. Healthy minds – the soil of culture – may require similarly unsympathetic cultural organisms. Like physical Life on Earth, most mental life is “below ground,” and staggeringly complex. The writhing colonies of organisms that live in dark places may disgust us, but our life and health depend on them.

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Antisocial Media’s Funniest Conservative and Far Right Self-Owns of 2018

Christmas and the New Year is the time when the media traditionally look back over the events of the preceding year. It’s in this spirit that left-wing YouTuber Antisocial Media presents this video of what he has judged to be the funniest Conservative and Far Right self-owns of the past year. As a run down of the right’s greatest fails, it naturally has the old Top of the Pop’s music, which was played when the programme went down the charts for that week. It also begins with someone who looks a bit like Trump, or maybe is Trump, dancing with a load of other businessmen. Antisocial Media says he’s had to leave many fails out, simply because there’s been so many of them and he doesn’t have time to fit them all in. But if there’s enough interest, perhaps he’ll do another video looking at other fails.

These fails are all attempts by the Conservatives and the Far Right to ‘own the libs’ by triggering them. These have repeatedly backfired to such an extent that Trump aide Nikki Haley has appealed to college Conservatives in the US not to do it. But like the Martians in H.G. Wells’ War of the World, ‘still they come’.

The first fails covered include Charlie Kirk, an American right-wing media voice, losing his temper and trying to start a fight with Cenk Uigur of The Young Turks at Politicon, a Conservative gathering. Kirk also made himself look massively stupid by posing outside a university wearing a nappy and with a baby’s dummy. Presumably this was done to try to suggest they were all sensitive crybabies. It didn’t work, and Kirk was just left looking stupid. These fails are all just shown in passing, before Antisocial Media goes on to give a more detailed look at particular instances of spectacular right-wing failure. These are

* The Trumpy teddy bear, that came complete with an American flag stuffed inside it.
* Canadian right-wing psychology professor Jordan Peterson, for saying in an interview that men and women can’t work together because of lipstick; and for publicly opposing pornography as harmful, then appearing – clothed, mercifully – in the pages of Penthouse, a pornographic magazine.
* A member of Fascist gang, the Proud Boys, trying unsuccessfully to rip up a placard he’d just snatched from left-wing Antifa protesters.
* Female YouTube gun nut Gun Girl trying to sell her fans T-shirts with the slogan that nothing would make feminists angrier than buying it. Because feminists are angry at the patriarchy, not someone trying to rip off their fans.
* The Generation Identity anti-immigration group building a fence on the Franco-Swiss border to prevent illegal immigration. A fence so flimsy that illegal immigrants could knock it down or jump over it.
* Right-wing internet personality Ian Mile Cheong getting grumpy on Twitter because of a woman’s comeback to one of his tweets.
* James Wohl, a 20 year old MAGA troll and massive Trump fan, who was caught for his part in a massively inept plot to smear Special Counsel Robert Mueller as a sexual predator.

And then comes Antisocial Media’s top 3 greatest fails. They are, in reverse order

At No. 3, the NPC Meme. This is an internet meme of grey people all repeating the same empty slogans and phrases. It was supposed to show how the Left is all mindlessly alike. But instead, it’s popularity shows how mindlessly alike the Right are with their limited vocabulary of slurs and insults like ‘Soyboy’, ‘Cuck’ and so on.

No. 2, internet right-wingers Carl Benjamin, AKA Sargon of Akkad, Mark Meechan, alias Count Dankula, Paul Joseph Watson and Milo Yiannopolis joining UKIP. UKIP as a party are irrelevant and nearly dead. They campaigned for Britain to leave the EU, and achieved it with the referendum. There is thus absolutely no point to them. This section of the video also shows former Tory MP Neil Hamilton welcoming them into the party. Antisocial Media remarks that no-one really remembers him either. If they do, they’ll probably be like me, and remember him primarily because of the court case between him and Mohammed al-Fayed, then the owner of Harrods. Al-Fayed had bribed him to ask questions in parliament, which is illegal. Hamilton took the money without doing what the Phoney Pharaoh requested, so al-Fayed sued him for breach of contract. It was the kind of case you wished both could lose. And then there is was the instance where Benjamin, who believes he’s ‘centre left’ and a liberal, albeit of the ‘classical’ type, showed himself cutting up his Conservative party membership card and displaying his new, UKIP card. Obviously, he would have a Conservative membership card if he was really a liberal. Then the party put up a poster with Benjamin, Dankula and Watson on, proclaiming that it was ‘the party of British values’. This failed because they were all shown looking utterly miserable. And then there’s Gerard Batten’s utterly reprehensible appointment of Islamophobe Tommy Robinson.

But at No. 1 is the balloon satirizing Sadiq Khan. Antisocial Media says he chose it because it’s not just one fail, it’s thirteen all rolled into one.
The balloon was supposed to be a response to the Trump balloon, which showed the American president as a literal manbaby in a nappy clutching a mobile phone. This instead showed Sadiq Khan as an adult wearing a bikini. Here are some of the reasons it failed.

* It was changed from the initial design, which was a straight out copy of the Trump balloon design.
* It came two months after the Trump balloon.
* The balloon’s bikini has to be explained. It’s a reference to Khan’s banning of an advertisement telling women to get ‘beach body ready’. But everyone’s forgotten that. In fact, Khan banned the advert for a very good reason. He was afraid that it would promote an unhealthy obsession with body image in girls. And I think he was right.
* They gave the balloon a hooked nose, which Khan doesn’t have. Yanni Bruere, who organized it, was also caught tweeting anti-Semitic conspiracy theories. A law student told him online that he had just destroyed any chance he had of a legal career.
* It was a colossal failure to provoke Khan. He not only approved the balloon’s flight, but was entirely untroubled about people trying to send him up.
* Bruere himself lives in Spain, not London, so it’s a good question why he’s bother about the safety of Londoners.
* He also gave up a managerial job, because they wouldn’t give him the time off to organize his balloon and demonstration. So he made himself unemployed.
* It cost 60,000 pounds to make and organize, and hardly anyone turned up.

Antisocial Media concludes that the Right could cure depression if they put on a stunt like this every week, and calls for them to carrying on doing so!
He also attacks Piers Morgan for getting upset about the Trump balloon passing the statue of Winston Churchill. So Trump balloon had an added bonus for upsetting him. It’s always good to annoy Piers Morgan, now destroying Susanna Reed on ITV’s breakfast TV.

This obviously isn’t a complete rundown of right-wing madness and ineptitude, but it does include some of the best. There are some others, which weren’t in there. Like deranged conspiracy theorist Alex Jones coming on his show dressed as a gay frog. It also doesn’t have Tweezer dad-dancing onto the stage at the Tory conference. However, it does show some of the greatest, most ridiculous antics of the transatlantic right, which are well worth laughing at. And I’m sure this year will bring us many, many more.

Narnia’s Pevensies And Personal Identity

Published by Anonymous (not verified) on Fri, 14/12/2018 - 1:38pm in

Readers of C. S. Lewis’ The Lion, The Witch, and the Wardrobe will remember the novel’s dramatic ending: Peter, Lucy, Edmund, and Susan, now all grown up and ruling as noble and just kings and queens of the land of Narnia, set out to hunt a mysterious stag; their hunt leads them into the woods, toward ‘the lamp post’–the one that had brought them to Narnia in the first place, and then suddenly, as Peter, Lucy, Edmund, and Susan find themselves back in ‘the wardrobe’ all too soon, they are back in England, back in the here and now, and barely an instant has passed. (Many Narnia years you see, only amount to a second or so of Earth time. Indeed, it is not clear at all that any time elapses while the children are in Narnia; the two timelines are disconnected.)

Of course, because only an instant has passed, the children are children again–they are not adults any more. They have shrunk, physically. But presumably they have shrunk psychically too; after all, back in Narnia, they were adults, and their growth into adults would have involved progression in the physical and psychological dimensions. Interestingly enough, the children remember their experiences in Narnia; which means they have memories of their growing up, their transformation into adults. This journey back to ‘the real world’ is likely to be far more disruptive, then, than C. S. Lewis lets on; Peter, Lucy, Edmund, and Susan, are, on their return to earth, facing possibly one of the most hallucinatory of all experiences: years and years have passed by, and then, one day all of a sudden, you find yourself a child again, but  this is not any ordinary child, this is a child with memories of having been an adult once. So, even if this child does not have its physical child capacities any more–perhaps they pre-pubescents again–it still remains an open question whether this child remembers its adult responses in the emotional and psychological dimensions. Does the child now behave as an adult might? What is the effect on the Pevensies as they continue their lives, with these memories reminding them of what they once were? Note that had the children gone to Narnia, and spent say, a few months there, and then been shot back through the wardrobe to land up back in England in the same way as before, these questions would not have arisen. They arise only because Lewis insisted on giving the Pevensies a full-blown reign in Narnia, a long and prosperous one of fifteen years.

Lewis has thus created a tricky situation for the Pevensies. As they grow up here on Earth, they will slowly become adults but they will not be the adults they were in Narnia; after all, Earth is not Narnia: its lands and peoples are significantly different. The Pevensies will have different experiences, encounter different circumstances and react differently. Of course, since they carry around their memories of their psychological growth, they might use those as inputs into their development in this ‘new life’ but they will still certainly not be identical to their Narnia selves. They will have multiple personalities of a sort–perhaps akin to that of the immigrant, who remembers an older world, an older self, older ways of behaving and responding to the world’s offerings. Their friends and lovers and family might find their repeated invocations of their past irritating and bothersome at times, but also of singular interest; the Pevensies for their part, if they play their cards right, will ‘enjoy’ having lived two lives–once again, much like the wise immigrant does, who considers himself fortunate to have experienced ‘two worlds for the price of one’–even if such experiences do bring their own fair share of heartbreak. (The novels featuring the Pevensies themselves span nine years–from The Lion, The Witch, and the Wardrobe to The Last Battle.)

A budding writer could do worse than to write a novel that tracks the Pevensies’ developments as adults, back here on Earth, when they are done with the Narnia phase of lives, but with those Narnia memories animating their hybrid selves.

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