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Published by Anonymous (not verified) on Sat, 18/05/2019 - 10:15am in

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Just added to my radio archive (click on date for link):

May 16, 2019 [back after KPFA fundraising hiatus] Eric Blanc, author of Red State Revolt, on the teachers’ strikes • Catherine Kaiman, environmental lawyer, on community-based reparations (paper here)

Video Urging Boycott of Eurovision to Combat Israeli Artwashing

The Eurovision Song Contest is nearly upon us, and TV stations all across Europe have started showing the contestants going through their moves and ditties ready for the big event. This year it’s in Israel, and last night the Beeb started their broadcast from that country. This raises the awkward issue of how the Israeli state is using the event as propaganda, to try to present itself as a liberal, progressive nation while in fact its the reverse. It’s an apartheid state, which has practised a 70 + year campaign of apartheid, arrest, torture and ethnic cleansing against its indigenous people, the Palestinians.

This video comes from Breadtube’s European All-Stars, with speakers including the Spanish Javi, Amelia Jane, Brit Kevin Logan, and Paul Morrin. It’s done with humour, with Javi himself opening the video with a piece in Spanish explaining to his compatriots that they are to hang on, because they’re experiencing cultural difficulties. But it’s very solidly factual, and presents a powerful, irrefutable argument why decent people should not go to Israel and should boycott the Song Contest.

Amelia Jane begins by describing the Song Contest’s origins. It’s staged by the European Broadcasting Union, and was devised to pull the various European nations together after the Second World War. It’s gone from a very upper class oriented event to something rather more democratic. It’s now campy and so LGBTQ positive that it’s almost the precursor to the full Pride parades later in the year.

Despite the EBU’s claim that it is apolitical, the contest has always had its share of controversies, and even the existence of state broadcasters like the EBU in an age of post-Milton Friedman neoliberalism is controversial. Turkey pulled out of the contest a few years ago in protest at two women kissing during one of the pieces. But before that, Austria refused to broadcast it following the inclusion of Franco’s Spain. The ghastly thug was using it to open up his Fascist state to the rest of the world. Since the fall of Communism, it’s included a number of states that were in the former Soviet Union, with the exception of Russia itself. These are using the Song Contest to position themselves as more liberal, progressive, and oriented towards north-west Europe and the free market.

It’s also expanded far beyond the conventional boundaries of Europe. Since the beginning its included Israel, but now also includes Morocco and Australia. This was supposed to be only for a single time, but has somehow continued.

Here Kevin Logan takes up the narrative, talking about Israel as a colonialist, apartheid state. He states that it is a colonialist state, that took over a large proportion of Palestinian territory after the war of 1948 and the departure of the British. It is a religious state, where Jews are the privileged citizens. The indigenous Arabs, however, have been subjected to continuing arrest, massacre and ethnic cleansing. Those who remain in Israel are subjected to a form of apartheid. He states that current technology means that the Israelis cannot hide their atrocities, which include the arrest and torture of children as young as five. He compares this with apartheid South Africa, which also experienced boycotts in sport, the arts and elsewhere in protest at its racism.

This part of the video shows clips of the Israeli forces doing precisely what Logan describes, including arresting small children and a journo shot by the IDF. And to show what ordinary Israelis think of Islam and Palestinians, he shows clips from Abby Martin’s Empire Files, in which various young Israelis declare their hatred of Islam, desire to see Arabs and Israelis segregated, and that the whole of Palestine is theirs and Jews and Arabs should not intermarry, because they are God’s Chosen People.

Phil Morrin then takes over to show how the Israelis are turning to the arts and culture to burnish their very soiled image. He explains what green-, art-, and pinkwashing are. Greenwashing would be if the IDF tried to convince the world that it was now a progressive, caring organisation by putting its squaddies on a vegan diet. He declares that the real vegans wouldn’t be impressed, and would say that the diet was merely plant-based. Similarly, the Israeli state has also used Eurovision and queer issues to try to present itself as more humane and progressive than it really is. This was twenty years ago, when the Israeli contestant was bearded woman Dana International. Actually, I though International was really a pre-operative transsexual, meaning that she was biologically male, rather than completely female at that point. And then the other year their entry was a song about resisting bullying, performed by a plus-sized singer determined to combat stereotypes about body size. He wonders how that would have gone down with the 27 people the Israelis shot that year, which actually was one of the quietest.

The video ends with a call for people to get involved with the boycott campaign and stay away from Israel in order to overturn it, and create a Palestine, which is free, democratic, and where all its citizens enjoy equal rights. And this includes the wider Boycott, Divestment and Sanction movement. It may not do much, but the Eurovision Song Contest now has such cachet that Madonna wanted to take part and was denouncing people, who were urging its boycott. Okay, Javi says, they’ve got Madonna, but we’ve got Roger Waters, formerly of Pink Floyd. So the guitar on our side is better, but probably not the dancing. The video ends with Javi appealing for donations.

I’ve no doubt that this video, posted on May 7th, has already got the Zionists’ teeth gnashing. It’s precisely the kind of material that will have the Campaign Against Anti-Semitism, the Board of Deputies, and the various parties’ ‘Friends of Israel’ all screaming ‘anti-Semitism’, including Labour Friends of Israel and the Jewish Labour Movement. The groups, who howl with outrage at anyone, who dares to suggest that Israel has no right to exist as a state that declares itself as the homeland of the Jews, while denying the Palestinians a right to their homeland, or to live as equal citizens in a religiously and racially neutral Israel. But this doesn’t stop the video being true, and its arguments valid.

And Israel and its supporters are ultimately behind the anti-Semitism smears against Jeremy Corbyn and the Labour Party, and the foul lies against decent, anti-racists and campaigners and anti-Semitism and Fascism like Jackie Walker, Marc Wadsworth, Mike Sivier, Martin Odoni, Tony Greenstein, Cyril Chilson, and so many, many others.

Given how the Israeli state and its craven supporters have behaved to Mike and the rest, I don’t even want to see it on TV. Go boycott it, even if you’ve no intention of going to Israel anyway. Watch something on the other channels, or put in a DVD, listen to a CD, go on YouTube, play footie, snooker, go down the pub. Do anything, in fact, but give your precious time and attention to Israel’s efforts to divert the world’s attention away from its true, horrific, Fascist reality.

 

 

 

 

Yay! David R. Bunch’s ‘Moderan’ Now Back in Print

Published by Anonymous (not verified) on Tue, 07/05/2019 - 9:46pm in

Bit of good news for fans of classic SF. Looking through the Cheltenham branch of Waterstone’s last week, I found that David R. Bunch’s Moderan was now in print. This was published in 1971, and is really a series of vignettes originally published in small magazines, as well as the big SF mags Amazing and Fantastic. These are set in a future in which organic humanity has decided that its reached the end of its natural evolution, and to evolve further it must transform itself into machines. This process is described as it affects the hero, Stronghold 10. The style is superficially sympathetic to heighten what the reality of what this new, cyborg humanity has become: immortal, but paranoid with each stronghold at war with their neighbours.

Brian Aldiss gives as sample paragraph of Bunch’s prose style, which explains the background to the novel, in his and David Wingrove’s history of SF, The Trillion Year Spree:

Now, to turn tedious for a time, this is what happened. Flesh-man had developed to that place on his random Earth-ball home where it was to be the quick slide down to oblivion. All the signs were up, the flags were out for change for man and GO was DOWN. To ENDING. Flesh-man was at the top, far as he could climb as flesh-man, and from there he was certain to tumble. But he had the luck to have these brave good white-maned men in the white smocks, the lab giants, the shoulders, and great-bulged thighs of our progress (what matter if they were weazened, probe-eyed, choleric scheming, little men sometimes – more often than not, REALLY?) authors of so much of man’s development and climb to that place where he was just due to die, expire, destroy himself and his home at this grand stage of development to make new-metal man and set him in the Strongholds upon the plasto-coated Earth that had been man’s random and inefficient home. New-metal replaced flesh (down to the few flesh-strips and those, we hope, may soon be gone) the bones were taken out and new metal rods, hinges and sheets put in (it was easy!) and the organs all became engines and marvellous tanks for scientifically controlled functional efficiency forever. YAY! Don’t you see?! Our Scientists made of life-man (the VERY-STRANGE-accident man) essentially a dead-elements man, one who could now cope with eternity, but he certainly was not a dead man. AH! Heavens no! He was alive! with all the wonderful scienc3e of the Earth ages, and just as functional as anyone could wish. YAY! science, take your plaudits now! You’ve shown what was meant from the beginning for the VERY-STRANGE-accident man. (p.324).

Aldiss states that it’s a technophobic piece in the SF tradition of questioning technological progress that began with Mary Shelley’s Frankenstein.

Moderan was out of print for a long time, so I’m looking forward to reading it some time. Bunch also wrote poetry in an avant-garde style very much like his prose, though in verse. A collection of his pieces, of which only one or two were SF, The Heartacher and the Warehouseman, was published in the 1990s. The title poem is set in the Moderan world, and is about one of these cyborgs coming to a warehouse carrying his pump in his heart. He complains that he – and all the other cyborgs – have no heart. The cyborg warehouseman, suspicious, retreats behind his armoury of weapons, informing him of all the cyborg bits and pieces they have, like hearts and mechanical fingers. But he fails to understand the man’s real complaint – that their civilisation has no heart in the metaphorical sense. The warehouseman drives the Heartacher away, but wonders what will happen to him as he retreats back into his cubby-hole.

It’s one of those pieces that was acutely relevant in the 1990s, when there was much talk among the chattering classes of transhumanism and cyborgisation. It was the decade when Radio 3 broadcast the series Grave New Worlds examining these possibilities through interviews with writers, artists and scientists, including Paul J. McAuley, J.G. Ballard and the Australian performance artist, Stelarc, who really has tried to turn himself into a cyborg in performances in which he wired himself up to the net, so that images found online would work his body automatically through galvanic stimulators some Borg organic puppet, and by giving himself a third, cybernetic arm. It’s still relevant as prosthetic limbs continue to improve. While these are an immense benefit to those, who have lost their real limbs through accident or disease, it does raise the question of how far this process can go and humans become the cyborgs of SF. This was the central question David Whittaker was pondering when he created Dr. Who’s cybermen. Bunch’s novel also seems to have influenced one of the writers of Dr. Who Magazine way back in the ’70s. One of the comic strips, Throwback: The Soul of a Cyberman, was about a cyberman, who had some how retained his emotions and compassion. The story was set on the planet ‘Moderan’. And in the 1980s the British space scientist, Duncan Lunan, expressed concerns that people, who were heavily reliant on medical machines suffered a loss of creativity when he explored the possibility of similar mergers between humans and machines in his class Man and the Planets.

I’m glad that this lost classic is back in print. But still more than a little annoyed that it, and other SF works like it, are overlooked by the literary crowd in favour of those by ‘literary’ authors like Ian McEwan. Sorry to ride this old hobby-horse again, but a few weeks ago there was an interview with McEwan in the I. The newspaper mentioned to him that Science Fiction fans were upset about him denying that his book was part of the genre. McEwan repeated his sentiment, saying it wasn’t SF, but was based on him considering real world issues. Well, so is much Science Fiction, all the way back to Frankenstein. Aldiss has praised it as the first real work of Science Fiction as it was based on science as it was known at the time. This was Galvani’s experiments making the severed legs of frogs twitch and move through electricity. McEwan’s attitude shows the basic contempt of many literary authors and critics for the genre. They’re keen to borrow its tropes, but sneer at it as essentially trivial fantasy, unlike the serious stuff they’re writing. Much SF is, and doesn’t pretend otherwise. But there is a very large amount which isn’t, and which deserves to be taken as seriously as so-called ‘serious’ literary works like McEwan’s.

 

Private Eye on Brexit Party’s Claire Fox’s Support for Murderous Fascists

The furore over UKIP’s lurch to the far right and Batten’s recruitment of such controversial, deeply bigoted YouTube personalities and activists like Sargon of Akkad, Count Dankula, Paul Joseph Watson and Tommy Robinson has somewhat obscured the issue of just how politically extreme Nigel Farage’s new Brexit party is. The Brexit party seem to be eating UKIP alive at the polls, but although it’s somewhat more moderate than UKIP, Farage himself was credibly accused of racism and Fascist sympathies when he was in charge of the party. He also wants to privatise the NHS and carry on the other Tory policies of destroying the welfare state and impoverishing its working people. All for the benefit of the extremely rich, like himself. And when he was in charge of UKIP, it also was full of racists, anti-feminists, those, who bitterly hated gays and Muslims. And his Brexit party also contains its fair share of very offensive characters.

One of these is Claire Fox, formerly of the Revolutionary Communist Party, who, like the rest of her comrades, ditched Marxism and moved to the libertarian extreme right. Zelo Street have published a series of pieces refuting her claims to have joined the Brexit Party from the Left, and revealing her disgusting comments supporting IRA terrorism at the time of the Warrington bombing. Fox, then in the RCP, wrote a piece justifying the atrocity, declaring that Irish nationalists had the right to use all and every means necessary to achieve freedom for Ulster. Which meant the right to kill innocent men, women and children. When she was asked about these remarks a few days ago, rather than disavow them she doubled down and confirmed her support. And she isn’t alone in supporting Irish Republican terrorism either. Alka Sehgal Cuthbert, one of the Brexit party’s candidates in London, was also a member of the RCP, which as a whole supported Irish nationalist terrorism.

See: https://zelo-street.blogspot.com/2019/05/nigel-farages-terrorist-sympathisers.html

Private Eye has also published a piece about Fox’s offensive views in its current issue for 3 – 16 May, 2019, ‘Outfoxing Nigel’, on page 10. It’s written by ‘Ratbiter’, otherwise known as the Absurder journo Nick Cohen, who has taken time off from ranting about how Jeremy Corbyn is an anti-Semite. His accusations there are rubbish, and some of his claims are seriously skewed. But in this instance he may well be right. The article runs

“I’ve been a left-wing campaigner for 35 years,” Claire Fox wrote in the Daily Mail after posing alongside Nigel Farage to announce her candidacy for the Brexit Party. “You’d struggle to find a pair of more unlikely political bedfellows.”

Apart from Brexit, is there anything the “left-wing” Fox and the right-wing Farage have in common? Just about everything, as it turns out.

Fox’s Revolutionary Communist Party (RCP) was one of the weirdest sects on the far left. Its leading cadres – Frank Furedi, Mick Hume, Brendan O’Neill and Fox herself – decided in 1997 that there was no future in Leninism, since “the working class has no political existence”, and tried their luck with the media class instead.

The RCP’s successor organisations, the Institute of ideas and Spiked magazine, exploited the limitless appetite of the BBC and Tory press for “contrarian” opinions. Such was their success in thinking the unthinkable and saying the unspeakable they drew a $300,000 donation from the billionaire Koch borthers, who fund dozens of right-wing causes.

Farage could not fail to be impressed. He and his former Ukip colleagues opposed attempts by the EU to improve ‘elf and safety, and the rebranded RCP had little time for public safety either. Fox denounced the mollycoddling of the “anti-bullying industry”, arguing that teachers who tried to protect children were sapping their “resilience”.

Famously, Farage doesn’t much like East Europeans. At times, it seems as if the only East Europeans he can stand are dictators: Viktor Orban may have censored the media, packed the judiciary and presided over epic corruption, but to Farage he is a “defender of Hungarian culture” against the EU.

Although Fox told the Mail she disagreed with Farage’s demands for immigration conrols, she and her old RCP comrades have had no problems with the most brutal controls imaginable in on Europeans who stay in their own countries. When Slobodan Milosevic and Radovan Karadzic organised rape and death squads in the 1990s to “cleanse” Bosnia’s Muslims, they had no more loyal defenders than the RCP’s magazine Living Marxism.

After Penny Marshall of ITN and Ed Vulliamy of the Guardian revealed the appalling conditions in Serb prison camps at Omarska and Trnopolje, Living Marxism declared that the journalists had faked the pictures. Fox and friends and offered no defence of their story when ITN sued for libel. They did not recant when survivors gave testimony in the Hague or when mass graves were found near Omarska. Last year the journalists who run London’s Frontline Club considered inviting Fox to speak. Vulliamy insisted she apologise to the camp victims first, but Fox refused to back away from the modern equivalent of Holocaust denial. Naturally, the BBC thinks she is the ideal person to have as a regular panelist on the Moral Maze.

To be fair to Farage, he has never endorsed bullying children, indeed he broke down when describing how his own children had been bullied. He may have won the Brexit referendum by demonising East European immigrants but he has never covered up their murder. And although he endorses Orban, he has yet to act as a propagandist for Balkan strongmen who have been convicted of crimes against humanity.

The question is now how Fox can bear to be in same party as Farage, but how Farage can bear to in the same party as her.

Francis Wheen on RCP Violence

I’m not surprised the LM/Spiked crowd support bullying children. Francis Wheen in his book on paranoia in the 1970s, Strange Days, describes how the international training camps the Revolutionary Communist Party ran were rife with violence. One girl was raped in one, and a young Black American stabbed to death in another. But the Party’s leader refused to do anything about it, and indeed approved of the violence, because he felt it would toughen the working class up for revolution.

Fox and Ulster Terrorism

As for Fox’s support for IRA terrorism, I’m also disgusted, but not surprised. I think there were quite a few on the extreme left like her. But the murder of innocent civilians is utterly disgusting no matter who does it, whether it’s the IRA, Ulster Loyalists or the British state. And it’s an insult not just to the victims of terror, including the mothers who reached across the aisle in Ulster to demand an end to the violence. I’ve also met plenty of Roman Catholic Northern Irishmen, who would like a united Ireland, but thoroughly reject sectarianism and violence.

Serb Atrocities in Bosia

I’ve also come across allegations that some of the stories about Serb atrocities in the war in Bosnia were falsified by the media and British state in order to provide a pretext for keeping British and other NATO troops stationed in the Balkans. However, the carnage inflicted on the Bosnian people was quite real. Way back in the 1990s Mike spent a week as a guest of a Bosnian Muslim family in a visit arranged by a human rights organisation to show the destruction caused by the war in the Muslim region. Mike enjoyed his stay and his hosts were great people. But the damage caused by the Serb assault was everywhere. Although the war was over by that time, conditions were still very dangerous as the retreating Serbs had left booby traps.

I also used to do voluntary work with a former member of the British armed forces and the British diplomatic team sent to negotiate an end to the war. He told me that, although all the parties in the war, Croats and Muslims as well as Serbs, committed atrocities, on the whole most of them were committed by the Serbs. I’ve also spoken to British army officers, who were sent into Bosnia as part of the peacekeeping forces, and they described some of the atrocities that the Serb forces committed.

Zelo Street in their article on Fox’s disgusting views quoted Times hack Otto English, who wondered how James Glancy, another Brexit candidate in the Euro elections and former member of the SBS felt about Fox celebrating the murder of his comrades. Or Ann Widdecombe about rubbing shoulders with the people, who supported the Brighton Bombing that killed and maimed so many of the Tory party.

Farage’s Brexit Party is far Right, and so should be kept out of power. They aren’t quite a revolting as Claire Fox, whose disgusting views mean that she should be kept out of any party that’s trying for electoral respectability, and definitely not be given a platform on radio or TV to broadcast them.

Zelo Street Publishes Piece Supporting Mike Against Anti-Semitism Smear Merchants

Published by Anonymous (not verified) on Sun, 05/05/2019 - 9:05pm in

Thanks to everyone, who’ve sent donations to Mike to help him fight the libel threats brought against him by rich, bullying z-list celebs Rachel Riley and Tracey-Ann Oberman. They’re threatening anyone and everyone, who says anything about them they don’t like, with writs, and alleging that because they’re Jewish, their detractors must be anti-Semites. Mike’s one of those they’ve tried to bully into silence, because he, like so many others, blogged about how the gruesome twosome had ganged up and bullied a vulnerable sixteen year old schoolgirl. A young woman with anxiety, whom they smeared as an anti-Semite.

As Mike points out, his article was a perfectly valid opinion piece. Mike is a trained journo, and they have to know the law. Mike has also sought counsel from m’learned him friends, who have told him that Riley and Oberman don’t have a case. But he needs money just in case they try to bring it anyway. It’s a nasty piece of legal strategy called lawfare, where an individual or group tries to silence their critics using the law, even when they know they don’t have a case. They bring the actions knowing that fighting them and employing lawyers will cost tens of thousands of pounds, and hope that the legal costs alone will frighten their critics into silence. It’s the action of bullying scoundrels. Riley and Oberman also have the advantage over ordinary schmucks like Mike, in that, as celebrities, they can also count of the support of their legions of fans and their fellow ‘slebs. Riley was on the Jonathan Ross show a couple of months ago, for example, where she thanked all the people supporting her in her spurious campaign against anti-Semitism.

But Mike also has his supporters, who know perfectly well that he’s very, very far from any kind of anti-Semite, and appreciate all the work he’s done on behalf of the disabled and vulnerable. The great folks who sent in £5,000 worth of donations in a single day last week were some of these people, as were the peeps, who defend him online, unasked, against the anti-Semitism trolls.

And one of Mike’s defenders is the good fellow in Crewe, who puts up the Zelo Street blog. Yesterday he put up a piece defending Mike against the anti-Semitism smears of Riley and Oberman, ‘The Shameful Silencing of Mike Sivier’. After explaining who Mike is, and his work attacking the DWP and discussing issues like climate change, health, the Labour party, Brexit and the colossal ineptitude of the Tory party, he tells how Mike has been accused of anti-Semitism by Riley and Oberman. He states that Mike isn’t, and those papers that tried to smear him as one have been forced to retract their allegations by IPSO. He also describes how Mike’s target of £5,000 to help him fight the terrible twosome’s threats was raised in one day, though leaves it an open question whether this is a measure of Mike’s popularity or a sign of displeasure at the behaviour of Princess Countdown and her mate, Tracey-Anne Cyberman. He makes the point that their threat to Mike came after they had similarly threatened other people on social media for supporting an article against them written by Shaun Lawson. Who, for some reason, they haven’t threatened. Zelo Street then asks

Why should this be? Perhaps Ms Riley and Ms Oberman would care, in the fullness of time, to impart that information to the world. Perhaps they would also like to tell Mike Sivier, or his legal team, what specifically he has said in regard to either or both of them which they consider libellous. Because Sivier does not appear fazed by the claim, and nor do his lawyers, which suggests they are confident of having the action struck out.

He then provides a couple of quotations from Mike, which might have provoked the ‘orrible pair into threatening him, pointing out that one is no more than a statement of opinion. The second is one, where Mike describes how the two try to justify their bullying behaviour by claiming it is part of their campaign against anti-Semitism. Zelo Street attacks this by asking

How can anyone be combating anti-Semitism by threatening someone who concludes that you’ve been indulging in bullying? Is bullying an anti-Semitic code-word?

He states that Countdown and Cyberwoman have a problem in that it looks very much like their word against Mike’s, and that as Mike’s comments are like those of Lawson’s, who hasn’t been threatened, Lawson’s comments are the key to this case. He concludes

Attacking those who campaign for the weak against the strong in an attempt to silence them inevitably leaves a bad taste in the mouth. I’ll just leave that one there.

See: https://zelo-street.blogspot.com/2019/05/the-shameful-silencing-of-mike-sivier.html

As for Jonathan Ross, I stopped watching his show years ago, mostly because I simply don’t find it interesting. He is a very clever man, and I share some of his taste in trash and popular culture. But Wossy also wants to be a bit edgy himself, and so indulges in puerile jokes, like the phone call to Andrew Sachs with Russell Brand that got him into so much trouble.

And when he was on the radio I think he was trying to be as close as he could to an American-style ‘shock jock’ within the limits of the Beeb and the broadcasting regulations. So he couldn’t be as openly politically biased nor as racist as some of them are. Nor can he be as sexually explicit. Howard Stern had on his Christmas show, for example, a gay choir singing ‘I’m dreaming of a little light torture’, but Wossy on his show for years had a gay singing group ‘Four Poofs and a Piano’. I’ve absolutely no objection to them appearing on his show, but it does seem to be an example of Wossy following the Americans’ taste, which he genuinely shares, for the transgressive and camp.

But I do wonder how he gets away with some of it. A few years ago while looking for something else on lunchtime radio, I accidentally got his lunchtime programme. Wossy was talking to the late, great Dale Winton. On finding out that Winton was Jewish, Wossy announced that he himself was half-Jewish, and then asked him if he was circumcised.

Eh? What has that got to do with anything? That’s a personal question, which is between a bloke and his rabbi. It’s not a question you ask, and certainly not on the radio at a Saturday lunchtime.

A more reasonable question might be how his Jewish background has influenced him as a person or a performer. Many performers come from a religious background, and various Christian actors and musicians took their first step in showbusiness in the church choir. I don’t know if something similar has inspired Jewish showbusiness peeps through membership of their synagogue. In traditional Judaism, for example, the readings from the Hebrew Bible were chanted by the cantor. This chant, cantillation, was often sung very beautifully, and in the 19th century the best cantors in European Jewry enjoyed a celebrity status like that of opera singers in mainstream society. It seems to me that asking whether the Jewish musical tradition, whether religious or secular, would be a far better and fairer question than making such a personal inquiry.

But Wossy had to ask him, no doubting counting that as someone, who was part Jewish, he wouldn’t be accused of anti-Semitism for it, which he certainly would if he was a gentile. It’s stupid, puerile antics that like that which rightly stop people wanting to watch his show or listen to him on the radio.

Fresh audio product

Published by Anonymous (not verified) on Fri, 03/05/2019 - 7:28am in

Just added to my radio archive (click on date for link):

May 2, 2019 David Palumbo-Liu on the culture of Stanford University, and why it wants to shut its press • Natasha Lennard, author of Being Numerous, on protest, rights, the state, social media, privacy, individuality…

Sargon Attacked for Anti-Semitism

After the Mail on Sunday’s hit piece on YouTube rightist Carl Benjamin aka Sargon of Akkad at the weekend comes yet another attack from the Jewish News and Jewish Chronicle. Sargon has been adopted by UKIP as their second listed candidate for the southwest. And so the media has spent the last few weeks tearing him apart for his highly controversial views about race and feminism.

Sargon’s Infamous Rape Tweet

Sargon is infamous for his tweet to Labour MP Jess Phillips saying ‘I wouldn’t even rape you’ after she read out in parliament the rape and death threats she’d received over social media. He also made a video against ‘political correctness’ and identity politics, in which he used various racial slurs against Blacks, Hispanics, Jews and Asians, called gays ‘fags’ and the mentally handicapped ‘retards’.

Apparent Support for Sexual Abuse of Boys 

The MoS’ article discussed these, but also included new allegations, that Sargon approved of the sexual abuse of underage boys. A dossier of information handed over to the rozzers by an unnamed senior official in UKIP included the recording of a conversation Sargon had on YouTube. In it he said he could be quoted as saying that it was acceptable to f*** young boys, because it was normal in ancient Greece. ‘It’, he said, ‘all depends on the child’.

Jews, Identity Politics and the Holocaust

Yesterday Zelo Street put up an article reporting that Sargon has now been attacked for anti-Semitism for comments he made at an evening in New York with YouTube independent journo and actor and stand-up comedian Carlos Alazraqui. The evening was recorded, and put up on Sargon’s YouTube channel under the title ‘The Manhattan Panel’. Sargon had made the comments in response to a question by a member of the audience about a powerful and influential Jewish political group, and how he could point them out without engaging in identity politics.

Sargon replied by defending Jeremy Corbyn. He stated that though he was loath to defend a socialist, Corbyn didn’t deserve the pasting he had received. He then went on to make the following comments

“Jewish people do very well in our societies. That’s to their credit, they work hard. It’s not that this is illegitimately gained. But then I can see why people are resentful that successful, rich, well-off people, who are well connected, who are socially very advanced, are then playing the game of identity politics as well.

“I can see why it doesn’t seem fair. It seems like an unfair defence, an unfair advantage that they have. If someone were to say, ‘Well that’s anti-semitic thing to say,’ it would sound to me like someone criticising feminism and being called a mysoginist. To me it’s just another brand of identity politics.”

He then went on

“Jewish people are very smart, they work very hard, of course they’re successful, if we want to even have any idea that we’re living in a meritocracy, if Jews weren’t succeeding in our societies they must be being held back. But they’re not, they’re doing great, because they’re not being held back, because they do work hard, because they are smart.

“We need Jewish people, unfortunately for them, have got to drop the identity politics.

“I’m sorry about the Holocaust but I don’t give a shit. I’m sorry.”

It is this comment about the Holocaust that was criticised by the two papers as anti-Semitic, who also mentioned that he had also made other racial and anti-Semitic slurs.

Sargon’s Defence of Racial Slurs against Asians

Zelo Street in their piece about Sargon’s comments linked it to the remark he made in his video defending his right to use abusive terms against those of others, gays and the mentally handicapped. He argued that he had the right to call Asians ‘ch*nks’ because they were generally more prosperous and thus more privileged than Whites. Zelo Street quoted Sargon’s comments, adding their own pertinent remarks thus

“Because Asians are privileged. In almost every walk of life, Asians make more money [what does that remind you of?], they have better results, and they do better in life than me, just a dumb-ass cracker. So when Asians are filling up all of those top spots in better proportion than white people [?] you have to understand you have institutional privilege”.

See: https://zelo-street.blogspot.com/2019/04/carl-benjamin-in-anti-semitism-storm.html

This is based on the Buzzfeed article at

https://www.buzzfeed.com/markdistefano/benjamin-akkad-racial-statements

The Campaign Against Anti-Semitism on the Disparagement of the Holocaust

Sargon’s comments were inevitably going to be considered anti-Semitic. Way back in 2014 the Campaign Against Anti-Semitism published a list of remarks they considered to be anti-Semitic. Two of them were about lack of sympathy for the Holocaust. These were ‘Jews talk too much about the Holocaust’, and ‘Jews talk about the Holocaust to make people feel sorry for them.’ These are more or less the kind of sentiments Sargon was expressing.

Zionist Appropriation of Holocaust 

Now Tony Greenstein, who is a Jewish anti-Zionist, has made the point that the Jewish community in Britain is generally comfortably middle class, and that the loud accusations of anti-Semitism leveled at critics of Israel are unjust, because Jews don’t suffer the massive hatred and institutional racism suffered by Blacks, Asians and Muslims. In contemporary Britain, there are no forced deportations of Jews as there have been of Blacks and other non-White minorities, such as those of the Windrush generation and their children.

Greenstein and other Jewish critics of Israel, such as Norman Finkelstein, Ilan Pappe and even Hannah Arendt have described how the Holocaust has been appropriated by Zionism to support and fend off criticism of Israel. This is controversial, obviously, but nevertheless it’s  a fair point, which should be able to be discussed without accusations of anti-Semitism.

But Sargon didn’t mention Zionism. He was simply referring to ‘the Jews’.

The Holocaust and Gentile Resentment of Jewish Success

A number of Jewish writers and bloggers have made it clear that they don’t like people praising them for their economic and social success, because this can too easily turn into envy and resentment. Which is absolutely true. The Nazis and other anti-Semites resented Jewish success. They attempted to explain it with stupid, murderous conspiracy theories like the The Protocols of the Elders of Zion. These claimed that the Jews were planning to enslave non-Jews and were doing their best to squeeze gentiles out of important positions in politics, business and culture. This happened in Germany, which during the 19th century was one of the least anti-Semitic countries in Europe. I’ve read histories of the Jewish community in 19th century Germany that have argued that there was far less prejudice against them there than in France or Britain. The Holocaust, apart from the Jewish people’s long history of persecution, has left behind a terrible legacy of social insecurity. It continues to be discussed because it occurred in the West, in one of the most civilised and cultured nations in Europe. It fascinates and terrifies because it shows that, despite the West’s ideas of progress and civilisation, they also could commit horrific acts of mass barbarism against innocents, simply because they were the wrong race.

Anti-Semitism and Persecution Easily Generated Under Fascism

And such resentment can be generated very quickly, even in societies where there was little traditional anti-Semitism. In Italy, for example, there was also extremely little anti-Semitism. The Jewish community was small and assimilated. They were proud Italians, so proud, in fact, that many even joined the Fascist party. But this changed after Mussolini passed his infamous racial legislation in 1937. It was a milder imitation of Hitler’s Nuremberg Laws, and similarly banned Jews from positions in the Fascist party, government, education and certain businesses. Initially there was shock and outrage from the Italian public. But after a few years of repression, in which gentiles who commiserated with and supported Jews were harassed and punished, part of the Italian public began to wonder if the Jews had not brought it all on themselves and deserved it for somehow conspiring against Italy and Mussolini. The regime’s spies were thus pleased to observe that anti-Semitism was therefore increasing.

See: Christopher Duggan, Fascist Voices: An Intimate History of Mussolini’s Italy (London: Vintage Books 2013).

Asians in Similar Social Position to Jews

Asians are in a similar situation. Although certain Asian groups, like the Chinese and Hindus in Britain, have managed to prosper, they have also experienced racial prejudice and discrimination, and are at risk of abuse and violence from racists and Fascists like other, less privileged minorities. Hence the same concern to see them also protected from racism, including abusive language.

Sargon Not Anti-Semite, But Views Normalise Racism

I don’t think it’s fair to call Sargon an anti-Semite. I think he may even have claimed to be Jewish. He clearly admires the Jews for the way they earned their success through hard work and enterprise, although not everyone in the Jewish community is rich or comfortably off by any means. David Rosenberg on his blog has described how there are still Jews, who are poor and depend very much on the welfare state that Sargon, as a Libertarian, sorry, ‘Classical Liberal’ would like to see demolished. And Sargon is right in that there would indeed be something wrong with Britain as a meritocracy, if talented people from minorities like the Jews couldn’t rise in society.

But Sargon’s views on race, identity politics and the Holocaust are ignorant and dangerous, because they legitimize certain forms of racism. And his views on the Holocaust are particularly dangerous because, without its proper remembrance, horrors like it may be all too easily committed again. Sargon has argued with the Far Right on debates on YouTube, but some of his views are so close to theirs that Fascists like Richard Spencer have confessed to using some of his videos as gateways to their own vile ideologies and organisations.

Sargon thus deserves all the media criticism he has received for his extreme right-wing views. He was always a liability to UKIP, and since Batten adopted him and the other YouTube rightists he’s been bringing them down with him. And I don’t doubt the criticism are over yet.

 

 

 

Radio 4 Programme Today on the Decline of Women in Computing

Published by Anonymous (not verified) on Sun, 28/04/2019 - 8:51pm in

According to this week’s Radio Times, There’s a problem on Radio 4 today at 1.30 pm, ‘A Job for the Boys’ examining the decline of the number of women working in computing. The blurb for it in the Radio Times runs

Women once made up 80 per cent of the computer industry, but now the figure is less than 20 per cent. Mary Ann Sieghart explores the reasons for this phenomenon and reveals it’s hidden and disturbing consequences. (p. 121).

Yesterday’s ‘Saturday Live’ programme at 9.00 am carried a piece on Dame Stephanie Shirley, a female tech pioneer who set up Britain’s first all-female software company in 1962. That programme’s been broadcast, but it may still be available on BBC iplayer.

Fresh audio product

Published by Anonymous (not verified) on Fri, 26/04/2019 - 3:07am in

Just added to my radio archive (click on date for link):

April 25, 2019 Yasha Levine on Ukrainian politics in light of its recent presidential election • Two views on Extinction Rebellion: Rupert Read in Britain and Ashley Sanders in New York

Radio 4 Serialising Ian McEwan’s Robot Book Next Week

Published by Anonymous (not verified) on Wed, 24/04/2019 - 1:47am in

I don’t belieeeve it! As the great Victor Meldrew used to say. Next week, according to the Radio Times for 27th April – 3rd May 2019, Radio 4 is serialising Ian McEwan’s latest literary offering, Machines Like Me, about a love triangle between a man, his wife and the android he has bought. It’s in ten parts, Monday to Fridays at 12.04 pm, and read by Anton Lesser.

I’ve already put up two posts about the book, which has only just been published. McEwan’s novel is one of a long-line of SF stories about humans falling in love, or pursuing sexual relationships with the humanoid robots they have built, such as Asimov’s ‘Satisfaction Guaranteed’. Genre science fiction writers have explored the issues of machine consciousness and its philosophical and ethical issues, from highbrow authors like Poland’s Stanislaw Lem, to comic book writers like Pat Mills in 2000AD’s ‘ABC Warriors’. The issue I have with McEwan’s book, and other literary authors that are planning similar works of fiction, is that while genre science fiction is still looked down on somewhat by the literary elite, McEwan’s book is going to receive immediate acclaim as proper literature.

Now Radio 4 has serialised a number of great works of SF, including Robert Silverberg’s masterwork Dying Inside, and has, like some of the other channels, Radio 3 and Radio 4 Extra, put on SF plays. Not so long ago there was a series of these, with the title Dangerous Visions. SF buffs will recognise this as the title of the groundbreaking SF anthology edited by Harlan Ellison, that ushered in the SF New Wave over in America. But despite the achievements of genre SF authors, there is still this feeling that it hasn’t quite won critical respectability in the elevated literary circles that support McEwan, Jeanette Winterson, Kazuo Ishiguro and the other regular literary award winners, who are writing or preparing to write books about robots and AI.

As I’ve said, I feel very strongly that if McEwan and co. win literary awards for their SF works, like Machines Like Me, then those awards should have the decency to drop some of the snobbishness and include genre SF authors. Whose latest works I hope the Beeb will also serialise the moment they come out.

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