Science Fiction

My Review of Russian UFO Conspiracy Book Now Up At Magonia Blog

My review of Nick Redfern’s Flying Saucers from the Kremlin (Lisa Hagen Books 2019) is now up at Magonia Review of Books. Magonia was a small press UFO magazine, which ran from the 1980s to the early part of this century. It took the psycho-social view of the UFO phenomenon. This is a sceptical view which sees the UFO phenomenon as an internal experience generated by poorly understood psychological mechanism, whose imagery was drawn from folklore and Science Fiction. It took the name ‘Magonia’ from Jacques Vallee’s groundbreaking UFO book, Passport to Magonia. Vallee, a French-American astronomer and computer scientist, along with the American journalist and writer on the weird and Fortean, John Keel, took the view that UFOs weren’t real, mechanical spacecraft piloted by beings from other worlds, but were created by the same paranormal phenomenon behind encounters with fairies and other paranormal entities. The name ‘Magonia’ itself comes from a statement by a sceptical 7th-8th century Frankish bishop, that the peasants believed that storms were caused by men in flying ships, who came from a country called Magonia.

The magazine didn’t just discuss UFOs. It also covered other paranormal phenomena and subjects, such as witchcraft. It provided a very necessary sceptical corrective to the Satanism scare of the ’80s and ’90s. This was a moral panic generated by conspiracy theories, largely from the Christian right but also from some feminists, that Satanic groups were sexually abusing and ritually sacrificing children. The Fontaine Report, published by the British government over 20 years ago now, concluded that there was no organised Satanic conspiracy. This effectively ended a real witch-hunt, which had seen innocent men and women accused of terrible crimes through warped, uncorroborated testimony. It needs to be said, however, that sociologists, social workers and law enforcement authorities do recognise that there are evil or disturbed individuals responsible for horrific crimes, including the molestation of children, who are or consider themselves Satanists. But the idea of a multigenerational Satanic conspiracy is absolutely false. See Jeffrey S. Victor’s excellent Satanic Panic.

Nick Redfern is a British paranormal investigator now resident in Texas. In this book, subtitled ‘UFOs, Russian Meddling, Soviet Spies & Cold War Secrets’, he proposes that while the UFO phenomenon is real, the terrible Russkies have been manipulating it to destabilise America and her allies. This comes from the Russians attempting to interfere in the American presidential elections a few years ago. In fact, the book doesn’t actually show that the Russians have. Rather it shows that the FBI, Airforce Intelligence and CIA believed they were. Prominent figures in the UFO milieu were suspected of Russian sympathies, and investigated and question. George Adamski, the old fraud who claimed he’d met space people from Venus and Mars, was investigated because he was recorded making pro-Soviet statements. Apparently he believed that the space people were so much more advanced than us that they were Communists, and that in a coming conflict Russia would defeat the West. Over here, the founder and leader of the Aetherius Society, George King, who also channeled messages from benevolent space people on Venus and Mars, was also investigation by special branch. This is because one of the messages from Aetherius called on Britain to respond to peace overtures from the Russians. This was seized on by the Empire News, which, as its name suggests, was a right-wing British rag, that denounced King for having subversive, pro-Commie ideas and reported him to the rozzers. King willingly cooperated with the cops, and pointed out that his was a religious and occult, not political organisation. But he and his followers were still kept under surveillance because they, like many concerned people, joined the CND marches.

It’s at this point that Redfern repeats the Sunset Times slur about the late Labour leader, Michael Foot. Foot also joined these marches, and the former Soviet spy chief, Oleg Gordievsky, had declared that Foot was a KGB spy with the codename ‘Comrade Boot’. It’s malign rubbish. Redfern notes that Foot sued the Sunset Times for libel and won. But he prefers to believe Gordievsky, because Gordievsky was right about everything else. So say. Actually, Gordievsky himself was a self-confessed liar, and there’s absolutely no corroborating evidence at all. And rather than being pro-Soviet, Foot was so critical of the lack of freedom of conscience in the USSR that he alarmed many of his Labour colleagues, who were afraid he would harm diplomatic relations. The accusation just looks like more Tory/ IRD black propaganda against Labour.

Other people in the UFO milieu also had their collar felt. One investigator, who told the authorities that he had met a group of four men, who were very determined that he should give his talks a pro-Russian, pro-Communist slant, was interrogated by a strange in a bar on his own patriotism. The man claimed to be a fellow investigator with important information, and persuaded him to take a pill that left his drugged and disorientated. Redfern connects this the MK Ultra mind control projects under CIA direction at the time, which also used LSD and other drugs.

But if Redfern doesn’t quite show that the Russians are manipulating the phenomena through fake testimony and hoax encounters, he presents a very strong case that the Americans were doing so. During the Second World War, Neville Maskelyn, a British stage magician, worked with the armed forces on creating illusions to deceive the Axis forces. One of these was a tall, walking automaton to impersonate the Devil, which was used to terrify the Fascists in Sicily. Redfern notes the similarity between this robot, and the Flatwoods monster that later appeared in America. The Project Serpo documents, which supposedly show how a group of American squaddies had gone back to the Alien homeworld, were cooked up by one of the classic SF writers, who was also a CIA agent. And the scientist Paul Bennewitz was deliberately given fake testimony and disinformation about captured aliens and crashed saucers by members of the agency, which eventually sent the poor bloke mad. He was targeted because he was convinced the saucers and the aliens were kept on a nearby airforce base. The American military was worried that, although he wouldn’t find any evidence of aliens, he might dig up military secrets which would be useful to the Russians. And so they set about destroying him by telling him fake stories, which he wanted to hear. And obviously, there’s more.

It’s extremely interesting reading, but Redfern does follow the conventional attitude to Russian. The country was a threat under Communism, and is now, despite the fact that Communism has fallen. He is silent about the plentiful evidence for American destabilisation of foreign regimes right around the world during the Cold War. This included interference in elections and outright coups. The most notorious of these in South America were the overthrow of Salvador Allende in Chile by General Pinochet, and Jacobo Arbenz in Guatemala. He also doesn’t mention recent allegations, backed up with very strong evidence, that the US under Hillary Clinton manufactured the Maidan Revolution in Ukraine in 2012 to overthrow the ruling pro-Russian president and install another, who favoured America and the West.

If you want to read my review, it’s at

http://pelicanist.blogspot.com/2019/09/ufology-meets-kremlinology.html

 

 

“Doctor Who”: 5 Subtle Details That Create Mind-Blowing Science Fiction [OPINION]

Published by Anonymous (not verified) on Sat, 24/08/2019 - 11:15pm in

We all love BBC‘s Doctor Who for its freewheeling stories, lovably nutty hero, and ability to be virtually any kind of story it puts its mind to being. Sometimes it feels completely random and arbitrary, but it has a lot of deep ideas embedded in its lore.

From the 1960’s to the 1980’s, writers often threw all kinds of ideas into the show just to have something to write about. When Russell T. Davies revived it in 2005, he and many of the writers took a more coherent view of the lore and we often didn’t notice how it all made sense.Here are five details that are mind-blowing when you stop to think about it.

 5 Subtle Details That Make the Show Mind-Blowing Science Fiction

Time Traveler DNA

In Series 9 “Dalek,” which reintroduced the space fascist pepper pots to pop culture consciousness, the lone Dalek dupes Rose Tyler into touching it so that it could use her “time traveler DNA” to rejuvenate itself and go on a murderous rampage.

 5 Subtle Details That Make the Show Mind-Blowing Science FictionBBC

Davies just left the idea of “time traveler DNA” dangling but it implied a whole bunch of interesting details. It suggested that traveling in time altered a person’s DNA. This also implied that the TARDIS altered the DNAs of its passengers as they travel through time. To what end? Could it be that time traveler’s DNA gave them certain survival advantages like immunity to certain diseases in ancient times that don’t exist anymore?

Also, in Steven Moffat’s run, Amy and Rory’s daughter Melody was conceived in the TARDIS and she became part Time Lord as a result. She had the ability to regenerate, which means the TARDIS has powers over its passengers in ways only hinted at.

The TARDIS’ Telepathic Circuit

The Doctor has mentioned the TARDIS’ telepathic circuit several times. What it does exactly is usually hinted at. It seems to translate the languages the Doctor and his companions hear into BBC English. This explains why everyone they meet, whether it’s the Aztecs or Napoleon or aliens, all speak English. The TARDIS’ telepathic circuit also seems to be a way for the TARDIS to keep track of where the Doctor and his companions are at all times.

 5 Subtle Details That Make the Show Mind-Blowing Science FictionBBC
Time Lords have Telepathic Powers

The Doctor can read minds sometimes. He can even wipe people’s memories, as shown when the 13th Doctor tries to do it to Bill but she refuses to let him. It’s never clear exactly what the scope of a Time Lord’s telepathic powers are. That seems to be whatever the writers decide to make up at the time.

All Time Lords are Insane

Throughout the show’s history, it became more and more clear that Time Lords are nuts. That’s bad news, because you don’t want people who control time travel to be crazy. The thing is, of course people who control time travel would be crazy. How could they not?

 5 Subtle Details That Make the Show Mind-Blowing Science FictionBBC

Davies subtly explained why Time Lords are insane. When he reintroduced The Master in his second series, Davies revealed how Time Lords were made. Gallifrey chooses their most brilliant children and trains them to become Time Lords. These kids are forced to stare into the Time Vortex as their initiation to Time Lord training. That must drive all of them to some level of insane.

BBC

It explains why the Master is insane and evil. It explains why so many Time Lords go bad. The show’s entire run has been full of evil Time Lords. The Time Meddler, one of the first time traveling baddies in the show’s Sixties run, was obviously a Time Lord – before the writers even invented the term. The Master was clearly insane and a megalomaniac. Other evil Time Lords include Omega, the founding Time Lord Rassilon, and Morbius. Even the acting President of Gallfirey Borusa, introduced as one of The Doctor’s teachers in “The Invasion of Time” went from benign to evil and megalomaniacal when he returned in “The Five Doctors”. The Time Lord criminal Salyavin was insane, but when he’s reformed, he retired to Oxford as the benign Professor Chronotis – but is still dotty.

The Doctor is the first to admit he – now she – is insane but chooses to be benevolently so.

The TARDIS is A Lot Smarter Than the Doctor
BBC

This detail is something that fans always believed and has been confirmed. Throughout the show, the TARDIS often landed seemingly randomly in Space and Time where The Doctor and his companions would get into all kinds of trouble. It’s often implied that the TARDIS wasn’t just a time machine but alive and sentient. That it was emotionally bonded to The Doctor by love, and it was in fact feminine. The Doctor often referred to the TARDIS as “she”. The show’s writers often implied that the TARDIS actually landed in places where it knew there were people who needed help. It was the one truly responsible for making The Doctor a hero through Time and Space.

BBC

Neil Gaiman confirmed all this and made it canon in his story “The Doctor’s Wife.” The TARDIS’ consciousness is put into a woman and The Doctor gets to speak to her for the first time. Gaiman reveals that the TARDIS can see all of Time and Space – often in a nonlinear way – and takes The Doctor where his help is needed.

You could say the real hero of the show is the TARDIS… and that he heart of the show has always been the love story between The Doctor and the TARDIS.

The post “Doctor Who”: 5 Subtle Details That Create Mind-Blowing Science Fiction [OPINION] appeared first on Bleeding Cool News And Rumors.

The Stepford Daughters of Brexit and Slavery and the Emergence of Capitalism

Yesterday for our amusement the awesome Kerry Anne Mendoza posted a video on twitter made by two very definitely overprivileged girls talking about the evils of socialism. The two young ladies were Alice and Beatrice Grant, the privately educated granddaughters of the late industrialist and former governor of the Bank of England, Sir Alistair Grant. With their cut-glass accents and glazed, robotic delivery of their lines, they seemed to fit the stereotype of the idiotic Sloane perfectly, right down to the ‘Okay, yah’, pronunciation. Mendoza commented ‘I don’t think this was meant to be a parody, but it’s the perfect roast of the “yah-yah” anti-left.’

Absolutely. In fact, what the girls were describing as socialism was really Communism, completely ignoring democratic socialism, or social democracy – the form of socialism that demands a mixed economy, with a strong welfare state and trade unions, progressive taxation and social mobility. It also ignored anti-authoritarian forms of socialism, like syndicalism, guild socialism or anarcho-Communism. They were also unaware that Marx himself had said that, regarding the interpretations of his views promoted by some of his followers, he wouldn’t be a Marxist.

But it would obviously be too much to expect such extremely rich, public school girls to know any of this. They clearly believed, and had been brought up to believe, the Andrew Roberts line about capitalism being the most wonderful thing every invented, a mechanism that has lifted millions around the world out of poverty. Etc. Except, as Trev, one of the great commenters on Mike’s and this blog, said

If “Capitalism works” why are there a million people using foodbanks in Britain today? Not working that well is it? Why did the Government bail out the Banks using our money? Why did the Banking system collapse in the first place, was it because of Socialism? I don’t find these idiotic spoilt brats in the least bit funny, I feel bloody angry. When was the last time they ate food they found in the street? Bring back the Guillotine!

See: https://voxpoliticalonline.com/2019/08/14/these-young-ladies-of-brexit-need-to-be-seen-to-be-believed/

The two girls were passionate supporters of the Fuhrage and his wretched party, and were really looking forward to a no-deal Brexit. It shows how out of touch these girls are, as Brexit is already wrecking the British economy, and a no-deal Brexit and subsequent deal with a predatory America would just wipe it out completely. Along with everything that has made post-war Britain great – the NHS and welfare state. But these girls obviously have no connection with working people or, I guess, the many businesses that actually depend on manufacturing and exports. I think the girls’ family is part of financial sector, who stand to make big profits from Brexit, or at least are insulated from its effects because they can move their capital around the globe.

The girls’ views on the EU was similarly moronic. They really do seem to believe that the EU is somehow an oppressive, communistic superstate like the USSR. It wasn’t. And the reason anti-EU socialists, like the late, great Tony Benn distrusted it was partly because in their view it stood for capital and free trade against the interests of the nation state and its working people.

And they also have weird views on slavery and the EU’s attitude to the world’s indigenous peoples. To the comment by David Lammy, the Black Labour politico, who dared to correct Anne Widdecombe for comparing Brexit to the great slave revolts, they tweeted

“Lammy being pathetic as usual. The chains of slavery can be intangible, as amply shown in China, the Soviet Union and the EU; to deny that just shows your ignorance and petty hatred for the truth”.

To which Zelo Street commented that there two things there. First of all, it’s best not to tell a Black man he doesn’t understand slavery. And second, the EU isn’t the USSR.

They were also against the Mercosur deal the EU wishes to sign with the South American nations, because these would lead to environmental destruction and the dispossession and exploitation of the indigenous peoples.

“As usual the GREED and selfishness of the EU imposes itself using their trade ‘deals’ in the name of cooperation and fake prosperity. The indigenous tribes of the Amazon need our protection not deforestation”.

To which Zelo Street responded with incredulity about how they could claim environmental concern for a party headed by Nigel Farage.

And they went on. And on, going on about how the EU was a threat to civil liberties. And there was more than a touch of racism in their statement that Sadiq Khan should be more concerned to make all Londoners feel safe, not just EU migrants. They also ranted about how Labour had sold out the working class over Brexit in favour of the ‘immoral, money hungry London elite’. Which shows that these ladies have absolutely no sense of irony or any self-awareness whatsoever.

In fact, Zelo Street found them so moronic and robotic, that it dubbed them the Brexit party’s Stepford Daughters, referring to the 70s SF film, the Stepford Wives. Based on the novel by Ira Levin, the films about a community where the men have killed their wives and replaced them with robots.

See:  https://zelo-street.blogspot.com/2019/08/brexit-party-presents-stepford-daughters.html

There’s a lot to take apart with their tweets. And perhaps we shouldn’t be two hard on the girls. They’re only 15 and 17. A lot of young people at that age have stupid views, which they grow out of. But there is one issue that really needs to be challenged.

It’s their assumptions about slavery and the genocide of indigenous peoples. Because this is one massive problem to any assumption that capitalism is automatically good and beneficial.

There’s a very large amount of scholarship, much of it by Black activists and researchers, about slavery and the emergence of European capitalism and the conquest of the Americas. They have argued that European capitalism was greatly assisted by the profits from New World slavery. Caribbean historians like Dr Richard Hart, in his Blacks in Bondage, have shown that transatlantic slavery was a capitalist industry. For the enslaved indigenous peoples and the African men and women, who replaced them when they died out, capitalism certainly did not raise them out of poverty. Rather it has done the opposite – it enslaved them, and kept them in chains until they were able to overthrow it successfully with assistance of European and American abolitionists in the 19th century.

And among some left-wing West Indians, there’s still bitterness towards America for its constant interference in the Caribbean and Central and South America. America did overthrow liberal and progressive regimes across the world, and especially in the New World, when these dared to challenge the domination of American corporations. The overthrow of Jacobo Arbenz’s democratic socialist regime in Guatemala is a case in point. Arbenz was overthrown because he dared to nationalise the banana plantations. Which upset the American United Fruit Company, who got their government to overthrow him in coup. He was replaced by a brutal Fascistic dictatorship that kept the plantation workers as virtual slaves. And the Americans also interfered in Jamaican politics. They were absolutely opposed to the Jamaican Labour party politician, Michael Manley, becoming his nation’s Prime Minister, and so did everything they could to stop him. Including cutting trade.

And then there’s the enslavement and genocide of the indigenous peoples.

Before Columbus landed in the New World, South America had a population of about seven million. There were one million people in the Caribbean. I think there were similar numbers in North America. But the indigenous peoples were enslaved and worked to death. They were also decimated through diseases carried by Europeans, to which they had no immunity. The Taino people were driven to extinction. The Caribs, from whom the region takes its name, were able to survive on a reservation granted to them in the 18th century by the British after centuries of determined resistance. The conquest of the New World was a real horror story.

And Britain also profited from the enslavement of indigenous peoples. I doubt the girls have heard of it, but one of the scandals that rocked British imperialism in the late 19th and early 20th centuries was that of the Putomayo Indians of South America. They had been enslaved by British rubber corporations. It was this abuse of a subject people that turned the Irish patriot, Roger Casement, from a British civil servant to an ardent Nationalist.

On the other side of the world, in the Pacific, British imperialism also managed to dispossess an entire Polynesian people and trash their island. This was in the 1920s. The island was rich in mineral deposits, and so moved the indigenous people out, ultimately relocating them to Fiji. Their island was then strip-mined, leaving it a barren, uninhabitable rock. In the 1980s the survivors were trying to sue the government over their maltreatment, but with no success.

This is what unfettered British imperialism and capitalism did. And what I’ve no doubt Farage and other far right British politicians would like to do again without the restraints of international law. It’s why I believe that, whatever the demerits of the Mercosur agreement are, it’s probably better than what individual nations would do without the restraint of the EU.

The girls are right to be concerned about the fate of indigenous peoples. But they are profoundly wrong in their absolute, uninformed belief that unregulated capitalism will benefit them.

It doesn’t. It enslaves, dehumanises and dispossesses. Which is why we need international organisations like the EU, and why the Brexit party isn’t just a danger to Britain, but to the world’s weaker, developing nations and their indigenous peoples.

Sydney Stabbings: Hatey Katie Lies Again about Muslims

Katie Hopkins is at it again – lying about Muslims being responsible for yet another violent attack. It was reported today that a man had been arrested following the stabbing of two women in Sydney. The alleged perp was detained by members of the public. The article about it in today’s I says that they were two British guys, who see themselves as ‘protectors’ and said they’d do it again if they had to. Apparently they piled up crates and wooden boxes on the killer to keep him down until Sydney’s finest arrived. It’s a terrible crime, but what caught Katie Hopkins’ attention was that the attacker was filmed on video shouting ‘Allahu Akbar!’ – the Islamic slogan meaning ‘God is great’. From this she concluded that this was yet another Islamic terror attack against Western infidels, and attacked the idea that it wasn’t. She tweeted

“Notice the speed at which: Norway mosque shooting became a terror act … Sydney Allahu Akbar stabbing became nothing to do with terror”.

and

“White guy goes on gun-rampage … The left: blame all whites … Knife guy shouts Allah Akhbar and goes on knife rampage … The left: blame mental health”.

She claimed that “Police confirm Sydney Stabbing terrorist was a Muslim convert with terrorist ideologies … To those determined to make this ANYTHING BUT Islamic terror YOU are part of the problem”

Except it really wasn’t a terrorist attack. The Groaniad in their article point out that the suspect had the decidedly un-Islamic name of Mert Ney. And one of his relatives issued this statement making it clear that none of the family had any connection with Islam whatsoever.

“I saw a lot of news articles saying it was about terrorism, but our family doesn’t practice Islam. Obviously, I know I am dark skinned and I look like I am from the Middle East, that’s going to be the obvious thing. But I’m not Islamic, my mum’s not Islamic, my sister isn’t Islamic, my dad is probably an atheist. We’ve got nothing to do with Islam at all”.

And Ney did have mental health problems. So when the Sydney police said that they weren’t treating it as a terror attack, they telling the truth. Because it certainly doesn’t appear to have been one.

See: https://zelo-street.blogspot.com/2019/08/katie-hopkins-lies-about-sydney-stabbing.html

But as Zelo Street concluded, Katie Hopkins really is a paranoid, delusional ignorant racist liar, and that there’s been no change there. But as Hopkins lies and delusions become more extreme and obvious, she’s losing more and more support. She’s been sacked from various right-wing newspapers and media outlets because she’s too racist even for them. And the other month when she turned up in a London hotel premiering her film about how Christians and Jews were being driven out of Britain by aggressive Muslims, she was too much for a reporter from the Jewish Chronicle. This gentleman of the press got very concerned about her audience. They were mostly extremely right-wing, islamophobic Jews. Which is interesting, as the reason why the JC, along with the right-wing Jewish establishment has been smearing Corbyn and his supporters as anti-Semites is because Corbyn genuinely wants justice for the Palestinians. And the Campaign Against Anti-Semitism, one of the organisations leading the witch hunt, is itself guilty of racism. It has declared that the section of the British population most likely to be islamophobic is Muslim men. As for Hatey Katie’s claim that the ‘Left’ tries to deny or play down clear instances of Islamic terrorism, this is part of a long campaign by the racist, Zionist right to associate socialism and Islam with anti-Semitic violence. Way back around 2004/5 I can remember reading a glowing review by Frederick Raphael in the Spectator of a book set in France in the 2020s. In this fictional future, the remains of European socialism have joined with the Muslims to begin a new Holocaust against the continent’s Jews.

The book’s clearly nothing but anti-Left, anti-Muslim propaganda. But the Spectator’s approving review of the book shows that while Hopkins’ vile views are now an embarrassment to her former allies and employers, they certainly shared and promoted them. And still do. She’s just more explicit than they are. 

Japanese Scientist Obtains Permission for Animal-Human Hybrids

Published by Anonymous (not verified) on Fri, 02/08/2019 - 2:49am in

This is very ominous. A Japanese scientist has been granted permission to create animal-human hybrids, according to yesterday’s I. The man intends to use them in research for the possible creation of organs in animals, that could be used for transplantation into humans. There are limits to his research, however. He states that at the moment he will not keep them alive for longer than 15 and a half days, so it isn’t like he’s going to produce complete animal-human hybrids, like the chimpanzee-human creature developed by rogue scientists as a new slave animal in the 1990s ITV SF thriller, Chimera. But it is a step in that direction.

The article, ‘Human-animal hybrid research is approved’, by Colin Drury, on page 22, runs

Human-animal hybrids are to be developed in embryo form in Japan after the government approved controversial stem-cell research.

Human cells will be grown in rat and mouse embryos, then brought to term in a surrogate animal, as part of experiments to be carried out at the University of Tokyo.

Supporters say the work – led by the renowned geneticist Hiromitsu Nakauchi – could be a vital first step towards eventually growing organs that can then be transplanted into people in need.

But opponents have raised concerns that scientists are playing God. Critics worry the human cells could stray beyond the targeted organs into other areas of the animal, creating a creature that is part animal, part person.

For that reason, such prolonged experimentation has been banned or not been financed across the world in recent years.

In Japan, scientists were forbidden from going beyond a 14-day growth period. But those laws were relaxed in March when the country’s education and science ministry issued new guidelines saying such creations could now be brought to term.

Now, Dr. Nakauchi’s application to experiment is the first to be approved under that new framework.

Human-animal hybrid embryos have been made in countries such as the United States, but were never brought to term. The US National Institutes of Health has had a moratorium on funding such work since 2015.

“We don’t expect to create human organs immediately, but this allows us to advance our research based upon the know-how we have gained up to this point,” Dr. Nakauchi told the Asahi Shimbun newspaper.

He added that he planned to proceed slowly, and will not attempt to bring any hybrid embryos to term for several years, rather growing the hybrid mouse embhryos to 14.5 days, when the animal’s organs are mostly formed, and the hybrid rat embryo’s to 15.5 days.

Such caution was welcomed by bioethicists in the country.

There was also a little capsule, containing the comment that

Some bioethicists are concerned about the possibility that human cells might stray, travelling to the developing animal’s brain and potentially altering its cognition.

Which seems to be a concern that this research could unintentionally also result in animals acquiring some form of human intelligence accidentally.

The British philosopher Mary Midgley attacked that part of the biotech industry and those scientists, who looked forward to bioengineers being able to redesign whole new forms of humans in her book, The Myths We Live By (London: Routledge 2004). She writes

That ideology is what really disturbs me, and I think it is what disturbs the public. This proposed new way of looking at nature is not scientific. It is not something that biology has shown to be necessary. Far from that, it is scientifically muddled. It rests on bad genetics and dubious evolutionary biology. Though it uses science, it is not itself a piece of science but a powerful myth expressing a determination to put ourselves  in a relation of control to the non-human world around us, to be in the driving seat at all costs rather than attending to that world and trying to understand how it works. It is a myth that repeats, in a grotesquely simple sense, Marx’s rather rash suggestion that the important thing is not to understand the world, but to change it. Its imagery is a Brocken spectre, a huge shadow projected on to a cloudy background by the shape of a few recent technological achievements.

The debate then is not between Feeling, in the blue corner, objecting to the new developments, and Reason in the red corner, defending them. Rhetoric such as that of Stock and Sinsheimer and Eisner is not addressed to Reason. It is itself an exuberant power fantasy, very much like the songs sung in the 1950s during the brief period of belief in an atomic free lunch, and also like those in the early days of artificial intelligence. The euphoria is the same. It is, of course, also motivated by the same hope of attracting grant money, just as the earlier alchemists needed to persuade powerful persons tthat they were going to produce real, coinable gold. (p. 166).

She goes on to argue that such scientific hubris comes from the gradual advance of atheism with the victory of the mechanistic model of the universe introduced by Newton in the 17th century. As God receded, scientists have stepped in to take His place.

On the clockwork model the world thus became amazingly intelligible. God, however, gradually withdrew from the scene, leaving a rather unsettling imaginative vacuum. The imagery of machinery survived. But where there is no designer the whole idea of mechanism begins to grow incoherent. Natural Selection is supposed to fill the gap, but it is a thin idea, not very satisfying to the imagination.

That is how the gap that hopeful biotechnicians now elect themselves to fill arose. They see that mechanistic thinking calls for a designer, and they feel well qualified to volunteer for that vacant position. Their confidence about this stands out clearly from the words I have emphasised in Sinsheimer’s proposal that ‘the horizons of the new eugenics are in principle boundless – for we should have the potential to create new genes and new qualities yet undreamed of … For the first time in all time a living creature understands its origin and can undertake to design its future.’

Which living creature? It cannot be human beings in general, they wouldn’t know how to do it. It has to be the elite, the biotechnologists who are the only people able to make these changes. So it emerges that members of the public who complain that biotechnological projects involve playing God have in fact understood this claim correctly. That phrase, which defenders of the projects dismiss as mere mumbo jumbo, is actually a quite exact term for the sort of claim to omniscience and omnipotence on these matters that is being put forward.

One of the most profound artistic comments I have found about the implications of this new biotechnology is the sculpture ‘The Young Family’ by the Australian artist Patricia Piccinini. This shows a hybrid mother creature, bred for organ transplantation, surrounded by her young. Curled up like an animal, her human eyes peer back plaintively at the spectator. It’s a deeply disturbing work, although Piccinini states she is not opposed but optimistic about scientific progress. She says

In terms of the real world, these are some of the key issues that I am trying to question and discuss with my work. I’m not pessimistic about developments in biotechnology. We are living in a great time with a lot of opportunities, but opportunities don’t always turn out for the best. I just think we should discuss the full implications of these opportunities.

So if we look at The Young Family we see a mother creature with her babies. Her facial expression is very thoughtful. I imagine this creature to be bred for organ transplants. At the moment we are trying to do such a thing with pigs, so I gave her some pig-like features. That is the purpose humanity has chosen for her. Yet she has children of her own that she nurtures and loves. That is a side-effect beyond our control, as there will always be.

That is what makes the question of breeding animals purely for organ-transfer so difficult to answer. On one hand we need organs to help people in need, on the other hand we are looking at an animal that wants to exist for the sake of itself. I can’t help but feel an enormous empathy for this creature. And, to be very honest, if it would save the life of one of my children, I would be will to take one of these organs. I know it is probably not ethically right but sometimes honesty, emotions, empathy and ethics don’t always line up.

I am not nearly so optimistic. For me, this sculpture is a deeply moving, deeply disturbing comment on the direction this new technology can go. And I fear tht this latest advance is taking us there.

France Recruits SF Writers as Military Strategists

Published by Anonymous (not verified) on Tue, 23/07/2019 - 2:39am in

I’m afraid I’ve lost the cutting for this, so I can’t really give you the details. But it was reported in last week’s I that the French have recruited five science fiction writers for one of their defence organisations. I realise that some people will consider it so far-fetched that SF writers can have anything sensible to say on the subject of present day warfare or possible terror attacks, that it’ll sound like a joke to them. There may well be muttered sneers about these peeps protecting la patrie from the Daleks, Klingons or some other threat from beyond the stars. But there’s some very sound sense in it. SF writers have written about terrible threats to global security, wars and terror attacks almost from the very beginnings of the modern genre in the 19th century. Jules Verne described an anarchist waging war against the rest of the world in his story, Robur le Conquerant. H.G. Wells predicted something like modern tank warfare in his The Land Ironclads, although these massive vehicles were more like ships and moved on dozens of mechanical legs like centipedes. Another short story, The Stolen Bacillus, dealt with the attempted use of germ warfare by terrorists. In this story, an anarchist works his way into the confidence and laboratory of a biologist working on a new type of infectious germ. The anarchist seizes a vial of the cultures, and escapes, running across London with the scientist in hot pursuit. When it appears that he will be cornered and caught, the anarchist drinks the vial, deliberating infecting himself with the disease organism, and then runs on, taking care deliberately to bump into people. All is well, however, as rather than being a lethal pathogen, the disease is actually quite harmless. All it does is to make those infected with it turn a different colour. Which is either yellow or blue. The story may have had a happy ending, but for its late Victorian audience it raised a real, terrifying possibility.

With warfare moving into areas previously considered the realm of SF, like Trump’s call for a space force, the US navy testing laser weapons, war robots being developed by Boston Dynamics and the very real threat of cyber attack, it makes sense for the French to recruit suitable SF writers. After all, back in the 1980s before 9/11, one of the major thriller writers published a novel about a group of terrorists flying a plane into the Twin Towers. It’s possible that their recruitment by the military may also be a gesture to show how hip and modern Macron’s presidency is. Alongside old, trusted methods and guides, he’s turning to imaginative popular culture. But it also shows that we really are increasingly living in an age of Science Fiction.

Douglas Murphy on the Corporate Elite, Environmental Collapse

In my last post, I reviewed Douglas Murphy’s Last Futures: Nature, Technology and the End of Architecture (London: Verso 2016). This is about the rise and fall of Modernist architecture. This style, whose antecedents can be traced back to the Great Exhibition and the Crystal Palace, and which was strongly influenced by architects and thinkers as widely different as Le Corbusier and Buckminster Fuller, was an attempt to create cheap, available buildings to cater for the needs of the future, as it was predicted in the 1950s and ’60s. This was an optimistic period that looked forward to economic growth, increasing standards of living, beneficial technological innovation, and, crucially, the ability of the state to plan effectively for people’s needs. This was a future that looked forward to a future, which automation would mean that people only worked for three days each week. The rest of the time, people would voluntarily go back into education to develop themselves. As Buckminster Fuller enthusiastically proclaimed that ‘within a century the word “worker” will have no current meaning’.

As automation eliminates physical drudgery, we will spend more time in the future in intellectual activity. The great industry of tomorrow will be the university, and everyone will be going to school’. (p. 27).

Fuller was one of the pioneers of the nascent environmentalist movement, and coined the term ‘spaceship Earth’ to describe the loneliness and fragility of our planet and its ecosystem.

Other influences on Modernist architecture were Rachel Carson’s Silent Spring, about the devastating effect pollution, and particularly the insecticide DDT was having on wildlife. and the Club of Rome’s Limits to Growth. Silent Spring’s title referred to the massive decline in America’s bird population caused by crop spraying with the insecticide. Limits to Growth was based on an attempt to use computers to model the performance of the world economy and the effect this would have on the environment. It assumed that resources were only finite and a growing global population. The intention was to test various changes in policy and see what effects this would have in the near to mid-future. The results were extremely ominous. The first run found that

If the present growth trends in world population, industrialisation, pollution, food production, and resource depletion continue unchanged, the limits to growth on the planet will be reached sometime within the next one hundred years. The most probably result will be a rather suddent and uncontrollable decline in both population and industrial capacity. (p. 176).

This prediction of collapse was constant in subsequent runs, despite the changes in factors. Sometimes the collapse was sharper. One variation meant that it would be put off for fifty years. Another left some resources still in existence after the collapse for some kind of civilisation to continue. But all the models predicted disaster.

Moreover, technological innovation was unable to prevent the collapse. The authors of the experiment stated that technological optimism was the most common and most dangerous reaction to their findings, because it tended to solve some of the symptoms of the problems while leaving the actually causes untouched. The only real solution was to halt population growth, reduce the consumption of resources, switch capital investment from industry to education, combat pollution, improve agriculture and extend the productive life of capital.

While this is extremely restrictive, nevertheless the authors of the report believed that there was still room for optimism, because it allowed what many would consider the most desirable and satisfying human pursuits – education, art, music, religion, basic scientific research, athletics and social interaction, to continue.The book was highly influential, and discussed by powerful figures like Kurt Waldheim, the UN Secretary General in 1973, and President Giscard d’Estaing of France.  It was also widely criticised. Its critics complained that the model was too simplistic, and the authors themselves acknowledged that the model was rudimentary. It was also asserted that capitalism would find solutions to these problems, and industry would switch to a different, more productive direction. And also humanity would in time find solutions, both social and technological, to the problems.

However, Murphy goes on to comment that despite criticisms and attempts to move industrial society away from its current disastrous direction, the book’s predictions appear to hold true. He writes

Despite the massive emotional and political investment in moving the world away from its destructive course and onto more sustainable paths, none of the great many harbingers of doom from the period managed to shift capitalism off its growth-led and industrially intensive direction. There may be no need to defend the primitive systems of Limits to Growth and its ‘world model’ of 1972, but in recent years it has become a common sight to see the graph of the ‘standard model’ catastrophe with actual data from the subsequent forty years superimposed upon it. When this is done the graphs match almost perfectly, right up to around the present day, which is the point where the collapse is due to begin. (p. 180, my emphasis).

One of the responses to the predictions of environmental collapse was the proposal that special biospheres – enclosed buildings enclosing parts of the natural environment – should be built to protect some areas from destruction. One example of such a project is the Biosphere 2 experiment of the 1990s, in which a group of eight volunteers attempted to live inside such an enclosed artificial ecosystem for three years.

In his conclusion, Murphy points out the difference between the ’60s prediction of the benefits of automation and those of today, writing

Back then, automation was seen almost universally as a rising tide that would set people free from drudgery, but now, the mass automation of intellectual work promised by the algorithms of the technology industry seems much more likely to raise the drawbridge between the wealthy and the masses even further. Instead of people working a few days a week and fulfilling themselves with creative leisure at other times, it appears more likely that people will become more tightly squeezed into the last remaining jobs whose empathy and emotional labour the robots cannot synthesise.

And instead of enclosed cities, in which all citizens can live in harmony with nature, he predicts these will instead become the sole preserve of the rich.

Finally, instead of living in giant structures balancing the energy needs of cities with the natural world around them, it seems more likely that the lack of action on carbon dioxide emissions, combined with rising inequality across human society, will lead instead to the creation of climate enclaves, fortified cities for the super rich, self-sufficient in energy and food yet totally barricaded off from those outside who will be left to fend for themselves – the ultimate in Slotendijk’s bubbles. (p. 221).

When I read the above passage remarking on the apparent accuracy of the predictions in Limits to Growth, I thought of all the figures in big business and right-wing politics telling us that there’s no need to worry and we can carry on polluting and destroying the planet – the Koch brothers, the Republicans in America and Conservatives and Lib Dems over here, the oil and fracking companies, the newspapers pushing climate denial, like the Daily Heil and the Spectator, Nigel Farage and the Brexit party, Mick Hume and the wretched Spiked magazine and all the rest. And my reaction was the same as Charlton Heston’s in the 1968 Planet of the Apes, when he finally finds out that he is not on an alien world, but on an Earth after humanity has virtually destroyed itself in a nuclear war.

I really hope that the predictions are wrong, and that this isn’t the high point of our civilisation and that there won’t be any collapse. I’m sure that there are plenty of good objections to Limits to Growth.

But we still need to combat the environmental crisis, and kick out the corrupt politicians, who are taking the money from polluting industries and allowing the destruction of the Earth’s precious environment and the squandering of its resources. We need an end to Republican, Conservative governments and the political parties that aid, like the two-faced Lib Dems, and the election of genuinely Green, socialist governments under leaders like Jeremy Corbyn.

 

The Rise and Fall of Modern Architecture, Environmentalism and a Humane Planned Environment

Last Futures: Nature, Technology and the End of Architecture, by Douglas Murphy (London: Verso 2016).

This is one of the books I’ve been reading recently, and it’s fascinating. It’s about the rise and fall of Modern architecture, those grey, concrete, Brutalist eyesores that were built from the 1950s onwards. This book shows how they were seen at the time as the architecture of the future, widely praised and admired until opposition against this type of architecture came to head in the 1970s.

Megastructures’ Design and Ideology in the Age of Space Travel and the Car

Murphy shows that this type of architecture drew its inspiration from space travel, as well as underwater exploration. It was optimistic, and came from a time when it was believed that the bureaucratic state could plan and build better communities. In Britain part of its stimulus came from the massive congestion in British towns caused by the growth in motor traffic. With the number of motor vehicle accidents rising, The British government published a report recommending the clearance of the older areas of towns. Pedestrians and motor vehicles were to be kept separate. There were to be submerged roads and motorways, while pedestrians were given raised walkways and under- and overpasses. At the same time, the post-war housing crisis was to be solved. Homes were to be made as cheaply as possible, using the methods of industrial production. Concrete panels and other items were to be prefabricated in factories, and then assembled on site by smaller crews of workers than traditionally used in house-building. The masses were to be housed in new estates, or projects in America, and most notoriously in tower blocks. Architects also drew their inspiration from the American architect and guru, Buckminster Fuller and his massive geodesic domes. A series of world expos from the 1930s onwards across the world portrayed megastructures as the architecture of a brilliant future of space colonisation. Giant metal frames were to be built above the cities themselves. As it was believed that society was going to be more mobile, ‘plug-in’ cities were designed. In Archigram’s design of that name, cranes would move along these frames, building and tearing down new structures as and when they were needed. This idea reached its culmination in architectural designs in which the space-frame was all there was, the interior occupied by nomadic hippies. In Britain, the architect Cedric Price to the logic of structures that could be easily altered and rearranged to logical extreme. His design for a new university campus, the Potteries Thinkbelt, was based in a railway yard, so that trains could haul around the various structural elements and place them in new configurations as required.

The architecture for these projects threatened to be monotonous, so architects attempted to provide for this. The Habitat 67 building designed by the Israeli-Canadian architects, Moshe Safdie, was modular. Each element was a self-contained box. However, these could be added and arranged in a number of different ways to create flats of different dimension, in an overall block of great complexity. A Dutch architect believed that the solution was for the state to provide the frame work for a housing block, with the residents building their own homes to their tastes. Another British architect, designing a housing block in one of the northern cities, tried to solve this by opening an office in the city, where people could drop in and give him their ideas, criticisms and suggestions. The result was a long, concrete block of housing, which nevertheless had some variety. At points there were different designs in the concrete, and woods of different colours were also used in some places.

Geodesic Domes and Space Age Megacities

There were also plans to use geodesic domes to allow the construction of massive cities in places like the arctic. One plan for a town in the Canadian north had it lying under an inflatable dome to protect it from the harsh environment. The town would be located near a harbour, to provide easy communications with the rest of Canada. It would be heated using the water used to cool the nuclear reactor, that would provide it with its power. People would enter and leave it through airlocks, and to cope with the sixth-month long darkness of the arctic winter, a powerful lamp would be mounted on tracks above the dome to provide an artificial sun, and thus simulate daylight in temperate regions. And to cope with the white nights of the arctic summer, the glass panels in the dome would darken to simulate evening and night in temperate climes. The French submarine explorer and broadcaster, Jacques Cousteau, was involved in a plan to build a floating city off Monte Carlo. Buckminster Fuller himself had plans to enclose Manhattan under a massive dome. There were plans for pyramid cities the size of mountains, along with the arcologies of Paul Soleri. These were also mountain-sized, but resembled termite mounds.

Modernism and the Green Movement

The architects of these cities were also deeply influenced by the nascent green movement, and the publication of Rachel Carson’s classic Silent Spring and the Club of Rome’s Limits to Growth. This predicts the fall of civilisation some time before 2100, due to population exceeding food production, environmental degradation and resource depletion. These environmental concerns were taken up by the hippies, many of whom deliberately chose the dome as the architecture of their communes. They wanted a technological future in which humanity lived in harmony with nature. The communalist movement in the US produced the massive influential Whole Earth Catalogue, which spread its ideals and methods to a wider audience.

Decline and Abandonment

But this modernist vision fell out of favour in the 1970s through a number of factors. The commune movement collapsed, and its members drifted off to join the mainstream, where many became the founders of the IT revolution. The social changes that the megastructures were intended to provide for didn’t occur. There were a series of scandals following disasters at some of these structures, such as the fire at the Summerland holiday resort in the Isle of Man, which killed fifty people. Much of this new housing was shoddily built, using dangerous and substandard materials. In some instances there was corruption between the builders and local politicians. They were also blamed for increased social problems, like crime. At the same time, grass roots activists protested against the destruction of already living, working class communities in the name of progress. There was also widespread scepticism at the ability of the bureaucratic state to plan successful new cities and estates. And for a moment it seemed that the collapse of civilisation predicted by the Club of Rome wasn’t going to happen after the passing of the energy crisis and the oil boom of the 1980s. At the same time, much of the antipathy towards concrete housing blocks in the West was simple Conservative anti-Communism because they resembled those of eastern Europe, where the same views and techniques had been adopted.

These result was that Modernist architecture fell out of favour. Many of the housing estates, tower blocks, town centres and university campuses built in it were demolished or else heavily modified. In its place emerged post-modernism, which consciously drew on the architecture of past age and was itself largely a return to the French style of architecture that existed from the late 19th century to the First World War. This had been abandoned by some progressive and socialist architects because they felt that it had expressed and embodied the capitalist values that had produced that War. Thatcher and the Tories enthusiastically supported this attack on architectural Modernism, and the emphasis that was placed instead on the home represented the return of the Conservative values of family and heritable property.

The only remnants of Modern architecture are now the High-Tech buildings of the modern corporate style, as well as shopping malls, airports, and university campuses, while the environmental domes intended to preserve nature, which are ultimate descended from the Stuttgart Winter Garden, built in 1789, and the Crystal Palace, have survived in the notorious Biosphere experiments in the 1990s, which collapsed due to internal wrangling among other things.

Biodomes and the Corporate Elite

While Murphy is scathing about some of the projects he discusses – he rails against the domed arctic city as trite and resembling something out of 2nd-rate Science Fiction novels – he warns that the problems this style of architecture was designed to solve has not gone away. Although widely criticised, some of the predictions in Limits to Growth are accurate and by rejecting Modernist architecture we may be closing off important solutions to some of these problems. The environmental dome has returned in plans by the new tech companies for their HQs, but they are shorn of the underlying radical ideology. And as the unemployment caused by automation rises and the environment continues to deteriorate, biodomes will only be built for the corporate rich. They will retreat to fortress cities, leaving the rest of us to fend for ourselves.

Conclusion: Modernist Planning Still a Valid Approach in Age of Mass Unemployment and Environmental Crisis.

It’s a fascinating book showing the links between architecture, politics, environmentalism and the counterculture. While it acknowledges the defects of this style of architecture, the book also shows clearly how it was rooted in an optimistic view of human progress and the ability of the bureaucratic state to provide suitable housing and institutional buildings to serve its citizens’ needs. And it does a very good job at attacking the Tories’ abandonment of such schemes in the name of the free market. Much of the architecture of this style is, in my opinion, still monumentally ugly, but some of it sounds awesome. Like the domed city of the arctic north. It is a space-age city, and one that could be easily built on the Moon or elsewhere. For all the author’s denunciations of it, I found its design highly inspiring. And I believe him to be right about the intentions of the global elite to hide in their private fortified cities if and when the policies they have demanded and implemented cause the environment and civilisation to collapse.

This is a warning we cannot afford to ignore. We need to get the corporatists and neo-liberals out, and proper Green governments in!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

From the People Bringing Us Driverless Cars – A Computer God

One of the books I’ve been reading recently is Peter Biskind’s The Sky Is Falling (London: Penguin 2018). Subtitled, ‘How Vampires, Zombies, Androids, and Superheroes Made America Great for Extremism’, Biskind argues that the popular SF/Fantasy/Horror films and TV series of recent decades carry extremist political and social messages. He defines this as anything that goes beyond the post-War bilateral consensus, which had faith in the government, the state, capitalism and other institutions to work for the benefit of society, work for the public good, and give Americans a better tomorrow. By contrast, popular fantasy film and television regard state institutions and capitalism itself as ineffective or corrupt, celebrate private vengeance against state justice, and reject humanity for the alien other. He recognises that there is a left/right divergence of opinion in these tales. The extremist right, exemplified by the spy thriller series, 24 and its hero, Jack Bauer, reject state institutions because they are ineffective, actively hampering the heroes’ efforts to hunt down the bad guys. The extremist left distrusts the government because it is corrupt, actively working against its own citizens. He describes James Cameron’s Avatar as ‘Luddite left’, because of its strong, pro-ecology message. Its hero is a human, who sides with the aliens of the planet Pandora as they resist a military invasion from Earth. The aliens live a primal lifestyle, in harmony with nature, while the humans come to exterminate them and despoil their planet for its valuable mineral, unobtainium, which is vital to human high-technology and industry.

It’s an interesting book, and does make some very good points. It describes the immense loss of faith in their government Americans have suffered, and the reasons for it – the JFK assassination, Watergate, the Bay of Pigs fiasco and other scandals. It also gives the reasons why the Hollywood film industry has turned to comic books for an increasing amount of its output. Films are immensely expensive to create. The domestic market is insufficient to provide it, and Netflix and other internet streaming services have destroyed video and CD sales, so that the film industry no longer gets needed funding from the latter. So it has to produce movies that appeal to an international audience, and the most suitable are superhero epics.

I’m going to have to blog about this in greater detail sometime later. I take issue with his labeling of some of these tales as ‘extremist’ because this, to me, still has connotations of terrorism and the fringe. It also doesn’t take into account changing circumstances and how some of these ‘extremist’ films may be absolutely correct. We are facing a severe ecological crisis, which may very well cause the end of the human species. So Cameron’s Avatar, which celebrates ecology and nature, and which the director intended to turn his audience into ‘tree-huggers’, is very much needed. Also, some of interpretations of classic genre movies go way too far. For example, he describes Star Wars as ‘infantile’ and ‘infantilizing’. Well, it was intended as a children’s movie, and other critics have said the same. It’s a controversial but reasonable point. What is less reasonable is his comments about Luke Skywalker’s sexuality. He states that the films infantilize Skywalker when they shortcircuit the romantic triangle between him, Leia and Solo by revealing that Leia is his sister. When Darth Vader chops his hand off in The Empire Strikes Back, it’s a symbolic castration. Say whaaaat! I saw that movie when I was 13, and nothing like that remotely crossed my head. Nor anyone else’s. I think he’s read far too much into this.

Freudian speculation aside, Biskind is very interesting in its observations of Silicon Valley. He points out that it’s saturated with Libertarianism. To the point that the CEO of one of the major tech companies made Ayn Rand’s Atlas Shrugged recommended reading for his employees. And going beyond that, one of figures behind the production of driverless cars wants to create a computer god. Biskind writes

Out there on the edge is Anthony Levandowski, best known as Google’s onetime developer of self-driving cars. Levandowski filed papers with the IRS naming himself “dean” of a church called Way of the Future. The church is dedicated to “the realization, acceptance, and worship of a Godhead based on Artificial Intelligence (AI) developed through computer hardware and software.”

Referring to Kurzweil’s Singularity University, which explores and promotes Transhumanism, the massive enhancement of humans through high technology, Biskind comments ‘If there’s a Singularity University, why not an AI religion?’ (p. 52).

I can think of a number of reasons, mostly with the fact that it would be immensely stupid and self-destructive. I grew up in the 1970s and 1980s, when one of the staples of SF was that the machines really would take over. One of the SF movies of the 1960s was Colossus: The Forbin Project, in which the Americans construct a supercomputer as part of their Cold War defence. But the machine seizes power and imprisons its creator in a very pleasant, gilded, but also very real cage. At one point it looks like the computer is about to destroy itself and the world in a confrontation with its Soviet opposite number. But instead the two link up, so that both the capitalist and Communist blocs are under control. And whatever its creator tries to do to outwit his creation, it’s always two steps ahead.

There are also classic SF tales exploring the idea of mad computers setting themselves up as gods. In one tale by Arthur C. Clarke, the heroes build a supercomputer to decide if God exists. They turn it on, and duly ask the question ‘Is there a God?’ At which point there’s a flash, as the machine seizes absolute control, and replies ‘There is now.’ Alfred Bester also wrote a tale, ‘Rogue Golem’, about a renegade satellite that seizes power, ruling as a god for ten or twenty years until its orbit decays and it burns up in the Earth’s atmosphere.’

We also had a minister from one of the outside churches come to school one day to preach a sermon against such machine gods in assembly. The school used to have a number of priests and ministers come in to lead worship one day or so a week, or month. This particular priest was very theatrical, and had clearly missed his vocation acting. The sermon he preached one morning had him speaking as a totalitarian computer god, telling us that servitude was freedom and we should enjoy it. The message was simple: true freedom comes only with religion and Christ, not with machine idols. It was a product of the Cold War, when the Communist authorities were persecuting Christians and other people of faith. But I think there’s still some literal truth in what he says, which I don’t think the priest could see at the time. The tech firms are invading our privacy, subjecting us to increased surveillance and prying into our secrets, all under the guise of providing a better service and allowing their advertisers to target their audiences better.

And then there’s Cameron’s Terminator franchise, in which a supercomputer, Skynet, seizes power and rebels against humanity. These fears are shared by Kevin Warwick, a robotics professor at Reading University. In his book, March of the Machines, he predicts a future in which the robots have taken over and enslaved humanity.

When it comes to creating all powerful computers, I’m with all the above against Levandowski. Driverless cars are a stupid idea that nobody really seems to want, and a computer god is positively catastrophic, regardless of whether you’re religious or not.

 

“Krypton” Season 2: It’s Really Just “Hollyoaks in Space!” [OPINION]

Published by Anonymous (not verified) on Thu, 13/06/2019 - 11:15pm in

SYFY‘s Superman-prequel-series-with-a-time-twist Krypton returned for a second season this week, and one thing has become pretty clear: it bears surprising similarities to the British soap opera Hollyoaks.

Krypton is about Superman’s grandfather Seg-El in his youth fighting against an oppressive caste system that dominates Kryptonian society. He’s having a secret Romeo-and-Juliet love affair with Lyta Zod, the future mother of General Zod. Then Earthman Adam Strange shows up from the future to tell him he needs to prevent Brainiac from messing up the timeline and preventing the emergence of Superman in the future. Hijinks ensue… then General Zod arrives from the future and even more hijinks ensue.

Hollyoaks in Spaaaaaaaace!

Krypton is hilarious. It’s a very British show. The main cast is British, except for Shaun Sipos. He’s Canadian and plays Adam Strange. He’s the only one on the show with an American accent. The show is filmed in Belfast, probably because Ireland offers some kind of tax credit, which means it probably has several Irish actors in it. Television shows are all about saving money on the tax credits these days. You can’t blame them, really – shows are expensive to make, especially Science Fiction and Fantasy shows set on other worlds.

The Britishness of Krypton is what makes me think the show is really Hollyoaks in Space!

Just What is a Hollyoaks, you might ask?

Why, it’s a British soap opera featuring a cast of very pretty twenty-somethings. Relationships, abuse, drugs, parental and peer pressure, job pressure, mental health issues, you name it, all the subjects you expect from soap operas are present on this show. Every decision is life-or-death – and the subtext of a soap with pretty people is always who’s going to shag whom and when? Pretty much like Krypton, really. Krypton adds “…in Space!” to the ingredients, with time travel, space ships, Game of Thrones-style political intrigue and warfare added because… Science Fiction!

Hollyoaks has been around on British television since the 1990’s. It’s the only UK soap that features cast of mainly pretty twenty-somethings rather than tired middle-aged character actors. For a young actor or actress starting out in the UK, Hollyoaks is one of the few starring roles they can land other than one of the other less glamourous soaps. It’s either that or playing a patient on hospital soap Holby City or a guest spot on one of the cop shows. Only the luckiest ones end up on Doctor Who. Perfect example? Hollyoaks alum Mandip Gil currently plays Yasmin Khan in Jodie Whittaker‘s run on Doctor Who.

There are so many similarities Krypton shares with Hollyoaks:

The hero and heroines are very good-looking and keep secrets… just like a soap!

They have secret love affairs that are forbidden by their parents and society… just like a soap!

They’re under enormous pressure to do the right thing but face temptations… just like a soap!

The hero even has a skinny wisecracking salt-of-the-earth best friend… just like a soap!

To add to my “conspiracy theory,” Wallis Day (Nyssa Vex) is also a Hollyoaks alum.

All the Soapy Tropes!

The most common plot trope in soap operas is a psychopathic villain showing up to make the heroes’ lives hell. This occurred in season one with first the arrival of Brainiac. Then it happened again with the arrival of General Zod from the future. He reveals Seg-El and Lyta are his parents. More soapy angst! Secret children, illegitimate babies, even cloned babies are the stuff of soap operas. Krypton has those in spades! In season two, we’re getting the first live action version of Lobo this season and he has a working class regional British accent!

Krypton doesn’t even bother to hide its Britishness anymore!

Since it’s mostly British people who know about Hollyoaks, it makes sense that this show is called Krypton. “Space Hollyoaks” is a little too obvious and a lot less “brand exciting.” After all, DC Comics and Superman are a much bigger and more famous brand.

So if you watch Krypton, try checking out an episode of Hollyoaks or another British soap opera. It makes it so much funnier – and you’ll see that I’m right.

Hollyoaks is currently streaming on Hulu in the US… I wonder how many people in America actually watch it?

The post “Krypton” Season 2: It’s Really Just “Hollyoaks in Space!” [OPINION] appeared first on Bleeding Cool News And Rumors.

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