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Cartoon: Michael Gove – Idiocracy

Here’s another of my cartoons, in which I lampoon the Conservatives and their horrendous government. This piece is based on that photograph taken when Cameron decided to make Michael Gove education minister, or something like it. It showed Gove looking somewhat depressed and forlorn in front of a crowd of primary schoolchildren, as if he had suddenly twigged that a group of five or six years olds were far brighter than he was.

It reminded me of the Jack Black SF comedy that came out a few years ago, Idiocracy. Based on the William Tenn short story, ‘The Marching Morons’, this was about an ordinary, average American joe, who wakes up two hundred years in the future to find out that he’s the cleverest man on the planet. It’s a future where people irrigate their crops with Gatorade, what monster truck rallies on TV and where the most popular comedy programme is where men get hit in the crotch called Ow! My Nuts! And unfortunately, thanks to the Tory media, this does seem to be the future we’re heading for. I am convinced that the Murdoch press is actually diminishing intelligence, rather than enhancing it. Just like a media monitoring survey in America found that you were far better informed about the world if you watched no news at all, than if you watched Fox News.

Tenn’s story is a classic, but it makes me very uneasy. Like one or two other stories from the same period, it’s based on an article of eugenics ideology. This is that the less intelligent are more fertile, and will outbreed the intelligent, thus causing average intelligence to drop over time. It’s the thinking behind the sterilisation programmes in America, Sweden and most notoriously, Nazi Germany, against those considered mentally unfit, and which during the Third Reich led to their murder. In the story there’s an intelligentsia, who have preserved their own intellects through rigid interbreeding. They ask the man from the 20th century how they can raise intelligence back to its former level. He suggests that they pack them into faulty rockets with promises that they’re going on holiday to Venus. The rockets won’t get there, and will instead fall apart, killing their retarded occupants. Then the man, who devised this plan, finds that he himself is put on one of the same rockets to kill him for his ruthless cleverness.

As I said, it’s a grim story, and mercifully human evolution doesn’t actually work like that. Although morons like Andrew Sabisky and Toby Young clearly think that it does, and the racist currently ensconced in No. 10 seems to agree. Or at least he and the polecat, Dominic Cummings, have no problems employing men whose disgusting views should mean that they should be nowhere near government.

But enough of these disgusting people with their depressing, sordid views. Here’s the cartoon to cheer you all up.

 

Does Sarah Vine Look like Two Doctor Who Villains?

Published by Anonymous (not verified) on Fri, 21/02/2020 - 2:54am in

Okay, I know this is ad hominem, but it’s been niggling away at me for some time. This is one for Dr. Who fans, and the question is: does Michael Gove’s equally odious wife, Sarah Vine, look two of the villains from the classic series, the Black Guardian of Time and the Valyard.

Sarah Vine

The Black Guardian of Time, as played by Valentine Dyall

The Valeyard, as played by Michael Jaystone

The Valeyard was an evil version of the Doctor, made up of pieces from his 12th and 13th incarnations. He acted as the prosecution in the Colin Baker story, ‘Trial of a Time Lord’. The Black Guardian of Time was the opposing force to the White Guardian. He first made his appearance in the Tom Baker ‘Key to Time’ story, ‘The Armageddon Factor’, and later reappeared during Peter Davidson’s time as the Doctor. Whereas the White Guardian stood for Good, the Black Guardian stood for evil, seeking to destroy the universe and plunge it into chaos and evil.

Which sounds pretty much like the policies of the Tories and Daily Mail. It’s been established in Dr. Who that the Time Lords can change sex when they regenerate. The Doctor’s done it, and before him/her the Master became Missy.

So perhaps the Black Guardian has also done it and is now hiding undercover in the Daily Fail’s office, seeking her chance to once again overthrow the forces of order and spread evil across time and space.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tom Baker Talks to Nicholas Briggs

Published by Anonymous (not verified) on Mon, 27/01/2020 - 8:47pm in

Before the heavy political discussion, a bit more Science Fiction. It was Tom Baker’s 86th birthday a few days ago, and to mark it Big Finish released this video on YouTube. Big Finish produce Dr. Who audio plays with the classic Doctors, including, of course, Tom Baker. In it Nicholas Briggs, who has done the Dalek voices on Dr. Who, talks to the former fourth Doctor and asks some questions put by fans. Baker looks his age, but his mind and voice are still as sharp as ever, and he’s as funny as he’s always been. Happy birthday, Tom, and many happy returns!

Mr H Reviews Praising New Lovecraft Movie ‘The Colour Out Of Space’

Published by Anonymous (not verified) on Mon, 27/01/2020 - 1:35am in

Something different from politics this time, which I hope will pique the interest of fans of the 20th century SF/Horror writer H.P. Lovecraft. Richard Stanley has directed a film version of Lovecraft’s short story, ‘The Colour Out Of Space’. Starring Nicholas Cage, Joely Richardson, Tommy Chong and others, the film’s due to be released in Britain on the 28th February.

Mr H Reviews is a film news and reviews channel on YouTube, largely specialising in SF, Horror and superhero flicks. The titular presenter is a massive fan of H.P. Lovecraft, who wrote tales of cosmic horror and madness for pulp magazines such as Weird Tales. The film is largely the work of Richard Stanley, who is best known for his SF movie Hardware. This was about a sculptress in a decay future city, whose partner finds the remains of an unknown robot in a radiation-poisoned desert. He brings it back to her so she can turn it into art. When she reassembles it, it is a lethally efficient military robot that then goes on a killing spree to fulfill its programming. The film was extremely similar to a short tale illustrated by the mighty Kevin O’Neill in 2000AD, and Stanley lost the case when the comic sued for plagiarism. Stanley doesn’t seem to have a directed a motion picture since the debacle of The Island of Dr Moreau back in the 1990s. This fell apart, and Stanley was sacked as director, largely because of the casting in the title role of Marlon Brando. Brando behaved extremely bizarrely, making odd demands and requests and seems to have been determined to have the movie shut down. With costs mounting and shooting overrunning, Stanley was sacked and the film completed by another director. The script was also written by Amaris and has superb cinematography by Stephen Annis, who has also made videos for Florence and the Machine.

Stanley is, however, a superb director and Hardware is highly praised. In this review Mr H gives fulsome praise to the movie without giving too much away. Based on the short story of the same title, this is about a surveyor in Arkham telling the story of the strange events in order to try and make sense of it. Something strange falls out of the sky and begins to change the people and environment. The humans suffer bouts of madness, but in contrast to this the environment grows ever more beautiful. The visitor from space is an alien creature, and Mr H praises the work that has gone into it. He says that the film is like Annihilation, which is also about something from space falling to Earth and changing the environment, making it bizarrely beautiful. However, H believes that the Lovecraft film is better. He also states that the creature in it is similar to The Thing, John Carpenter’s classic ’80s adaptation of John W. Campbell’s short story, ‘Who Goes There’. The creature work is excellent and it is more of a homage to the earlier film, rather than a rip-off.

There are a number of Easter eggs in the movie referring to earlier adaptations of Lovecraft’s work. One of these is the name of one of the daughters, Lavinia. I also noted scrawled on the wall in one of the video clips played in this review is the slogan ‘No flesh shall be spared.’ It’s a line from Mark’s Gospel which was used as the slogan for Stanley’s Hardware.

The film’s intended to be the first of a series set in Lovecraft’s universe. Unfortunately, it doesn’t have wide distribution over here and is only showing in Showcase cinemas. But he highly recommends seeing it, even if you have to drive several hours to the nearest cinema.

I’m a fan of Lovecraft’s fiction, which unfortunately has had a very uneven history when it comes to film adaptations. This one looks extremely promising however.

It’s on in the Showcase cinema in Cabot Circus in Bristol, and I shall hope to see it. If you’re interested, then Google to see if its playing anywhere near you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Collection of Science Fiction Stories Tackling Racism

Allen De Graeff, ed., Human And Other Beings (New York: Collier Books 1963).

Science Fiction, it has been observed, is more often about the times in which it was written than about the future. Quite often it’s been the ‘literature of warning’, in which the author has extrapolated what they feel to be an ominous trend in the present to show its possibilities for the future if left unchecked. Thus H.G. Wells’ The Time Machine presented a nightmarish far future in which capitalist elites and the working class had diverged into two separate species. The Eloi – descendants of the elite – were small, dreamy creatures, with no industry of their own. They were the food animals instead of the Morlocks, descendants of the working class, who had been forced into lives of underground toil by the late Victorian and Edwardian class system. Other SF stories have tackled the problems of overpopulation – John Brunner’s Stand On Zanzibar, the catastrophic over-reliance on mechanisation for, well, just about everything – E.M. Forster’s The Machine Stops, or the horrifying potential of genetic engineering and mass psychological conditioning, Aldous Huxley’s Brave New World, and so on. I borrowed this colllection of SF stories from a friend. It’s interesting because it uses the theme of contact with alien and other non-human intelligences to criticise and denounce the very real, present issue of racism. The book’s blurb begins with the quotation ‘”Everything that diminishes human dignity is evil,”‘, and continues

With this timeless truth as his theme, Editor Allen DeGraeff has collected a group of superbly told science fiction tales that support it with horror or humor. Other planets, other centuries, living beings of shapes and colors other than “human” are the imaginative ingredients. Shock, surprise, and sympathy are the emotions they act upon.

  • Would you join the Anti-Martian League? Or, like Sam Rosen, would you fight it?
  • Would the gentle Adaptoman – four arms, two brains, three eyes-arouse your hostility if he worked in your office?
  • Could you live as a Professional in a world of Categoried Classes if there were also people known as Wipers, Greasers, and Figgers?
  • Would you marry an Android, a person physically just like you, but artificially “Made in the U.S.A.”?
  • Would you mock or make a friend of Narli, the charming fur-bearing exchange professor from Mars?
  • Could you serve with a soldier Surrogate, a human being reclaimed from the dead with biological techniques of the future?

In settings ranging from the Second Battle of Saturn to Earth 2003 and shining blue-green globe Shaksembender, these authors portray the ideas of human dignity.

The authors, whose work is collected in the volume include some of SF great masters – Ray Bradbury, William Tenn, Leigh Brackett, Frederick Pohl, both alone and with his frequent collaborator, C.M. Kornbluth, Robert Sheckley and Eric Frank Russell.

The stories were written at a time when the Civil Rights movement was gaining power, although still bitterly opposed by a viciously racist, conservative state apparatus and politicians. A number of other SF writers were also using the genre to denounce racism. Sometimes that was through metaphor, such as in Cordwainer Smith’s ‘The Ballad of Lost C’Mell’. This tale’s titular heroine is a young woman genetically engineered from cats. She is a member of an oppressed servile class of similarly genetically engineered animals. These creatures are denied all rights by their human masters, and humanely killed by euthanasia is they are unable to perform their functions. Through telepathic contact with another such creature, a dove of immense intelligence and wisdom, C’Mell is able to persuade a human board of inquiry to grant her people human rights. Other SF writers tackled racism directly, such as Harry Harrison in his 1963 story, ‘Mute Milton’. This was his angry reaction to a comment by a redneck southern sheriff’s response to the news that Martin Luther King was highly respected in Sweden and Scandinavia, and had been awarded the Nobel prize. The sheriff responded that King might be popular in Norway, but back in his town he would be ‘just one more n***er’. Harrison’s story is about a Black American college professor, who comes to a southern town on his way to another university to present his invention: a radio that runs on gravity. A stranger to the racial repression of the Deep South, he falls into conversation in a bar with a wanted civil rights activist while waiting for his bus out of town. The Black activist tells him what it’s really like to be Black in the South. The sheriff and his goons burst into the bar looking for the activist. He escapes out the back. The sheriff and his men shoot, but miss him and shoot the professor instead. When one of the goons tells the sheriff that they’ve killed an innocent man, he just shrugs it off as ‘another n***er’.

Racism has since gone on to be a major topic of much SF. It’s been explored, for example, in Star Trek, both recently and in the original 60’s series. It also inspired Brian Aldiss 1970s short story, ‘Working in the Spaceship Yards’, published in Punch. This was about a man with a Black friend having to come to terms with his own feelings about androids as they started working alongside them in the spaceship yards of the title, and going out with human women. It’s a satire on the racial politics of the day, when many White Brits were, as now, concerned about Black and Asian immigrants taking their jobs. And specifically anti-Black racism was tackled in an episode of Dr. Who written by award-winning Black children’s writer, Mallory Blackman. In this tale the Doctor and her friends travel back to the American Deep South to make sure Rosa Parks makes her epochal bus journey against the machinations of White racist from the future determined to stop Blacks ever gaining their freedom.

Not everyone is satisfied with the metaphorical treatment of racism pursued by some SF. I can remember arguing with a friend at college about Star Trek, and how the series explored racial tension and prejudice through Mr Spock. Despite being half-human, Spock was still an outsider, distrusted by many of his human crewmates. My friend believed instead that the series should have been more explicit and specifically explored anti-Black racism. More recently there has been the rise of Black SF writers, who use their work to address issues of race and the Black experience. An anthology of their work was published back in the 1990s as Dark Matters, a pun on the dark matter of astronomy, that is supposed to give the universe its missing mass.

Even if not explicit, the metaphorical approach allows writers to say what otherwise may not be said, as in the former Soviet Union. There, writers such as the Strugatsky brothers used the ‘Aesopian’ mode – SF as fable – to attack conditions in the Communist state, which would have been subject to censorship and severe punishment if said openly. Over in the capitalist world, the political situation was much freer, but there were still limits to what could be portrayed. Star Trek featured the first interracial kiss, between Kirk and Lt. Uhuru in the episode ‘Plato’s Stepchildren’, but the network faced deep opposition from broadcasters in the Deep South. An indirect treatment also allows people to think about or accept ideas, which they would have rejected through a more straightforward treatment of the subject. Some readers may have been more receptive to anti-racist ideas if presented in the form of aliens than through an explicit treatment of colour prejudice against Blacks and other races.

This anthology, then, promises to be very interesting reading both through the tales themselves, and what they have to say about the times in which they were written. Times in which Science Fiction was joining the other voices denouncing racism and demanding equality and freedom for all, human and non-human. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Russian Rocket Engine Street Art in Cheltenham

Published by Anonymous (not verified) on Sat, 18/01/2020 - 9:21pm in

One of the shops in Cheltenham has a very unusual piece of street art decorating its door. It’s of the rocket motor designed to power the Russian N1 spaceship to the Moon. The N1 was the Russian counterpart of the massive American Saturn V, and was similarly intended for a manned mission. Unlike the Americans, the Russian rocket would have a small crew of two, only one of whom would make the descent to the lunar surface in a module very much like the American. Unfortunately the project was a complete failure. Korolyov, the Soviet rocket designer, had died by the time it was being designed, and the head of the design bureau was his second-in-command, Mishin. Mishin was an excellent lieutenant, but this project was far beyond him. The N1 space vehicles kept exploding on the launch pad. These were powerful spacecraft, and the explosions destroyed everything within a radius of five miles. After three such explosions, one of which, I think, killed Mishin himself, the project was cancelled. The Russians never did send a man to the Moon, and instead had to satisfy themselves with the Lunakhod lunar rover.

I’d been meaning to take a photograph of the painting for sometime and finally got around to it yesterday. The full painting isn’t visible during the day, as much of it is on the cover that gets put over the door at night. This is the part of the painting shown in the top photograph. During the day only the bottom part of the engine, painted on the door itself, is visible.

The shop-owner himself was really helpful. He saw me crouching trying to photograph the bottom part of the engine, and asked if I knew what it was. When I told him it was a rocket motor, he proudly replied that it was TsK-33 for the N-1, and asked if I wanted to photograph the whole thing. I did, so he got down the door cover. Talking to him about the painting both then, and later on with a friend, who also has an interest in space, he told us a bit more about the rocket engine and his painting of it. Although the N-1 was scrapped, the Russians still retained the rocket engines. Someone from the American Pratt and Whitney rocket engine manufacturers met one of the engineers, designers or managers on the N-1 motors, who showed him 33 of the engines, which had been mothballed after the project’s cancellation. The Pratt and Whitney guy was impressed, as it turns out that these Russian motors are still the most efficient rocket engines yet created. He made a deal with the Russians to take them back to America, where they are now used on the Atlas rockets launching American military satellites. Or that’s the story.

My friend asked if the shopkeeper had painted it himself. He hadn’t. It had been done by a street artist. The shopkeeper had seen him coming along painting, and asked him if he would do an unusual request. And so the artist came to paint the Russian rocket engine.

There’s much great street art in Cheltenham, though as it’s an ephemeral genre you have to catch it while it’s there. Just before Christmas there was a great mural of Jeremy Corbyn and the Labour logo in one of the town’s underpasses. I wanted to photograph that too. But when I tried yesterday, it had gone, replaced with another mural simply wishing everyone a happy Christmas.

But I hope the rocket engine, as it was done specifically for the shop, will be up for some time to come.

It also seems to me to bear out the impression I’ve had for a long time, that the real innovative art is being done outside of the official artistic establishment. The painting would have delighted the Futurists, who were into the aesthetics of the new machine age. And also the French avant-garde artist, Marcel Duchamps. Duchamps anticipated the Futurists concern with the depiction of movement in his painting, ‘Nude Descending a Staircase’. He also painted a picture of ‘The Star Dancer’, which isn’t of a human figure, but a ship’s engine, which also anticipates the Futurists’ machine aesthetic. Unfortunately, what he is best known for is nailing that urinal to a canvas and calling it ‘The Advance of the Broken Arm’ as a protest against the artistic establishment. This went on to inspire Dada, and other anti-art movements. It’s now in Tate Modern, although it no longer has the same urinal. As a work of art, I really don’t rate it at all. Neither do most people. But for some reason, the artistic establishment love it and still seem to think it’s a great joke.

The real artistic innovations and explorations are being done outside the academy, by artists exploring the new world opened up by science and the literature of Science Fiction. And it’s to that world that this mural belongs. 

 

 

 

 

Mock Spaghetti Western Trailer for ‘The Mandalorian’

Published by Anonymous (not verified) on Thu, 16/01/2020 - 4:17am in

The Mandalorian is an American SF series. It’s a spin-off from Star Wars about a bounty hunter from Boba Fett’s people, who roams the Galaxy rounding up fugitives from justice. As far as I can make out, his companions include a war droid and an infant clone of Yoda.

I found this highly entertaining video on Kingkida’s channel on YouTube. This is mock cinema trailer for the show in the style of those for Sergio Leone’s spaghetti westerns starring Clint Eastwood, For a Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. It’s a really well put together spoof. It has the grainy quality of the film used in them days for low budget movies, the text is in Italian with English subtitles, as in the spaghetti westerns, and it uses the iconic music. Oh yes, and it also nods to the third film in Leone’s trilogy with the captions ‘The Good’, ‘the Bad’, and ‘the Ughnaut’ – one of the aliens from the Star Wars universe.

George Soros and Genuine Neo-Nazi Conspiracy Theories

Left-wing and anti-racism bloggers, commenters and campaigners have pointed out again and again how right-wing conspiracy theories about the supposedly nefarious activities of the financier George Soros, such as those promoted by the far-right Fidesz government in Hungary, conform to the poisonous Nazi conspiracy theories about evil Jewish bankers. Mainstream Conservatives have also blamed Soros’s influence for opposition to their policies in Britain. For example, Jacob Rees-Mogg, apart from accusing John Bercow and another Jewish politico of being ‘Illuminati’ – which has its own anti-Semitic overtones – also claimed that George Soros was financing the Remain campaign.

But the conspiracy theories about George Soros don’t just resemble Nazi mythology. They are a part of it, at least in some of the material that arose from the neo-Nazi fringe in the 1990s. In his book on contemporary Nazi paganism, Black Sun: Aryan Cults, Esoteric Nazism and the Politics of Identity (New York: New York University Press 2002) Nicholas Goodrick-Clarke discusses the work of Jan van Helsing, real name Jan Udo Holey, and his 1993 Geheimgesellschaften und ihre macht im 20. Jahrhundert (Secret Societies and their Power in the 20th Century). Two years later, in 1995, Helsing published Geheimgesellschaften 2. This consisted of his extended responses to interview questions. As you can imagine, despite Helsing’s avowed denials, it is a deeply anti-Semitic book. Goodrick-Clarke writes

Here he denies the charge of anti-Semitism, claiming Jewish friends and colleagues, before making the disingenuous distinction between Semitic Hebrews and Ashkenazi Jews or Khazars, who are his real antagonists in the persons of Rothschilds, Warburgs, the English royal family (!), Marx, Lenin, Stalin, etc. This ploy recapitulates the progressive disqualification of Jews from their Israelite heritage in Christian Identity doctrine. He then reprints several pages of Dr. Johannes Pohl’s vicious translation of the Talmud that was published by the Nazi Party in 1943 as anti-Semitic propaganda. On the Protocols, Helsing simply denies that their authenticity is an important issue: they exist and they are being applied. To complete his anti-Jewish rotomontade, he reveals that former Chancellor Helmut Kohl was born Henoch Koch and shows how George Soros is ruining East European economies through his liberal economic writ. Helsing’s dubious sources, his constant repetition of Jewish names as members of private and public organisations, and above all his emphasis on the assets and powerbroking influence of the Rothschilds as the top Illuminati family leave no doubt that his conspiracy theories are aimed at Jewish targets. (P. 296, my emphasis).

In case any of this sounds remotely credible, it’s worth noting that the royal family aren’t Jewish and neither were Lenin or Stalin. Stalin definitely not – he was a bitter anti-Semite. Helmut Kohl, the former German chancellor, wasn’t Jewish either. Van Helsing also believed that there’s a secret Nazi underground base in Antarctica, as well as colonies of other Reich Germans in the Canaries, the San Carlos area of Argentina, the Bermuda Triangle and the Himalayas. They also have a standing army of 6 million soldiers, including immigrants from Aldebaran. Yes, van Helsing believes the Nazi saucer mythology, in which Adolf and his band of thugs were helped by aliens from the star Aldebaran, who told them how to build flying saucers. Of which the Reich Nazis have an armada of 22,000.

When Jacob Rees-Mogg or the other Tories rant about George Soros, they are repeating an anti-Semitic conspiracy theory and should be criticised for it. But Conservative anti-Semitism has received nowhere near the amount of attention as the anti-Semitic smears against Corbyn and the Labour party. This is despite anti-Semitism being far lower in Labour. John Mann, the Tories’ anti-Semitism tsar, has shown himself completely uninterested in investigating it in the Tories, and blocked and called the children’s poet, Holocaust educator and broadcaster Michael Rosen a troll when he tried to draws Mann’s attention to some examples.

This shows how fake the Tories’ concern about anti-Semitism really is, just as the inclusion of George Soros in van Helsing’s wretched, vile anti-Semitic conspiracy theories show the real Fascism in similar fears about the financier in Tories like Rees-Mogg.

Is Black Anti-Semitism Behind the Attacks on Jews in New York?

Yesterday came the shocking news that there had been yet another anti-Semitic attack in New York. The attacker had pushed into a rabbi’s house where he and a group of others were celebrating Hanukkah, and stabbed five of them. And Carl Benjamin, aka Sargon of Akkad, the Sage of Swindon, has posted a video about it.

Sargon is the right-wing ranter, who broke UKIP. He’s a ‘classical liberal’, or rather Libertarian, who believes in privatising everything, destroying the welfare state even further, and is anti-feminist and racist. So it should come as no surprise that he supports Donald Trump. Sargon is the man who sent the Tweet to Jess Philips telling her that he wouldn’t even rape her. When he joined UKIP and was selected as one of their two candidates for the south-west constituency in the Euro elections, the branch in his own town of Swindon asked for him to be deselected. Gloucestershire UKIP disbanded in disgust, and he was greeted with protests and thrown milkshakes and fish in places like Bristol and Truro on his election tour.

But this time Sargon seems to have raised an interesting issue and made a decent point. In his video, he goes through some of the newspaper coverage of the incidents. Yesterday’s attack is sadly only one of a number that have been carried out in recent weeks, so that several of the members of the Jewish community affected have said that they felt they were living in Nazi Germany.  Sargon noted how the newspapers claimed that the attackers were of both genders and all races, male and female, Black and White. He found a piece where one newspaper columnist called for Jews and Blacks to unite against their common enemy, white supremacy. But Sargon stated that in all the incidents he’d seen, the perpetrators had been very largely Black, although there were a few Hispanics. And he quite naturally wondered why.

Now it could be that the idea that the attacks are committed by Blacks is an illusion. It’s possible that there were equal numbers or more of Whites involved, but for some reason these were not covered as examples. Or else they were reported, but Sargon couldn’t find them when he searched the net. Certainly there have been terrible anti-Semitic attacks carried out by White racists this year.

But some of the attacks may also be due to causes peculiar to certain forms of Black radicalism. If that’s true, then it must also be stressed that this is only going to be a minority within America’s Black community, just as White racists like Richard Spencer certainly do not represent all White Americans.

Sargon suggested that it might be connected to a speech by the head of the Nation of Islam, Louis Farrakhan, which was taken down from YouTube. Farrakhan, whose anti-Semitism is notorious, had ranted about the Jews, at one point comparing them to Termites. Given that the attackers seemed to be largely Black, he didn’t see how Trump or White supremacy could be blamed. He claimed that Trump didn’t have any problem with Jews, as his daughter had converted to Judaism. So, he asked, why were Blacks attacking Jews? He then made the perfectly reasonable point that we wouldn’t know unless somebody asked them.

It is possible that Farrakhan’s highly inflammatory rhetoric against Jews could have inspired some of the attackers. Farrakhan is the head of the Nation of Islam, a Black Muslim organisation that, from the standpoint of orthodox Islam, is highly heretical. It’s a mixture of 19th century Freemasonry, Sudanese Sufism and elements of Ufology. It’s central doctrine is that W.D. Fard, a Syrian immigrant to the US, is the Son of God. Farrakhan claims that he was taken up to a flying ‘mother wheel’ by a UFO from a mountain in Mexico, and shown that Fard is alive and well and living on Venus, directing the war against Whites. The religion calls for the creation of a separate nation for Black Americans as it considers that they will never have justice or equality under White domination. They also believe that hundreds of thousands of years ago Blacks had an advanced civilisation, travelling to and exploring the Moon. White people are albinistic mutants created by a renegade Meccan scientist. Way back in the 1990s Farrakhan was predicting that American would be destroyed by a nuclear attack from an alliance of Muslim nations, that would free Black Americans. The religion is obviously bitterly hostile to Whites, or at least White civilisation. Given the immense exploitation and injustice Blacks have suffered in American and western history, it’s understandable.

Farrakhan also has a particular hatred of the Jews, because he blames them for the slave trade. Mainstream, respectable scholarship, such as Hugh Thomas’ comprehensive The Slave Trade, actually shows that Jews formed a tiny minority of slave traders and slave-owners.

A number of right-wing American websites also reported that the man responsible for an attack on a Jewish supermarket just before Christmas was a member of the Black Hebrew Israelites. This was a response to one of the left-wing Democrat politicos, who claimed that it was the vile work of a White nationalist. The Black Hebrew Israelites were founded c. 1964 by two preachers of Black Judaism, Gerson Parker, who took the name Nasi Hashalom, and Louis Bryant, who became Nasi Shaliach Ben Yehuda. Hashalom was the group’s spokesman, and revered as the Messiah. In 1969 they established a community in Dimona in Israel. The group believe that the only real Jews are Black Americans of slave ancestry.  Jews are fakes, and are part of the conspiracy to hide Black Americans’ real, spiritual identity from them. They will be destroyed, along with the rest of the religion’s enemies, at the Battle of Armageddon. This didn’t impress the Israeli authorities, who ruled that the Black Hebrew Israelites were not genuine Jews, and so could be legally deported. However, this hadn’t occurred by 1992, and the group was reported to have good relations with the Israeli authorities.  

It’s possible that the growth in the Nazi and anti-Semitic conspiracy theories in the White population may also have encouraged similar poisonous ideas in the Nation of Islam. The September 8th, 1992 issue of the religion’s newspaper, The Final Call, carried an article that suggested that the American government was planning to fake an alien landing in order to set up a tyrannical one-world government. The article featured an interview with UFO researcher Nario Hayakawa, who said

The U.S. government behind a veil of secrecy, is testing these aerial devices or select pilots may be receiving instructions [from alien beings] on how to fly these disk shaped crafts developed by the government for the purpose of staging a fake extraterrestrial event in the very near future, perhaps around 1995… Secret international banking groups and other global secret groups are going to forcefully eliminate international borders and create some kind of controlled society… The most amazing weapon they will use to do this will be the extraterrestrial threat. 

(See Donna Kossy, Kooks: A Guide to the Outer Limits of Human Belief (Portland: Feral House 1994) 27).

This is very similar to some of the ideas promoted by White conspiracy theorists at the time, like Bill Cooper in his book, Behold a Pale Horse. Lynn Picknett and Clive Prince also suggested that there was a conspiracy to create a Fascist social order with a fake alien landing in their book, The Stargate Conspiracy, published at the same time. This last book does not, however, blame the Jews and is certainly not anti-Semitic.

These ideas have been around for decades, however. This raises the question of why these attacks are being carried out now.

While Sargon is right that Trump’s daughter converted to Judaism – she did so when she married Jared Kushner, his son-in-law – Trump’s administration did contain allegedly genuine anti-Semites like Steve Bannon and Sebastian Gorka, and he did have links to and sympathy for the Alt Right. It might be that the growth in far right activism and racist rhetoric that his presidency has encouraged among White nationalists and racists like Richard Spencer has encouraged a similar increase in racism and anti-Semitism among some Black radicals.

On the other hand, it may also be that these attacks arise from tensions that a particular to the Black community. But left-wing commenters may also be right in that Trump’s neoliberal economic policies have resulted in more Americans of all colours facing terrible poverty. This is going to exacerbate racial tensions as groups compete over scarce resources. And the economic and social sense of threat this creates may cause some to seek out the Jews as scapegoats.

Racism and anti-Semitism have to be fought in all their forms. But the underlying economic causes have to be tackled as well – the poverty and the sense of despair and alienation this generates.

And that means electing a government that Sargon is definitely opposed to: one that will overturn decades of neoliberalism and restore genuine prosperity and a proper welfare net to working people. A government headed by Bernie Sanders.

 

 

Video of the V-9: the German Missile Against America

Published by Anonymous (not verified) on Thu, 26/12/2019 - 10:14pm in

Hi peeps! I hope you had a great Christmas Day, and are enjoying Boxing Day.  Here’s another piece about German World War 2 aerospace technology. It’s a video from Mark Felton’s channel on YouTube about the America Rocket. Felton posts vlogs about World War II fighting machines, and in this video he describes how the rocket was designed by Werner von Braun to hit New York. It was a two-stage version of the V-2. Unlike its predecessor, however, it was to be piloted. The German guidance system couldn’t work over such a long range without beacons. The German navy tried placing these in Greenland and other places on the other side of the Atlantic, but they were quickly found and destroyed by the Allies. This left them with creating a piloted version of the missile their only option. It was not, however, a suicide weapon like the Japanese kamikaze. Just before or during its final dive, the pilot was expected to bail out and parachute to safety. Lack of funding and the turn of the War against the Nazis meant that this was fortunately never built. If it had been, not only would the Nazis have built the world’s first ICBM, but they would have been the first nation to put a man in space.

Again, I should say that while I’m impressed with the scientific and engineering expertise in the development of the V-2 and this missile, I despise its purpose. The V-2 was responsible for thousands of deaths in London, and the prospect of a missile that could hit New York is terrifying. Particularly if the Nazis had succeeded in developing nuclear weapons. And the Third Reich was, of course, a brutal dictatorship dedicated to the enslavement and extermination of millions.

After the War there was a plan by the British Interplanetary Society to adapt a captured V-2 so that it could carry a man into space. Nothing came of it, however, as when the plan was finalised the Ministry of Supply weren’t interested and the missiles and their parts were no longer available.

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