Theatre

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Gillian Tett & Yanis Varoufakis, through their books Anthrovision & Another Now, revisit capitalism – An IQ2 event, live and in situ, Union Chapel, London, Monday 4th Oct 2021

Published by Anonymous (not verified) on Tue, 21/09/2021 - 1:00am in

SPEAKERS

  • Yanis Varoufakis: Greek MP & former finance minister of Greece and author of Another Now: Dispatches from an Alternative Present
  • Gillian Tett: Chairman of the US editorial board and U.S editor-at-large at the Financial Times

Gillian Tett is the pioneering columnist who has spent the last decade documenting the rise of ‘conscious capitalism’, a movement led by businesses that have concluded they can no longer afford to ignore issues like climate change, income inequality and social justice. Yanis Varoufakis is the former Greek finance minister who oversaw the bailout crisis in 2015 and has spent the last decade calling for a kinder vision for the global economy.
On October 4 they come to Intelligence Squared to discuss and debate their visions for a post-COVID economy. While both agree that capitalism needs reform they differ in the solutions they proffer. Tett believes business can play a greater leadership role in confronting existential issues like climate change. Varoufakis will draw from his new book Another Now and present a plan for a post-capitalist future.
Join us as these two leading thinkers discuss and debate their competing visions.

BOOK BUNDLES (UK ONLY)

Book bundles include one ticket for the event, plus a copy of Gillian Tett’s book Anthro-Vision: A New Way to See in Business and Life or Yanis Varoufakis’s book Another Now: Dispatches from an Alternative Present with free UK P&P. Books for in-person book bundles can be collected from the venue on the night of the event. Books purchased with livestream book bundles will be posted within 1-2 weeks of the event finishing. Click here to purchase a book bundle.

Anthro-Vision: A New Way to See in Business and Life by Gillian Tett is available to order from Primrose Hill Books, for £17 (RRP £20) including free UK P&P. Another Now: Dispatches from an Alternative Present by Yanis Varoufakis is available to order from Primrose Hill Books, for £9.99 including free UK P&P.

Intelligence Squared+ subscribers receive further discounts on other books featured in our events. Click here for more information and to subscribe. 

If you are already a subscriber please log in to purchase the discounted book.

Click the book jacket below to purchase the book.

The post Gillian Tett & Yanis Varoufakis, through their books Anthrovision & Another Now, revisit capitalism – An IQ2 event, live and in situ, Union Chapel, London, Monday 4th Oct 2021 appeared first on Yanis Varoufakis.

The Great Covid Panic: now out!

It’s here, the booklet I am sure you have all been waiting for. The one which Gigi Foster and Michael Baker slaved over for 10 months. It is also on Kindle. It is dedicated to all the victims of the Panic, in poor countries and rich countries. They include our children, the lonely, and the poor.

The short publisher blurb: How to make sense of the astonishing upheaval of Spring 2020 and following? Normal life – in which expected rights and freedoms were taken for granted – came to be replaced by a new society as managed by a medical/ruling elite that promised but failed to deliver virus mitigation, all in the name of public health. Meanwhile, we’ve lost so much of what we once had: travel freedoms, privacy, a democratic presumption of equality, commercial freedoms, and even the access to information portals. Something has gone very wrong.

The longer blurb that our publisher chose for it is over the fold! There is also a website that will tell you where book launches will take place, which bookstores sell it, and who has liked it sofar.

To make sense of it all, the Brownstone Institute is pleased to announce the publication of The Great Covid Panic: What Happened, Why, and What To Do Next, by Paul Frijters, Gigi Foster, and Michael Baker. Combining rigorous scholarship with evocative and accessible prose, the book covers all the issues central to the pandemic and the disastrous policy response, a narrative as comprehensive as it is intellectually devastating. In short, this is THE book the world needs right now.

In the Great Panic of early 2020, nearly every government in the world restricted the movement of its population, disrupted the education of its children, suspended normal individual liberties, hijacked its healthcare system, and in other ways increased its direct control of people’s lives. Attempts to control the new coronavirus in most countries made the number of deaths from both the virus and other health problems rise. Some countries and regions snapped out of the madness in early 2021 or even before. Yet other governments, still in 2021, were ever more fanatically obsessed with control.

Why did 2020 become, so suddenly and so forcefully, a year of global panic over a virus that for most people is barely more dangerous than a standard-issue flu virus? This book reveals how the madness started, what kept it going, and how it might end. This is also a book about stories and experiences, some real and some fictionalized to protect identities. Join Jane the complier, James the decider, and Jasmine the doubter, the three core protagonists of the narrative part of the book. Their experiences illustrate what happened to individuals and through them to whole societies, telling us — if we care to listen — how to avoid a repeat. This literary presentation is mixed with detailed reports of the actual data and deep research that has generally been obscured in the midst of media madness and obfuscation by public-health authority.

“A tour-de-force on how the pandemic response was driven by fear, crowd thinking, big business and a desire for control, rather than by sound public health principles. This is bound to be a classic.” ~ Professor Martin Kulldorff, Harvard Medical School

“When I received the manuscript, I was hooked from the first page and knew then that I would miss a full night’s sleep. I did indeed. My heart raced from beginning to end. As the publisher, I must say that this book is a dream for me, the book I never thought would exist, the book that I believe can change everything.” ~ Jeffrey Tucker, Founder Brownstone Institute.

St. George’s Hall

Published by Anonymous (not verified) on Wed, 25/08/2021 - 9:40am in

Tags 

vintage, Theatre

St. George’s Hall (1887). Originally opened as a theatre, with a dance hall on top. Served many uses down the years. Some retail shops remain on street level, but now mainly used by the adjacent Newtown High School of the Performing Arts as performance and rehearsal spaces, the latest disruption permitting. Heritage Listed. Newtown.

Unseen trends and the society we are becoming.

Published by Anonymous (not verified) on Wed, 21/07/2021 - 5:49pm in

Societies are evolving and complex, which often makes it hard to see at any moment where things are going. It was thus with the move of Northern European countries towards democracy in the 19th century, which seems inevitable and clear in hindsight but blurred at the time by lots of other developments that have now been forgotten, such as an increase in Protestant fanaticism and an anti-technology (Luddite) movement. In the last few decades there have also been many trends, some already waning, like the increase in international migration, and some on a seemingly unstoppable growth, like increased inequality. As in previous centuries, events like covid-mania accelerate some previous trends, like state surveillance, and reverse others, like the growth of international tourism.

Many commentators have rushed towards applying a particular label to the developments of the last 50 years. One hears about neoliberalism, financialization, or unsustainable growth. Though they make things sound neat and simple, such labels immediately make things moral and political, forcing people to take sides, which obscures the breadth of changes and makes a calmer assessment impossible. Let us thus look here at some of the less noticed trends which do not easily fit into existing labels. In this short post I just want to flag some trends in the Western world and briefly mention some instances of misperceptions of trends, leaving analysis for later. I will deliberately not show any statistics, forcing you to engage with the ideas rather than be a ring-side observer. See what you yourself make of these issues.

One major trend is the stark increase in the volume and extent of state regulation ever since the early 1970s, under any political leadership, pretty much everywhere in the Western world. From a few hundred pages of regulation per year, our bureaucracies and parliaments are now producing hundreds of thousands of pages of regulation per year. This rise makes a mockery of the idea that we are in a period of neoliberal deregulation, which is pretty much the exact opposite of the true direction of travel. The change defies any simple left/right or neoliberal/socialist label. It is a rise in bureaucracy. It has many causes, including meddling bureaucrats looking to expand their sphere of influence, but also the demands from large corporations for regulations that make life harder for the small business competition. The rise in regulation thus does not fit existing labels.

Another major trend is the decrease in IQ of the population in the Western world, probably due to increased use of mobile phones and social media. The mayor loss is the reduced capacity for abstract thought and seeing the interconnections between events. This is a profound dumbing down of the population with effects on every sphere of life, ranging from the quality of our institutions to the types of art enjoyed. Again, this trend is hardly known though it has been clear from the late 1990s. The phenomenon furthermore is not easily given a political label. It is neither pro-environment nor anti-environment, liberal or anti-liberal, woke or populist. Yet it is deeply worrying as a dumber population is less productive and easier to mislead.

Another such trend is the move towards monoculturalism in many areas of life, including politics, media, corporations, entertainment, academia, and commerce: the people, the manners, and the morals in these spheres all look the same. The gradual increase in similarity between people in the same sphere was noted a long time ago by Ortega Y Gasset (1930s) and Theodor Adorno (1960s), and has now reached a zenith: the coffee shop in Berlin is pretty much the same as in Melbourne or Los Angeles. The coffee shop is furthermore pretty similar to the movie theatre or the truck hire company: similar protocols and staff manners. The left-wing politician in Sydney is pretty much the same as the right-wing one in Ontario, using similar language and media methods. Italian artists differ in the language from the famous Polish or Kiwi ones, but the sounds, images, and personalities are very similar. Once again, such a trend is not so easy to put into a political or moral box. But it is a profound change with many consequences.

Let us then briefly mention the issue of misperceptions in trends.

There are the slow changes that are talked about in particular circles, but hardly known by a wide audience. A big one is the changes in demography. As they say, demography is destiny, so any observer of politics and international relations should have a good grasp of what is happening with demographic trends. But how many truly do? How many know whether fertility rates in the Muslim world have remained steady or are decreasing? How many know if the population of Latin America is still expanding or stabilising? Who would know if and when India will overtake China as the most populous country? The answers are ‘decreasing’, ‘still expanding but at a slowing rate’, and ‘in the next 10 years’. Did you know and do you see the great significance of such trends for analyses of the future? Once again, such trends are not so easily put into a political or moral box.

There is also the converse, which is trends large parts of the population believe are immense which are in fact relatively minor compared to other factors. For instance, if one were to ask a random person in the West whether the food security of Africa is more threatened by climate change than by reversing economic growth, I bet many would say ‘climate change’. Don’t even get me started on the magnitude of the threat of covid as compared to that of lockdowns! A sense of real proportions is thus rare because moral and political imperatives increasingly distort our view of things, which is itself an important trend.

A final trend that is hardly known I wish to alert you to is the major reduction in autonomy among workers in the West. Since about the 1980s more and more workers, even the well-paid ones, are spending their working lives surrounded by tight protocols and schedules, with increasingly less discretion over what they do and how they do it. It has been a creeping change wherein labour is more and more shackled to processes and compliance mechanisms. It is an explosion in regulation inside both private and public workplaces. Being bossed around in every aspect of life is now a lived reality for most of us, but who realises this or minds? What effects will the increased habit of obedience have on our societies?

There are hence many profound changes that have been brewing for decades, changes that defy easy political or moral labels. ‘We’ are becoming more regulated, dumber, similar to others, obedient, and ignorant of demographic and social realities.

What kind of society are we then moving towards? I am not sure. Are you? Do put your views in the comments!

Cheaper Doctor Who Theatrical Productions Over the Years

Published by Anonymous (not verified) on Mon, 28/06/2021 - 6:44am in

There's been three official Doctor Who plays - 'The Curse of the Daleks' (without the Doctor but with Daleks), 'Doctor Who and the Daleks in Seven Keys to Doomsday' (with both the Doctor and the Daleks) and 'Doctor Who - The Ultimate Adventure' (again with both the Doctor and the Daleks but also with the Cybermen and Margaret Thatcher!).

None of the them set the West End alight and were suspiciously absent at their year's respective Olivier Awards... but Doctor Who fans have a bit of a soft spot for them. 

Here's three cheaper versions of them... not that any of them really had a budget in the first place. Without a doubt, The Ultimate Adventure's budget would not have covered the cost of cat food for the cast of Andrew Lloyd Webber's 'Cats'.



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Citizen-jury appointments?

Published by Anonymous (not verified) on Thu, 24/06/2021 - 2:51am in

Dear Troppodillians, lend me your critical eye. I ask you to consider the system of citizen-jury appointments I have in mind, and tell me how the vested interests would try to game it, ie why it would not work and whether the system can be improved. Bear with me as I describe what I have in mind.

Suppose that in 10 years time in Australia, there is a citizen-jury-system for appointments for the entire upper layer of the public sector. One jury, one top position. Politicians would still be in charge of policy and Budgets, but juries would appoint all the top people working in the public sector. The system would hold for all large entities receiving significant state funding:

  • Universities
  • large hospitals
  • heads of Government Departments
  • State Media
  • Arts Councils
  • Statistical Agencies
  • etc.

So every year, hundreds of top-positions would be decided upon by juries. Consider how this would go for, saying, the director of the ABC.

20 random adult citizens are selected from the household register. These 20 are given a budget and a time-frame to appoint a new director of the ABC television broadcaster, who would be appointed for 5 years. This is a civic duty for which they are compensated and get time off work. They get together physically.

There are no ‘minders’ to tell the jury how to do their job. The jury composition is kept secret till the decision. All the jury has to come up with is an appointment, a motivation for the appointed candidate, and an explanation for expenses made. The jury makes their own procedures, find their own outside advice, and decide themselves what matters. They deliberate: what do we expect from a State broadcaster? What kind of person could do this? Where should we look for suitable candidates? How are we going to decide?

There is much to say about the pros of this system: independence, randomness, true democracy, strengthening the public sector versus the politicians, etc.

But I am looking for the dangers: big money and powerful beasts will try to find a way to corrupt the system. How would they do it and what could help to safeguard the system?

Book Launch of the Handbook for Wellbeing Policy-Making July 1st

Published by Anonymous (not verified) on Wed, 16/06/2021 - 7:44pm in

Wellbeing & Policy Making Book Launch Event on 1st July 5-6.30pm London Time. Attending the Launch is Free, the book is not!

[blurb from Nancy Hey, director of the WW Centre for Wellbeing]:
The What Works Centre for Wellbeing, and our commissioning partners at the ESRC: Economic and Social Research Council have been working with colleagues at The London School of Economics and Political Science (LSE) for the last four years to bring the science of wellbeing economics into policy making so that it can be used consistently and with confidence. This groundwork is summarised from an academic perspective in a new book from Prof Paul Frijters and Dr Christian Krekel.

Join me on 1st July 5-6.30pm for the launch of their new book and to hear from our superb panel of scholars and practitioners Prof Lord Richard LayardThe Brookings Institution‘s Carol Graham , Government Economic Service‘s Sara MacLennan , Prof Andrew Oswald from University of WarwickMcKinsey & Company‘s Tera Allas Prof Liam Delaney from The London School of Economics and Political Science (LSE) on their perspectives on wellbeing and policy making past, present and future and around the world.

Please register here: https://lnkd.in/dZS3baC

#research #science #future #economics #wellbeing #policy #publicpolicy

#policymaking #WellbeingEconomics #WellbeingEconomy #BookLaunch

 

Art deco fragment. Former rear stage door at Orion Theatre...

Published by Anonymous (not verified) on Mon, 03/05/2021 - 9:45am in

Tags 

Cinema, Theatre

Art deco fragment. Former rear
stage door at Orion Theatre (1938). With 999 seats, operated as a
cinema until closing in 1959. Served a variety of uses before being
converted to a function/wedding reception venue in 1984. Campsie.

Originally the Windsor Theatre (1938). A purpose built art deco...

Published by Anonymous (not verified) on Tue, 27/04/2021 - 10:02am in

Originally the Windsor Theatre (1938). A purpose built art deco cinema which operated until 1979. Became ‘Mytilenian House’ in 1981, a meeting place, bar and function centre for immigrants from various towns and villages across the Greek island of Lesvos (also known as Mytilene, after the capital) who settled
   in the Inner West after both World Wars. Canterbury.

Humanities Cultural Programme Live Event: Katie Mitchell in conversation with Ben Whishaw

Published by Anonymous (not verified) on Wed, 04/11/2020 - 9:13pm in

Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'. Biographies:

Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance.

She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy.

In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director.

Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting.

Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production.

Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

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