Dee: Jane, do you ever feel like you are just this far from being completely hysterical twenty-four hours a day? Jane: Half the people I know feel that way. The lucky ones feel that way. The rest of the people ARE hysterical twenty-four hours a day. — from Grand Canyon, screenplay by Lawrence and Meg Kasdan HAL 9000: Look Dave, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over. — from 2001: A Space Odyssey, screenplay by Stanley Kubrick and Arthur C. Clarke George Fields: [to Dorothy/Michael] I BEGGED you to get therapy! — from Tootsie, screenplay by Murray Schisgal As if the mid-winter blues weren’t enough, there’s been an odd confluence of celestial events recently – a close encounter with a hurtling asteroid, an eerie green comet lighting up the night skies, and the mysterious appearance of a high altitude “spy balloon” the size of three metro buses that has the conspiracy nuts twisting themselves into pretzels. Not that I believe in heavenly portents, but I am feeling the need for some “cinema therapy” right about now.
Saturday Night at the Movies
I don’t feel safe in this world no moreI don’t want to die in a nuclear warI want to sail away to a distant shore and make like an apeman -from “Apeman” by The Kinks, written by Ray Davies Don’t put that umbrella away…the forecast is cloudy, with a chance of cosmic debris: Meteorite hunters have successfully recovered fragments of an asteroid that impacted Earth over Berlin, Germany, on January 21st— and the space rocks could be very rare indeed. The 3.3-foot (1-meter) wide asteroid dubbed 2024 BX1 was spotted by NASA around 90 minutes before it hit Earth’s atmosphere. It burned up upon impact, exploding and creating a fireball seen by observers across Europe. Following the event, on January 22nd, intrepid meteorite hunters were out searching for fragments of Asteroid 2024 BX1. One team that hit pay dirt was led by SETI meteor scientist Peter Jenniskens; the crew found the second and third fragments to be uncovered.
In his Jeff Beck tribute last week, music industry maven Bob Lefsetz observed: And [Beck’s] death was so sudden. At 78. May sound old to you, but then you’re probably not a baby boomer. I mean the end is always looming, but you always believe it’s at some distant point in the future, when in truth it’s closer than you think. But it’s even weirder than that. The giants are falling. The building blocks of not only the British Invasion, but classic rock, are passing. The icons and the secondary players. But they were all major players to us, music was everything. Not only was it soul-fulfilling, it told you which way the wind blew. And the hits were not all the same and new ones popped up all the time, it was a veritable smorgasbord of greatness. Falling like dominoes. To paraphrase The Giant in Twin Peaks: “It is happening again.” “Difficult and gifted” would be a fitting epitaph. But with Crosby, the “gift” far out-trumped the “difficult”. No matter how bad things got for him, that heavenly, crystalline voice never faltered.
In honor of Martin Luther King Day, I’ve combed my review archives and curated 10 films that reflect on race relations in America; some that look back at where we’ve been, some that give us a reality check on where we’re at now and maybe even one or two that offer hope for the future. We still may not have quite reached that “promised land” of colorblind equality, but each of us doing whatever we can in our own small way to help keep Dr. King’s legacy alive will surely help light the way-especially in these dark times. Black KkKlansman (2018)– So what do you get if you cross Cyrano de Bergerac with Blazing Saddles? You might get Spike Lee’s Black KkKlansman. That is not to say that Lee’s film is a knee-slapping comedy; far from it. Lee takes the true story of Ron Stallworth (John David Washington), an African-American undercover cop who managed to infiltrate the KKK in Colorado in the early 70s and runs with it, in his inimitable fashion. I think this is Lee’s most affecting and hard-hitting film since Do the Right Thing (1989).
Goddam it all, anyway. This one hurts. The music world has lost one of its greatest vocalists. That is not a typo. Jeff Beck could make a guitar speak, in every sense of the word. He rarely stepped up to the mic during the course of his 60+ year career, but whenever he set his fingers to a fret board, he told you a story; sometimes joyous and life-affirming, sometimes sad and melancholy…but it never meandered into masturbatory self-indulgence. Every note held import, serving a distinct narrative that had a beginning, a middle, and an end. Like all great artists, he was loathe to dawdle too long in a comfort zone; he never stopped exploring, pushing the boundaries of his instrument ever-further with each performance (whether on stage or in the studio). While he was generally relegated to the “rock” section, he could slide effortlessly from blues, boogie, and metal to funk, R & B, soul, jazz and fusion (more often than not, all within the same number).
Dreadlocks can’t smoke him pipe in peaceToo much informers and too much beastToo much watchie watchie watchie, too much su-su su-su suToo much watchie watchie watchie, too much su-su su-su su -from “Tenement Yard”, by Jacob Miller Happy Holiday! How about some good news for a change? Via the Associated Press: Saturday marks marijuana culture’s high holiday, 4/20, when college students gather — at 4:20 p.m. — in clouds of smoke on campus quads and pot shops in legal-weed states thank their customers with discounts. This year’s edition provides an occasion for activists to reflect on how far their movement has come, with recreational pot now allowed in nearly half the states and the nation’s capital. Many states have instituted “social equity” measures to help communities of color, harmed the most by the drug war, reap financial benefits from legalization. And the White House has shown an openness to marijuana reform. The origins of the date, and the term “420” generally, were long murky.
All is quiet, on New Year’s Day. Except for this mixtape (you may adjust your volume per hangover conditions Monday morning). Cheers! “This Will Be Our Year” – The Zombies – Starting on a positive note. Lovely Beatle-esque number from the Odyssey and Oracle album. You don’t have to worryAll your worried days are goneThis will be our yearTook a long time to come At least…we can always hope, right? “Time” – David Bowie – A song as timeless as Bowie himself. Time, he’s waiting in the wings/He speaks of senseless things… “1999″ – Prince – Sadly, it’s a perennial question: “Mommy…why does everybody have a bomb?” “1921” – The Who – Got a feeling ’21 is gonna be a good year. OK, back to the drawing board …let’s make ’24 a better one. “Time” – Oscar Brown, Jr. – A wise and soulful gem…tick, tock. “New Year’s Day” – U2 – I know… “Edgy pick, Captain Obvious!” But it’s still a great song.