Three hundred characters in 260 pages. How do you possibly keep track of so many names, so much intrigue? It’s hard to imagine a reader of Camilo José Cela’s masterpiece, The Hive, who hasn’t asked this question – who hasn’t wondered, after twenty or thirty pages, whether or how to go on. Do you just accept the confusion? Or, alternatively, keep elaborate notes – perhaps sketching out, as I did, a web of relations on a very large sheet of paper?