Despite a slow-burning start, once I got pulled into writer-director Maura Velpero’s intimate World War 2 family drama Vermiglio (winner of the Silver Lion at the 2024 Venice Film Festival and Italy’s Official Selection for the 2025 Academy Awards), I didn’t want it to end. Imbued with shades of The Leopard, The Last Valley, and Little Women, this tale is set in an Alpine hamlet in Italy. Save for the occasional sound of a passing aircraft, the war doesn’t intrude directly into on the villagers’ daily life. That said, the effects of war are palpable; food is scarce (money even more so), infant mortality is high, and most of the young men are off serving at the front. Valpero frames her narrative around a year or so in the life of the populous Graziadei family. The patriarch is Caesare (Tommaso Ragno). Caesar is the village’s resident schoolteacher, conducting general ed classes for children and reading classes for illiterate adults. His visibly life-tired wife Adele (Roberta Rovelli) is pregnant with their 11th child (two of their children died as infants), and is chagrined that Caesare continues to take money out of their meager finances to purchase classical records (he haughtily defends the purchases as necessary tools to teach the arts). He counts a number of his own children among the students in the one-room school; he is hardest on his eldest son Dino (Patrick Gardner), who he cruelly browbeats in front of his classmates. He shows a soft spot for his…