How might the critique of the scientific method in Herman Meville's Moby Dick be related to a reading of Antonio Gramsci or Edward Said in some of their combined reflections on science and the exploitation and examination of society and nature?
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How does Australian author David Ireland’s last novel, The World Repair Video Game read as a literary exploration of ecofascism and, perhaps, the most powerful we have in Australian (and world?) literature. This blog outlines the contours of my most recent article that traces that argument, just published in Environment and Planning E.
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The latest movie adaptation of Frank Herbert’s classic novel Dune, Dune: Part Two directed by Denis Villeneuve, has set truly intergalactic box office records, and been globally exalted by movie critics. Dune: Part Two has, of 24 March, hit over US$220 million in the United States domestic box-office, and worm-holed its way to over US$520 million globally. Villeneuve’s latest foray into the harsh world of Arrakis has been critically acclaimed as a masterpiece, with the film compared favourably to the brilliant Star Wars sequel The Empire Strikes Back, while it currently enjoys near-perfect popular and critical reviews.
As part of the 2023 Festival of Urbanism at the City Road Podcast organised by Dallas Rogers, Adam David Morton talks with Mark Steven in the podcast, below, about his new book, Class War: A Literary History.
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My new book Class War is a literary history, but it is committed to literature as something more than a record of past events. With a textual archive comprising letters, slogans, songs, manifestoes, memoirs, and field manuals in addition to novels, poems, and other more obviously literary modes of expression, literature is to be understood here as an active participant in the revolutionary process.
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