Reading
“Oh, for crying out loud.”
For fuck’s sake. Is this a fucking joke?
“Get outta town.”
Are you fucking kidding me?
“Ya gotta help me out here.”
Come the fuck on.
“Well how ’bout that!”
That’s fucking great! Holy shit!
“Boy, I hear ya.”
Shut the fuck up.
“Excuse me?”
The fuck did you just say?
“Dang it.”
Fuck.
“Doggone it.”
Fuck!
“Well, shoot.”
FFFFFuuuuuuuuuucccccckkkkkkkkkkkkkkkk!
As thousands of people took part in central London’s coronation festivities, Lula da Silva was nearby. After attending the King’s coronation, the president of Brazil was invited to 10 Downing Street, where he met with Prime Minister Rishi Sunak and Foreign Minister James Cleverley. In stark contrast to Jair Bolsonaro’s presidency, Lula has begun his […]
The Supreme Court spared Glossip’s life — for now. But his fight is far from over.
The post The “Power, Pride, and Politics” Behind the Drive to Execute Richard Glossip appeared first on The Intercept.
Tlaib’s resolution commemorates 75 years since Palestinians were violently expelled from their homes.
The post Rep. Rashida Tlaib Asks Congress to Condemn “Israel’s Ongoing Nakba” Against Palestine appeared first on The Intercept.
Brad Leithauser has been publishing poems and novels, much of it brilliant work, for forty years. When he was a young man he imagined writing a book about the structure of poetry. It has recently appeared—has been haunting his imagination for decades, and now at last is available between two covers. Rhyme’s Rooms: The Architecture of Poetry is a lifetime’s worth of education on the craft, a handbook, a book of essays, yes, but each one geared—in the manner, say, of John Hollander—to particular elements. There are chapters on “Stanzas,” “Enjambment,” “Rhyme and Rhyme Decay,” “Iambic Tetrameter,” even a chapter on the boon afforded English-language poets by English’s odd spellings, and another on “Rim Rhyme” (“where consonants are held steady while internal vowels are shifted around,” like “light” and “late”). Though the title phrase means “rhyme” as a kind of synonym for poetry in general, this poet does argue for the power of rhyming—the relationship between two words—as being, still, central and generative to the art form’s vitality.
