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The philosopher later refutes this while shouting FOUUUURRRR while thinking about butts.
Lee Camp sat down with Mike Papantonio, one of the most successful lawyers in the US and an attorney who built a reputation for holding corporate America accountable.
The post Social Media Is Filled With Spooks! With Mike Papantonio appeared first on MintPress News.
As well as ripping a hole in the economy with her disastrous mini budget, her passionate rants about cheese and pork markets and, of course, being outlasted as prime minister by a head of lettuce, one of Liz Truss’s lesser-known legacies is the damage she caused to the Environment Agency (EA) in her time as […]
Lowkey is joined by Professor David Miller, formerly of Bristol University and Zeeshan Ali, who runs the successful YouTube channel, Smile2Jannah, to discuss the power of the Israel Lobby, Jordan Peterson and the World Cup among other topics.
The post World Cup Racism, The Israel Lobby, and Jordan Peterson, with Smile 2 Jannah and David Miller appeared first on MintPress News.
This Afterlife is A. E. Stallings’s new Selected Poems, drawing on her four full-length books, and including a “lagniappe” or bonus of previously uncollected poems and translations. Stallings, a poet who was raised in the suburbs of Atlanta, has made Athens, Greece, her home for almost two decades. Her education in Classics, Latin, and Greek prepared her for a life preoccupied with the Grecian peninsula, but the move was not preordained—it’s rather as if her work over the years led her there, from her debut collection Archaic Smile, a book of rewritings of myths and riffs on sayings, her second book Hapax, her translations of Lucretius and Hesiod and George Seferis, on through her third book, Olives, and her fourth, the Pulitzer Prize finalist collection Like, which begins with an epigraph in Greek and a poem that responds to it. That the poem is a villanelle tells us on the one hand that she is a poet whose strongest work often emerges out of inherited forms, and that her sensibility was European before she herself knew it was—the poem recalls that journey in the slow boil of the villanelle, building, and recasting:
The cartoonist HT Webster predicting generative art in 1923
