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DrupalCon Portland 2024 is approaching soon, and you can’t wait to head to vibrant Portland. If this is you, you also must be stressed about persuading your boss to invest in your attendance at the Drupal event of the year. But don’t worry, we’ve got you covered! This article is your go-to resource, where you’ll find all the ammo you need to make your case. Let’s get started!
But First, Are You Convinced About Attending DrupalCon?
Naturally, your organization has various factors to weigh, with the primary concern being whether sending you to DrupalCon Portland is worth their investment. But the pivotal question is the value you see in it. Explore our list of strong reasons to attend DrupalCon 2024.
As the war on Gaza grinds on, it is becoming increasingly clear that Israel has no plans to leave the beleaguered Palestinian territory and instead institute its long-held goal of recolonizing the Strip.
The post From Libya to Paraguay: Israel’s Longstanding Goal of Expelling Palestinians From Gaza Inches Closer to Reality appeared first on MintPress News.
Rep. Delia Ramirez, D-Ill., is the first candidate to win an endorsement from Justice Democrats for the 2024 cycle.
The post Justice Democrats Endorses Chicago Progressive Among First to Call for Gaza Ceasefire appeared first on The Intercept.
Jane Hirshfield’s New and Selected is such a generous bounty—first of all it is essentially a new book of poems, a departure from older work into a new territory. So, allow me to dive right in, explaining why I am so excited about this book bringing together Hirshfield’s new and earlier poems.
Take for instance her poem, “Today, When I Could Do Nothing,” which is so of this, our moment in time, and yet it also continues some of the other poems in her earlier book Ledger, where Hirshfield explored the idea of a civic poem that takes lyric as its medium of discourse. Here, as in Ledger, the lyric detachment we have grown to love over the decades of faithfully reading Hirshfield’s work attains a new dimension: this is a kind of detachment that is so charged with the communal presence one finds so necessary in this moment of crisis. It feels like a departure, a new tone, a new register, in Hirshfield’s work, which is exciting to observe as one considers this volume’s gathering of her writing over the decades.