No explanation was given to Raymond Mattia’s family, who said prosecutors violated new federal guidelines on victims’ rights.
The post Justice Department Won’t Charge Border Patrol Agents Who Killed Native Man appeared first on The Intercept.
No explanation was given to Raymond Mattia’s family, who said prosecutors violated new federal guidelines on victims’ rights.
The post Justice Department Won’t Charge Border Patrol Agents Who Killed Native Man appeared first on The Intercept.
[ The below is a personal statement that I make on my own behalf. While my statement's release coincides with a release of an unrelated statement on similar topics made by my employer, Software Freedom Conservancy, and the Free Software Foundation Europe, please keep in mind that this statement is my own, personal opinion — written exclusively by me — and not necessarily the opinion of either of those organizations. I did not consult nor coordinate with either organization on this statement. ]
The first thing one notices when one reads a Jesse Nathan poem is: one’s body humming along to the music of his words.
How does such a thing work?
It’s the sound patterns—rhyme, inner rhyme, alliteration, assonance—yes, but it’s also how the poet uses the sound patterns on the line-by-line level, and as connective tissue between different poems, and finally, between different sections of the book. So the meaning lives in the music here, on both the micro and macro level, as the sound plays a live role in Nathan’s explorations of memory, his various investigations into ecology, into poetics of place, into history.
Which is to say, Eggtooth is not an ordinary debut but something quite different.
Oh man, good for me. Look at me! I am listening to jazz.
Here I am, just taking in the moment. Fully present. Just me and the music.
Yup yup yup yup yup. Completely immersed. Thinking about nothing else.
The rhythm. The musicality. The syncopation.
Is that the right word? “Syncopation”? That’s a jazz thing?
Sync-o-pate sync-o-pate sync-o-pate.
One thing’s for sure: I am not on my phone right now.
I don’t even know how many minutes it’s been since I looked at my phone.
Because I am too busy listening to this song.
Is it a song?
Does it have to have words to be a song?
Maybe it’s a piece?
That’d be kinda pretentious. This isn’t a museum.
I mean it’s “ART.” No one is saying this isn’t art.
But it’s not Van Gogh. You can’t listen to a Van Gogh.
Is that insensitive? He cut off one ear. But he still had another one.
Oh, you know what? I bet they call it a “tune.”
Man, jazz guys are so cool.
That bass player is rockin’ that flat cap.
I don’t think I could pull that off.
Maybe if I carried a bass with me people would buy it.
‘Everywhere you go in Gaza, you see death’, said Khamis Elessi, a consultant in the Gaza Strip. A fourteen-year-old child in Gaza has experienced five successive bombing campaigns and lived their entire life under siege. Former Prime Minister David Cameron once described the densely populated area as a prison camp. He’s right. It is blockaded […]
- by Aeon Video
- by Michael Levy
Marwan Bishara breaks down Hamas’s deadly raids into Israel, the decades of Palestinian suffering, and how Benjamin Netanyahu may exploit the horrors.
The post The Gaza Cauldron appeared first on The Intercept.
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