Reading
“The question at the core of the case is what control the U.S. government has over the American mind.”
The post Barring Speakers Under U.S. Sanctions Puts Ideas Off-Limits, Say Free Speech Advocates appeared first on The Intercept.
As Israel excels in massacring civilians and destroying Gaza’s infrastructure, its ground offensive against Hamas is becoming a quagmire.
The post Industrial Killing of Civilians in Gaza Won’t Defeat the Armed Insurgency appeared first on The Intercept.
A trove of investigative files reveals that the Department of Justice almost never prosecutes grizzly bear killers under the powerful law.
The post Grizzly Bear Poachers Flout the Endangered Species Act — and Get Away With It appeared first on The Intercept.
Intercept co-founder Jeremy Scahill and journalist Sharif Abdel Kouddous discuss the U.S. role in Israel’s scorched-earth campaign to annihilate Gaza.
The post Watch: A Conversation on the Horrors in Gaza With Jeremy Scahill and Sharif Abdel Kouddous appeared first on The Intercept.

The Course of Empire by Thomas Cole
The Thomas Salto, Timmy Straw’s debut collection, offers what very little poetry in our time seems to manage: work that is both overtly political and unflinchingly aesthetic. Ben Lerner, Brenda Hillman, Jay Wright, Anne Boyer, Chris Nealon are others whose work comes to mind. But Straw’s work marries politics and aesthetics in a way maybe not seen since George Oppen, and the gift of this collection is both the lyric mystery it generates and the position of moral clarity from which it operates. To do this, Straw refuses any neat resolutions that pay lip service to the fashionable pieties—these poems, like Hillman’s or Oppen’s, take those pieties for granted, as background noise, as a starting point at best:
Occasionally,
our freedom intrudes on us
like real sunlight thru a snowglobe
like real sunlight on a painted sun
hot as a fresh-cut tree
as a flung side dappled saw
To turn and see it face to face,
to be
both sight and self
it swings upon
