It’s an event: Randall Mann’s work is now gathered in Deal: New and Selected, a volume of poems as rich as they are chiseled. Mann is a love poet, or at least a poet of lust—though maybe that’s a description of all poets—but Mann is also a writer whose passion is almost always shot through with an overt and bittersweet cynicism. A singer of shining knives. Praise and complaint go together, after all—epideixis is sometimes called praise-and-blame rhetoric—and the visceral, cutting quality of Mann’s poems goes hand in hand not only with his love for terse, rhyme-taut lines but also with what we might call his subject: “action: / transaction.” His first book was called Complaint in the Garden and his third, Straight Razor. On the other hand, the lover-as-poet is visible in the book some may know him best for, his second collection, Breakfast with Thom Gunn, or a more recent gathering, such as 2021’s A Better Life, whose cover is a ravishing matrix of thumbnails, glam shots of naked men’s faces in various expressions of come-hither.