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I was on the road to the camp when Israel launched its raid — and saw the aftermath in a nearby hospital.
The post Inside the Nuseirat Massacre: This Is the Carnage I Saw During Israel’s Hostage Rescue appeared first on The Intercept.
“One side or the other is going to win,” Alito told a person he thought was a right-wing activist.
The post Supreme Court Justice Samuel Alito Caught on Secret Audio appeared first on The Intercept.
Far-right parties just posted their best-ever performance in the European elections. In France, Marine Le Pen’s National Rally (RN) won 32 percent of the vote, leaving the party with 30 seats in the European Parliament. Macron responded by calling a snap election, which will take place within the next 30 days. In Italy, Giorgia Meloni’s […]
Madeleine Cravens is a poet of delectable desolation. Pleasure Principle is the name of her first book, and beyond the Freudian reference I can’t help but hear the echo of another kind of principle, the principal, that which we pay when we pay what we owe. To grow up is, in some ways, to find out how much you owe—for and to childhood and its illusions, for and against its dreams and evasions. It’s possible we never really grow up, but only because the more we’re encased in our bodies, the more we’re so plainly still seeking the same things we always did—food, sleep, love, good times. And while this book is about pleasure, certainly—and there are electric sexual moments (“Ariana kissed me on the bridge, / then slept with Brandon after everyone / downtown lost power.”)—it is most of all a set of poems whose music grapples with the disintegration of the poet’s parents’ marriage even as it grapples with the rugged wasteland of young adult life and longing more generally. There are many poets writing spare, hyper-efficient lyric, but you would be hard-pressed to find one as sure-footed and savvy, and relentlessly good as this one.