Illustration by Chuan Ming Ong
The author and his closest basketball confidantes undertake a formal analysis of Steph Curry’s shot at the Paris Olympics as art object.
I was sixteen when my mother gifted me a painting by Ernie Barnes. I’d seen one Barnes painting at that point on the cover of Marvin Gaye’s 1976 album, I Want You, on the brown carpeted floor of my Auntie Sue’s apartment. Then I saw it five days a week for at least a decade during the credits of my favorite show, Good Times, which was then in syndication.



